Guillermo del Toro No Longer Directing His "Beauty" (But He'll Still Be Producing)

Fan art by supkayla

Well, I'm seriously disappointed at this news, though del Toro's original vision still going into production with Emma Watson as Beauty, and him staying on as Producer is a decent consolation prize. I just really wanted to see his vision, done his way and to knock the socks off anyone who only knows the singing cutlery version.

-sigh-

Here's the scoop from StarburstMagazine via Entertainment Wise:

(Due to lack of time and other film commitments) Master Mexican director Guillermo del Toro has stepped down as director on the upcoming remake of BEAUTY AND THE BEAST, starring Emma Watson. While del Toro’s beautifully-twisted imagination would have taken the classic tragic love story (edit: far away) from the sanitized clutches of Disney, he’s staying on as producer. Having already written the script, (FTNH edit: and having created a signature development book) the film, no doubt, will bear his distinct style, half way between the art movie and big budget action. 

...Warner Bros. hasn’t yet announced a replacement director, although expect more on this as it develops.

Just to make it clear this B&tB would be:

Warner Bros + del Toro Producing + Emma Watson + Director still unknown...

From Emma Watson's Vogue shoot a few years ago

If you're wondering about the Disney live action version just announced, this is not the film you are looking for. (It is, however, a film I'm still keen to see.)

"Ever After High" Gets a Movie, To Become Netflix Original Series for Kids (+ Cerise Hood Exclusive Is Quite A Doll!)

New & much improved EAH Cerise Hood EXCLUSIVE for SDCC* 2014
(Available after SDCC from mattycollector.com - very limited supply - obviously)

A new movie and a whole new series for the very popular Ever After High from Mattel.

Note: In case you didn't know Once Upon A Blog is pro-Ever After High. Why? See my post HERE (and scroll down past the Descendants part to see why I ate the words of my first impression of this princessy-looking toy line with animated series tie-in).

Press Release:

June 16, 2014: Netflix Inc. and Mattel, Inc. today announced an all-new and wicked animated original series for kids of all ages based on the spelltacular Mattel franchise, Ever After High. The new animated series will premiere in all Netflix territories in early 2015.

...The Netflix original series will be preceded by Ever After HighSpring Unsprung, a new movie, in early 2015, and 12 episodes of Ever After High the series will follow. Both will feature the royally rebellious and spellbinding stories of the Ever After High students with new twists, turns and character introductions for current and new fans to enjoy.

I don't see any word on whether our girl Shannon Hale will be involved but here's hoping she is.

On a related note: the new Cerise Hood SDCC exclusive collectible is not your average doll!
Here's the regular one (photographed very nicely, but still):

   

 

And you can see the exclusive below with detail pics HERE (although this is not really my thing - ie. dolls - the accessories and motifs on this one are worth checking out).

*SDCC is the giant annual San Diego Comic Con

Tomorrow is the Beginning of (the 10 Chapter long) Happily Ever After for Willingham's "Fables"

Issue 141 - 1st of the Happily Ever After finale chapters. Cover by Nimit Malavia

Issue 141 of Fables is the last big turning point in Willingham's popular comic series, marking the beginning of The End (for real!) for the long-running, critically acclaimed, fairy-tales-like-you've-never-seen comic-cult favorite.

In true classic storybook-ending style, this story ends as it begins, with the sisterhood conflict of Snow White and Rose Red - but turned up to 11.

“HAPPILY EVER AFTER!” part 1. Good knight vs. bad knight. King Arthur vs. Morgan le Fay. Rose Red vs. Snow White. The two sisters are caught up in the roles Camelot has set for them, and now they’re ready for battle. Plus, don’t miss the backup story illustrated by P. Craig Russell!

I admit I'm not caught up yet, having yet to navigate my way through the various crossovers etc but I've kept a general eye on things and have been following the Fairest spin-off, which also culminates at Issue 150.

Note: Issue 150 will be 150 PAGES LONG! I'm kind of looking forward to that actually. Since it has to finish, I have fairly high hopes that this will finish well and Willingham will pull out all his stops to add the notes from his fairy tale research that he hasn't yet been able to use. *fingers crossed* And I'd like an annotated version of the comics with reference to all the research too please... (No I did not happen upon a genie and am making outrageous wishes, I'm just choosing to be extremely optimistic!)

This seem like a pretty significant point in time for alternate fairy tale pop-culture influence so I'm going to do what I can to personally follow the final ten issues. It's unlikely I will comment on them until the finale is said and done, if then. It's just one of those events that should be marked by people watching the influence of fairy tales in pop-culture (and vice versa).

A little bit from Willingham on the finale arc (note Flycatcher is "The Frog King" for those a little hazy on the many, many denizens of Fabletown. He's also a fan favorite, and included on my short list too):

"I'm not saying that everyone dies and everything's horrible. But as the story plays out, it becomes clear that that's it. The story comes to an end."

Some characters in Willingham's expansive Fables cast will have their final curtain calls in the main story line — others star in short backup stories in the last run of issues, beginning with Flycatcher in No. 141, and then moving to Sinbad, Cinderella, Prince Charming and others.

There will also be some skipping around in time, Willingham says. "The final story of Flycatcher for example takes place at some undisclosed time in the future, but apparently he's had time to have kids between now and then."

The article mentions how Willingham made good use of a Fables forum to keep track of all the questions of character fates, unresolved plot-lines and other fan puzzlers (smart!) and will be dealing with a lot of those danglers in the final arc as well. Hopefully that will be satisfying story-wise without being too "i" dotting and "t" crossing.

You can read much more about The End HERE (though it might seem a little confusing if you're not a decent way into the series).

I read vague possibilities of Fables one-off "specials" in between the lines of Bill Willingham's admission that it's not as easy to let go as he originally anticipated.

"Just doing this last story line," he says, "these pesky characters keep suggesting, well, if you've done this then here's something nice, or here's something that could happen to this character down the road."

Oh - and don't forget: the movie is still actively in development. Things are still looking very good for a Fables film.

Aussies 'n' Fairy Tales Week: Debra Phillips, Painter of Stories

You may have seen her work recently in conjunction with the AFTS conference, but not known the name of the creative woman behind this new vision of Snow White. Her name is Debra Phillips and she tells stories. But not just with words. She also tells stories with paint.

While she is a writer and is currently involved with an academic study related to storytelling and fairy tales, she also creates stories using paint and often incorporating other media as well. Be it stitching, photography, old maps or her own brushstrokes, there is always a story woven into the work.

A Grimm View of Life series: Three Little Pigs

From Ms. Phillips:

When I paint I tell myself a story about the people in the scenes, the events leading up to the scenes and the qualities of each person within the painting. For me, a painting is a story. Although it is entire in itself, there is always a story before the image and a story after the image.  Decades ago when I painted the series of saints, I also wrote on the back a short story about the life of the saint (either imagined or real). 

A Grimm View of Life series: Goldilocks and porridge

What you see here are some of her intriguing paintings, exploring familiar fairy tales in a new ways, something, she says, is bring influenced by her current academic research and study, with an emphasis on the notion of time experienced in fairy tales and how they can transform to become a distinct narrative about an imagined future.

But that's not all she does.

A Grimm View of Life series: Snow White and rotten to the core

In the past, Ms. Phillips could often be found writing stories for friends by request, often with the purpose of commemorating a specific and special life event (birth, wedding etc). Over time, she began to include water colors, collages or photographs she had created. At some point she added stitching and the concept of her unique brand of hand crafted books was born.

Detail from a mixed-media collage

Story writing has overtaken my self and my life. There is always a tension between the desire to write and the desire to paint. Sometimes the paintings emerge from writing and sometimes the story comes from seeing a theme running through paintings or collage images. 

Fairy story themes are a constant thread running through all the stories. Some fairy stories are obvious and others are hidden in the other themes of the story. All my stories are about the human condition, especially its frailties and it’s complex relationships.

As you can see at the head of the post, Ms. Phillips had the honor of being the cover artist for the AFTS Inaugural Conference program this year. She also attended and, along with everyone else, has been reported as being both delighted and inspired by the papers and presentations of all kinds.Which can only mean one thing: we should be seeing more from Ms. Philips very soon.  

A Grimm View of Life series: Snow White & Rose Red have the wolf at their feet

In the meantime, she has a small website with a few examples of her work HERE, including a fascinating introduction to her current studies with fairytales. I look forward to seeing what Ms. Phillips does next.

Article: "Fairy Tale Fathers" by Kristina Wojtaszek

Fairy tale fathers: they tend to be absent, passive, possessive, abusive, foolish or "shadows" (weak). 

But there are a few who are, perhaps, underrated with the circumstances they have to deal with and who do, ultimately, seem to care about their children (Note: the further across the globe you range, the easier it is to find decent father figures in fairy tales but the better known European fairy tales in particular, prove a tough bunch when attempting to find a decent guy!)

Author and blogger, Kristina Wojtaszek of Twice Upon A Time, posted a wonderful tribute to fathers of all kinds everywhere in her blog last year and, being Father's Day today I wanted to point you back to it. She begins:

If you want to really appreciate the father figures in your life, try reading a few fairy tales.  Fairy tales bring out the best, and worst, in every character, but the dads in fairy tales are often excessively dull, single minded, and even downright negligent.  Who can blame the stepmother for donning the pointed hat and hopping on her ill-used broom?  After all, somebody’s got to bring the plot home! 

But there are exceptions.  There are fathers who are worse than evil, like the ones who try to replace their lost wives with their own daughters (who ought to be reigning from asylums, rather than castles) or those daddy Darwin’s who cunningly pit their sons against each other in cruel, and often deadly, competitions for the throne.  But there are fairy tale fathers who’ve risen from the mire and even earned bit of our respect.  Here are three such prime padres:

Go HERE to find out whom Kristina is giving kudos to and why. 

It's lovely and heartfelt and makes you think a little harder about those fathers in fairy tales who had a lot more on their plate than average and yet still did their best to look after their families.

(from) The Frog King by Walter Crane

I would add one note: the tale of The Frog King or Iron Henry (ie The Frog Prince). This is the father of a teenager (most likely), sitting with his daughter at the dinner table and having a conversation and, with no mother in sight, there's a good chance he's a single dad too. Commendably, he insists she be careful of her word and keep her promises, even to a lowly frog (it is assumed, he has NO idea that chances of a naked prince appearing in her bedroom, were on the high side). Although I don't like how spoiled this princess appears to be in this story to start with*, I'm always on the side of this particular King who is trying to get his daughter to behave as a princess should. Plus, how can you not like a King who insists a frog be given a decent meal and cared for as promised?

If you have any to add to the list, feel free to share in the comments. 

And Happy Father's Day to all the father figures of all kinds who, in the words of Ms. Wojtaszek:

"... (have) contributed to the well being of children everywhere; children who would surely have floundered without a father’s care to light the dark and winding forests of their futures."

What she said. (Thank you Kristina!)

Aussies 'n' Fairy Tales Week: Bruno Torfs "Phoenix" Fantasy Garden

The fantastical sculptures of Bruno Torfs, nestled in a temperate rainforest garden setting in South-Eastern Australia, wowed, moved and inspired 1 000's of visitors from all over the world for over a decade, until, in the midst of a devastating national bushfire disaster in February 2009, amidst great loss of lives, homes, unique rainforest habitats and more, this beautiful garden also became a casualty. While it doesn't compare to the loss of life, losing great art is worth mourning in its own way and many of these mythic sculptures were lost forever.

While, at the time, I was concerned with family members there and fire fighting cousins who were battling against the odds (all of whom survived and got to safety) to hear of the loss of the Torfs' gardens affected me very deeply. (I'll explain why shortly.)

The Torfs family, who lived at the unique garden and gallery, managed to get to safety but lost their home, over 300 paintings and sustained great damage to the sculpture garden. Friends and neighbors in nearby Marysville weren't as lucky and lost not only their homes but their lives. The area remained in a state of emergency for quite some time. Miraculously escaping with his family, Bruno made a statement on his website, saying they would be salvaging what they could, with the intent of bringing another fantasy garden to life.

Here is one of the many video tributes showing the beautiful sculptures the garden contained before the fires swept through (The Torfs' website has a slideshow as well):

Below are some images of what Bruno and his family found once they were allowed back into the area afterward.

From the website: The slideshow (below) is the bonus extra feature in the new edition of the award~winning 30 minute documentary of Bruno's Art and Sculpture Garden. (You can order the DVD HERE.):

And here is a video of Bruno's new garden, nearing it's basic completion (with new works being added all the time):

Though I have long loved the classics and fairy tales of European, Celtic and Russian influence in particular, there was always a part of me that yearned to integrate that mixed-heritage fantasy 'sense' into the landscape I love of Australia, especially the forests and rainforests.* One of my (now shelved) multimedia projects was an attempt to approach classical fantasy from a unique Australian perspective in a very organic way. It wasn't just a story or novel but included an artistic exploration of the images so people would literally 'see' what was in my imagination. I had planned to come back to Australia at some point to build a fantasy garden project with the dream that the concepts and characters in it would eventually make their way into film and/or animation.

I hadn't heard of Bruno's Art & Sculpture Garden till after I had been working on it for a while and couldn't believe the images I was seeing. It was as if he'd dreamed the same dream then brought it to life in his own way. It seemed uncanny. I nearly cried for joy to see such imaginings had become reality and gladly put aside the project in hopes I would travel to see it before doing any more. When I heard of the tragedy, the loss felt personal, though I had never met Mr. Torfs or his family in person.

Three years ago, the pieces that were salvaged and repaired, along with new works, were placed into a new garden and the Torfs' wonder forest was opened, once again, to the public.

A new "Phoenix Edition" of the original coffee table book of Bruno's art and sculptures was expanded and published after the tragedy. It now contains the story of the fires, the rebuilding as well as photos of the many wonderful works that were lost. You can order a copy (and support his work) HERE.

Bruno Torfs grew up in South America (you can see the influence in many of his sculptures), only moving to Australia as an adult but he clearly has a connection with the land and much of his work has the essence of the Australian Dreamtime stories as well. It's no surprise to hear he now calls Australia "home" and we are very glad he does.

Below are some of the restored and newer sculptures now greeting visitors, of which I sincerely hope to be one, one day.

*Perhaps it runs in my blood. My Nanna's aunt - May Gibbs - had the same desire and created the well-known and loved characters of Snugglepot & Cuddlepie.

Aussies 'n' Fairy Tales Week: Kate Forsyth, Author and Enchanting Word Weaver

I read recently this interesting quote (source sadly unknown)...

Words cast spells.

That's why it's called SPELLING.

Words are energy.

Use them wisely.

... and it immediately made me think of Kate Forsyth, because that's what this amazing author does: she captivates you with her words and shows you worlds - ours and that of fairy tale, woven together - that you never knew existed. And when she sets about to tell a fairy tale, people start to realize just how real these stories can be.

Ms. Forsyth is an award winning and internationally best selling author and much in demand so we'll have to wait for another time when we can ask her some questions for fairy tale folk here, but the AFTS conference was privileged to have her speak about Rapunzel, which she wrote her recent PhD on (the title of the talk was Rapunzel in the Antipodes), discuss her book based on the story (Bitter Greens) and to also have her on the panel for Cultural Editing: How Some Fairy Tales Get Lost in the Woods. (We are hoping for video eventually but I've yet to hear if all went according to plan for the recordings. Keep your fingers crossed!)

The one thing you should know, apart from being the recipient of many awards over many books for her writing (she is also the author of numerous lovely fantasy novels), when it comes to fairy tales Ms. Forsyth has as tendency to delve into the history behind the tales and weaves them together with the tales themselves. (Her newest adult novel, Dancing on Knives is more contemporary novel, set in Australia and it has a murder...)

Her books have been released one after the other in quick succession this year, with UK version not far behind the Australian ones and now, finally US versions are appearing as well. (So many lovely covers!)

Here are some of her recent books interweaving fairy tales and history with the magic of her words, as well as a new children's fairy tale retelling "duet" and her latest release which puts a little mystery into a very different Little Mermaid story. You'll note she's also been gifted with some of the prettiest book covers out right now.

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BITTER GREENS

A retelling of Rapunzel, interwoven with the story of the real life woman who first told the story, Charlotte-Rose de la Force.
(Released in Australia March 3, 2013)

A lovely stew of sex, fairytales and, well, sex really. THE AGE. An exquisite rendering of the story behind the Rapunzel fairy tale. 

Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. She is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of Bitter Greens ... 

After Margherita's father steals a handful of parsley, wintercress and rapunzel from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off ... unless he and his wife give away their little girl.  

Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death, sixty-four years later. Called La Strega Bella, Selena is at the centre of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition. 

Locked away in a tower, growing to womanhood, Margherita sings in the hope that someone will hear her. One day, a young man does ... 

Three women, three lives, three stories, braided together to create a compelling tale of desire, obsession, black magic and the redemptive power of love.

From Kate Forsyth:

I began by wanting to retell Rapunzel as a historical novel ... as if it had really happened. So I began to wonder about the source of the tale ... who first wrote it?  

I began to research the sources and and so stumbled upon the life of Charlotte-Rose de Caumont de la Force, one of the most fascinating women ever forgotten by history. Her story was just a gift to a novelist. It had everything ... romance, intrigue, drama, black magic ....  

I ended up doing my doctorate on Rapunzel, all my research was so interesting and no-one had ever really looked at it in so much depth before. 

THE WILD GIRL
The untold true love story of Wilhelm Grimm and Dortchen Wild that lies behind the tales of the Brothers Grimm. It also weaves in many of the Grimm tales throughout.
(Released in Australia on March 3rd, 2014)

One of the great untold love stories - how the Grimm brothers discovered their famous fairy tales - filled with drama and passion, and taking place during the Napoleonic Wars.
Growing up next door to the Grimm brothers in Hesse-Cassel, a small German kingdom, Dortchen Wild told Wilhelm some of the most powerful and compelling stories in the famous fairy tale collection. 
Dortchen first met the Grimm brothers in 1805, when she was twelve. One of six sisters, Dortchen lived in the medieval quarter of Cassel, a town famous for its grand royal palace, its colossal statue of Herkules, and a fairytale castle of turrets and spires built as a love nest for the Prince-Elector's mistress. Dortchen was the same age as Lotte Grimm and the two became best friends. 

In 1806, Hesse-Cassel was invaded by the French. Napoleon created a new Kingdom of Westphalia, under the rule of his dissolute young brother Jérôme. The Grimm brothers began collecting fairy tales that year, wanting to save the old stories told in spinning-circles and by the fire from the domination of French culture.  

Dortchen's father was cruel and autocratic, and he beat and abused her. He frowned on the friendship between his daughters and the poverty-stricken Grimm Brothers. Dortchen had to meet Wilhelm in secret to tell him her stories. All the other sisters married and moved away, but Dortchen had to stay home and care for her sick parents. Even after the death of her father, Dortchen and Wilhelm could not marry – the Grimm brothers were so poor they were surviving on a single meal a day.  

After the overthrow of Napoleon and the eventual success of the fairy tale collection, Dortchen and Wilhelm were at last able to marry. They lived happily ever after with Wilhelm's elder brother Jakob for the rest of their lives.

 

TWO SELKIE STORIES FROM SCOTLAND 
A retelling of the Scottish fairy tales, The Selkie Bride and The Seal-Hunter and the Selkie
(Released in Australia in May 2014)
Illustrated by Fiona McDonald (Children's)
You can read a lovely guest post from Ms. Forsyth HERE on creating the book and on her ancestry which, apparently, might just involve a selkie!

From Kate Forsyth:

My grandmother’s grandmother was Scottish. Her name was Ellen Mackenzie and she grew up on the Black Isle in the Highlands of Scotland. Ellen’s mother was called Margaret McPhee, and as everyone in Scotland knows, the McPhee clan was descended from Selkies. The name McPhee is derived from an older version of the name MacDuffie, which comes from the Gaelic term MacDubhSithe, meaning ‘son of the dark fairy’. Family legend says that the first McPhee took a Selkie as a bride!    

...I always loved the tales of selkies, who were seals in the water and humans upon the land. It seemed the best of both worlds. I loved wondering if I had Selkie blood in me, and if one day I’d find the way to transform into a seal. 

(See? Seriously. Go read!)

DANCING ON KNIVES
Using the fairy tale of The Little Mermaid and referencing The Red Shoes
(Just released in Australia on June 2nd, 2014)

A damaged family and their generations of dangerous secrets 
At twenty, Sara is tormented by terror so profound she hasn't left her home in five years. Like the mermaid in the fairytale her Spanish grandmother once told her, Sara imagines she is dancing on knives. She feels suffocated by her family, especially her father – the famous artist Augusto Sanchez – whose volcanic passions dominate their lives. 
Then one stormy night, her father does not come home. His body is found dangling from a cliff face. Astonishingly, he is still alive, but the mystery of his fall can only be solved by the revelation of long-held family secrets.
At once a suspenseful murder mystery and a lyrical love story, Dancing on Knives is about how family can constrict and liberate us, how art can be both joyous and destructive, and how strength can be found in the unlikeliest places.

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You can see more information about Ms. Forsyth's books at the Random House Australia site HERE.

Ms. Forsyth's books have been reviewed all over the internet so there are plenty of opinions out there letting you know how much they love her work. She's been interviewed in a number of places as well so you can glean little bits of information about her research and process if you do a quick search but best of all, there's a video (though 46ish minutes, the time goes quickly listening to her!) in which Ms. Forsyth talks about Bitter Greens and The Wild Girl.

Have a listen (& a look):

She also just wrote a very interesting post on the history of Sleeping Beauty from Troylus and Zellandine (around 1300) to Matthew Bourne's recent ballet and the recent Disney revisioning in Maleficent, including a brief look at criticism of the tale. It's very comprehensive yet easy to read and includes her favorite novel versions of the tale. While I wasn't surprised to find Jane Yolen's Briar Rose there (with a WWII setting) I was pleased to find Adele Geras' Watching the Roses there (a lovely device throughout is including descriptions of various rose varieties that ultimately provide a subtle commentary on the story). You can find the post HERE.

Kate Forsyth

Ms. Forsyth can be found all over the place speaking on fairy tales these days. Whether it's with regard to her books and work, or discussing the importance of fairy tales with world renowned fairy tale scholar, Professor Jack Zipes, discussing the relevance of fairy tales in the 21st century on the radio, or being involved in a lively discussion panel for the Australian Fairy Tale Society, I have a feeling we will see even more fairy tale inspired work from her. With her enthusiastic fan following, including many among the young adult crowd (though her books aren't specifically YA), you know that she's doing a lot of good in having people consider fairy tales, their importance and their relevance.

I have a feeling... the best is yet to come.

Kate Forsyth's website and wonderful blog is HERE (she's also in the Other Fairy Tale News Sources blogroll on the right of the page here at OUABlog).
She can also be found on Twitter HERE.
And her Facebook page is HERE.

For Australian buyers, Booktopia is recommended. For the UK and US, Amazon.com. Some of her many awards are listed below.

TWO SELKIE TALES - released May 2014

DANCING ON KNIVES - releaseD June 2014

THE WILD GIRL - voted the Most Memorable Love Story of 2013 by Australians

BITTER GREENS - shortlisted for the 2012 Aurealis Award, the Ditmar Award & the Norma K. Hemming Award, for which it received an Honourable Mention 

THE PUZZLE RING - shortlisted for 2009 Aurealis Award & named an Unsung Hero of 2009 

THE GYPSY CROWN - won the 2007 Aurealis Award & was nominated for a CYBIL Award

THE LIGHTNING BOLT - named a CBCA Notable Book in 2007

THE CURSED TOWERS - shortlsted for the 1999 Aurealis Award

DRAGONCLAW - shortlisted for the 1997 Aurealis Award