"Goldie & Bear" Debuts September 12 via Digital Distribution, Cable to Follow (Maria Tatar Is Series Consultant)

We're about to have a new, fairy tale focused, series for kids from Disney! And it's not about using Disney properties or 're-booting' old franchises; this is all about getting the fairy tales kids USED to know so well, back into circulation and back into our lives. (I know!! *much cheering and fist pumping*)

For the skeptics among us (which previously included me), I should mention straight away that one of our Grand Dames of fairy tale study and research, Maria Tatar, has been on board with the series as a consultant from it's development and continues on with the series in this capacity to help keep things - and the fairy tales - on track. (*more cheering, whooping added*)

Here's a quote from Development Executive Nancy Kanter (via Variety) about why they're doing this at all:

“We are trying to keep these classic stories, and classic characters, in kids’ minds,” said Nancy Kanter, executive vice president of original programming and general manager of Disney Junior Worldwide. "With school systems placing more emphasis on math, science and analysis of documents, perhaps there’s less room for Tom Thumb and Hansel and Gretel? “We thought it was really important that kids still had a touchstone to these time-honored tales,” she added.

I can't tell you how encouraging it is to hear that. While I believe there's more to it than just "wouldn't it be nice to keep some of that heritage alive", it's a wonderful start. I vote thumbs up!

They're also kicking this off via the vehicle kids are using most these days: apps, online access and games. While series TV via Disney Channel and Disney Junior on cable (and possibly other providers) will follow in November, the idea is to get the series into the hands of kids where they're most likely to find it for themselves first.

From the press release: 

Disney Junior will debut the first six episodes of fairytale-inspired "Goldie & Bear" on the popular WATCH Disney Junior platforms, beginning Saturday, September 12, with one new episode premiering on the WATCH Disney Junior app and WATCH Disney Junior.com each Monday from September 21 through October 12. Set in the magical world of Fairy Tale Forest, the animated series for kids age 2-7 reunites Goldie and Bear, after the renowned porridge incident featured in "Goldilocks and The Three Bears." The series premieres in November on Disney Channel and Disney Junior.

Reflecting Disney's deep roots in storytelling that resonates across generations, "Goldie & Bear" captures the timeless appeal of sharing stories through fairy tales, folk tales and nursery rhymes. Each episode features two 11-minute stories that showcase the new, unexpected friendship between Goldie and Bear as they seek out fun and adventure along with their friends and neighbors, all of whom are drawn from beloved storybook characters. Whether it's helping the Big Bad Wolf learn to consider others before blowing down their houses, helping Jack and Jill get up that hill, or rescuing accident-prone Humpty Dumpty after his great fall, Goldie and Bear enjoy living in a fairytale world filled with real-life situations, humorous mishaps and heartfelt moments.  

Beginning where the classic tales leave off, "Goldie & Bear" celebrates the distinct personalities of Goldie, Bear and their quirky pals, and encourages children to develop their own enchanting friendships. The series is populated with a diverse cast of storybook characters who model friendship, community, respect for individuality, resilience in the face of adversity and compassion for others, and is meant to spark conversations among kids and parents about the narratives and morals highlighted by Goldie and Bear's unlikely friendship and their comedic interactions in Fairy Tale Forest.  

Maria Tatar, chair of Harvard University's program in Folklore and Mythology and series consultant, advising on storytelling, fairy tales and folklore, said, "When we are stumped, a story often provides the answer - not in the form of a one-liner but in a conversation about the things that mattered to us in the tale." DisneyJunior.com and WATCH Disney Junior will roll out a suite of more than 20 "Goldie & Bear" micro-games throughout the fall, with the first six debuting with the series.  Housed in a storybook containing an interactive map of Fairy Tale Forest, each game centers on a classic fairy tale or nursery rhyme character. 

"Goldie & Bear" stars Natalie Lander ("The Middle") as Goldie and Georgie Kidder ("Star Wars: The Clone Wars") as Bear. Recurring guest stars include Lesley Nicol ("Downton Abbey") as Fairy Godmother, Isabella Day ("Cristela") as little witch Rosita, Debby Ryan ("Jessie") as Thumbelina and Miles Brown and Marsai Martin ("black-ish") as Jack & Jill.  "Goldie & Bear" was developed for television and is co-executive produced by Jorge Aguirre ("Giants Beware!" graphic novel series); Chris Gilligan ("Frankenweenie") is executive producer and director; Joe Ansolabehere ("Recess") is story editor and Rob Cantor (from the band Tally Hall) is songwriter. 

I was sent a little sneak-peek of the synopsis for the premiere which I have been given permission to share:

The premiere episode "Big Bear/Birthday Chair" will go live on the WATCH Disney Junior app and WATCH Disney Junior.com on Saturday September 12th. In the episode, when Bear eats one of Jack’s magic beans so he can be a bigger bear, he and Goldie must find a way to reverse the magic after he learns being big isn’t as fun as he thought.  Then, when Goldie forgets Bear’s birthday gift, she has to quickly find the most perfect present for her best friend. 

And here's a little preview:

Normally I might make a note just to check in with a series like this (like I did for The 7D) but with Maria Tatar consulting on the series since it's early development, and continuing on with the show in this capacity, I'm going to make a point of watching it when I can.

It should also be noted that, Jorge Aguirre, creator of the wonderful graphic novel series Giants Beware, developed this series and is co-executive producer as well, so they're all points in favor of the series as far as I'm concerned.

I'm always a little hesitant to jump on board with CG series as many of them look so similar they can begin to blend together but perhaps a unique signature style will become more obvious and the show will look more instantly appealing when we see more variety of situations and characters.

Even with my reservations about the design style, the acting, animation and writing glimpses we have been given look very promising.

Fairy tale bonus of the day:

Goldilocks has been lurking around Disney for some time. There was supposed to be an animated short released back in 1936, but it never got beyond the development stage. From Disney Wikia:

The Three Bears (or Goldie Locks and Three Bears) is an unproduced animated short that was to have been released in 1936. It is a proposed Silly Symphony of the well-known children's story. Model sheets prove that Goldilockswas planned to look like, and possibly be voiced by, Shirley Temple. Papa Bear was modeled after W.C. Fields. Another version of this short as a Mickey, Donaldand Goofy cartoon would have had Mickey, Donald and Goofy casted in the roles of the Three Bears which was approached to the story after the prosed Silly Symphony failed to materialize.

Maria Tatar Answered Questions on Schonwerth, Grimms & Fairy Tales at iO9 This Week (& it Was Awesome)

I'm sorry I didn't see this until about half an hour after the opportunity was over, and I didn't want to just add this to the round-up list, but yes: Maria Tatar was on the pop culture 'n' more news site iO9, answering every question, no matter how strange, with tact, aplomb and a solid dose of good humor.

Here's the announcement from Thursday:

Maria Tatar is the translator of the newly discovered trove of fairytales, lost for over a century, but just recently uncovered. Ask her all your questions about The Turnip Princess, the history of fairytales and folklore, and anything else you want to know!Tatar will be joining us today from noon - 1:00 p.m. (Pacific time), so start asking her all your questions now about the history of fairytales, where these new fairytales fit in with the tradition, and what these stories mean to us today.

Although I don't really have too many questions on Schonwerth yet as I have yet to do more than skim the book, I'm sure I would have thought of something! But it's great to be there live as regular people are asking questions on fairy tales. That doesn't happen too often!

Here are a few exchanges that I thought you guys might find interesting:

Isabelle Arsenault

Ria Misra: Also, one of the things that stood out to me when reading The Turnip Princess was the darkness of many of the stories that were told. Obviously, the original Grimm brothers tales had their own dark elements as well, but those have been considerably softened through the years. Do you suspect that a similar softening process will eventually happen with these new fairytales, or are they more likely to retain their darker threads?Tatar: I've touched on some of the differences between Grimm and Schönwerth already, so I'll focus on the question of the "softening process." When the Grimms published their collection, they came under much critical fire for publishing stories that were "crude" and "vulgar." One reviewer was outraged by the story of Hans Dumm, who makes women pregnant by looking at them. The Grimms quickly dropped that story from their collection in part because they found that by making the volume more appealing to parents, they sold more books. Schönwerth never refashioned his stories, and he gives us a story in which a fellow eats dumplings and then makes a mess outdoors. Then there is the king's bodyguard, who gets the king's daughter pregnant. I imagine that these stories will expand the folkloric canon, and in some cases they will be watered down, in other cases intensified and made even more explosive. Neil Gaiman once said that a fairy tale is like a "loaded gun"—and that's why I use the term "explosive." You can always blow up a fairy tale, blow it up in both senses of the term. 

Sketchnotes for "The Great Cauldron of Story" with Maria Tatar by On Being

The Homework Ogre: In terms of original fairy tales, the one thing that everybody seems to know is that they were once much more violent — wicked stepmother dances to death in red-hot iron shoes, kids waste away and die together under a tree, stepsisters mutilate themselves to fit the slipper, etc. etc. — and have since been "sanitized" for the consumption of kids. I'm sure the stories in this collection are no less grim (har har); how do you feel about the bowlderization of folk tales?Tatar: I'm completely irreverent when it comes to fairy tales. There's nothing sacred about these stories. No one really owns them, and we should be able make them our own in mash-ups, remixes, and adaptations. It's important to preserve the historical record, and that's why I am so deeply invested in the work of the Grimms, Charles Perrault, and Schönwerth. But why should we read stories from the early nineteenth-century to our children today? Especially when women dance to death in red-hot iron shoes? Or a stepmother decapitates her stepson in "The Juniper Tree"? There's no reason not to create our own zany versions, and, if you look at picture books about Little Red Riding Hood, you see that we do that all the time. We are constantly recycling "Cinderella," "Snow White," and "Sleeping Beauty" for adults—in ways obvious and not so obvious. I don't necessarily like every new version, but I do love to talk about it. What did the writer or filmmaker get right? Where did they go wrong? 

Silver Marmoset: In a class I'm currently taking on fairy tales, we've discussed where the Grimms' fairy tales came from geographically (apparently Italy). But have you any idea where the fairy tale motifs themselves came from? As in, what ideas or time periods gave rise to the idea of ogres, talking animals, and magic as story fodder?Thank you!Tatar: Great question, and I'd start with Vladimir Nabokov who tells us that fiction began on the day when a boy came home crying "Wolf Wolf" and there was no wolf. I love the idea of fairy tales as lies—true lies that exaggerate and bend reality in ways that enable us to flex our intellectual muscles and "think more." Where did these stories come from? I don't have much faith in the view put forth that the tales had literary origins in Italy. In fact, the Schönwerth collection has few literary fingerprints on it at all. His stories are not urban and urbane confections, but narratives rooted in popular culture—with all the rough edges, surreal qualities, and lack of closure you might expect from oral storytelling traditions. The more I study folklore, the more I realize that the tropes (lost slipper, cannibalistic ogre, predatory wolf) circulate globally. The stories are primal and take up cultural contradictions that are found everywhere—human vs. animal, predator vs. prey, bestiality vs. compassion, hostility and hospitality—and help us try to make sense of them. 

LucilleBallBuster: what do you think the modern equivalent of fairy tales are? do you think any of the stories current society creates have taken the place or fairytale? or do we still form these types of stories and pass them around?Tatar: Fairy tales have not gone away. They have just been re-mediated, and today we find them on screen, at the opera, on stage, in advertisements, even in paintings. Take Little Red Riding Hood: She's refashioned in films like Hanna, Hard Candy, Freeway, and The Company of Wolves. We see her in a Chanel ad, in a Pepsi commercial (where she becomes the wolf—I think it's Kim Cattrall howling in the soundtrack), or in a Volvo ad (with a red-hooded car driving through the woods and a kid in the back seat). Then suddenly Vogue has a fairy-tale fashion shoot, and presto she reappears. Visual culture loves the girl in red, and Kiki Smith has an eye-popping series of Little Red Riding Hood images (one in the series famously appeared as a perverse wedding gift in Gilmore Girls—could not stop myself on that one).

As you can see, there's a lot to chew on here! (I had to stop myself from adding more.) You can read the whole Q&A HERE, though you might want to make yourself a very large cup of tea. Once you start, it's hard to stop reading.

Disney Junior Begins "Goldie & Bear" (Maria Tatar Consulting!)

I will admit I sort of yawned my way through this announcement, initially - Disney Junior is starting production on another fairy tale mash-up animated series, etc, etc.. - until I saw a very familiar name in the text: Maria Tatar.

Hold the phone!

I had to back it up and take another look and, given the lateness of the hour I'm writing, I thought I'd fallen asleep and was wish-dreaming but no, it's all there in black and white.

I've put the most exciting news in bold below.

Here's an extract from the announcement by Broadway World:

Production has begun on Disney Junior's "Goldie & Bear," a fairytale-inspired animated series for preschoolers. Slated to debut in Fall 2015, the series follows the adventures of newfound friends Goldie and Bear, following the renowned porridge incident of "Goldilocks and The Three Bears."  

... (EVP) Kanter said, "Disney Junior embraces strong storytelling and memorable characters, and nothing reflects that more than classic fairytales. We are excited to continue the story of 'Goldilocks and The Three Bears' from a new perspective and hope to inspire kids to create their own 'happily-ever-afters' by giving them new stories featuring classic characters they already know and love." 

Set in the Fairytale Forest, the series follows the adventures of plucky Goldie and her best friend, Bear, as they encounter well-known characters from fairytales and nursery rhymes, including Little Red Riding Hood, Humpty Dumpty and The Three Little Pigs. 

Maria Tatar, John L. Loeb Professor of Germanic Languages and Literatures at Harvard University and Disney Junior Advisory Board Member, serves as the series consultant, advising on storytelling, fairytales and folklore. The importance of storytelling is central to the show's curriculum, with episodes referencing original fairytales and nursery rhymes while providing new insights into their narratives and underlying messages. Throughout the series, Goldie and Bear model friendship and community, demonstrate creative problem-solving and exhibit critical thinking skills such as logic and strategy.

I'm just... floored by this fantastic news! And it appears to be on the "fast-track" too, set to premiere in Fall 2015. (I wish it were a little more unique looking, but other than that, all the news on this is great!)

The writer/creator isn't a newbie with regard to fairy tales either. Jorge Aguirre has had his own brand of fractured fairy tales in the form of the popular kids comic book, Giants Beware, (see above) out there for a while now.

(And coming soon, Dragons Beware).

You can read more on the talent and crew, along with a few hints as to the characters we'll be seeing, in the whole announcement HERE.

Between this and other developments in various companies in various places, it does seem that there might be some sort of "old tale revival" happening - at least for children. I could NOT be happier about this!

Happily Ever After Is Not All That It Seems... (A Handy Infographic)

Just sent to me today as part of a promotion for a book any fairy tale student (or regular reader) should have, is this great infographic, created by the Norton Critical Editions team. We see a lot of infographics floating around these days but one of the best things about this one is I know the team will have done their research properly to create it, so you can trust this summary and use it confidently for reference.

I love the artwork too - very nice, yet easy to quickly reference all the information. Look at that neat list of referenced fairy tales at the bottom to. It's a very neat resource to have on hand. (Can we get a poster please?)

Here's a link to the Norton Critical Edition of The Classic Fairy Tales, edited by Maria Tartar, if you don't already have a copy, or need another to give to a friend.

In case it's not already clear, this book is highly recommended for any fairy tale study library, from the casual student to those more inclined to serious scholarship.

Here's the summary:

Fairy tales shape our cultures and enrich our imaginations; their narrative stability and cultural durability are incontestable. 

This Norton Critical Edition collects forty-four fairy tales, from the fifth century to the present. The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde. 

"Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities. 

A Selected Bibliography is included.

The Power of Stories in Childhood - New Book by Maria Tatar

There's a new book out by renowned fairy tale and folklore scholar Maria Tatar.

This one,

"Enchanted Hunters - The Power of Stories in Childhood",

explores what happens when children are read fairy tales (and other classic fantasy) as part of their growing-up experience.

From Amazon:

Highly illuminating for parents, vital for students and book lovers alike, Enchanted Hunters transforms our understanding of why children should read. Ever wondered why little children love listening to stories, why older ones get lost in certain books? In this enthralling work, Maria Tatar challenges many of our assumptions about childhood reading. Much as our culture pays lip service to the importance of literature, we rarely examine the creative and cognitive benefits of reading from infancy through adolescence. By exploring how beauty and horror operated in C.S. Lewis’s Chronicles of Narnia, Philip Pullman’s His Dark Materials, J.K. Rowling’s Harry Potter novels, and many other narratives, Tatar provides a delightful work for parents, teachers, and general readers, not just examining how and what children read but also showing through vivid examples how literature transports and transforms children with its intoxicating, captivating, and occasionally terrifying energy. In the tradition of Bruno Bettelheim’s landmark The Uses of Enchantment, Tatar’s book is not only a compelling journey into the world of childhood but a trip back for adult readers as well.

Here's a short video in which she talks about why she wrote the book and what it's about:

Enchanted Hunters by Maria Tatar

And in the link below, John J. Miller from 'Between the Covers' at National Review Online talks to Ms. Tatar about her book.

Maria Tatar on Enchanted Hunters Talking to 'Between the Covers'

There's also an excellent, in depth, review here by Michael Dirda for The Washington Post, which takes you through her approach and the contents of the chapters.

Maria Tatar recently (in the last few years) released her "The Annotated Classic Fairy Tales" (shown above) & "The Annotated Brothers Grimm" (shown below) which touch on some of the same issues, though in a very different way. Both volumes are beautifully presented with classic story texts, a gorgeous variety of fairy tale art and lots of fascinating annotations throughout. There's a lovely review of the "Annotated Classic Fairy Tales", from the Harvard University Gazette, here, which I completely agree with.

I've never regretted adding Ms. Tatar's books to my library. Although her academic prowess and respect in Harvard circles and beyond is formidable, her books are very lively, fascinating and accessible reads - not to mention a wonderful resource/reference to have handy.

I can't wait to get my hands on a copy of her latest offering and read it for myself.

NOTE: I also just discovered her blog! I'm adding it to my Fairy Tale News Sources section. No doubt she'll give us a 'heads-up' on many interesting things...

"To the Best of Our Knowledge" Podcast Episode Focuses On Fairy Tales

The podcast "To the Best of Our Knowledge" focuses on fairy tales this week. The episode is just under an hour long and has interviews with each of the people mentioned below and excerpts from their work (where relevant) included in the entertaining discussion on the importance of fairy tales during hard times - for not only children but adults too.

The following summaries of the podcast contents ae from the website and I've added the relevant books and links so you can find the people and the works discussed:

Annie Gauger has edited an annotated version of the classic novel ”The Wind in the Willows.”Nina Paley has re-told the story from the Ramayana using animation, Indonesian shadow puppets and a ‘20s era jazz singer.Musharraf Ali Farooqi translates ancient Indian tales of sorcerers and wizards, originally written in Urdu.Maria Tatar talks about what makes fairy tales so compelling to children. *Jack Zipes discusses Kurt Schwitters’ life and work, particularly his surreal fairy tales.

You can listen to the interesting podcast HERE.

* I have a post, with reviews, coming up on 7/3/09 all about Maria Tatar's new book.