Dvořák's "Rusalka"

Lovely poster from Opera Lyon's 2001 Production of Dvořák's Rusalka

Note: There's LOTS of "linky goodness" in this post, especially good for those who love Russian tales like I do, so go explore and fill your fairy tale soul today. :)

Also: Stars like this: * indicate a corresponding additional note at the bottom of the page.

UPDATE/CORRECTION 12/28/11: Božena Němcová was Czech, not Russian. Thank you to Janu Banu who commented with the correction and Judika who emailed me as well. My sincere apologies! Being mistaken for English and other nationalities myself all the time, I'm embarrassed I rushed finishing my post without double checking - and correcting! - all my facts before going live. Thank you again Janu and Judika for reading and for caring enough to let me know and correct the post.  :)

There is a fairy tale opera scored by famous composer Czech Antonin Dvořák (in 1899) that has recently made a comeback in operatic circles and in February 2012, UBC (University of British Columbia) will be mounting their own beautifully lavish production.

From the UBC promotional copy:

In Dvořák’s version, Rusalka is a water sprite that dwells in a lake. Rusalka has fallen in love with a mortal, a Prince who comes to the forest to swim in the lake. Since she is invisible to the Prince, she desires to take on human form in order to leave the cool waters and live in the sunlight with him. Rusalka’s father, the wise ruler of the lake’s underwater realm, warns her against such a transformation. Despite her father’s warnings, she seeks out the witch, Jezibaba, to fulfill her wish. 

Renee Fleming during a performance of Rusalka by the NY Met

 Rusalka’s desperate longing to experience true love plunges her into an emotional storm heightened beautifully by majestic melodies, including the famously stunning aria, Song to the Moon. In the end, she must choose to make the ultimate sacrifice for love. Rusalka is not only Dvořák’s finest and most enduringly popular opera but also one of the most deeply moving operas of all.

 There is, however, a point of confusion here. The opera has been officially called "Rusalka: The Little Mermaid Story" and the apparent background for it (from the promotional copy) is this:

Rusalka is based on the original Slavic fairy tale of the Little Mermaid. The story was later adapted by Hans Christian Andersen and then by Walt Disney Studios into the 1989 film.

The problem here is that a rusalka is NOT a mermaid and should never be confused with one. There are similarities, such as rusalki (plural) are female water beings (or demons, since their agenda is usually seducing and drowning boys and men) which at first seem to have a lot in common with sirens, though they don't have fish/water animal tails.

Rusalki are actually a type of ghost (ie. they used to be human) and the water-version of willis (another Slavic fairy/spirit seen in the story Giselle, the popular ballet first performed in 1841****). Willis and rusalki are essentially both female ghosts looking for revenge specifically against the men who did them wrong in life, though any man is considered fair game. Rusalka are not completely malicious though. They can find peace and stop their haunting once justice (or revenge) is carried out on their behalf.

From an Australian production of Rusalka

Andersen's Little Mermaid story (first published in 1837), however, is a lot closer to Undine* (or Ondine), than the beings of slavic folklore.


I just looked up Heidi's research on Andersen's Little Mermaid at SurLaLune and she notes this:

While The Little Mermaid contains common fairy tale and folklore elements, especially those about mermaids, this fairy tale is the literary creation of Hans Christian Andersen. The tale has no direct oral predecessor in folklore. 

The closest percursor of the tale is Undine, a story by Friedrich de La Motte Fouque***. Andersen admits to his familiarity and consideration of Undine while writing his Little Mermaid. In many ways, his tale is a direct reaction to the earlier story.

You can read even more on the tale with annotations and many more goodies on The Little Mermaid at SurLaLune with this in mind - in fact, please do!

This gives me stronger footing to be skeptical of this opera's claim on Andersen as in all my reading on Hans Christian Andersen I'd never seen reference to him adapting a rusalka story into The Little Mermaid.

But that doesn't mean Rusalka (by Dvořák) isn't worth seeing/listening to. On the contrary! Wikipedia states this:

The Czech libretto (for Dvořák's "Rusalka") was written by the poet Jaroslav Kvapil^[1] (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová.

You can find a synopsis of the story the opera uses HERE and you can learn a little more about one of the fairy tale collectors, Božena Němcová, whose work the libretto was based on HERE. (This is something new to me: a female Russian Czech fairy tale writer and collator/collector from the early 1800's. I have to go find my Russian Slavic fairy tale books and see if her name is on any of them. Considering her list of published works, I'm betting "yes".)


See? Fairy tales and Russian tales and Slovak folklore and legends. :) There are a lot of other elements for fairy tale people to enjoy in this opera too - the story, the costumes and the beautiful score, which includes the famous aria "Song to the Moon". (The link takes you to YouTube where you can hear Sarah Brightman sing a beautiful Italian version of it "La Luna"- I suggest ignoring the visuals for the video though - just listen.)

Bavarian State Opera 2011 version of Rusalka

For a completely different variation on the theme how about this one presented at the Munich Opera Festival this past July, which features a girl in a fish tank? This version has been updated and interestingly twisted in the retelling, causing quite the stir. Rather than distract further from the current post I'll just let you find out for yourself if your interested. The link is HERE.

NY Met production of Rusalka

Dvořák's Rusalka is one of the more romantic stories I've seen involving a rusalka. Usually they're a little more blood thirsty and dark but the emphasis here is definitely more toward "girl from one world seeks to be with her love from another", rather like some selkies (though not all), swan maidens and, yes, little mermaids. 

Opera appears both recent and Russian - source HERE

I have a feeling that although there was some influence between writers and artists at the time, it doesn't seem to account for all the various being produced in different places. It's one of the reasons I've put in so many of the connected dates for various works - to see if you can "unriddle this riddle" a little yourself. Looking at the timeline is very interesting. Perhaps it's a case of "1800's fairy tale zeitgeist" specifically centered on tragic rusalka figures and other water beings such as mermaids. Considering what we're seeing happening in 2011 and 2012 in TV and movies (and even more specifically with Snow White), I wouldn't be at all surprised.

This is not an illustration. It's a "still frame capture" from the 1998 Oscar nominated animated short film "Rusalka", detailed below.

There is one other important related video I'd like to bring to your attention and that's the 1997 gorgeously done animation of Aleksandr Petrov using an incredible (and almost unbelievable!) technique of oil paints on glass for his separate images.  The story is based on a work by Alexander Pushkin from 1819 (it is thought - Pushkin wrote two different Rusalka poems**) and the title is simply "Русалка" or "Rusalka", though it's been mistranslated as "Mermaid" in many places and is completely mesmerizing. It's easy to see why this short had an Oscar nomination in 1998.

There is a wonderful and in-depth blog post HERE about Aleksandr Petrov's film and about rusalki which I highly recommend. It includes Pushkin's poem and explains things in a very easy-to-read manner.


Performances of the UBC production Rusalka begin on February 9th, 2012 at the Chan Center for Performing Arts in Vancouver. You can find more information about it and the artists involved HERE.

*Which was beautifully illustrated by Sir Arthur Rackham. Some of my favorite fairy tale illustrations of all time are Rackham's Undine drawings. Today's bonus: a video of Rackham's Undine drawings, including the cover of the book. Enjoy.

** Pushkin's second but unfinished poem bears a strong resemblance to the opera which is the subject of today's post.

*** Undine, a story by Friedrich de La Motte Fouque is from 1811.

**** The ballet Giselle debuted in 1841 and was based on at least two other works: De l'Allemagne by Heine, written in 1833 and Victor Hugo's Orientales published in 1829).

Irish Fairy Tale Film "Ondine" Coming Soon - 1st Trailer

It won't be here in time for Valentine's Day but there's a fairy tale romantic movie coming our way.

The new film, "Ondine", (coming to theaters possibly as early as June this year), stars Colin Farrell and is directed by veteran director Neil Jordan. The movie's story has much in common with both "The Little Mermaid" & water nymph fairy tales as well as the ballet (which is based on the fairy tale novel "Undine" by Friedrich de la Motte Fouqué, which in turn was based on various folktales). You can read more about Motte Fouqué's story HERE, the plot of which is now usually considered a fairy tale in its own right.
From FirstShowing.net:

Written and directed by Neil Jordan (of The Crying Game, Interview with the Vampire, The Brave One), Ondine is a lyrical modern fairy tale that tells the story of Syracuse (Colin Farrell), an Irish fisherman whose life is transformed when he catches a beautiful and mysterious woman (Alicja Bachleda) in his nets. His daughter Annie comes to believe that the woman is a magical creature, while Syracuse falls helplessly in love. However, like all fairy tales, enchantment and darkness go hand in hand. A story of love, hope and the unwavering belief in the impossible. Magnolia is distributing in the US but hasn't set a release date yet.

Here's a little more about the movie (and the making of it) from TheStar.com's interview with director Neil Jordan:

The importance of imagination and the challenges of creating a fairy tale in a less than magical environment were the main themes of an afternoon press conversation for the film Ondine.

The movie, directed by Neil Jordan and starring Colin Farrell, is about an Irish fisherman who finds a young woman in his net who he believes is a mermaid.

"I went back to Ireland and just had this image of a fisherman who had caught a girl in his net and it was a very captivating image," said Jordan.

He added, "People need a sense of fantasy in their lives to be able to live."

Jordan said he wanted to make the film reflect the "reality," of working life for many people in Ireland, but still create a sense of magic.

"The fairy tale romps into peoples lives, but turns out to be based incredibly in reality," he said. "In a strange way, reality is its own fairy tale."

Here's some notes on writing the screenplay from Jordan via FlicksNews:

During the Writer's Strike a Hollywood project fell through - Heart Shaped Box. I went back to Ireland where I have a house in West Cork and wrote this fairy tale, which could shoot entirely within a radius of five miles from where I live. About a fisherman, who pulled up a living girl in his net. His disabled daughter, who invented stories about her. These stories feed on local legends - sea creatures, seal creatures, selkies. How they only have a certain time on land. How they fall in love with their rescuer. How they can make a wish come true. How the sea always calls them back.

Much of what the girl invents turns out to be true, but never in ways she expected. The whole thing develops into an impossibly romantic love story, in which real human beings insist on turning their lives into a fairy tale. Because reality is too hard, maybe. Because that is what we love to do, have to do, maybe…

Not just fairy-tale based but described as 'a fairy tale', it appears to be a story of the older, folktale type, rather than the pop-culture type and a well layered, romantic story. (Yay!)

The fairy tale of Ondine has mainly been kept in people's memory by two treatments:

1) Arthur Rackham's incredibly gorgeous illustrations of the fairy tale (see some of them below)

2) The ballet "Ondine", made even more popular by the legendary British prima ballerina assoluta Margot Fonteyn for whom it was a signature role (even when she was dancing in her 60's - see a couple of pics below).

You can also see some gorgeous images from the underwater photo shoot for a recent production by The Royal Ballet in one of my previous posts HERE.

A lesser known Broadway production also helped the story stay in the popular consciousness though - especially when Audrey Hepburn played the role of the water nymph, Ondine. Here are some promotional photos taken for the production:

The movie sounds very promising and is getting positive reviews, having been shown on the Indie film circuit. Word is, even if you're not a Colin Farrell fan, it's worth a look. It's attracting critical attention and has already garnered multiple nominations for the seventh IFTA's (Irish Film & Television Awards).

Here's the first trailer (it should be noted that the film does NOT turn into a thriller or horror as the trailer seems to imply- the film is primarily a romance and a study in hope, with a good dose of mystery):

I'm definitely looking forward to this film.

Ondine Ballet Goes Underwater

Well, at least for the promotional photoshoot anyway!


The ballet story of Ondine (or Undine) is about a water nymph (essentially a mermaid) who gives up her immortality when she falls in love with a human man. Endicott Studio watchers may remember Jane Yolen's Undine poem which beautifully illustrates the tragedy of her story. You may also be familiar with Arthur Rackham's gorgeous illustrations of which my favorite is shown at the bottom of this post.


In order to capture the spirit of this character from myth the dancers went underwater in full costume to be photographed. The results are stunning and memorable as you can see for yourself.

The photographer Steve Hanson is extremely gifted at photographing dancers in motion and capturing the expressiveness and vitality of the characters they're portraying. You can find his website here for a look at more of his work.

Here you can also find a short behind-the-scenes video, taken by a British news station, when Steve was shooting pictures for one of the promotional posters for the Royal Ballet's new production.


And here's the Rackham illustration as promised. He actually illustrated the whole of the story and it's worth taking a look at each one.