"The Prince and the Dressmaker" Graphic Novel Gets Optioned by Universal

If you're not aware of the graphic novel, The Prince and the Dressmaker, and are interested in how fairy tales are being told differently especially now that it's clear more diversity is needed in our collections and canon, you should check out this one by Jen Wang. Here's the description:

Paris, at the dawn of the modern age:Prince Sebastian is looking for a bride—or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia—the hottest fashion icon in the world capital of fashion! 

 

Sebastian’s secret weapon (and best friend) is the brilliant dressmaker Frances—one of only two people who know that sometimes this boy is a girl. But Frances dreams of greatness, and being someone’s secret weapon means being a secret. Forever. How long can Frances live in Sebastian’s closet? Jen Wang weaves an exuberantly romantic tale of identity, young love, art, and family. A fairy tale for any age, The Prince and the Dressmaker will steal your heart.

And here's a brief preview of the pages, to give you an idea of how sweet it is.

Wang says the book is close to her heart as it's the first story she's written for her (younger) self:

“I wanted a story that explored questions about gender and self-identity in a way that was also really colorful and fun and positive. The personal themes are there, but also lots of dresses and princesses. The idea was to create my ideal Disney movie, and writing this has genuinely been one of the most fun, liberating, experiences I’ve had making comics. My awkward confused fourteen year-old self would’ve really connected with this book and I hope it does the same for other young readers." (Diversity In YA)

Even with the obvious issues of challenging gender norms, and family and societal expectations (for both the dressmaker and the prince), the book never gets preachy and doesn't words such as queer, gender-norms, LGBT, transvestite, etc, which is one of its most powerful storytelling features. Instead of talking at the reader and giving labels, it just tells the story of two good friends who have their own challenges and dreams, how neither of them fit what is expected of them, and what they choose to do about it. It's a tale in which everyone can see themselves, including people who don't identify with traditional gender identity and expectations - and that's freeing for everyone.

The graphic novel has been a big hit since it was released in February this year, and the lovely balance of storytelling, art and the feel-good story of friendship and reaching for one's dreams, has - as expected - caught the attention of Hollywood.

From Deadline:

Universal Pictures and Marc Platt have snapped up feature rights to The Prince and the Dressmaker, a graphic novel from Jen Wang which has crossover YA elements in it and in more ways than one. The story is a sweet one, it is about the friendship between a seamstress named Frances and a Prince named Sebastian, whose parents are looking for a bride for him. We were told this was a competitive bidding situation.  

...The book, which examines identity, love, family relationships and sexuality, was brought into the company by Marc Platt Productions’ Adam Siegel (Drive). Senior VP of production Kristin Lowe will oversee production on behalf of Universal Pictures.

Will it be animated? It seems there's a good possibility of that, but no development has yet begun for the feature. It's clear Wang would enjoy seeing an animated production so as to be close to "the Disney movie I always wanted", and it would delight the fans, of course. Then there's also the question of "will it be a musical?", which is a fair one with the "Disney-princess-movie-that-hasn't-happened-yet" being the "ideal". The story would indeed lend itself very well to being created as a musical, so we will follow this as it develops with interest.

As to how soon it will see the light of day - it won't be this year and probably not next, considering all that would need to happen, but because it was a "bidding war" situation, with more than a couple of parties (studios) interested, this has a very high chance of being put into production soon, and actually completed too.

Congratulations to Jen Wang and the beginning of some very different - mainstream - princess movies!

Donna Jo Napoli's New Snow White Retelling "Dark Shimmer" Released (+ Paolo D'Altan's Biancaneve)

A nice surprise turned up in the fairy tale newsroom room this week: a new fairy tale retelling by Donna Jo Napoli, Dark Shimmer. (Have to love pre-orders!)

Longtime readers are probably aware that Snow White is a tale our Fairy Tale News Hound has a special fondness for, (if you don't understand why, let's just say, she sees the tale very differently from most folk), so to find Napoli had given this tale a new skin, it was a given to add this to the library.

Napoli is a truly gifted writer whose YA retellings of fairy tales have a habit of making people see the tale - and the world - a little differently. Our perspective of the Hansel and Gretel tale has changed permanently, thanks to her book, The Magic Circle, and aspects of the Pied Piper retelling in her novel Breath, still haunt us. Dark Shimmer promises to do the same, particularly with regard for the queen in Snow White, but from a very different perspective than pop culture has been rehashing very much of late, tackling the oft-tabooed subject of mental disorders.

Here's the description:

Set in medieval Venice, this captivating fairy tale retelling by award-winning author Donna Jo Napoli explores belonging, beauty, and the transformative power of love through the eyes of a teenage girl. Dolce has grown up hidden away on an island in a lagoon. She is a giant, a freak, tormented by everyone but her loving mother. She spends her time learning the valuable secret of making mirrors. Following a tragedy, Dolce swims away and lands on an island where people see her as normal, even beautiful. Marin, a kind widower, and his little daughter bring Dolce to live with them in their grand palazzo. Eventually, Dolce and Marin marry. She secretly continues to make mirrors, not realizing that quicksilver endangers her . . . and so evil begins in innocence.

We have yet to finish reading this compelling book to give a proper review, but if you've read Napoli's other fairy tale retellings, you will recognize the unique style and "voice" she uses, to give a very personal perspective. Yet it doesn't feel like Napoli's other work either. While other books explore body image and the beauty complex, this book looks even more closely at the psychological impact of being seen as different, in combination with additional factors outside of a person's control.

Beginning the story on an island of dwarfs, where Dolce is considered, and feels, a freak, she tells the reader her story, with the narrative being a unique form of mirror, not unlike the profession she learns early on. But this liberty in learning a special skill also transforms her in ways she couldn't have imagined, changing her image from a recognizable character we feel much sympathy for, to a true freak and monster - one which is irredeemable. It is quite a feat that the reader still finds themselves moved by Dolce's story as her acts become more and more twisted, as they did at the beginning when Dolce was young, innocent and (almost) normal. (We have yet to get to the conclusion but, just like The Magic Circle had us sympathize with the witch's perspective in Hansel and Gretel, so too is Dark Shimmer proving to perform a similar feat, so far.)

From an interview with Napoli by Adventures in YA Publishing:

What do you hope readers will take away from DARK SHIMMER? 

Dolce goes insane.  I think talking about insanity is still a taboo in our society.  Some people still feel embarrassed if a loved one has a mental illness.  I wanted to show how mental illness can happen to very fine people, and when it does, they can do things -- sometimes terrible things -- that they really can't help doing. And even though you may know they can't help doing it, what they do still hurts everyone around them maybe as much as if they were in control.  It's very hard to have pity in those circumstances.  But I hope the reader can have pity on Dolce.  That's what I want very much -- for readers to see that they are capable of pity even when people do the so-called "unforgivable".

Although we recommend all of Napoli's fairy tale retellings, our favorites are those mentioned above as well as Bound, a Cinderella retelling, and Zel, a Rapunzel you likely haven't read before.

While the tale of Snow White is well know, it's the details and how it's told that makes it different and unexpected. Under the jump, we are including an excerpt from an interview with Napoli on Dark Shimmer, which has possible spoilers.

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National Poetry Month: "Poisoned Apples: Poems for You, My Pretty" by Christine Heppermann

April is National Poetry Month and fairy tales seem to encourage a lot of poetry in response. While I cannot begin to keep up with the offerings out there, here's something that caught my eye a while back that I thought would be good to share.

Please note: I have NOT seen this book in person, nor read much more than what I could scour online, so this is really more of an announcement rather than a review. 

"Poisoned Apples: Poems for You, My Pretty" (released in September 2014) says exactly what's it's about in the title. Author Christine Heppermann expresses the world of young adults trying to deal with body image, self love, media messages, who they really are as opposed to whom they believe they should be and relationships of all kinds. In other words, it has something for everyone. 

The book contains fifty poems (very easy to read if you're not a poetry person too), along with photography that is sometimes modern, sometimes symbolic, created for the volume, providing another window into these ideas, or a reflection on the same. While girls will clearly identify with many of the issues and sentiments explored here, most of those apply to boys too. It's just that we forget that when the image is a girl with a red hood...

Description:

Christine Heppermann's collection of fifty poems puts the ideals of fairy tales right beside the life of the modern teenage girl. With piercing truths reminiscent of Laurie Halse Anderson and Ellen Hopkins, this is a powerful and provocative book for every young woman. E. Lockhart, author of We Were Liars, calls it "a bloody poetic attack on the beauty myth that's caustic, funny, and heartbreaking." 

Cruelties come not just from wicked stepmothers, but also from ourselves. There are expectations, pressures, judgment, and criticism. Self-doubt and self-confidence. But there are also friends, and sisters, and a whole hell of a lot of power there for the taking. In fifty poems, Christine Heppermann confronts society head on. Using fairy tale characters and tropes, Poisoned Apples explores how girls are taught to think about themselves, their bodies, and their friends. The poems range from contemporary retellings to first-person accounts set within the original tales, and from deadly funny to deadly serious. Complemented throughout with black-and-white photographs from up-and-coming artists, this is a stunning and sophisticated book to be treasured, shared, and paged through again and again.

The book has been labeled 'feminist', as well as 'caustic' and emotive'. From a review by cecildaily:

One poem reflects on the modern day version of a love charm: “Such spells call for ingredients / missing from my cupboard” it laments. Modern love charms, it explains, do not require “eye of newt” or “tongue of toad,” but instead “plump lips” and “smooth skin.”Another poem shows that once Sleeping Beauty realizes all the things that go into being a girl, “showering, shaving, shampooing, conditioning,” she thinks how much easier it was to be asleep. The poems all illustrate how humans are often told to strive for perfection and how damaging that can be for our self-esteem.

I'm also adding some reviews that reflect my impressions on reading the little I did, and am including screenshots of the Author's Note. I think the latter will be of special interest to fairy tale folk here who've done more than average reading of fairy tales and texts, and know whom she's referring to when she mentions Marina Warner:

“It’s a bit of a mystery how a slender, subversive book of flayed fairy tale poetry can chronicle how the world tries to rob young women of power, while at the same time handing them back that power. Teen girls should read this—so should their mothers, their aunts, their grandmothers…” (Gayle Forman, author of the New York Times-bestselling Just One Day/Just One Year duet) 

“A bloody poetic attack on the beauty myth that’s caustic, funny, and heartbreaking.” (-- E. Lockhart, author of The Disreputable History of Frankie Landau-Banks and We Were Liars) 

“Many of the poems read like something you might find on a smart, funny contemporary women’s website, probably going viral. . . . They each pack their own literary punch; she is, after all, a poet riffing on fairy tales.” (Elle.com)

Have you read "Poisoned Apples: Poems for You, My Pretty"?

If you have, let us know what you thought.