Showing posts with label Sleeping Beauty. Show all posts
Showing posts with label Sleeping Beauty. Show all posts

Tuesday, July 28, 2026

Jane Yolen, "America's Hans Christian Andersen", Passes Away at 87

 

Jane Yolen (February 11, 1939 – June 11, 2026) - photo portrait by daughter, Heidi Stemple

We lost one of the most prolific and inspiring American authors who wrote across multiple genres and generations last month, and the loss is huge across literature and for the many who worked with and were inspired by her. Fairy tale folk, especially, are feeling the loss in the sort of way that marks the end of an era. Due to her constant work with and championing of fairy tales, Yolen was affectionately dubbed "America's Hans Christian Andersen"*, by the press and beyond.

Heidie Stemple commenting on her late mother's response to the affectation for Louisville Public Media

The author of over 450 books, Yolen didn't just write and work with fairy tales, of course, but they were a subject never far from her mind and heart. The range of tales she told and retold, for kids through to adults, reflected how integral they were to her own life and way of thinking, and that's what I will be focusing on in this tribute.

*She was also referred to as the "Aesop of the 20th century".

Reclaiming Women's History & Retelling Fairy Tales For Brave Girls

Yolen's first book sale, Pirates in Petticoats, happened on her 22nd birthday, February 11, 1961. The feminist non-fiction story already showed her proclivity for telling tales with strong and unusual female protagonists, something she continued to do throughout her life in her fiction, non-fiction, poetry, and in mining fairy and folktales for forgotten stories to retell in freshly inspiring fairy tale anthologies. Sometimes, as in Sister Bearher retelling of a favorite Norwegian tale of mine (The Cat on the Dovrefjell), she would change the male hero into a girl or woman, asking that we reframe traditional ideas of bravery and heroism.

Tribute piece for Jane Yolen June 12, 2026 by Astrid Sheckles

Raising Up Forgotten Voices and Stirring Up Controversy

Born to Jewish parents and considering herself a secular Jew, Yolen identified as a poet and journalist/non-fiction writer, though she was most often referred to as a children's book author, as these became her most well-known works. Both Briar Rose and The Devil's Arithmetic, dealing with aspects of the Holocaust, were included on reading lists for middle and high school for a time, and later banned due to censorship for the subject matter and due to the sexual orientation of a key character. In a similar vein, her book on Christopher Columbus, Encounter, in contrast to other books at the time, portrayed the "discovery of America" as not only disruptive but frightening to the indigenous populations, which also drew controversy. Her writing on these subjects and others of a similar nature continued unapologetically throughout her life, encouraging and empowering many others to not only learn about these hidden histories but to investigate history themselves, take up their own pen, and continue to do the same.

A Champion of the Power of Fairy and Folktales

Winner of multiple prestigious awards (including a Caldecott, two Nebula Awards, the World Fantasy Association's Lifetime Achievement Award, and many more), Yolen's writing spanned multiple genres, with her use of folktales, fantasy, and poetic imagination drawing readers of all ages to both explore history in new ways and to see the world through eyes primed to discover and create their own wonder. A running theme through her life and work, she believed strongly in the power of fairy tales to succinctly communicate truths she believed people need to hear in a "non-messy" and memorable way, and to spread the type of hope they need to really live.

Writing With Her Children

Jane Yolen married David Stemple in 1962 and had three children, all of whom write ("the family business", as Heidi joked), and have creative careers. Jason Stemple is an author, photographer, and drone pilot, Adam Stemple is a musician and author (of seven books and many short stories to date), and Heidi Stemple is an author and speaker, writing mainly for children (with over thirty books published, at this writing). Yolen has creatively collaborated and co-authored multiple books with all three of her children. "Family business" indeed!

Yolen's Briar Rose

Yolen's Briar Rose (published in 1992) deserves a special mention on a fairy tale blog, as you will see. It was originally published as part of the Fairy Tale Series of novels, compiled by Terri Windling. It won the Mythopoeic Fantasy Award for Adult Literature in 1993. For those who are unfamiliar with, or need a refresher on, the book, I am including a quote from an education guide (on unbancoolies.org) to give a quick overview and to explain why its particular intertextuality was so unique at the time, as well as why it was, and remains, critically acclaimed (emphasis in bold and underline is mine): 


Jane Yolen’s Briar Rose is not just a story about a sleeping princess but a narrative that connects fairy tale motifs with real-world history. The book intertwines the traditional story with the experiences of a Holocaust survivor, who is the grandmother of the narrator. This blending of fantasy and history creates a powerful juxtaposition that brings new meaning to the themes of survival, memory, and the power of storytelling. By incorporating the Holocaust into her version, Yolen transforms Briar Rose into a story about resilience and the enduring strength of the human spirit amidst unimaginable darkness. This approach encourages readers to see fairy tales not only as escapist fantasies but also as vessels for preserving history and teaching important lessons.

Yolen’s use of storytelling within the narrative serves as a metaphor for healing and remembrance. The act of telling and retelling the story of Briar Rose becomes a way for the characters—and readers—to confront trauma and find hope. This technique highlights the transformative power of stories, a recurring theme in Yolen’s work.

With countless adaptations of Briar Rose or Sleeping Beauty, Jane Yolen’s version is distinguished by its emotional depth and historical context. Many fairy tale retellings focus on romance or fantasy elements, but Yolen’s narrative challenges readers to think critically about history, memory, and the importance of passing down stories through generations.

Another aspect that enriches Yolen’s Briar Rose is its subtle incorporation of Jewish folklore and cultural references. This adds authenticity and depth to the story, especially given the Holocaust context. Readers gain insight into how cultural identity and storytelling intertwine, making the narrative resonate on multiple levels. 

Despite multiple attempts and much enthusiasm from fans and entertainment industry professionals around the globe, this dream was never realized, though many other of her works found new life across the visual mediums of movies and TV.

Here is a little background on how this book came to be, which reads a little like a magical story all on its own. This screenshot is from Jane Yolen's personal website, in which she recounts how the book came to be. (It should be noted that this book was originally published for adults.):

Jane Yolen's personal recounting of the inspiration and impact of her historically-based retelling of Sleeping Beauty, Briar Rose

Briar Rose was an influential work for me* and sits on my favorite works bookshelf. Her more recent verse novel, Finding Baba Yaga (written as a series of connected poems), in which this blog was delightfully and weirdly mentioned through an odd misunderstanding I can't help but treasure, now sits beside it, and there's a story to that book, too, which I will tell below.

*I also recommend the audiobook - something I rarely do.

How Once Upon A Blog Ended Up In Finding Baba Yaga

Finding Baba Yaga credits OUABlog ("...the very strange website Once Upon A Blog... Fairy Tale News.." is how she refers to it) in the preface of this book, published in 2018, with writing the "Ask Baba Yaga" regular "advice" feature, which Yolen says inspired her to write this unique verse novel. While I did present the column in my own way, the "Ask Baba Yaga question and "advice" was not my work, but the brainchild of mythic writer and seer Tiasia Kitaiskaia. At the time, Kitaiskaia was publishing these brief pieces of advice to a niche readership in The Hairpin, and had generously given me written permission to re-publish them in my own format on Once Upon A Blog as a regular feature. Once Yolen's new book hit shelves, and I discovered the mistaken credit, I immediately began a flurry of messages and emails to Yolen, her publisher, and Kitaiskaia to rectify the mistake as quickly as possible. Though I never heard what passed between Yolen and Kitaiskaia regarding the mistake, it had been revealed that Yolen was a regular reader of Once Upon A Blog, and the discovery, via reading OUABlog, has remained a part of the preface (with adjusted wording so Kitaiskaia's genius is clear), becoming an odd part of the lore here, which I remained tickled by and treasure.

Screenshot from GoogleBooks showing the mention of OUABlog across two pages. Note: this is the adjusted mention

Always An Insightful, Generous Poet - Even When Commenting On Posts & Socials

Yolen was not only a prolific writer but also remained actively interactive with writers and artists of fantasy and fairy tale, often responding to comments on posts with spontaneous poetry that took conversations to another level. Terri Windling's incredible blog, Myth & Moor (now sadly retired), was a favorite online haunt of hers where she not only showed support for Windling and her other dear friends there, but regularly offered her artistic response to a post or comment by way of writing her responses in spontaneous, often fairy tale-alluding poetry. 

Her Mark - and Her Magic - Remains

Quirky, unique, outspoken, a master wordsmith, and magical, she is already greatly missed. To have lived in a world where she was writing, busy creating wondrous works, and distilling conversations and comments into little fairy tales filled with profound observations and wisdom that we can continue to tell, forever, has been a privilege. 

Thank you for everything, Jane.

Your star will shine brightly ever after.

Tribute portrait of Jane Yolen June 12, 2026 by Jarrett J. Krosoczka
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A Small Selection of Yolen's Fairy Tale-Related Book Covers


Books shown (left to right, top to bottom):
  • Briar Rose
  • Finding Baba Yaga
  • Tam Lin
  • Sister Emily's Lightship and Other Stories
  • Touch Magic - Fantasy, Faerie & Folklore in the Literature of Childhood
  • Mapping the Bones
  • The Girl Who Cried Flowers and Other Tales
  • Gray Heroes - Elder Tales From Around the World
  • The Seeing Stick
  • Jewish Fairy Tale Feasts - A Literary Cookbook (Tales retold by Jane Yolen, Recipes by Heidi E.Y. Stemple)
  • Sleeping Ugly
  • Tales of Wonder
  • His Fairytale Life - A Book About Hans Christian Andersen
  • Not One Damsel In Distress -Heroic Girls from World Folklore
  • Once Upon A Time (she said)
  • Fairy Tale Feasts - A Literary Cookbook for Young Readers and Eaters (Tales retold by Jane Yolen, Recipes by Heidi E.Y. Stemple)
  • Sister Bear - A Norse Tale
  • The Moon Ribbon and Other Tales
  • The Fish Prince and Other Stories (with Shulamith Oppenheim)
  • Twelve Impossible Things Before Breakfast
  • Mightier Than The Sword
  • Favorite Folktales from Around the World
  • The Barefoot Book of Ballet Stories (with Heidi E. Y. Stemple & Rebecca Guay)
  • How To Fracture A Fairy Tale

Tuesday, December 1, 2020

Gaiman's "The Sleeper and the Spindle" Gets A Holiday Radio Play Adaptation (Broadcasting Dec 26, 2020)

Where:  BBC Radio 4 is the station you'll want to tune in to - available anywhere in the world with internet access! (check the link)

When: December 26, 2020 from 3-4pm GMT for the permiere (Boxing Day, for all those that celebrate it), though it does appear it will be available to listen to after as well - BBC Radio 4 to confirm.

Who: Here's all the info on everyone involved from BBC Radio 4, as well as their brief synopsis in case you haven't read The Sleeper and the Spindle yet. (If you haven't, you may want to get on that... it's won a whole slew of awards for good reason. Plus Chris Riddle's GORGEOUS illustrative work is just *chef's kiss*!):


Neil Gaiman’s perfect Christmas-time fairy tale, brought to life by award-winning dramatist Katie Hims. Starring Penelope Wilton, Gwendoline Christie and Ralph Ineson as well as Neil Gaiman himself.

The Sleeper and the Spindle is a new tale drawing on traditional folk stories, interweaving Snow White and Sleeping Beauty in an enchanting drama that puts the women firmly centre stage.

In her mountain kingdom, a soldier-Queen prepares for her wedding day. Three dwarves, guardians from her childhood, race towards her. They were coming for the celebration, but they also bring news of a sleeping sickness sweeping the land. As a girl she survived her own long, magical sleep, so she throws on her armour, straps on her sword and rides into the heart of this new plague to try to find its source and save her people. The magical sleep is spreading from a castle deep in the forest. There, our heroine discovers a beautiful sleeping girl, and a very, very old woman, forever awake…. But when the Queen wakes the princess in the traditional way, she discovers that all is not as it seems. Ultimately, she comes to understand that she really can make her own choices, and follow the path to her own happy ending.

 

Written by Neil Gaiman
Adapted by Katie Hims
Directed and Produced by Allegra McIlroy

Recorded remotely by Sharon Hughes and John Benton
Sound Design by Sharon Hughes

The Sleeper and the Spindle was a BBC Audio North Production

Cast
Dame Penelope Wilton ….. The Narrator/The Old Woman
Gwendoline Christie ….. The Queen
Neil Gaiman ….. The Home Secretary
Ralph Ineson ….. The First Dwarf
Stefan Adegbola ….. The Second Dwarf
Ian Dunnett Jnr ….. The Third Dwarf/The Prince/ The Tinker/The Woodcutter
Cecilia Appiah ….. The Pot Girl/ The Young Girl/ The Mother
Emma Handy ….. The Maid/The Other Woman/ The Stepmother
Roger Ringrose ….. The Father/The Innkeeper/ The Bandit
Milton Dighton ….. The Child

As a little bonus, here's a behind-the-scenes video of Neil Gaiman and Chris Riddle talking about how the book began and their collaboration on The Sleeper and the Spindle. You're in for a treat. Enjoy! 



Saturday, November 7, 2020

The Curse Is Broken

Today we saw people of all affiliations defend democracy.
Today we saw Americans arm the Sword of Truth.
Today we saw the Sword of Truth break the curse.
A new chapter begins, this time in blue. 
We know there is a LOT of work to do.
But for today, let us rejoice and may the healing begin.

NB: All animation/Sleeping Beauty images are owned by Disney. The artists for both wallpapers (book, and butterfly on books) are unknown.

Thursday, November 5, 2020

The U.S. As Sleeping Beauty Right Now... (Thursday, Election Week, 2020)

It seems apt that Sleeping Beauty is taking center stage as the fairy tale representative for the USA right now. The whole world is watching a too-close battle for the next Presidency while the US wakes up to just how divided the "United States" actually is. 

But for these few days, everyone is focused on colors... and the "dress", rather than who will be wearing it and what it really will look like when it's "being worn".  (Independently green Flora, isn't being much help either.)

No matter what happens, there's a lot of work to do.

(Click on the embedded short videos below for a light-hearted summation of the current election #mood.)



"Make it blue!"

Thursday, October 17, 2019

Iconic "Pricked Finger" Appears At 'Maleficent II' Premiere // Is This Movie Disney's 'Game Of Thrones'?? (+ Surprisingly Positive Reviews Have Our Attention!)

Blood & Magic On The Red Carpet
Fashion has long had a fascination with capturing the essence of fairy tale in a garment or outfit but Gucci not only captured the modern idea of princess and fantasy magic in this particular outfit, but managed to draw attention to the spellbinding side of the story too, drawing onlookers under their enchantment.

At the Hollywood premiere of Maleficent II, Elle Fanning's custom Gucci dress personified her character of Aurora and the Sleeping Beauty fairy tale revisited. Fanning, not only dressed as a princess but one recently put under enchantment, and the effect was stunning.


Fanning wore a pale-olive trailing green dress (a color most can't quite pull off), with gathered layers of chiffon echoing the romantic 'natural' wood-nymph style seen in mythic paintings (cue serious Persephone vibes), princess-tiered off-the-shoulder sleeves, jeweled straps and waistband, luxurious layers and mauve velvet ribbons, all freely woven together with dusky flowers, in both dress and hair. There are even subtle nods to all three of the colors of the bumbling fairies who raised her (see the layers, including ribbons, and the rings on her left hand).

The most mesmerizing aspect of the outfit, however, which sets it apart from other ensembles on the red carpet, were the sheer tulle gloves with the blood-red crystal droplets that began at Fanning's right 'pricked' index fingertip, trailed the back of her hand, then dripped down the right side of her dress.

Symbols, Spells & Statements
Just by holding up a "pricked" finger for the cameras, Fanning, as Aurora, was making an iconic statement. Not just: "I am Sleeping Beauty", but also, "Yes, I'm bleeding, but I'm finally awake!"

(Side Note: Angelina Jolie's Hollywood premiere outfit was so striking it almost overshadowed the Aurora dress! It had a prominent diamond-encrusted scorpion pinned the hip of her black, sequin-chainmail dress, which might have corresponded to Fanning's pricked finger, but perhaps not. Whatever the case, it was definitely intentional so feel free to speculate on what it might symbolize... See our bonus content at the end of the post for a little on the folklore of insect/arachnid pins, a.k.a. brooches, and how Lady Hale's symbolic use of pins started the #girlyswot movement, something Jolie would likely be happy to be included in. But back to Aurora's outfit and motifs!)

The concept, according to one of the stylists (Samantha MacMillen) was to have “Sleeping Beauty waking up in a field of flowers and walking to the red carpet”, and the effect was that not only the appealing magic of the fairy tale is present, but also the darker side of enchantment, and of fairy tales in general. (The design team did an amazing job.) Not only was the effect a fashion statement, but it took a step away from basic cosplay and costume, and continued to bring a fresh way to look at the fairy tale to the public, and keep the story of Sleeping Beauty alive. We also love the shots of Elle Fanning, dressed in this outfit, walking on the thorny black and white background, created for the premiere. That image makes a statement by itself.


As Kailey Flyte/@mermaidensblog said on Twitter (we have combined her tweets):
I am IN AWE! The DETAILS! The gorgeous woodland nymph feeling, but then the tying in to the darker side of the tale with the blood !!! THE LAYERS!! The fact that they made such a stunning, woodland nymph type of dress but still referencing the inherently macabre nature of fairytales.

We agree. We love magic and wonder, of course, but we also like our fairy tales to have teeth.

Finding the balance between creating a costume to represent an instantly recognizable fairy tale character (which can come off as kitsch), and a high-fashion style that appeals artistically (but can be lost on the public), is a tall order but Gucci - and the styling team - did exactly that.

Respect!

It's truly wonderful to see storytelling  - and the revision of a fairy tale - be taken to different dimensions beyond film and print.
Consistently Positive Reviews Are Accumulating for Maleficent: Mistress of Evil (Surprise!)

To be honest, we're not sure folks are quite ready for another Maleficent movie right now, even a good one. Focus is elsewhere and Frozen II is stealing everyone's thunder. The marketing seemed to begin in one focus then headed in another direction entirely after the reveals of Maleficent's kinsmen, but ultimately, it's being marketed as a classic castle-fantasy movie with some epic creatures - something that should guarantee an audience - but the attention of social media is currently on Frozen II, Star Wars, HBO's His Dark Materials and the real-life issues of diversity, representation, insane politics. Apart from foks who are already fans there hasn't been a lot of buzz. But people are finally starting to pay attention. The lavish premieres, the fashion tie ins, the music videos and promises that it may have more relevant storylines than are immediately apparent - why? Because Maleficent II is getting consistently GREAT reviews from critics! 

The most repeated sentiment we've read is that this could be one of Disney's best live-action movies. Ever. (And that, as groundbreaking and blockbusting as the first one was, warts and all, this one is much better.) That's... a very bold statement for one reviewer or critic to make, but to see it echoed repeatedly has made us sit up and take notice.

It's clearly an unexpected response for critics (who were, admittedly, quite prepared to roast it) and we wonder whether part of this is to do with (perhaps) having low expectations of the film to start with. Though the trailers haven't done a great job of convincing us so far, reviews are surprisingly consistent in reporting that this is one of Disney's best live-action films to date (!). Generally, it seems to be agreed that this movie is much better written and crafted than the first, and is ultimately a satisfying revision and doesn't retread Disney's tired ground as a typical sequel or reboot. Nor is it a try-hard apologetic "correction" for the original property, which is a relief because, let's be honest, we are more than a tad tired of being preached to via the latest live-action batches, even if we agree with the basic sentiments.


Here are two excerpts from a review by Scott Mendelson for Forbes, which do a great job of summing up the many reviews we've read to date:
Maleficent: Mistress of Evil is a breath of fresh air from Walt Disney’s sub-genre of live-action fairy tale adaptations. It is noticeably better than the previous Maleficent (which was allegedly stitched together via an assist from John E. Hancock) and the very best of these Disney fairy tales since the one-two-three punch of Cinderella (excellent), The Jungle Book (damn good) and Pete’s Dragon (spectacular). Okay, we’ll ignore Alice Through the Looking Glass for a moment, but you get the idea. The plot is almost as threadbare as the first one, but it makes A-to-B-to-C logic and exists as an excuse for a fantastical spectacle, some dynamite action and not a little camp melodrama. At its best, it’s a go-for-broke adventure that that avoids the mistakes that tripped up the last handful of Disney fairy tales 
...More so than any of these films since Pete’s DragonMaleficent: Mistress of Evil feels like Disney using the safety of a viable IP, or at least the protection of knowing that they will survive if this movie bombs, to just throw caution and fidelity to the wind. There’s a bare minimum of (to paraphrase Lindsey Ellis) “girl boss faux feminism,” attempts to “correct” the politically incorrect attitudes/ideologies of the original material or obsessive recreation of what came before to “appease the fans.” It’s a self-correction that brings (false?) hope to the next batch of presumably less slavishly faithful Disney adaptations coming down the pike. Maleficent: Mistress of Evil is the Disney remake/fairy tale as kid-friendly heavy metal madness. It may not be a masterpiece of music, but it rocks and rocks hard.
And although it's not a retelling/revisioning of Disney's Sleeping Beauty, the film does continue on from the tale and, does appear to be solidly in the realm of 'fairy tale film' instead of just a fantasy. As we are currently attempting to avoid major plot spoilers, it is difficult to gauge how much of a 'fairy tale' this film may really be. For reviewers so far, at least, the words 'original fairy tale' (though based on characters and in a world we know) seems to be the consensus but we are not convinced. Earlier trailers hinted at more mythic themes (even alluding to Faust, Dante and possibly Icarus) while later trailers seemed more rooted in fairy tale tradition, (editing can be very misleading!) so we shall just have to wait and see. We can always hope that writer Linda Woolverton (who also wrote Maleficent, and has a long history of writing for Disney) decided to dig a little further into her intial inspiration and references of Spenser's Faerie Queene. Perhaps we will have a little of everything.

This Friday is the start of "opening weekend", and the public will have the chance to go see it (giving up their hard-earned cash to do so). Box office numbers say a lot, so we shall see if there's been enough buzz to consider this a hit or not. Will people flock to the theaters? We would be surprised if they did, but that doesn't mean the audience won't grow as word gets around. From all we're hearing of the movie, we hope this "risky" approach to filmmaking pays off. We could really use a bold approach to the upcoming swath of Disney's live-action reboots coming our way; fresh and fearless storytelling with unapologetic truths is something we really - really - need right now.

Is Maleficent II Disney's "Family Friendly Game Of Thrones"?
Although there is no gore, the body count for the final clash is reportedly the highest of any Disney movie yet (easily earning it's PG rating), but that is also where the intrigue and the payoff for the rest of the movie apparently comes together; in the "third act". But that's only where the parallels to HBO's Game Of Thrones begin. GOT had the stunning and lush visuals (and creatures) that attracted people of all ages, yet the subject matter and violence made it very clear this was not something you should be sharing with your kids! 

Maleficent II appears to have many of those things everyone loved about GOT (kids included, since they also could not escape the marketing and images while it ran): fantastic creatures, epic battles (though, in Maleficent, shown carefully and without gore), magic that's very real, impossibly beautiful things, transformations and classically epic scenes. It also includes that lavish fantasy look, that's so inviting such as lavish banquets, romantic-medieval architecture, glorious set design, lovingly detailed costumes, flying creatures of all kinds and a world that has both color and beauty and dreamy magic scenes, to dark and detailed ones. While this is dangerous in GOT as it's an entry point for so many who were not ready to experience where the show went visually and thematically, there is no concern here of exposing your kid to a "Red Wedding" or other very adult scenes that came to be a staple of GOT. 

GOT explored a lot of political dynamics in its run but ultimately it became clear it had a very uneasy relationship, in particular, to women in power. (It's one of the main criticisms of the HBO show.) In Maleficent: Mistress of Evil, relationships  - and the mother-daughter dynamic in particular - is explored in tandem with politics and reportedly does a great job of keeping the heart of the film (the relationships) central throughout. The fact that Disney is exploring aspects of power and politics through a cast of strong female leads, while including hot-topic themes (see paragraph below with hidden spoilers for details) is bold, brave and has potential for serious substance. 

A possibly-slightly-spoilery report (on the themes, not plot details per se) from Maleficent Brasil (account is in Portuguese) might be of interest as well. If you are interested, highlight the white space below to read it, auto-translated to English:
MILD-SPOILERS IN WHITE SPACE BELOW

The film is also being considered as one of the most political of the year, addressing and allegorizing current issues such as the oppression of minorities and the destruction of forests. Queen Ingrith is being described as a Donald Trump-style ruler.
MILD SPOILERS ENDED
As a reminder, here are some of the trailers which, although they don't show all the teasers, give a decent intro to the premise.

We actually prefer the second below to this one but are including the EXTENDED COMPILATION TRAILER first, in case you have missed some of the more recent promos. Although there is some repeat footage (and it's not cut together very well) it hits all the important notes and includes some international promos too:
We like this one below much better as it gives a lot of insight into the driving forces behind the movie. (We wish more of these scenes had been used in earlier promotion). It's a compilation trailer too, with some non-spoilery behind the scenes views which are wonderful. Enjoy!
Maleficent: Mistress of Evil releases in US theaters this Friday, October 18, 2019.
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Folklore Meets Fairy Tale Bonus of the Day:
Pins, Brooches & Accessories As Symbols, Statements & Messages
The women in Maleficent II are the prominent characters and run the politics in the various lands and territories of the movie (one of the reasons it's getting noticed) but even with women facing women, there are still so many assumptions made. Women in politics have a daunting job. Not just because it's difficult but because there is so much discrimination - still - just due to their gender. So it's no surprise that women in politics will sometimes use creative and unusual ways to help make their statements clear and unwavering. Fashion and the use of accessories is one of those tools (something Angelina Jolie is obviously aware of, hence speculation about her prominent scorpion to the premiere - but we'll come back to that).

In the UK, Lady Hale's announcement in September (2019) that "the prorogation of parliament was unlawful", was backed by the strong visual of her black outfit, with a large, jeweled spider brooch pinned below her collarbone. That visual statement was so strong it had people speculating on what messages Hale's spider was sending, and set off a wave of support and solidarity in the form of a movement called "Girly Swot", which used, as their symbol, the spider for t-shirts and other merchandise (most of the proceeds of which went to charity). One of the reasons it took off like it did was that Lady Hale is known to wear brooches specifically to make statements. And she's not the only powerful political woman who does. Madeleine Albright has her own stories with associated brooches, and even released a book called "Read My Pins: Stories From A Diplomat's Jewel Box".

So, considering the themes of the film, what message might Angelina Jolie's scorpion have been sending as she took the red carpet? Let's just say we were not surprised (though still delighted) to see what the most likely 'messages' might be. traditionally and folklorically speaking, that is. Looking at a variety of sources, we found the following symbology for scorpions in common. They are symbols of passion, dominance, defense, transformation, and rebirth. People who see the scorpion as representative of themselves tend to be self-reliant (sometimes to a fault), defensive and highly sensitive, yet also very resilient (like the animal). When these people love, "they do it to the fullest" and when they hate "it is with their whole being". In Egyptian mythology, scorpion amulets were made to protect people from evil, while in Africa shamans used scorpion venom to heal and venerated them as a medical source. 

That certainly sounds like the Maleficent of the first film and certainly suits what we've heard of the second. The words "transformation" and "rebirth" are part of the marketing campaign and feature over Maleficent finding others like herself and recovering from, what appears was meant to be, a killing blow.

The most common and current use for the scorpion as a symbol, however, is via the tale of The Scorpion and the Frog, a fable which has come back into social popularity with a force the past few years. In case you are unfamiliar with it, here is a quick retelling:
"A scorpion asks a frog to carry him over a river. The frog is afraid of being stung, but the scorpion argues that if it did so, both would sink and the scorpion would drown. The frog then agrees, but midway across the river the scorpion does indeed sting the frog, dooming them both. When asked why, the scorpion points out that this is its nature." --Fable of the Scorpion and the Frog (via Forbes)
"The moral of the story is that, like the scorpion, vicious people often cannot help hurting others even when it is against their interests." (summarized by Wikipedia). It's a tale that is often referenced with regard to politics, leaders, and corporations and, worn by Jolie (as a statement on either her character, the message of the film or a political one she is sending herself), it makes for an interesting context, especially as we know the specific design  - including made to be very visible and noticed - was not only conceived by Jolie, it was chosen for the premiere night with a specific purpose. (And yes, Lady Hale's spider is referenced in the linked article too! Turns out we weren't the only one thinking Jolie may have taken her cue from another politically powerful woman.)

There is one additional layer to this scorpion, though, and that is, that Jolie (and her children) ate them (yes, they ate scorpions - spiders too). When visiting Cambodia for the premiere of her film "First They Killed My Father", about the genocide under Pol Phot's Khmer Rouge, Jolie was very focused on sharing with her children the humanitarian aspect of her work. It was a film about survival and Jolie was making a point of showing to her kids how people were able to survive:
'I think it's always been a part of the diet, the bugs,' (Jolie) explained. 'But I think there is a truth to the survival during the war of course.'She continued with a history lesson: 'When people were being starved they were able to survive on things like this and they did.'She was then asked when she first had the bugs and replied she first had then when she first visited the country. (2002 when adopting her eldest son Maddox - via Dailymail.co.uk that includes lots of pictures of spider cuisine being enjoyed by Jolie and her kids)
So for Jolie scorpions are associated with extreme survival and tenacity in the face of devastation. That fits with her role in the movie (as we understand it) too and is a common theme in all her chosen work these days, whether it's while working in film, or as an activist. Whatever the case, she's made sure we're paying attention!
Elle Fanning & Angelina Jolie at the European Premiere, dressed to reflect their mother & daughter roles

Note: We also wish to acknowledge the collaborative effort and artistry Fanning's Aurora look took, so here are the appropriate credits (and personal thanks) from stylist Samantha McMillen, as posted on her Instagram:
Details: Elle/Aurora in custom Gucci. Thank you @Gucci and @alessandro_michele for this incredible creation. You gave us everything we asked for and more! @justjenda and @erinayanianmonroe completed the vision with incredible hair and make up. Thank you @ellefanning for inspiring all of us. The creativity coming from this team brings me so much life and so much joy! #ellefanning #sleepingbeauty #aurora #gucci #alessandromichele