Petzold's "Undine" To Be First In A Trio Of German Myths (& A Tour of Germanic Fairy Tale-Like Legends As Contenders for Films 2 & 3...)

During the conversation, the stranger had already occasionally heard a splash against the little low window, as if someone were sprinkling water against it. Every time the noise occurred, the old man knit how brow with displeasure; but at least when a whole shower was dashed against the panes, and bubbled into the room through the decayed casement, he rose angrily, and called threateningly from the window; "Undine; will you for once leave off these childish tricks? and to-day, besides, there is a stranger knight with us in the cottage." (Excerpt from Undine, Chapter 1: How the Knight Came to the Fisherman)

Production has just begun on a brand-new, mythic film trilogy, the first of which will be based on the fairy tale Undine, written by Friedrich de la Motte-Fouque. The story is well known in Germany and worldwide, largely thanks to Arthur Rackham's popular illustrations, and prima ballerina assoluta Margot Fonteyn's signature role as the titular Ondine with the Royal Ballet (with an 'O' instead of a 'U').

The director, Christian Petzold (of last year's acclaimed film Transit) has offered a few clues as to the direction he'll be taking:

"The next trilogy is about German myths. (The) first one (is) about Undine, a woman who comes in from the water, living in Berlin wanting to kill all the men. (And) yes, (it will be) very modern."

Petzold was interviewed recently, just after production started, and elaborated a little more on how the character of Undine will be portrayed. The article extract below includes information on the film's cast and crew for any who might be familiar with Petzold's work to date:

Director Christian Petzold has now embarked on his next film, the fairytale-inspired Undine, and it finds him reteaming with Transit stars Paula Beer and Franz Rogowski, Cineuropa reports. Also starring Jacob Matschenz and Maryam Zaree, see a synopsis below for the film that kicked off production last week. (Ed: Reported in July 2019)
Named after the water nymph that seduces men in a number of mythological tales, the German director’s new movie will portray Undine (Paula Beer) as a history graduate who works as a guide in Berlin in the present day. After her partner (Jacob Matschenz) leaves her for another woman, she is cursed and compelled to kill the man who betrayed her and return to the waters she was once summoned from. Yet unlike the mythological character, in the film, Undine tries to defy her fate. Immediately after the break-up, she meets Christoph (Franz Rogowski), an industrial diver, and falls in love with him. The two have a wonderful time together until he realises that she is running away from something and starts to feel betrayed.

So it will not have the fairy tale feel of Ondine, the 2010 romantic Irish-drama (with Colin Farrell and Alicja Bachleda), which was based on the same source. Ondine has few magical effects but very much taps into Wonder and has a very fairy tale feel. Petzold's Undine, however, will be worlds away from that and will be considering a very different aspect of the story.

Petzold is one of the few German film directors who consistently gets US distribution for his films. In an interview with The Film Experience, he was asked why he thought that might be. His answer is very interesting, both for German cinema and American:

"Americans need cinema like the Greeks needed theater. It’s where you learn about community and society. In Germany cinema had to be re-invented because Nazis infected it. So I learned from American cinema." 

We have to wonder, with his eye so firmly on the social and political dynamics of the world stage, particularly with regard to Germany and the US, what Petzold's commentary on current issues will be.  Clearly, he will be exploring the changing role - and perception - of women in his film Undine, but that's unlikely to be the only issue he'll be exploring.

In de la Motte-Fouque's original Undine, a strong contrast is drawn between the wild, (and soulless) Undine, who laughs inappropriately, is 'tricksy' and brazen (see excerpt at the beginning of the post for a taste), and her transformation to the woman she becomes (overnight) on getting married to a human and therefore gaining a soul. From then on, she is demure, quiet, modest and "well behaved". It is completely opposite to her essential nature, one which is surrounded by devilish spirits and creatures that accompany and pursue her, and frighten her knight and the priest that marries them. It is even implied in the Undine text at the beginning of the story, that the water nymph did away with (drowned) a couple's human child, in order to become the replacement foster child - a huge contrast to the meek and tragic figure she later becomes. (You can read the full book online HERE.) Petzold's Undine, rather than being mysterious and romantic, is set to start with quite a brazen edge too, and a very real threat, but also promises complexity as the story develops.

As for the other German myths that might be tapped for the trilogy, there are quite a few famous ones, and though we can't know how the director is considering tying the three films together, here are some possible subjects:

• The Pied Piper (not to be confused with the tragic Children's Crusade, another German legend)
• The Changeling (Or How To Protect Your Child - written by Jacob Grimm for German Mythology)
• The Hoofprint on the Rosstrappe, or Princess Brunhilde escaping the Giant Bodo (in which her stallion left a hoof print, still visible today, on Rosstrappe, in the Harz mountain range, as he leaped off a high cliff, carrying her to safety. This is from Legends and Tales of the Harz Mountains by Toofie Lauder 1881, but it can be seen that Germanic mythology has a lot of overlap with Norse mythology)
• The Morbach Monster (the location of the last werewolf kill in Germany, which has a shrine with an ever-burning candle, as legend has it that if the candle goes out, the monster will return)

The Lorelei legend (similar to a mermaid) is also one of the most popular German myths, but with Undine already being the basis of the first and sharing many of the motifs, it's unlikely Petzold will be using this one. There is a third water nymph legend that overlaps as well, loosely titled The King of Mummelsee (also known as the Singing Nymphs of the Black Forest), which takes place in the locale of the Black Forest (and a glacial lake) and includes mention of a monastery and nymphs-who-used-to-be-nuns; in some ways, a reversal of the Undine story. Other magical legends are based around Mummelsee (the lake) too, one in which a man in a rat fur coat, with an owl companion, takes a midwife with him to the lake, to help with the delivery of his baby. He paid her in straw, which turned to gold. Another legend says that deep down in the Mummelsee is a blue flower which can make someone invisible.

For the last of the major myth contenders, there is the notorious legend of the Watzmann mountain range, said to actually be a family of blood-thirsty people, who enjoyed hunting local peasants for sport, and were eventually cursed during a particularly cruel and bloody kill, and turned to stone, (each peak of the range a different family member) but it's a fairly simple story. There is a variant in which a little pocket-sized man helps the farmers defeat the wicked king and his family, and the community ends up stoning the entire awful family to death, using so many stones that the mountain range was created, but again it's a fairly straightforward tale. (An interesting local folkloric note: There is a tradition called "Kick the Royalty" in which, even today, locals encourage hikers to "kick the wicked royalty" with their shoes while "walking on their bodies".)

As one might imagine, The Black Forest has it's own unique set of legends (and fairy tales), many of which include a magical element; water nymphs, monks catching ghosts, a giant ditch-digging hen, disappearing night ladies, a headless horseman and a good witch who caused the local vineyards to produce the best wine in Europe. All of these legends are lesser-known, though, and unlikely to be a mythic source for the trilogy.

Veering slightly off the legend-as-complete-story' track, there are the popular legendary characters of German myth that could be considered as well. These include Godfather Death, Krampus (Santa's dark helper), the Erl King (German King of the Fairies), the Rübezahl (a trickster mountain spirit), Barbarossa (a famous king whose very long beard is linked with prophecy) and characters from The Nibelungenlied (knights, dwarves, and dragons).

Then there are many other collections of legends and folktales, beyond the Grimm brothers, any of which may also be in the running, as long as they have some popularity or legendary status in Germany. There are tales by Bechstein (whose work was apparently more popular in Germany than the contemporary Grimm's work, for about fifty years), Schönwerth's collected (and largely unedited) tales, and respected fairy tale scholar Jack Zipes also writes of many other German fairy and folktale collections, alerting us to many other tales and collections "more interesting" than Schönwerth's as well.

"...I can point to some brilliant German collections by Theodor Vernaleken, Johann Wilhelm Wolf, Ignaz and Joseph Zingerele, Heinrich Pröhle, Josef Haltrich, Christian Schneller, Karl Haupt, Hermann Knust, Carl and Theodor Colshorn, etc. "

There is certainly a wealth of possibilities for this new "mythic trilogy", but like Petzold's other trilogies, Undine is likely to be both a stand-alone film, and have a unique context within the trilogy, when it's complete. With Petzold's star shining so brightly at present, it's clear many critical eyes worldwide will be watching to see what he does.

For now, however, German fairy tales are front and center.

All illustrations in this post are by Frances Bassett Comstock.

Sources Referenced:

• Interview: Christian Petzold on 'Transit', melodramas and the influence of Fassbinder and Ackerman by Murtada Elfadl for The Film Experience
• Christian Petzold Begins Production on Fairytale-Inspired Film ‘Undine’ by Jordan Raup for The Film Stage 
• Full online text of Frederick La Motte-Fouque's "Undine"
• An Extraordinary New Find? Jack Zipes on the 500 New Fairy Tales by jwyg for the University of Chichester
• German Myths & Fairy Tales by Taylor Fisk Henning for the Illinois Library
• Myths, Legends & Folklore From Germany by Europe Diaries
• The Local List: German Myths & Legends by TheLocal.de
• Werewolf Legends from Germany - translated and edited by D. L. Ashliman University of Pittsburgh 
• The Nibelunglied - - translated and edited by D. L. Ashliman University of Pittsburgh 
• Undine 1911 English with illustrations by Frances Bassett Comstock - archive.org
• Various local articles on the Watzmann mountain range - including the Grosser Watzmann, the "Watzmann wife" and the seven "Watzmann children", located in Upper Bavaria
• German Changeling Legends  - translated and edited by D. L. Ashliman University of Pittsburgh 
• Barbarossa, the red-bearded hero, symbol of German unity by DW (Deutsche Welle) Culture
• Wikipedia entry for Rübezahl
• Legends of the Mummelsee in Germany's Black Forest by David Gutscher
• The Legend of the Rosstrappe from Uncommon Travel Germany, a transcribed tale from Legends and Tales of the Harz Mountains by Toofie Lauder in 1881
• The Pied Piper of Hameln (not a misspelling) and related legends of other towns - translated and edited by D. L. Ashliman University of Pittsburgh 
• Black Forest Legends by Websters
• The Erl King by Goethe - Encyclopedia Britannica.com

'Kindle In Motion' Brings Seven Gorgeously Illustrated Grimm Tales To Life

The Brothers Grimm: Illuminated Fairy Tales, Vol. 1 [Kindle in Motion] Kindle Edition

We only just discovered this wonderfully illustrated fairy tale e-collection, possibly because we prefer paper books for reading and holding, but the whole project appears beautifully done, and the audio sample is pretty nice too.

 

When e-books eventually make the transition to 'digital paper', (so you can carry one full size book and just re-load it with the novel or volume you want to read that day, still being able to turn pages etc) these sorts of moving books are exactly what we would love to add to our collection!

 

Here's the blurb for The Brothers Grimm: Illuminated Fairy Tales, Vol. 1 [Kindle in Motion]:

From “Rapunzel” to “Hansel and Gretel,” Grimm’s Fairy Tales have enchanted readers for generations. This dramatic Kindle in Motion edition presents seven classic stories—each restored to its original version and reimagined with modern digital illustrations. 

 

Each tale is lovingly portrayed by a different artist: Kali Ciesemier’s vibrant colors animate the thorny path of “Briar Rose.” The sinister course of “Hansel and Gretel” takes a twist in the candy hues of Peter Diamond. Daniel Krall’s richly detailed line work shines amid the wickedly dark “The Juniper-Tree.” Nicolas Rix’s charming storybook style delights in “The Frog-Prince or Iron Henry.” Ashley Mackenzie’s golden tones light up the ball in “Cinderella.” Horses, ducks, and birds turn macabre in Wesley Allsbrook’s wildly gestural portrayal of “The White Snake.” And Rapunzel lets down her hair in Rovina Cai’s hauntingly beautiful drawings. 

Experience the iconic classics you know and love, lavishly illustrated to breathe new life into age-old tales.

 

Did you take note of those illustrator names? No wonder this looks so good!

And a quick (re)listing of the fairy tales:

• Briar Rose
• Hansel and Gretel
• The Juniper Tree
• The Frog Prince or Iron Henry
• Cinderella
• The White Snake
• Rapunzel

And in case you're wondering, these are the Grimm versions, not watered down 'Disney-fied' versions, but at the same time beautifully told with a lovely storyteller feel. (Audio preview is also available on the Amazon page.)

 

A note about viewing options for those who don't have an actual Kindle device:

 This book can be read on any device, including Kindle E-readers. Kindle in Motion books include art, animation, or video features that can be viewed on certain Fire tablets and the free Kindle app for iOS and Android. You can switch features on or off at any time. 

There are a number of other 'Kindle in Motion' books available that might interest readers as well. The Amazon page shows previews of the animation. Each title is linked to its respective page: 

• Harry Potter and the Sorcerer's Stone
• The Secret Garden
• The Wind in the Willows
• Off To Be The Wizard
• Bram Stoker's Dracula
• Darkness There: Selected Tales by Edgar Allan Poe
• Journey to the Center of the Earth
• Black Beauty

'The Girl Without Hands' Multi-Award Winning Animated Film (Limited US Theatrical Release Begins July 21)

We've been meaning to bring this to readers attention for a while and are very glad to see this French animated, full length feature, drawing the attention of mainstream media such as The New York Times, this week as it becomes available to see in the US in selected indie theaters.

Note: the alternate posters shown throughout this post were created by Paul Jeffrey of Passage Design, all of which can be seen HERE.

Created by one man (!), the film, being hailed a masterpiece and 'guaranteed to be an animation classic', is based on the Grimm's version of the tale, and cleverly and sensitively uses a very expressive-impressionist style to convey both characters and emotion throughout.

Take a look:

As a fairy tale reader, you're probably aware of how dark and harsh this story is - and therefore how much it means to so many people - and will be glad to know that although the style is gentle and colorful, it doesn't shy away from the dark themes.

For those a little rusty on the synopsis here's a summary, courtesy of GKids:

In hard times, a miller sells his daughter to the Devil. Protected by her purity, she escapes from the Devil who, in revenge, deprives her of her hands. So begins her long journey towards the light… but in spite of her resilience and the new protection of a handsome prince’s estate, the Devil devises a plan of his own.

From the New York Times review:

Perhaps more striking than the adaptation of the harsh narrative is the movie’s animation style. Mr. Laudenbach’s drawing eschews clean ink lines for a minimalist and impressionist aesthetic. He allows the water color swatches that stand in for characters and landscapes to create a dreamlike world that appears poetically endless. When lines do appear, they are thick and textured, like those of a sumi-e painting from Asia.

The result is a dazzlingly imaginative movie about survival. Left on her own, the woman in the story proves capable of taking care of herself, and later her child, once the constraints of comfort and gender roles are cast off.

Indie Wire has an exclusive 1min13second clip of the sequence HERE where the father is tricked by the Devil. It's definitely worth watching! (We are not embedding out of respect for this clip just surfacing)

Distribution has been picked up by GKids, with the film having a limited US theatrical release, starting in New York at the IFC tomorrow (July 21st). More dates and locations are being added to the official page on the GKids website HERE, so check it out and see if you're lucky enough to have this appear locally for you. With GKids - who are doing an amazing job of bringing world class animation from all over the globe to larger audiences - as the distributor, hopefully the full length feature will be available to add to our fairy tale film libraries on DVD and/or Blu-ray soon.


Please note: with the subject matter and the film being distributed by GKids, it may be a little confusing as to whom is the best audience for the film. By all reports, it can be considered accessible to some children and has a dreamlike quality about it, as well as a very female empowering message. There is no doubt it tells the same story as the Brothers Grimm, however, so due to this and the representation of some very dark concepts, the style is probably best suited for teens and above. Please use discretion (and perhaps a pre-viewing) if you intend to share this with children.

To help in deciding, there's a good description of style and some of the story aspects and approaches to storytelling in the Variety review HERE.

There is also a French book that's been released, using the drawings created for the film, which is advertised as being from ages 7-77. We can't find any notice of an English version of this book in the works so if you're keen, we suggest hunting down a French copy. You can read about it HERE.
                             
The whole Fairy Tale News Room are all very much looking forward to seeing this film, and in many ways it feels as if the release of this film in the US this year, is rather fortuitous. We're very grateful to GKids for making the best animated storytelling from around the world available for us to see.

Dance Theater: Grimm Brothers Get Transported To Age of Social Media To Save Their Literary Legacy in 'Tales of Grimm'

Contemporary parables are woven together with tales of the Brothers Grimm

This unique twist on Grimm’s Fairy Tales places these literary brothers of the 1800s smack into the middle of modern day society. Perplexed by the antics of our 21st century lifestyle, the brothers’ vivid and iconic text literally dances off the page to pull inhabitants of our screen-obsessed, social-media age back into the world of books—and into the stories they thought they knew so well…

When you hear about 'tales of Grimm' you don' usually expect the brothers to make an appearance, let alone watch them in their tale telling and editing. The beauty of this concept shows exactly why and how fairy tales still have something to say.

This production sounds very unique, and if we were local, we'd definitely make time to go see this! Everything we've read about the character and concept development sounds interesting and well thought out - both as an homage to the work of the Grimms in their time (it was much more complex than collecting a bunch of tales and publishing them!), and showing how fairy tales are still as relevant today as they ever were - even taking into account people's obsession with selfies... The production, choreography and dancing too, are getting good critical reviews.

Here's the concept, from toledocitypaper:

Broken into vignettes, each classic tale has been contemporized to cope with modern issues and connected through a fun fourth wall-breaking narrative that invokes an awareness of the audience. The characters themselves emerge from the stories to exist in the real world. And at the forefront of the modern issues being faced is this sort of disconnect between society and another endangered classic art: books. “In a haste to not lose this idea of books, [the Grimm Brothers] rush back to this huge book of Grimm’s Fairy Tales that they have, and they start to rewrite all their stories to fit modern society,” (Director Michael) Lang explained, showing off a few of the props for the forthcoming performance. 

Included in the mix was an ornate gazebo, strung up with braided locks of rope, representing Rapunzel actress Semira Warrick’s lengthy hair and a conference table that will serve as the set piece for Rumpelstiltskin’s impassioned performance. “There’s a very percussive number, and he just pounds away at the table,” said Lang of Rumpelstiltskin actor Phillipe Taylor. “When I read Rumpelstiltskin, I thought, ‘You can say what you want about Rumpelstiltskin, but he did do the work.’”

“This show is such a twist on these tales and will not be what anyone is expecting,” Lang said. “The retold stories have a unique connection to the originals, and yet, are profoundly relative and anchored in today.”  (this last quote from The Blade)

The Toledo Ballet calls this piece more 'dance theater', which implies it's more theatrical in terms of presentation and story, as opposed to pure dance, and there's certainly a lot to be communicated in this one. On their Facebook page, for teaser purposes, the company posted a picture representing a section or character of the ballet, along with a neat summary.

We really like how they looked at different aspects of the fairy tales and found the human and still relevant thread in them, to explore. How the Grimm brothers, navigating modern society for the first time, help do this, is to be revealed and part of the fun.

Oh - and you might be surprised at some of the tale inclusions as well... Kudos to the director and writers who chose to boldly include How Some Children Played At Slaughtering, along with nods to other lesser known Grimm tales.

Take a look at some of the teasers below:

Opening the Book - As our book opens, the Brothers Grimm are mysteriously transported to an altered world of obliviousness and folly. While navigating through this unfamiliar sea of electronic glow, they struggle to find purpose and anxiously watch their literary “ship” sail off in the distance. Determined to save it, they revisit their tales and laboriously search for compromise.Little Red Cap - In an electronically obsessed world where all are accessible to many, our Modern-Day Red is warned to stay on the path. Ignoring parental admonitions, she quickly discovers that one can never be certain who the predators are or where they await!

Briar Rose - Bearing witness to the malice of his daughter’s childhood journey, a father’s love and desperate desire to protect provokes him to close her eyes from uncertainty, heartache, and pain. In time, he recognizes that by obsessively closing her eyes from the world she ends up with no world at all!


“Hansel” & Gretel - Overwhelmed by the endless tasks of motherhood, and frustrated by her sluggish husband, “Hansel” & Gretel’s modern-day mom fantasizes of taking her young offspring deep into the woods … and leaving them there! Her dream of freedom and self-indulgence is suddenly interrupted by Gretel’s cry for rescue from a tyrant old teacher. Her maternal instincts quickly remind her that, in reality, she would assiduously fight any battle for the family she loves.

Rapunzel - From the expectations constructed by society’s “tower”, Modern-day Rapunzel contemplates her “braids” of doubt, fear, guilt, and hope. Releasing the grips of entanglement, she reflects and ponders upon her place in a world yet to come.

How Some Children Played at Slaughtering - Each generation cries, “The world has gone mad,” though a journey through history reveals a far more reprehensible past! Exposed to a constant barrage of violence, our unattended children create a “game” of their own.

Rumpelstiltskin - Discouraged by nepotism and a bias environment, our modern-day Rumpel strives for a beat of his own. He industriously follows the rules of his daily grind until a bombardment of injustice forces him to his breaking point.

The Little Glowing Hand - Torn from the pages of her literary existence, Storybook Red struggles to make out her peculiar new surrounds. Her curiosities are intrigued by the illumined hands that appear to guide the bizarre ways of her unacquainted peers. Feeling scared and alone she studies a Modern-Day Teen in search of familiarity, understanding, and home.

The Displacement of Red - Feeling anxious and muddled, Storybook Red endures her bewildering journey. Alarmed by the tatters of her rapidly fading pages, she clings to the mast of her fairy-tale “ship”. She discovers the book that may provide resolution; but her efforts are blocked by her uneasy source. 

It's billed as a family friendly production and the company has had some wonderful promos during April at the Toldeo Lucas County Public Library. Check out some of those pics below:


As you may have gathered from the summaries above, however, this production, while being family friendly is not 'kiddie' - something some colleagues of ours have been discussing recently: quality theater for young audiences. Parents in particular may want the heads-up that the production doesn't shy away from some pretty harsh realities: bullying, oppression, murder and even genocide are all alluded to at least, if not represented, but then, if you will recall, it's in the Grimm texts as well. It all depends on how these are handled. We haven't seen this ourselves to be able to assess how all these issues are portrayed, but between the promos and this lively 9 minute interview you can listen to online  HERE that talks about this exact issue of bringing children to the show, hopefully you can make a good assessment for any children you're wanting to take. (Note: the link worked at the time of posting but we don't know how long it will be available to listen to.) Here's what the director Michael Lang said to the Toledo City Paper:

... while Tales of Grimm is ultimately a family-friendly performance, the stories contained within hew closely to the original tales put forth by the occasionally macabre Grimm Bros. These aren’t the Disneyfied translations one might otherwise expect from the former dancer-turned-director who was one of the original cast members of Beauty and the Beast on Broadway. “I don’t save [Red Riding Hood] in the end. I feel like with this message, it needs to be a message. This doesn’t always end well. I’ve got a lot of lighthearted moments as well, but there are a lot of moments that make people sit back and go, ‘Oh wow.’”

“I’m on this kind of quest, and I think that’s why the theme of this show has turned out like it has, to get people to put their phones down for a little bit and get back to theater and art,” said (Director Michael) Lang. “ Dance is always a tough sell, but this is for everybody, not just the people that love ballet.” 

You only have tonight and tomorrow to go catch this show! Quick! Go grab a ticket! (And then tell us all about it, would you?)

Photography: 'Grimm Compact' by Laura Zalenga

 We've been wanting to share German photographer, Laura Zalenga's fairy tale series, titled Grimm Compact. Created as an homage to tales printed by the Grimms, the photos show a key or iconic active moment from a fairy tale, frozen in the frame and, usually, zoomed in. It's a unique a wonderful way to distill a fairy tale down to a recognizable moment, without words and without much context, and it's one of the best series - whether illustrative or photographic - that we've seen, do this.

(Laura) is convinced that photography is a type of therapy that gives you the ability to heal yourself and others.
"Till today that big Old Brothers Grimm fairy-tale book stands next to my bed. And quite obviously it inspired me. For this specific series I wanted to create an homage.. but there were already so many interpretations out there. I was thinking about what makes these stories unique and one big point is that they are rather simple but still - or because of that work so well, that Disney turned some of them into movies. Whenever we see a girl with a red coat we think of Little Red Riding Hood, whenever we see a single show some point out that it must be Cinderella. So I focused on these one or two elements in every one of these fairy-tales, that one scene that everyone remembers from the story. Actually that is a thought that I like for my photography in genera;l. We see one frame of a story and the rest is up to our minds." (Source)

Do we need to list the fairy tales for you? These are mostly canonical tales so we shouldn't... Enjoy!

You can learn more about Laura's process HERE and see more of her photography HERE.

Our Fairy Tale Mixtape

The soldier lifted the dog down on the floor and opened the chest. Hans Tegner

Adam of Fairy Tale Fandom had a great post quite some time ago now, on Andrew Lang, whom he describes as a sort of (slightly rebellious) "mixmaster", putting together mixes of tales that, at the time, went against trends and sensibilities and crossed many countries and boundaries and even strayed over into myth and legends in some of his color books. (Go see HERE for the whole recap on Lang's contribution to fairy tale book and collections.)

To quote Adam,

If the books of other fairy tale collectors are essentially albums, then Lang is the guy who takes tracks from all these different albums and puts them together into epic fairy tale playlists.  Sometimes it’s familiar hits you know.  Other times it’s stuff you’ve never heard of.  Sometimes he’ll just surprise the heck out of you by including something crazy like Gulliver’s Travels.  Every color fairy tale book is the equivalent of a fairy tale mixtape (or mix CD or Ipod playlist depending on your generation) all set to rock your weekend.

Charles Mikolaycak - Green Mantle

With this image (of Andrew Lang, fairy tale DJ) in mind, Adam created his own epic fairy tale anthology-mixtape and asked us to think what we would include if we made our own.

We've made lists before of favorite fairy tales we'd want to include in a book, but not one based on the "little bit familiar, little bit not, little bit surprising" premise, so we thought we'd have a go.

Predictably, we instantly had over 50, but even our best whittling only got down to 20. At this point it became painful and like the punushment of Sisyphus, edit, add, edit, repeat, so we called a halt and decided we'd just admit defeat and post 20. (After all, who makes a mixtape with only 10 songs?)

In no particular order (we are still sweating from editing this monster down. No way we're up to managing some sort of order of favorites):

1. Baba Yaga and Vasilisa the Brave (Afanasyev)
2. The Wild Swans (HCA)
3. Jack and the Beanstalk (Jacobs)
4. The Boy Who Drew Cats (translated by Hearn)
5. The Tinderbox (HCA)
6. Tam Lin (Childs Ballad)
7. Lady of the Green Kirtle (tale akin to the legend of Morgan Le Fey from the Narnia series)
8. Sweet Porridge (Grimm)
9. Diamonds & Toads (Perrault)

Sidone in the Forest - Kinuko Y Craft

10. Little Snow White (Grimm)
11. Cap O' Rushes (Jacobs)
12. The Pied Piper (Legend, Grimm, Browning)
13. The Day Boy & The Night Girl (MacDonald)
14. Hansel & Gretel (Grimm)
15. Boots That Made the Princess Say "That's A Lie!" (Asbjørnsen and Moe )
16. The Black Bull of Norroway (Chambers/ Jacobs)
17. Jorinde & Joringel (Grimm)
18. The Heart's Door (Finnish fr Scandinavian Folk & Fairy Tales - Ed. Claire Booss)
19. Swan Lake (Russian & German tale hybrid)
20. The Boy Went Forth To Learn What Fear Was (Grimm)

Ta da!

We have a feeling, that as soon as we post it, we're going to want to do a PART II of this post. You know, for the flip side... of (Album I of the Box Set).

We'd love to see your mix of 10-20 (some classic, some lesser known, some other stories altogether) as would Adam, of course. It's a good exercise in making you think about why you like certain tales too. Give it a go!

Reflecting on the rumblings in the newsroom here, wouldn't it be awesome if we had a "new millenium fairy tale bloggers collective mixtape-anthology" of fairy tale must haves? (With pictures please!) There'd be some overlap for sure (at least one of ours is on Adam's list too because it's also a "must" for all here) but there'd be a really interesting variety and cross-section of tales too.

We can dream...

Rima Staines