148th Tale of Asbjørnsen & Moe (aka the 'abominable' tale) Just Got An English Translation #notforkids

I want to be an angel although to die, is hard,
but oh the bliss, to think of this, I'll make good Fairbank Lard" - [ca. 1870–1900 postcard]

Hold on to your hats!
Asbjørnsen & Moe fan and London-born, Norwegian-resident translator, Simon Roy Hughes, (whose translation work was just featured in the last TWO editions of the scholarly journal Gramarye), just found a 148th tale that has been missing from almost every publication of Asbjørnsen & Moe tales.
                         

Here's how our Editor and Head Fairy Tale News Hound found out:

(I found a 148th Asbjørnsen & Moe tale.)

— Simon (꒾) (@SimonRoyHughes) July 19, 2019

What?? Where? I thought you had mined the lot of them. But this is awesome. Never enough A&M! You are translating, yes?

— G. Thornton (@inkgypsy) July 20, 2019

It’s a tale that, as far as I can tell, has only been printed twice—in its original publication, from 1853, and in a bibliography from 2011. The subject-matter is somewhat objectionable; it’s called “The Parson-sausage” (aka "the secret tale” and “the abominable tale”).

— Simon (꒾) (@SimonRoyHughes) July 20, 2019

Simon has kindly given us permission to republish his translation in full here, but do be warned - this is not for kiddies and it's pretty clear why it has been quietly missing from Asbjørnsen & Moe volumes. Typical of the period with regard to violence, it does still seem to go a step further with how graphically it's described, so read at your own discretion.

Parson Sausage

(translated by Simon Roy Hughes)

(re-posted in full with kind permission)

^{Note on the title}

There was once upon a time a girl who had been allowed to go to church to attend Mass. But she lived far away in the forest, and the church road was so long that she had to leave home early on Saturday. She walked and she walked, but however she walked, she did not arrive; she had trodden wild grass. She walked and she ran, but she didn’t find the church, nor did she come to folk, until late in the evening; then she came to a cabin far away in the forest. A light shone from the window, and inside a woman went about, cooking and tidying. So the girl went in and asked for a place to stay.

“God help me for a house this is!” said the woman; “I cannot let you stay, I cannot; it would be better to stay in the forest, beneath the sky, than to stay here,” she said, “for here dwell twelve robbers; they are my sons, and if they see you, they will kill you on the spot!”

But the girl said it was better to have a roof above her head, no matter how wrong, than to be out in the forest, beneath the night sky. Well, then she would be allowed to stay, and when they heard the robbers coming, the woman hid her as well as she could, in a corner behind some clutter which lay there. Then came all twelve faring, and between them they had the parson in his parson’s cassock, and in full church decor. They laid him on a stool and stabbed him in his throat with a butcher’s knife, butchered him like any other pig and hung him up by his hind legs. They put his blood in a butcher’s pail, made sausages from it, and cooked and roasted and ate well enough.

The girl did not feel very brave, and she did not think that her life was worth many shillings, there where she lay. But when they had eaten their fill, they settled down, the robbers, and early on Sunday morning the woman woke the girl up, put her on the right path, and then gave her some sausages as food along the way, and bade her hurry so that the robbers wouldn’t take her. But that was something she needn’t bid her, for the girl ran as quickly as she could, and then some. And when the day began to to dawn in the forest, and she glimpsed the church, then she heard a rumbling; the robbers were after her, and wanted to catch her, and so she flew away from the fields, as she thought, and when she saw the church congregation standing on the church hill, waiting for the parson, she swung the sausages in the air, crying: “Parson sausage, parson sausage!” - Then the congregation understood what had become of the parson, and so they immediately took the robbers. Some they beat, and some they hanged, and some they rolled in nail barrels. They caught eleven, but the twelfth escaped, and he walks and crawls and skulks, and if you aren’t very good, then he’ll leap down across all the hills and take you. There he is!

---

1. This tale has been printed but twice: once in Norske Illustreret Kalender (1853), and once in Østberg, Henning. Asbjørnsen og Moes eventyr og sagn en bibliografi (2011). It has been called “The Secret Tale,” and considered an “abominable tale,” for reasons that are quickly apparent. I doubt I will be including it in the complete collection, but who knows? ↩

We thought we'd include the social media exchange after all was revealed as well, for your enjoyment:

OK that was graphic but ended much better than expected (well, not for the parson). It reminds me of a couple of other tales but I don't have time to look (them) up. I'd include it (in a collection) with all the appropriate warnings (but then, that's me). Thanks - that was actually pretty interesting!

— G. Thornton (@inkgypsy) July 20, 2019

It is interesting, especially for the portrayal of the the parson as “any other pig,” hung by “his hind legs,” and for the heavy-handed didactic at the end, which is unusual in A&M. But it’s neither a children’s tale, nor an erotic tale, and I suppose it will go homeless. 😔

— Simon (꒾) (@SimonRoyHughes) July 20, 2019

Note: Simon has  A collection of Erotic Folktales from Norway, available, and a Norwegian edition of The Three Bears (with nine original illustrations). See below for the links.

(Could) you release a "complete tales of" book? It would fit there.

— G. Thornton (@inkgypsy) July 20, 2019

I’m working on the proposal already, but based on existing Norwegian editions. An appendix, perhaps...

— Simon (꒾) (@SimonRoyHughes) July 20, 2019

We also thought Parson Sausage read as if it were related to The Parson's Mother.  It feels almost like part of the same story (with Parson Sausage being the end of it all), so we asked Simon about any connection. Here's his reply:

Funnily enough, both tales first appeared in Norsk Illustreret Kalender in 1853, “Parson Sausage” immediately before “The Parson’s Mother.” Both were ejected from subsequent publications, the former until now, the latter until 1936. Cannibalism makes murder worse, it seems.

— Simon (꒾) (@SimonRoyHughes) July 23, 2019

So, sort of related.

We will have to wait and see just which book covers this newly translated abominable, secret tale will land between...

Thanks Simon! 

You can read more of Simon's project of translating Norwegian Folktales (that is, to complete the translation of all of Asbjørnsen and Moe's collected tales to English), at his blog HERE. Here's his explanation of the project to inspire you to explore the ever-growing treasure trove there:

About the Norwegian Folktales Project by Simon Hughes 

The collection 

Peter Christen Asbjørnsen and Jørgen Engebretsen Moe collected and published Norwegian folk tales and legends in the middle of the 19^thcentury. Whilst some of the tales are very well known in the English-speaking world, such as "The Three Billy-goats Gruff," many more are completely unknown, never having been translated. Imagine! All the trolls and hulders and nisses you may not have read about, yet. 

(FTNH Ed. As an example, The Pantheon Fairy Tale & Folklore Library edition of Norwegian Folktales contains 36 of the 110 listed as being collected, not including the 31 additional tales from the 'Round the Yule Log' collection, which doesn't count the variants of a few of those either. All other A&M English collections we've found have the phrase "selected from the collection of" in the subtitle. Even with the final tale numbers being a little difficult to count in light-research-mode, it's clear most English collections fall far short of including the bulk, let alone all, of Asbjørnsen and Moe's collected tales, so we're very excited to learn of this project!)

The project 

My intention with this project is to give the collection the treatment it deserves as a part of our world literature, and translate and publish the folklore that Asbjørnsen and Moe collected, in English analogues to the original publications. I am beginning with Peter Christen Asbjørnsen's Norwegian Hulder Tales and Folk Legends (1845/ 48), which has not appeared in English before. As I progress, I will continue to publish each tale on this site, when I have edited it enough to call it a final draft.

Simon (click his name to learn more about him) has a mailing list to keep you in the loop for updates and new tales, which we highly recommend joining. He also has an intriguing book of Erotic Folktales From Norway...

Click on the image above to be taken to the book options.

Every purchase supports his work!

... and a new English translation by Simon, of a Norwegian version of the Three Bears by P. Chr. Asbjørnsen. It's available in ebook format or print-on-demand. Click on the image below to find out how to purchase your own copy.

It's probably easiest to find Simon on Twitter HERE - something we also recommend. Personable and with that true "folklorist-joy" of discussing all things fairy tale (but particularly those of Norwegian origin), he's a continual delight to tweet with. His comments and insights are most commonly seen being retweeted and discussed on our favorite day in social media each week, #FolkloreThursday.

Article: "How video games like 'The Witcher' are saving Slavic folklore" & Introducing a New Eastern European Fairy Tale Based Family Game 'Forest of Sleep'

Folktales from the Slavic countries (primarily Central and Eastern Europe) form one of the richest and most diverse mythologies in the world. Traditional Western European fairy tales may have become watered down and sanitised over countless retellings and interpretations, but Slavic mythology still retains its bite. (alphr.com)

This topic has been much in discussion in the fairy tale newsroom these past few weeks, so when this article popped onto our radar we had to share it.

THE WITCHER, RISE OF THE TOMB RAIDER & THEA: THE AWAKENING
The Witcher is officially based on Polish folklore as it's main source, but it clearly' borrows' from other Slavic (and Northern European) neighbors as well.

Here are some excerpts, complete with a historian/anthropologist with a special interest in folklore chiming in:

Slavic stories are different to tales from other cultures. Unlike typical Western European stories, commonly based on wars of competing ideologies, Slavic folklore – and other Eastern European stories – are more often about individual human traits, rather than good versus evil. 

..Slavic mythology features prominently in Andrzej Sapkowski’s The Witcher novels, as well as the associated video games and the soon-to-be-filmed series for Netflix. These are new stories that were populated with creatures and monsters from Slavic folklore, and told with a distinctly Slavic flavour. For example, it could be argued that the immortal crones of Crookback Bog in The Witcher 3: Wild Hunt are representative of the Baba Yaga myth... 

...The Witcher games are also full of spirits that are bound to specific locations in the game, with tragic backstories that can be unravelled as part of protagonist Geralt’s investigations into the monsters he hunts. “The most fascinating aspect of Slavic lore are the ‘unclean spirits’ attached to specific locations, such as the home or the barn,” says Nicole Schmidt of the Mythos Podcast. “There is the Bannik, the spirit of the bathhouse, and the Poludnica, a malevolent female spirit of the harvest field.” 

...Dr David Waldron is a lecturer in history and anthropology at Federation University, with a special interest in folklore. He explains: “[Slavic tales] have a distinct ideological difference to Western science fiction and fantasy. Battles between good and evil, and opposing ideologies in general, are seen as inherently destructive. You find the ultimate values being placed on the immediate kindness, integrity and compassion to those around you. Ideologies tend to suppress that for the ‘greater good’. I find something quite laudable in the Slavic approach to ethics,” he adds, “and think it could be argued Eastern European stories led to the ambiguity we now see in modern fiction like Game of Thrones or even 
in Star Wars: The Last Jedi, where toxic masculinity is the villain.” 

The ambiguous morality of Slavic folklore, and the focus on the individual rather than the greater good, translates well into the player-focused decision-making of video games. Video games are also greatly focused on spaces, which gives a lot of scope for stories of “unclean spirits” to be woven into the detailed environments of worlds like The Witcher 3’s – often as enemies to be fought.

You can read the whole of the article HERE.

There is an older article, titled The Myth Behind The Monsters of The Witcher 3, citing the specific folkloric inspiration (and differences) for the game too. You can find that HERE, and we've included some excerpts below as well. The monsters listed are:

• Alps  - vampiric-like elves, that seek out female dreamers and twist their dreams into nightmares
• Leshen (Leshy) - "gnarled, root-like monstrosities can be found in dense, ancient forests and are fiercely territorial. Their attacks manipulate nature itself, using roots and branches to assail their opponents", though The Witcher has added an element of Wendigo to them, making them more malicious than mischievous as per Slavic folklore
• Noonwraiths - again The Witcher has amped the horrific aspects, but in folklore, they are the personification of heatstroke, with Summer field workers being vulnerable to their attacks
• Botchlins or Mylings - basically tragic infant zombies that cannot rest due to "being discarded or aborted without burial or a given name". They hunt for expectant mothers to drain the life source of them and their fetuses... eesh.
• Succubi - The Witcher versions share aspects with the scarier versions of sirens/harpies.

• Plague Maidens - we'll just quote their explanation: "Plague Maidens are derived from “Pesta” of Scandinavian folklore. An elderly woman, robed in black, is the embodiment of the pestilence and disease that ravaged Europe when the Black Death rolled into town. From 1346 to 1353, the bubonic plague devastated entire populations and communities. Denmark lost a third of its population, with Norway losing almost half. The legend of Pesta states that she would travel from farm to farm, bringing with her the ill omen of the plague. If she was seen carrying a rake, people believed that only a few of the populace would die, but if she was seen carrying a broom, the settlement would not survive the disease."
• The Wild Hunt - "...are a spectral horde of elves from another dimension. Atop their ghastly steeds, this throng of hunters rides across the night sky, harbingers of war and death. They are heavily armored soldiers that pursue their foes by teleporting between dimensions, striking without warning, and wherever they go a crippling frost precedes them."

Oh and Jacob Grimm gets a nice credit here in this article too, particularly for his volume “Deutsche Mythologie”.

                                     

Please note: In case it's not clear by this point, The Witcher video game is very adult. There is a TON of violence, horror monsters, as well as alcohol and explicit sex. Nevertheless, the game has amazing artwork, innovative use of story and a huge and popular following. (See some amazing, folkloric, and quite horrific cosplay of The Crones - a specifically strongly folkloric aspect at one point of the adventure - HERE.) Even their trailers are intriguing for non-violent RPG video gamers (this one embedded here is PG, possibly PG-13, which might actually be considered misleading, regarding its usual content):

FOREST OF SLEEP
There's also another article on a family-friendly, Slavic folktale-based video game we never got to blog about (the beginnings of a post are still sitting in our drafts folder!), called Forest of Sleep, that should interest folks as well. It is "an experimental, generative storytelling adventure based on Eastern European fairy tales" and the art style and aspects we've seen are delightful. The article/interview is titled: “Weird stuff can happen in folk tales”: Ed Key talks meaning, morals and evil bears in Forest of Sleep", and, just like the interviewer, you can't help but be drawn in by the image of a bear holding a balalaika...

 Here's an excerpt from the interview:

TM: So how are you going about structuring these generative folk tales? Are you looking at folklore through a structuralist lens – taking the approach that they’re built up of common movements and characters?EK: Yes, but there's also the link to modern storytelling here, like episodic cartoons, which all follow this fairly limited set of dramatic structures. Because of the incidents within them, they feel different and surprising, and they have a measure of anticipation.I should really say that thinking in terms of these structures is quite new to me. Nicolai and Hannah [Nicolai Troshinsky and Hannah Nicklin, who are also working on Forest of Sleep] both come from much more of a story-making background. Between us we're getting into this structural idea of narratives. Vladimir Propp is the big figure when you talk about folk tales and structuralism....Where Forest came from originally was, halfway through making Proteus I took a break and started making a game about an expedition – going up a mountain and coming back down again, and how you plan your food and so on. That morphed into a more fixed folk tale story about being in the forest when your parent falls ill, and your group needs to go into the next valley and find medicine. Then I started talking to Nicholai about generative narratives, and he suggested making a game about folk tales. His reason for this was based on the sense that weird stuff can happen in folk tales, and you don't question it so much.Also, there's a thing fairly specific to Russian folk tales, in that you have characters that recur across several stories, like Prince Ivan or Baba Yaga, who are kind of archetypes. The way these characters recur felt like it lent itself to a generative system.

You can find that article HERE.

Forest of Sleep is still in development, with the projected release sometime during 2018. (Possibly, or a little later.)

UK Contest: Win 'The Curse Of Sleeping Beauty' on DVD (& a TV Series on the Way!)

This 2016 re-imagining of Sleeping Beauty is probably most comfortably categorized as horror, so while there are fantastical things to see in this film and more than your average dose of magic, just keep in mind that it's considered "good viewing for Halloween".

We admit we haven't seen this yet and our impression is that it was darker and scarier than Vampire Diaries or Twilight but perhaps this parallel is why this film has had so much publicity.

Over the next 13 days Horror Talk are holding a contest to give away a copy of the upcoming DVD, being released October 24th:

With a bright young cast (including Gregory Peck’s grandson, Ethan), gorgeously sinister design and more than a touch of gothic terror, The Curse of Sleeping Beauty is for anyone who enjoyed Maleficent, The Vampire Diaries or The Twilight Saga. 

Thomas Kaiser (Peck) inherits an ancestral mansion that has been in his family for generations - only to learn that he has also inherited an ancient curse stemming back to the Crusades. Forced into his new role as “protector” - the guardian appointed to keep the evil demons in the house at bay - Thomas must unravel the mystery of the house, while struggling to awaken the beautiful Briar Rose, held captive in a terrifying netherworld seen previously in his dreams.

YOU CAN ENTER THE CONTEST HERE.

While this movie clearly falls under the category of 'off-beat films', it's received a lot of attention this past year, enough to make people realize this take on Sleeping Beauty can't be as easily dismissed as you might think for a genre film.

It also turns out, there's a TV series coming, though it's not clear how much of it will explore metaphors via fairy tales like the movie. The director does have a soft spot for fairy tales it seem, though, so for those who love shows like Penny Dreadful and American Gothic, this one might be one to watch for.

Here are some excerpts from an interview with the director, Pearry Teo, by Fangoria, telling us more about the movie, his fairy tale explorations and the upcoming TV series:

Filmmaker Pearry Teo, whose credits include DRACULA: THE DARK PRINCE and THE EVIL WITHIN, has created a visually stunning reimagining of the Brothers Grimm fairy tale with THE CURSE OF SLEEPING BEAUTY. 

...Scripted by Teo and Josh Nadler from the comic book by Everette Hartsoe, it’s set in a sinister world where neither the conscious nor the unconscious can be trusted, blending Gothic and cultural legends to depict the ancient struggle between good and evil. 

FANG: THE CURSE OF SLEEPING BEAUTY constantly toys with reality and the subconscious dream realm. In creating this world, did any scenes stem from your own dreams or nightmares?
TEO: It would be very selfish to say that, because it really came from the dreams of everybody who worked with me. From my director of photography Christopher C, Pearson to my production designer Alessandro Marvelli, we all put a little bit of our dreams and nightmares into it. There were definitely elements I’ve experienced myself that I worked with my team to bring to life, like sleep paralysis and things like that, but the dreamscapes in this movie were definitely a collaborative effort. 

FANG: Is there a sequel or further continuation of the story in the works?
TEO: XLrator has been very supportive of this film, and about wanting to see the audience’s reaction before we consider a follow-up. It was a very risky film, because it’s not so much of an in-your-face horror movie; we were trying out new things, blending genres that most people wouldn’t think go together. To do something horrific with a story that was popularized by Disney was a very chancy move for us, but I can definitely tell you there will be a TV series. We already have an idea of what those details will be. 

FANG: Can you tell us anything about that?
TEO: Yes. The idea is that in a TV series, I can explore the fact that sleep is such an intriguing subject—it’s borderline spiritual. It’s where people experience their own subconscious, so we want to explore more of the cerebral realm and how it manifests the darker subconscious. If we were to do a series, without giving anything away, each episode would explore different dream worlds and tap into different dream cultures. Watching SLEEPING BEAUTY, you can see that we tapped into the Arabic realm with the djinn and all that stuff, so what’s going to happen when we start expanding further? Every culture has their own nightmares, so it’ll be very interesting to try and blend them all. We all have different stories to tell about dreams, and I don’t think that has been explored very much. 

FANG: Would you consider reimagining other classic fairy tales and giving them a genre makeover?
TEO: Yes, I actually have a book that is being republished called BEDLAM STORIES, written by Christine Converse from a story I created. It’s set in an asylum in the 1920s, and it’s about two little girls who have wild fantasies and delusions—it’s Alice and Dorothy. Putting those characters in that setting was really fun. SLEEPING BEAUTY is more like PAN’S LABYRINTH and SILENT HILL, but this one is more HELLRAISER. It’s definitely Clive Barker kind of stuff.

You can read the rest of the interview, with more behind-the-scenes information (and possibly some scare-spoilers) HERE.

And in case you haven't yet seen the trailer, here it is:

Good luck to our readers!

Korean Director Has Promising Film Debut With "The Piper"

All reviews seem to give thumbs up to this new director Kim Kwang-tae and his movie debut, based on the story of The Pied Piper of Hamelin.

"The Piper hums a familiar tune, yet this fable of mistrust and deceit remains engrossing and entertaining thanks to a few wicked twists."

When an already spooky story gets a 'spooky makeover' my horror-movie alert senses start to tingle, which is where this film does appear to lead. (Despite having a penchant for the darker side of things and not shying away from, shall we say 'forensic' details, horror really isn't my thing and I haven't even seen all the classics. I don't feel I'm missing out. Thrillers, on the other hand, I'm totally in!) Korean directors typically adore horror and love the extremes of gore and sensationalism. They also don't shy away from being tagged in the horror genre (it doesn't appear to be quite as stigmatized as it does in the West) so a 'supernatural thriller' or 'fantasy thriller' actually sounds promising (at least until there's blood).


Here's the synopsis:

Shortly after the Korean War, a man and his son, Woo-ryong and Young-nam, arrive in an isolated mountain village looking for work in order to make enough money to continue their journey to Seoul. Against the chief's better judgement, Woo-ryong is allowed to do odd jobs and soon realizes the village suffers a major rat infestation. Like a mid-century Pied Piper, he makes a deal with the chief to rid the town of the rats but when the time comes to collect his fee and leave, the chief double crosses the father and son. Vowing a revenge, he lures the rats back, fulfilling an old prophecy that brings horror to the village.

The film has gotten English subtitles ahead of it's Korean release (something which appears to be unusual and speaks well of the film and likely distribution).

The Piper (손님) – or more literally translated as The Guest– has received an English subtitled trailer ahead of its July 9th release date in Korea. 

Loosely based on the classic tale of The Pied Piper of Hamelin, the fantasy-thriller is about a father and his sickly boy who, shortly after the Korean War, find themselves at a strange remote village in the mountains on their way to Seoul. Intending to stay there only for a day before moving on, the duo start to experience surreal events amongst the citizens that leads the father to pick up his mysterious pipe.

An alternate summary from Twitch film :

Kim's version takes place in the aftermath of the Korean War and sees the piper traveling through the mountains with his son. They happen upon a path that has magically opened up, indicated to us by way of a dolly zoom, and soon discover a mysterious village that looks upon these wanderers with suspicious eyes. They stick around for long enough to be accepted by the villagers but also to sense that something isn't quite right. Only then does the well-known rat element of the story come into play.

You can read the whole review from Twitch  HERE, which might give you a clearer idea of what to expect.

Here's the trailer. It has English subtitles and is NOT graphic (another plus). The most you see are a weird egg and some stained shirts. If you're up for a different interpretation, take a look:

Although at first I thought otherwise, a repeat viewing makes me think the end figure might be the Piper's own child shuffling along there, I'm not sure...

The trailer suggests a beautifully made film, with a few different twists on the usual tale. While I won't be going to any of the upcoming brief and limited screenings happening for it's release in LA later this month, (beginning July 17th with the official US release being July 24th) I will keep an eye out for it streaming. I'd like to see what the director has done that's caught critic's positive attention (and then I can also fast-forward through any gratuitous unpleasantness).

Grownup & Gritty Rapunzel Heads To Japan in "Fairest: The Hidden Kingdom" (Fables Spin-Off)

The Hidden Kingdom - collection of Rapunzel issues #8-13 in one volume (Vol 2)

Note: This is a lengthy post - partly because I've included as-large-as-possibly-can-fit preview pages, so there is much more after the jump. While this series will not be everyone's taste it should be of great interest to anyone who loves Japanese fairy and folktales, as well as exploring the darker side of Rapunzel tales. I have linked to many more previews so you can have a good idea of what to expect, should you be concerned about the "darkness" of this series before reading. While there truly is a lot to be excited about in this series for fairy tale folk, it remains very adult so please use your discretion.

In a 6-part epic, Rapunzel lives one of the most regimented lives in Fabletown, forced to maintain her rapidly growing hair lest her storybook origins be revealed. But when word of her long-lost children surface, she races across the sea to find them--and a former lover. Rapunzel struggles through maternal heartache in modern Tokyo, along with heavy doses of Japanese folklore and some truly horrifying hair days in “Fairest: The Hidden Kingdom.”

I have to say, I am very intrigued by this preview and what Lauren Beukes revealed about writing this self-contained story under Bill Willingham's encouragement. The 6-part story runs through Fairest #8-13 and has just been released on Tuesday (July 30, 2013) as Volume 2: The Hidden Kingdom (see head of post for this cover).

Ms. Beukes is one an Arthur C. Clarke award winning writer who's style is initially hard to describe (edgy, modern, gritty, imaginative, witty, playful and sharp). I adored Zoo City, which could be loosely described as a gritty urban fantasy unlike anything I've ever read (and, being quite harsh in the light of the setting and subject matter, certainly won't be for everyone).

While Ms. Beukes clearly knows her magic and folklore, it feels incredibly real when she writes about it. It doesn't feel like fantasy and I wouldn't be at all surprised to walk into one of 'her" towns and see it exactly as she wrote. Nothing happens as you expect yet it still feels very reality based (which in turn makes you look at the real world with different eyes). This is probably why she's such a good fit for this Fables spin-off. Although the Fairest series is said to have a more of a fantastic "bent" than the original Fables, there is nothing sweetly "fairytale" (note the merged word, denoting pop-expectations) about these stories either, particularly this Rapunzel tale.
✒ ✒ ✒ ✒ ✒ (click the "Read more" link below this line) ✒ ✒ ✒ ✒ ✒ 

Swan Lake Gets A Dark Makeover in "Black Swan"

The fairy tale ballet Swan Lake gets a seriously dark makeover in the new film Black Swan, premiering at the Venice Film Festival on September 1st. When you read the premise you have to wonder why they haven't done it before.

First of all, this is NOT a film for kids or even many teens. We're talking serious psychological thriller bordering on horror here. It's set in the world of the New York City Ballet company but isn't just a 'rival ballerina meets rival ballerina' plot. In this film reality and fantasy begin to blur until you wonder if there might be more than one way the lead Swan named Nina (played by Portman) is right for the role. A particular scene in which Nina pulls a black feather out of her back raises a ton of questions: Is she under attack by someone? The other ballerina? Her mother? Herself? Is someone manipulating her into thinking she's going crazy? If you know the story of Swan Lake, you'll instantly see how each of these scenarios is a plausible possibility and Director Darren Aronofsky explores them all.
Here's the official synopsis from Rough Cut Reviews:

"BLACK SWAN follows the story of Nina (Portman), a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her retired ballerina mother Erica (Barbara Hershey) who zealously supports her daughter's professional ambition. When artistic director Thomas Leroy (Vincent Cassel) decides to replace prima ballerina Beth MacIntyre (Winona Ryder) for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily (Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side with a recklessness that threatens to destroy her."

If you Google for information you'll find the big buzz is not only about Natalie Portman's scary and dark makeover (and a controversial kiss scene) but also spotlights Aronofsky (Requiem for a Dream) and his penchant for portraying strong but conflicted women in eerie movies. This film definitely falls into that category. (See HERE for the Times article but be warned - the page opens with a scary image right at the top!)

Natalie Portman is indeed a ballet student and has been working and preparing to make this project a reality for at least the last decade, though I haven't been able to find much information on how much actually dancing she does in the film herself (though you can see her signed pointe shoes used in filming, below). With regard to the traditional Swan Lake dual role of Odette/Odile, which is explored at least in part through the film, it is a principle role and very demanding role.
So make the kiddies leave the room before you watch the trailer below - although you don't really see any violence, some of the images are nightmare-making for little ones (maybe some sensitive big ones too):


It's on my must-see list (combining ballet, fairy tales and psychological twists has me intrigued) but I have no idea how I'm going to see it before my toddler goes to preschool!

The official site is HERE.

The film opens in theaters on December 1st, 2010.

Creator Nick Percival Talks About His Dark Steampunk Comic "Legends: The Enchanted"

I posted on this coming-in-2010 comic HERE last week and, seeing as there was quite a bit of interest between comments and Twitter, I thought I'd point you to an excellent interview with the creator Nick Percival.

In the interview with Comic Book Resources, he reveals more about the fairy tale characters he's using and how they've been given a new twist. Here's an excerpt from the long, informative and interesting article:

"The Enchanted are looked upon with fear and distrust by normal everyday folk and despised by their dark counterparts, known as The Wicked," says Percival. "Most of the Enchanted operate as vigilantes, outlaws, bounty hunters and so on - trying to find their place and purpose in a land that is growing increasingly hostile towards them. Armed with a hard attitude, unique abilities and customized weaponry, the Enchanted's world is shattered when they discover that some unknown enemy has found a way to break through their mystic immortality and begins slaughtering them one by one beginning with the killing of the half bionic/half wooden warrior, Pinocchio."

Nick Percival: We've got Red Hood, who lives with her daughter in a very dangerous place known as the Bionic Woodlands - this area is overgrown with spiked bio-mechanical trees and living, organic plant life, populated by mutated wolf creatures. Basically, she just wants to be left alone and raise her child, but the murder of Pinocchio and the kidnapping of her daughter force her to reluctantly seek out help from other Enchanted.

Jack the Giantkiller pretty much just looks out for himself. He's sly, likes to drink and burns around on a beast of motorcycle that uses Giant's blood as fuel. Jack acts as a kind of "creature killer for hire." For the right price, he'll sort out any towns terrorized by Ogre problems, which he usually solves by popping one of his "magic beans" that grant him cool powers for a limited amount of time as he starts cracking heads together.

Filling out the rest of the cast are psychic siblings, Hansel and Gretel (Paranormal Exterminators), Goldilox and Bear, her nine-foot half man/half bear boyfriend. They have a "rob the rich to give to the poor" type quest, which involves them coming up against the crime boss, Humpty Dumpty and the Billy Goats Gruff Biker Gang - it doesn't end quietly.

Amongst these, we've got cameos from Rapunzel, a soldier with unbreakable hair that she uses to attack her enemies, Miss Muffet, Rumpelstiltskin, Pied Piper, Jack Nimble and many others all depicted in the same gritty style with attitudes to match in a world filled with goth-type giants, vampire fairies, pissed off trolls, demon street gangs, and all manner of unsavory folk.


Do you have a favorite fairy tale or fable?

I have a lot of versions of the classic tales that the Brothers Grimm collected together, some great old German editions as well. I've also been heavily into Hans Christian Andersen's work, so there are way too many to choose from. But a lot of the ancient Russian folklore is fascinating, and there are some themes in that material that I'm thinking about including in later stories for "Legends: The Enchanted."

You can read the entire article HERE and see LOTS of (very gory) images throughout (which can be viewed larger by clicking).

All the details of the website, when it's available and the preview are in my previous post HERE. A warning again: please keep this away from children. This is dark stuff and definitely in the horror genre. All these new images severely cropped for posting purposes on this blog. If you can deal with the images though (the illustrations are amazing in addition to being ultra-gory), this comic and the developing story sounds like it's worth checking out.