Boston Begins City-Wide Fairy Tale Reading & Discussion Of Kelly Link's "The Faery Handbag"

Charles Vess - The Faery Handbag (from The Faery Reel)

Yes. It's not a traditional fairy tale, but Kelly Link's Nebula and Hugo award wining novelette The Faery Handbag is one of those few "new fairy tales" that have stuck with us ever since we first read it, The Faery Reel: Tales From Within the Twilight Realm (Ellen Datlow & Terri Winding 2004). We have read a lot of "new fairy tales" and while the writing is usually lovely and, occasionally, a story will resonate with us, not many of those stories sink into our subconscious fairy tale soup and stay there, becoming part of the shared language. 

A very strange thing, to us, is that we remember reading it for the first time, and, while thinking it was kinda neat, though more modern, more magic realism than fairy tale, not what we would have thought as "fairy tale", so just went on to read the rest of the volume. But somehow the ideas and the story wouldn't go away and we found ourselves thinking about the story in the following days and well after that. We haven't looked closely at why this is. We agree the story feels more like a modernized Victorian fairy tale to us than a "classic" one - not our preferred tale types - but the ideas... they feel very like they fit, right in Faerie Land, and by Faerie Land we mean the land in which fairy tales take place, whether fairies appear there or not.

Magic bags that hold things larger than themselves aren't a new concept in tales. We admit we are quite enamored of the idea that you can pack an entire room - or house! - into a carpet bag (Mary Poppins, Merlin in the Sword and the Stone) and simply carry it with you to your new abode. Magic purses, sacks and knapsacks have been able to capture, tame and contain everything from the sea to Death (The Soldier and Death), not to mention come in useful for benevolent gift givers during the Yule and Christmas season. The classic rabbit in a hat magician's staple, is a variant of these as well. Modern fantasy films employ this idea regularly too, but Link brings a fresh take to this delightful idea.

But back to the news.

The annual One City One Story movement, launched as part of the Boston Book Festival, is a pretty neat idea. Here's what it is:

One City One Story is the Boston Book Festival’s version of an all-city read, but instead of a book, we print and distribute a short story. Our goal is to make a short story available to all, free of charge, to spread the joy of reading for pleasure among the teens and adults of our city, and to create a community around a shared reading experience.

As part of this initiative, in the past they have offered online translations and downloads, led citywide discussions, leading up to a town-hall style discussion with the author, library discussions, distributed the story throughout the city for free in multiple languages, held a writing contest, online reading groups and discussions with the author.

Shaun Tan's illustration for The Faery Handbag
is very different from Charles Vess'
but equally intriguing

This year they've chosen Kelly Link's The Faery Handbag, which means, people are having conversations and discussing fairies and fairy tales, especially in a modern context, in many different places in one city. Not entirely coincidentally, the story is also set in the greater Boston area, so locals are even more likely to imagine fairy tale magic just around the corner.

If you haven't heard of it, you will find many references to it. Here's a great way to introduce the central concept, by way of a discussion on fabulism:

Fabulism is a curious way to explore and understand the ordinary. In Link’s story, the speaker spends her time hunting for this handbag. It’s black, made from dog-skin, with a clasp of bone that can open three different ways:

 If you opened it one way, then it was just a purse big enough to hold […] a pair of reading glasses and a library book and pillbox. If you opened the clasp another way, then you found yourself in a little boat floating at the mouth of a river. […] If you opened the handbag the wrong way, though, you found yourself in a dark land that smelled like blood. That’s where the guardian of the purse (the dog whose skin had been sewn into a purse) lived.

Fabulism is a lot like this purse. It seems to belong to this world, but doesn’t follow all of the rules. It beckons you. It’s off. The more you explore it, the more mystery and power it has.

You can find the many, many different places they're giving out the story for free in a list HERE.

The Faery Handbag - Artist unknown

You can read the story online HERE or download an English, Spanish or Russian PDF, or a Kindle or Ebook version HERE (more languages coming apparently).

On September 28th there will be a discussion of The Faery Handbag, care of Boston's NPR, WBUR, and they promise other discussions throughout the community to be announced soon as well. There's also a writing prompt for a contest with prizes. (Gotta love that!)

Want more food for thought? Again from the highly recommended article on Diving into the Faery Handbag: On Fabulism:

The greatest part of the faery handbag is that there’s a wrong way to open it — meaning a dangerous way, a way that can eat you alive. And it’s that third compartment or “way of opening up” that separates the magical realism of childhood stories from the magical realism of stories for adults.

And because the proposed discussion questions are great to kick your brain into gear, even if you haven't read the story, we are putting the discussion prompts and questions below. Enjoy!

Chris Riddell - lady with carpet bag from sketchbook

Discussion Questions1. How did the jump between times/focuses affect your reading of the story?

2. Was Jake’s decision to go into the bag justified? Why or why not? Why do you think Zofia refused to let Genevieve go after him? 

3. After Zofia dies Genevieve becomes the official heir and guardian of the bag. What does this role mean if the bag is lost?  

4. Genevieve is a headstrong teenager entirely wrapped up in thoughts of her missing boyfriend and the fantastical world her grandmother taught her about. Does this make it difficult for you to sympathize with her or trust her as a narrator? Why? 

5. What lost item (like the Sesame Street shirt) would you like to find at The Garment District? What is the significance to you of finding something you thought was lost forever? 

6. How might this story have changed if Jake had not gotten expelled and MIT had not rescinded his acceptance? 

7. What is the importance of Scrabble tiles also acting as divination tiles in the story? Does it affect the way you read Zofia and Genevieve’s relationship to the game? 

8. What do you think will happen to Genevieve after this story ends? 

9. Does Zofia’s death (or absence, if you follow the thought that she didn’t actually die) force Genevieve to act differently than she would have before? If so, what is the difference?  

10. Do the characters in this story remind you of people you know? Is this affected by the familiar setting (greater Boston). Does this change the way you read the fantastical elements of the story? How? 

Writing Prompt 

In 500-700 words describe what you would expect or hope to see after disappearing into your own faery handbag for several decades. Email your story to info@bostonbookfest.org by Friday, September 30 for a chance to win a BBF prize package, including a signed copy of this year’s story!

The Boston Carpet Bag newspaper, 1851-1853

Kirsty Mitchell's Fairy Tale "Wonderland" London Exhibition Begins (And A Book On the Way!)

Big news for Kirsty Mitchell fans:
1) she's having a 'selling exhibition' starting TODAY (May 7th) in London for 2(ish) weeks, featuring gorgeous 2 meter prints (6 foot prints for the non-metric folks), that show all the teensy details in each amazing shot

2) she also aims to have a book available of her Wonderland work by the end of THIS YEAR! (ie hopefully ready for Christmas!)

By the end of 2015, she hopes to realize a 'Wonderland' book in collaboration with esteemed British book designer Stuart Smith through the launch of a campaign on Kickstarter backed by the photography platform LensCulture.

(I can hear you cheering from here!)

But back to the exhibition. Here are the details from the press release. I'm including the biography and summary notes about Ms. Mitchell and how this series came to be, for those who don't know much about her work:

Kirsty Mitchell ‘WONDERLAND’

7th – 23rd May 2015

Mead Carney Fine Art, 45 Dover Street, W1S 4FF

The show is kindly sponsored by Nikon UK.

Mead Carney is pleased to present 'Wonderland', a new selling exhibition by award winning fine art photographer Kirsty Mitchell.

'Wonderland' is a project created over the course of five years as an homage to the artist's mother who tragically passed away in 2008.

Having worked in fashion for a number of years, Kirsty understood the constructed and filmic nature of the photographic image. Building on this, she incorporated childlike whim through the creation of her favorite fairytales that her mother read to her as a child. With minimal support and finances, she built what can be likened to a film set in order to stage each frame. The tailor-made dresses and make-up add an element of high fashion into the work. However, props such as ships, headdresses and books transform the image further; each item carefully built and placed so as to convey a personal sense of imagination.

Kirsty's oeuvre is whimsical and dream-like. It consists of over 70 photographs that intertwine fantasy, literature and personal mediations. The selection presented shows the breadth and complexity of the highly constructed artworks. The highly saturated colours give a vivid, fairytale quality to each image. Intense contrasts intensify the surreal quality of each work; reality is undermined by the lack of gravity and soft lighting.

Upon completion in November 2014,  'Wonderland' immediately won 2 international awards, with over 280,000 followers on its social media. It has been extensively featured throughout the world achieving a viral status online, and has been published by prestigious names such as Harper's Bazaar, Vogue Italia, The Guardian, BBC news, Germany's Spiegel Online and Stern magazine to name but a few. The images warranted coverage from BBC News, Italian Vogue, and Polish Harper's Bazaar, to name a few. She won a number of awards including the grand prize for visual storytelling by Lensculture in 2014 and a place as the Nikon Ambassador of Fine Art Photography. 

I had to include one of her wonderful behind-the-scenes videos, which I highly recommend for fans, photographers and storytellers alike:

I'm also linking you to her video behind-the-scenes of prepping the ENORMOUS prints for this exhibit. Just amazing stuff. You can watch it HERE, along with finding out extra details about the gallery, the Wonderland show (what will and what will not be shown - only some is shown in the panorama shots below) and her note to fans about the upcoming book.

For those of us who can't see the exhibition, you can see the series at Mitchell's website HERE. And while you're there, I recommend checking out her other galleries too. Some of her personal portraits are truly stunning. (I've also collected a variety on a Pinterest board HERE, along with costume shots and behind the scenes pics, since these photos wouldn't be what they are with all Mitchell's artistry in design, costume and prop making - that's right - she designs and makes them all herself!)

And we'll be keeping our eye on Kickstarter for the rest of the year and cheer this book on to get published. I'd love to see more about the stories behind the photos - not just how the photos were made but which stories told her by her mother inspired which pieces. Clearly there is a fairy tale sensibility here as well as a 'modern-Victorian' faery atmosphere as well, which I would love to hear more about.

And then there's the future. If this is where she journeyed to creatively over five years, we have to wonder: just what amazing things will she do next?!

Full Trailer for "Jonathan Strange & Mr. Norrell"

The Gentleman with the Thistle Down Hair (Marc Warren in BBC's Jonathan Strange & Mr. Norrell)

BBC One has announced it will air the seven part series beginning in May, so lucky UK people have an air date to look forward to now. The US still has the vague air date of "sometime during Summer", but at least it's coming.

Here's a quick look at the cast & characters, first.

And here's the full trailer. For some reasons it's darker than I thought it would be but it still looks great. Grieg's In The Hall Of the Mountain King music is well used under the footage (and I love that piece of music). 

Take a look: 

I also found these papers, which I had to include as a bonus for the serious Jonathan Strange & Mr. Norrell fans here (click to enlarge and read):

Gilbert Norrell writes to The Times, hoping to prevent the publication
of Susanna Clarke’s novel Jonathan Strange & Mr Norrell.

Jonathan Strange responds to the publication of Susanna Clarke’s novel
Jonathan Strange & Mr Norrell.
This extract is taken from a personal letter from Mr. Strange to his aunt,
and is published with his kind permission.

BBC's "Jonathan Strange & Mr. Norrell" Coming to Blu-ray August 2015

Did I completely miss this when it aired? I don't know about the UK but it was supposed to air on BBC America later in 2015...  And doing a quick check, that's still what they're saying, so I'm not really sure how this works. Whatever the case, the seven part mini-series Jonathan Strange & Mr. Norrell, based on the best selling book of the same name, is coming to Blu-ray and DVD this August. (There are a lot of details still left up in the air it would seem.)

The Blu-ray date, however, has been announced as August 11th, this year.

From Blu-ray News:

Based on the bestselling, award-winning novel by Susanna Clarke, Jonathan Strange & Mr. Norrell takes viewers on a journey through alternate history during 19th century England. Magic, a lost art which has lain dormant for centuries, is showing signs of returning. At the center of this renaissance are two men who are destined to become the greatest magicians that England—and possibly the world—have ever seen. 

The reclusive Mr. Norrell (Marsan) of Hurtfew Abbey stuns the city of York when he causes the statues of York Cathedral to speak and move. With a little persuasion and help from his man of business Childermass (Cilenti), he goes to London to help the government in the war against Napoleon. It is there Norrell summons a fairy (Warren) to bring Lady Pole (Englert) back from the dead, opening a whole can of worms. Not only do Norrell and Jonathan Strange (Carvel) have to deal with all the trappings of Georgian society, the Napoleonic wars, and the whims of the supernatural, they have to contend with their own egos and, most of all, an uncomfortable realization that there may not be enough room in the world for one magician, never mind two.  

Tech specs and special features have yet to be revealed for BBC Home Entertainment's Blu-ray release.

I have to admit, I am very curious. Will they include all those folklorish things I loved or did they focus on the politics of it all? Whatever the case, it would seem the Other-world will make for a strong presence throughout the series and won't be mistaken for another costume drama, so yes, I want to see this.

Here's a very short trailer:

There's also an 'exclusive clip' HERE but you don't really learn a lot more from it. Methinks we'll get some better footage when they figure out exactly how this is going to air/be released. 

Oh yeah - and if you're interested and haven't read the book yet, go read it now.

Theater: Come to the "Goblin Market"! (For 3 Nights Only)

Illustration by Dante Gabriel Rossetti, image from poster for Goblin Market 2015 production by Theatre GRU

"There is no friend like a sister."

(Christina Rossetti - "Goblin Market")

Christina Rosetti's fairy poem Goblin Market is beloved by many and often given consideration alongside other literary fairy tales as its own layered masterpiece. While it's not the first time it's been adapted for stage, I haven't seen performances crop up often at all the last decade in the US, which is sort of unusual when you consider just how popular the poem is, and how often it's taught at universities with theater companies attached.

This adaptation is by Patricia Pace and will be performed at The Maxwell Performing Arts Theater in Augusta, Georgia, Thursday through Saturday nights for this week only. With tickets $10 and under, if you love the poem, fairy tales and are in the area, this is worth considering for a night out.

From the Press Release:

Goblin Market 

by Christina Rossetti 

adaptation by Patricia Pace 

adapted and directed by Melanie Kitchens O'Meara 

Visually stunning and ripe with sensuous language, Christina Rossetti's poem Goblin Market is performed by six Victorian actresses between occasional rests in The Green Room. Patricia Pace said, "the adaptation investigates the many layer's of meaning in the poem -- a children's cautionary tale, a rebuke to the new commodity market in Victorian England, a religious allegory, a poet's wish for a female literary tradition, a fantasy about women caring for other women."*Contains mature content.

Illustration by Arthur Rackham

As Dr. Amanda M. Caleb, assistant professor at Misericordia University, said at a storytelling gathering earlier in the year, in which she spoke about fairy tales and how they relate to social issues:

“Rossetti’s poem is one that has intrigued me since I first read it as an undergrad, as it has so many possible interpretations: we might read it as a religious allegory, a tale of female solidarity, a critique of laissez-faire economics, or a warning about food adulteration — I really appreciate the depth of the tale!”

I found a little background on the play in an article published a couple of days ago and am putting the highlights below to give you a better idea of how the poem is being translated to stage for this production.

From The Bell Ringer (GRU):

Illustration by Dante Gabriel Rossetti

O’Meara, who is directing the Georgia Regents production of “Goblin Market,” said she acted in Pace’s adaption of the play when she was an undergraduate. She said she wanted to take the play further, readapt it and add things to it. “I knew that one day, once I had a position somewhere, that I would want to direct it myself,” O’Meara said. “The play follows these six women who are Victorian actresses, and they are on stage performing this Victorian poem and then we see them backstage dealing with women’s issues of the time.” O’Meara said the poem may seem lighthearted, but has a much darker side to it. “Some people would argue that this is a poem for children, but it’s not,” O’Meara said. “It’s very much not for kids.” 

Arthur Rackham

“(Lucette) is the one who … has a semi-masculine role,” Farmer (who plays Lucette) said. “She is a little older (and) she’s a little more experienced. She’s a really fun character to play when it comes to the actual poem part, because she’s playing a goblin – and being a goblin is really fun because I get to do really crazy, ridiculous things.” 

“(Dame Miriam is) sort of the leading actress of the company,” Owens (who plays her) said. “She’s very flirtatious, always making jokes, but she’s also the comforter.”
Farmer said she hopes the audience will see the greater meaning behind the play. “It is both a fun play to watch and listen to,” Farmer said. “But it does have some deeper meanings going on, and it’s really fun to find those deeper levels when you’re in the midst of laughing at a situation that you didn’t realize was... a pretty serious topic. It’s great fun.” 

The play is performed by an all-female cast and will be close to 70 minutes long without an intermission.

If you get to see it, why don't you let us know? We are very curious for we would like to go to the Goblin Market ourselves...