Disney's "Raya and the Last Dragon" Pays Tribute to Diverse Cultures of Southeast Asia (Teaser Trailer)

It's clear there has been a deliberate shift to properly represent diversity in Disney's upcoming animated feature, Raya and the Last Dragon, and we are so here for this!

THE TRAILER:

Take a look at the just-released teaser-trailer:

Official description: Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. But when an evil force threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, that same evil has returned and it’s up to a lone warrior, Raya, to track down the legendary last dragon to restore the fractured land and its divided people. However, along her journey, she’ll learn that it’ll take more than a dragon to save the world—it’s going to take trust and teamwork as well.

REPRESENTATION:

People are already very excited about seeing real diversity in this teaser. Here are just a few of the many comments:

As for the specific efforts in representation during development and production, here are some examples of how the film's focus has shifted for this to become a major priority. From insidethemagic (August 2020):

"...it is clear that representation has become a major focus of the project.

Raya will be Disney’s first animated feature film to be inspired by Southeast Asia, and filmmakers Don Hall and Carlos López Estrada, and Producer Osnat Shurer, told Entertainment Weekly they’re working hard to accurately celebrate the influential cultures. They are making efforts to send creative teams on research trips to several Southeast Asian countries such as Thailand, Malaysia, the Philippines, Laos, Cambodia, and Vietnam, and collaborate with linguists, dancers, Gamelan musicians from Indonesia, and a Laos visual anthropologist who is said to review every design before it is finalized.

Adele Lim, the screenwriter behind Crazy Rich Asians, and Qui Nguyen are penning the script. Nguyen said that both his and Lim’s life experiences are being used to write this film and that it has meant a lot, personally to see their cultures represented in costumes and martial arts, as well as references to his Asian American Identity.

“When you’re telling a story and you’re just doing it based on research, you end up always having to do it from the high end,” he said. “To have the artists who represent those cultures in there to be able to give the subtleties of what our families are actually like, what our relationships are actually like, has given a lot of nuances to this great adventure.

“To be able to have some [heroes] that look like me and my kids,” he added, “it’s gonna matter to a lot of folks.”

(Note: poster shown above is from the Disney Lunar New Year collection, for Disney China.)

NOT AN AUTO-ENTRY INTO PRINCESS FRANCHISE?

There is an important rumor about this representation though, and one that might be worth keeping in mind. It's being said that because Raya is not a musical the main character won't automatically enter the Disney Princess franchise. It's going to depend on numbers and how "successful" the film is (by Disney Executive standards). So, if it's safe by the release date, bring your feet into the theater, and if it's not, pay the extra for "movie theater streaming at home". We need to underscore how important this effort at representation is, and give all those millions of kids around the world the merchandise they could greatly benefit from, to help them continue the experience of seeing themselves in this story, with a princess that looks like them.

THE FOLKLORE/FAIRY TALE/LEGEND COMPONENT:

As for the fairy tale and folklore elements of the movie, we've only seen a small amount to date but it's clear this will delve more into the realms of legends and allude to Southeast Asian folklore along the way. That doesn't mean there won't be fairy tale elements though. For the moment, the standout touchstone for folklore is the Last Dragon of the title (from Why Southeast Asians Should Be Excited About Raya and the Last Dragon):

The titular dragon is named Sisu and is voiced by actress/rapper/comedian Awkafina. She is the last of her kind and the goal of Raya’s adventure is to find out what happened to the dragons that used to inhabit the land. Sisu herself is able to change into a more human-like form, and is based on the naga, the mythical water serpent that permeates all of Southeast Asian culture.

This deity can be found in Laos, Malaysia, Cambodia, Indonesia, Thailand, and the Philippines, with varying depictions of the dragon between cultures, but its general form and function as a water deity is preserved throughout. Evidently, Sisu isn’t going to be as tame as Mulan’s Mushu, and might just be a force to be reckoned with - like Maleficent’s dragon form.

We're very much looking forward to seeing the joy of exploring the diversity of Southeast Asian cultures in a Disney film, and seeing how it also represents the Southeast-Asian-American community as well, not to mention the stories, folklore, legends, and yes, the fairy tales, that are channeled in this film.

Disney's official posters for English and Japanese shown above.

Yeh-Shen & The Crane Wife by Amy Parrish

Yeh-Shen by Amy Parrish

I stumbled across these midweek for the first time while researching the "Chinese Cinderella", though they are nearly three years old now. While I've seen a lot of Amy Parrish's work - so beautiful! - I had missed these entirely. (Note: the website auto-plays music.)

I had no idea she loved Yeh-Shen. Here are her comments about it from her website:

If you’re not already familiar with the title reference of “Yeh-Shen”, this is a tale, extremely similar to Cinderella, but a thousand years older and originating in China. 

Instead of a fairy godmother, Yeh-Shen’s magical gifts come from the remains of her friend; a fish. 

I’ve had an adaption of this sitting on my bookshelf for nearly a decade since first discovering it in my Children’s Lit course at Otterbein. There was something even more mystical about this version than the European tale I was already familiar with, thanks to Walt Disney. If you have children (or even if you don’t), I definitely recommend reading this fairytale for yourself.

You can see the whole lovely photo shoot HERE.

There was another part to this series, creating images for another fairy tale, this time a Japanese one and fairly well known to fairy tale readers. It's the lovely and tragic story of The Crane Wife.

The Crane Wife by Amy Parrish

There are a few more photos for this one and additional commentary too (both of which we love). Here are some excerpts:

As oral tradition typically goes, there are a few versions of this Japanese fable. One of them weaves a story of a poor man who rescues an injured crane. Shortly thereafter, a beautiful young woman knocks at his door seeking shelter. They marry and come upon even worse times than the poor man had experienced alone. His wife told him that she could make a magic sail to sell along the harbor. Only, the husband was not, under any circumstance, to watch her toiling at the loom. After weaving for more than a day, the sail was ready and the wife came out from behind her screen looking extremely exhausted.... 

...Some versions I’ve read have changed dramatically around here; Was it the husband who demanded that his wife weave another magic sail or was it reluctantly suggested? I’d like to think it was the latter, but regardless of how it occurred, an opportunity came about in which a wealthy captain had offered a lifetime’s gold for one of these magic sails he had heard so much about. This time, while the wife was toiling away for a few days, her husband could not take it anymore. Some stories attribute this to an innocent, yet uncontrollable, curiosity and others to cold greed…the husband pulled back the screen, and what he saw was not his wife, as he knew her, at all. The same crane he had rescued so long ago sat behind the loom, trembling and weak as she had woven her very own feathers filled with the sea wind into the sails. 

Terrified and unable to speak, the crane flew away and was never seen again.

See the whole of the photo shoot, read all of Ms. Parrish's comments, hear her inspiration and see some additional artwork inspired by the tale, HERE.

I hope Ms. Parrish is inspired to do shoots representing some other lesser known folktales in future! It's one of the best ways to get people reading them again.

Grownup & Gritty Rapunzel Heads To Japan in "Fairest: The Hidden Kingdom" (Fables Spin-Off)

The Hidden Kingdom - collection of Rapunzel issues #8-13 in one volume (Vol 2)

Note: This is a lengthy post - partly because I've included as-large-as-possibly-can-fit preview pages, so there is much more after the jump. While this series will not be everyone's taste it should be of great interest to anyone who loves Japanese fairy and folktales, as well as exploring the darker side of Rapunzel tales. I have linked to many more previews so you can have a good idea of what to expect, should you be concerned about the "darkness" of this series before reading. While there truly is a lot to be excited about in this series for fairy tale folk, it remains very adult so please use your discretion.

In a 6-part epic, Rapunzel lives one of the most regimented lives in Fabletown, forced to maintain her rapidly growing hair lest her storybook origins be revealed. But when word of her long-lost children surface, she races across the sea to find them--and a former lover. Rapunzel struggles through maternal heartache in modern Tokyo, along with heavy doses of Japanese folklore and some truly horrifying hair days in “Fairest: The Hidden Kingdom.”

I have to say, I am very intrigued by this preview and what Lauren Beukes revealed about writing this self-contained story under Bill Willingham's encouragement. The 6-part story runs through Fairest #8-13 and has just been released on Tuesday (July 30, 2013) as Volume 2: The Hidden Kingdom (see head of post for this cover).

Ms. Beukes is one an Arthur C. Clarke award winning writer who's style is initially hard to describe (edgy, modern, gritty, imaginative, witty, playful and sharp). I adored Zoo City, which could be loosely described as a gritty urban fantasy unlike anything I've ever read (and, being quite harsh in the light of the setting and subject matter, certainly won't be for everyone).

While Ms. Beukes clearly knows her magic and folklore, it feels incredibly real when she writes about it. It doesn't feel like fantasy and I wouldn't be at all surprised to walk into one of 'her" towns and see it exactly as she wrote. Nothing happens as you expect yet it still feels very reality based (which in turn makes you look at the real world with different eyes). This is probably why she's such a good fit for this Fables spin-off. Although the Fairest series is said to have a more of a fantastic "bent" than the original Fables, there is nothing sweetly "fairytale" (note the merged word, denoting pop-expectations) about these stories either, particularly this Rapunzel tale.
✒ ✒ ✒ ✒ ✒ (click the "Read more" link below this line) ✒ ✒ ✒ ✒ ✒ 

The Eastern Inspired Fairy Tales of Corinne Reid

This artist has been on my "gotta blog" list for a while now so I thought it was high time I share her work with you.

Magic Paintbrush

The artist is Corinne Reid, who just graduated with a BFA in illustration. Her work is inspired by real life mixed with fairy tales of Eastern origin and feels both new and classic all at once.

Flowers of Illusion

She was interviewed by My Modern Metropolis earlier this year. Here is an excerpt:

Each of your pieces are very powerful in their own way. Where do you find inspiration? 

Waterborn

Much of my inspiration comes from Eastern cultures. Ever since I was younger, I've been enamored with the delicacy and beautiful stillness of Chinese, Japanese, and Indian painting, and have tried to incorporate those same ideals into my work. Although like many other artists, I'm also inspired by the natural world around me. Nature can present such beautiful, strange forms, and I often find myself taking reference from nature blogs, or outside in the forests of where I live.

You can read the whole interview HERE.

Orchids

Wild Dog (this reminds me of the Wolf and Grandma, or Red, Grandma and Wolf together)

Isn't her work so beautifully and moving?

Transcend

Ms. Reid's blog is HERE, where you can see much more of her work. Her website with gallery is HERE and you can purchase her work HERE.

Silent Dreams (It focuses on celebrating the innovation and imagination of Helen Keller.)

Fairy Tale News New Year's Bumper Edition: Music & Audio

• The Imaginarium of Doctor Parnassus - original soundtrack by Mychael & Jeff Danna - CD review . Excerpt: "...they’ve wrapped it into a seemingly traditional fairytale score sound of tinkerbells, lilting violins, soaring symphonies and Eastern European instruments. Except musically here it’s a sexy, LSD-influenced Grimm’s fable, preying on adult precepts of what “fairy tale” music is supposed to sound like..."

• Asian Folk and Fairy Tales Told by Christine Price (1973 LP) (Album cover pics + download link for the audio: three stories from the album - 1. The Valiant Chattee Maker 2. The Boy Who Drew Cats 3. The Great Stone Fire Eater)

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