"The Prince and the Dressmaker" Graphic Novel Gets Optioned by Universal

If you're not aware of the graphic novel, The Prince and the Dressmaker, and are interested in how fairy tales are being told differently especially now that it's clear more diversity is needed in our collections and canon, you should check out this one by Jen Wang. Here's the description:

Paris, at the dawn of the modern age:Prince Sebastian is looking for a bride—or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia—the hottest fashion icon in the world capital of fashion! 

 

Sebastian’s secret weapon (and best friend) is the brilliant dressmaker Frances—one of only two people who know that sometimes this boy is a girl. But Frances dreams of greatness, and being someone’s secret weapon means being a secret. Forever. How long can Frances live in Sebastian’s closet? Jen Wang weaves an exuberantly romantic tale of identity, young love, art, and family. A fairy tale for any age, The Prince and the Dressmaker will steal your heart.

And here's a brief preview of the pages, to give you an idea of how sweet it is.

Wang says the book is close to her heart as it's the first story she's written for her (younger) self:

“I wanted a story that explored questions about gender and self-identity in a way that was also really colorful and fun and positive. The personal themes are there, but also lots of dresses and princesses. The idea was to create my ideal Disney movie, and writing this has genuinely been one of the most fun, liberating, experiences I’ve had making comics. My awkward confused fourteen year-old self would’ve really connected with this book and I hope it does the same for other young readers." (Diversity In YA)

Even with the obvious issues of challenging gender norms, and family and societal expectations (for both the dressmaker and the prince), the book never gets preachy and doesn't words such as queer, gender-norms, LGBT, transvestite, etc, which is one of its most powerful storytelling features. Instead of talking at the reader and giving labels, it just tells the story of two good friends who have their own challenges and dreams, how neither of them fit what is expected of them, and what they choose to do about it. It's a tale in which everyone can see themselves, including people who don't identify with traditional gender identity and expectations - and that's freeing for everyone.

The graphic novel has been a big hit since it was released in February this year, and the lovely balance of storytelling, art and the feel-good story of friendship and reaching for one's dreams, has - as expected - caught the attention of Hollywood.

From Deadline:

Universal Pictures and Marc Platt have snapped up feature rights to The Prince and the Dressmaker, a graphic novel from Jen Wang which has crossover YA elements in it and in more ways than one. The story is a sweet one, it is about the friendship between a seamstress named Frances and a Prince named Sebastian, whose parents are looking for a bride for him. We were told this was a competitive bidding situation.  

...The book, which examines identity, love, family relationships and sexuality, was brought into the company by Marc Platt Productions’ Adam Siegel (Drive). Senior VP of production Kristin Lowe will oversee production on behalf of Universal Pictures.

Will it be animated? It seems there's a good possibility of that, but no development has yet begun for the feature. It's clear Wang would enjoy seeing an animated production so as to be close to "the Disney movie I always wanted", and it would delight the fans, of course. Then there's also the question of "will it be a musical?", which is a fair one with the "Disney-princess-movie-that-hasn't-happened-yet" being the "ideal". The story would indeed lend itself very well to being created as a musical, so we will follow this as it develops with interest.

As to how soon it will see the light of day - it won't be this year and probably not next, considering all that would need to happen, but because it was a "bidding war" situation, with more than a couple of parties (studios) interested, this has a very high chance of being put into production soon, and actually completed too.

Congratulations to Jen Wang and the beginning of some very different - mainstream - princess movies!

Nutcracker Screenwriter to Adapt 'The Hazel Wood' For The Big Screen

One of the season's hottest 'fairy tale novels' is heading for the big screen. You've probably heard of The Hazel Wood by Melissa Albert. This very recent YA release (January 30, 2018) quickly became a best-seller and had high praise from many quarters, including fairy tale aficionados. Here's a fairly concise description that we think summarizes the feel of the story and introduces the synopsis well:

The Hazel Wood is a grounded YA fantasy novel that reads as Pan’s Labyrinth meets Alice in Wonderland. Opening in modern day, the story follows teenage Alice, who lives a life on the road with her mother, incessantly pursued by bad luck. Alice’s mother has always forbidden her from having any contact with her grandmother — even banning Alice from reading her grandmother’s mysterious classic book of pitch black fairy tales, “Tales from the Hinterland.” But when Alice’s mother is kidnapped, Alice discovers that the Hinterland is not just a story, and that its strange supernatural forces lie behind her mother’s disappearance. To save her mother, Alice must journey into the Hinterland where she discovers how her own story went so wrong. (TheWrap)

Ashleigh Powell (left) and the best-selling YA novel The Hazel Wood hardcover

Ashleigh Powell, the "promising new screenwriter" who previously wrote Nutcracker and the Four Realms for Disney's upcoming movie has been attached to adapt The Hazel Wood, this time for Sony's Columbia Pictures, and looks set to spark a new wave of this genre of fantasy movies heading for the big screen. (Powell is also working on adapting the first book of The Paper Magician trilogy for Disney.) Interesting, the book caused so much buzz that the film rights were acquired even before it was released at the end of January.

The Hazel Wood does not currently have a release date.

Source: Screenrant

Breaking News: Blue Sky Studios & Fox Animation to Adapt Garth Nix's "Frogkisser!"

Frogkisser! is not even released yet (due out in February 2017 by Scholastic in the US and in Spring via Picadilly Press in the UK) but has already gotten a lot of interest. So much so that it's been snapped up for a live action-animation hybrid movie by Fox Animation and Blue Sky Studios (Ice Age, Rio, Epic, The Peanuts Movie).

Here's Nix's excited tweet:

Garth Nix: “FROGKISSER! is one of those novels that just bubble out of the imagination and demand to be written all at once and won’t permit anything else to get in the way. I am delighted that my various publishers have all responded to the book with as much exuberance as I felt while I was writing it.”

And i's a musical!

Fox Animation recently announced an initiative to expand what it calls "family hybrid" movies and the Australian author's book is first cap off the rank. Apart from great news for Nix and fairy tale fans, this clues us into a interesting direction for future movies coming from Fox and Blue Sky - a musical family hybrid - aka live action and animation fantasy family-friendly movie! We really are going back to the trends of the 80's and 90's in a good way. (Disney will be taking notice, you can be certain.)

It is indeed a "princess kissing frogs" story but with a wonderful Garth Nix twist. Here's the blurb:

The Last Thing She Needs Is a Prince. 

The First Thing She Needs Is Some Magic.  

Poor Princess Anya. Forced to live with her evil stepmother's new husband, her evil stepstepfather. Plagued with an unfortunate ability to break curses with a magic-assisted kiss. And forced to go on the run when her stepstepfather decides to make the kingdom entirely his own. 

Aided by a loyal talking dog, a boy thief trapped in the body of a newt, and some extraordinarily mischievous wizards, Anya sets off on a Quest that, if she plays it right, will ultimately free her land-and teach her a thing or two about the use of power, the effectiveness of a well-placed pucker, and the finding of friends in places both high and low. 

With Frogkisser!, acclaimed bestselling author Garth Nix has conjured a fantastical tale for all ages, full of laughs and danger, surprises and delights, and an immense population of frogs. It's 50% fairy tale, 50% fantasy, and 100% pure enjoyment from start to finish. 

Fox seems pretty happy about it. They even seemed to have gotten a jump on the marketing. Appearing on Ralph Millero's Instagram today (Millero is 20th Century Fox Vice President in charge of The Peanuts Movie), with the caption "How many frogs have you kissed?":

Maguire's "After Alice" Ripe for Optioning/ "Egg & Spoon" Already Picked Up By Universal

'Baba Yaga Houses' by Mahwa Fahmy 2012, 
Located in Museum Park, Aberdeen Street, Northbridge, Perth, WA, Austraia (Photographer unknown)

Update: With breadcrumbs from reader Pat, I found the sculptor-artist and location (but not the photographer of this photo unfortunately. "Now we know where those square eggs came from..."

Oh my goodness! I had completely forgotten this news, since it happened while I was down for the count last year: Baba Yaga and her chicken-legged hut are coming to the movies!! I am both excited and dreading what they will do with her... but honestly, her chicken-legged hut can only be looked forward to. We haven't seen her house in any modern movies yet though interest has been building for a while. Believe it or not, Baba Yaga, and her house, are very popular characters in a variety of role playing games these days - and you'll be glad to know she remains formidable!

 But first, the news about Maguire's soon-to-be-released novel "After Alice" (October 27th, 2015) and then we'll go back to Russian remixes.

I'm not sure if this is a public service announcement or a heads-up for you all, but it's interesting, especially in Alice's anniversary year. I wouldn't be surprised if certain studios have had their eye on Maguire's book, just in case, with certain Alice projects currently in development. I guess we'll know, come October (or September, depending on when the pre-release buzz truly begins).

From The Hollywood Reporter:

'After Alice' by Gregory Maguire (is) ripe for optioning.Universal has been trying to find a way to bring Gregory Maguire's best-selling novel and Broadway hitWicked to the big screen. Now, rival studios can land their own Maguire property with After Alice, a re-interpretation of Alice in Wonderland.

From Cape Cod Times (interview with Maguire):

Maguire: “I don’t try to crack an older story open with dynamite, but to worry a seam that has been left unexplored,” he told me.

 For instance, his upcoming novel, “After Alice,” set for an October release, picks up on Lewis Carroll’s brief mention of Alice’s friend Ada in “Alice in Wonderland.”

 “Alice mentions having two friends, Ada and Mabel… So I thought: who might Ada actually be? And what would she do if she saw Alice falling down the rabbit hole? Jump in after her? What next? …I didn’t invent Ada. I just said to myself, ‘Lewis Carroll left her there for me to find.’”

 “I was very surprised by the success of ‘Wicked.’ I’d always imagined it might have a downstream life as a mini-series or as a movie, but…had not imagined that it might be a stage musical,” he told me.

 His latest book “Egg & Spoon” (2014) has already been optioned for a Hollywood film by Universal Studios, and – who knows? – just may become the Next Big Thing.

 “It’s ‘The Prince and the Pauper’ meets ‘Frozen,’ except the exchanged children are girls, and the story takes place in 1907 pre-Revolutionary Russia. And it features an ice dragon, a dying Firebird, starvation, poverty, global warming and a talking kitten.”

Maguire's "Egg & Spoon" is a "for all ages" novel (that is, you can read it with kids, or give it to kids but also enjoy it as an adult). The book draws on Russian fairy tales of Baba Yaga and the Firebird, along with a melange of other story staples and legendary items, like Fabergé eggs, matryoshka dolls and, yes The Prince and the Pauper tale as well. (A summary and brief review from The Guardian HERE.)

Having recently read Maguire's other Russian tale for all ages "The Dream Stealer", which, by the way I very much enjoyed and will be sharing with my son for bedtime reading soon, it's fairly guaranteed that this will show the gentler, more reasonable side of Baba Yaga, though she's still rather fearsome.

So: now we wait to see a) what Maguire has done with Alice and b) who likes it enough to make (another) Alice movie. (But really, I'll be over here, watching for news of a Firebird or a walking chicken-legged hut, coming out of Universal!)

BBC's "Jonathan Strange & Mr. Norrell" Coming to Blu-ray August 2015

Did I completely miss this when it aired? I don't know about the UK but it was supposed to air on BBC America later in 2015...  And doing a quick check, that's still what they're saying, so I'm not really sure how this works. Whatever the case, the seven part mini-series Jonathan Strange & Mr. Norrell, based on the best selling book of the same name, is coming to Blu-ray and DVD this August. (There are a lot of details still left up in the air it would seem.)

The Blu-ray date, however, has been announced as August 11th, this year.

From Blu-ray News:

Based on the bestselling, award-winning novel by Susanna Clarke, Jonathan Strange & Mr. Norrell takes viewers on a journey through alternate history during 19th century England. Magic, a lost art which has lain dormant for centuries, is showing signs of returning. At the center of this renaissance are two men who are destined to become the greatest magicians that England—and possibly the world—have ever seen. 

The reclusive Mr. Norrell (Marsan) of Hurtfew Abbey stuns the city of York when he causes the statues of York Cathedral to speak and move. With a little persuasion and help from his man of business Childermass (Cilenti), he goes to London to help the government in the war against Napoleon. It is there Norrell summons a fairy (Warren) to bring Lady Pole (Englert) back from the dead, opening a whole can of worms. Not only do Norrell and Jonathan Strange (Carvel) have to deal with all the trappings of Georgian society, the Napoleonic wars, and the whims of the supernatural, they have to contend with their own egos and, most of all, an uncomfortable realization that there may not be enough room in the world for one magician, never mind two.  

Tech specs and special features have yet to be revealed for BBC Home Entertainment's Blu-ray release.

I have to admit, I am very curious. Will they include all those folklorish things I loved or did they focus on the politics of it all? Whatever the case, it would seem the Other-world will make for a strong presence throughout the series and won't be mistaken for another costume drama, so yes, I want to see this.

Here's a very short trailer:

There's also an 'exclusive clip' HERE but you don't really learn a lot more from it. Methinks we'll get some better footage when they figure out exactly how this is going to air/be released. 

Oh yeah - and if you're interested and haven't read the book yet, go read it now.

"The Tale of the Three Brothers" Live Action Film (Made with Rowling & WB's Blessing)

Do you remember the Harry Potter fairy tale , "The Three Brothers" from "The Tales of Beedle the Bard", which was animated to wonderful effect in the final movie?

There's going to be a live version.
And it's (essentially) an indie film.
Made by college students.
Who got the permission of J.K. Rowling AND Warner Bros to do it.
!

The Tale of the Three Brothers serves as a pivotal plot device in Harry Potter and the Deathly Hallows, the series’s final installment. In the Harry Potter world, the fable-style story is told to wizard children, but most adults believe it to be nothing more than a legend. Over the course of the final book, it becomes apparent that several parts of the story are true.

The film will screen in May at Husson University, which is also in Bangor (Maine). It’s not clear whether it will be made available online at a later date.

I am just going to stand and applaud them for their tenacity, audacity and sheer luck in making this happen. *applauds*

I'm not saying they didn't work hard or aren't talented because clearly this college filmmaking group are both. But that's only half the battle when you're working in Entertainment. The rest is who you know and luck of timing/the draw.

Lisa Stock of InBytheEye, who sought and was given permission by Neil Gaiman to stage his short story "Snow, Glass, Apples" had her own success with this bold approach too, but she will tell you: it didn't come without a LOT of hard work on the foundations first!

In this new case, because it's film, we are likely (we hope) to be the witnesses/recipients of their hard work but I wanted to take a post to acknowledge the fact that some students felt strongly enough about an olde-worlde-type fairy tale, to bring it to the screen in moodily shot live-action. Most Harry Potter fans would be focused on the (myriad) other aspects to create from and although the id most definitely nothing wrong with those leanings, particular fairy tales aren't usually the focused of the HP obsessed and I'm glad to see the deeper callings of fairy tale-type stories stirring the creative drive of tomorrow's filmmakers.

Here's the trailer:

And here's the animation from the Harry Potter film:

I love hearing about things like this. It warms my heart to know there are famous people out there who aren't threatened by anther creative team adapting material that originated with them and more, actively encourages and supports the sincere and talented efforts of deserving people.

Hopefully we have a lot to look forward to from the people involved with this project.

If I find news of an online release for the live action The Tale of the Three Brothers, I will, of course, share it with you.

Sources: HERE & HERE

Breaking News: "Fables" Series End Planned (NOOooooo! *cue sobbing*)

I'm being a little dramatic, I know. In truth, we've been lucky to have fairy tale retellings from the Fables world for as long as we have (over ten years!), and there had to be an end at some point. Turns out, that end point will be issue #150, which will be in about one year.

I've been wondering if something like this would happen soon, since Mr. Willingham has been increasingly busy over the past year with a movie finally taking off*, a critically acclaimed video game, a new Fabletown & Beyond convention, spin-offs like Fairest doing really well and more. Deciding to finish on a high note is hard. It means you have to stop doing something that you love and is going well/is profitable, but it's smart if you care about your work and are lucky enough to have the choice.

It doesn't mean there won't be Fables-esque properties appearing here and there from various corners, nor does it mean Mr. Willingham will never return to working on a Fables story. It does mean that we won't have monthly installments of tale retellings and new fairy tale art each month from one of the most respected teams in the comic book world though.

Here's the official announcement from Bill Willingham's website (via talking comic books):

Bill Willingham

“After more than ten years of publication, and hundreds of issues of Fables, and various Fables-related works, I have decided the time has come to begin the process of bringing our sweeping story to a close. And, along the way, I’ve decided to retire from a great deal of my comics work. 

Retirement in the storytelling trade means, still working and writing every day, but being a bit more selective in what projects I take on. Pushing 60, I thought it would be a good time to start making concrete plans for those remaining good writing years. 

Fables will end with Issue 150, which will be a larger than usual size, as were many of the other milestone issues. Fairest, our companion series, will also come to an end just before the big final Fables issue. 

Both DC and I will announce more details later on, but first and foremost I wanted to let our wonderful readers know about this as soon as I could, and note that our story plans leading up to Issue 150 made it increasingly clear that this upcoming saga should naturally be the final story. 

Of course Mark is already well aware of this and said, “I respect Bill’s decision and am looking forward to working with him on the book’s epic final year, leading to the series’ grand finale.” 

Newsarama is going to have more details, and I’ll link to their story as soon as it’s ready to go. (FTNH Update later in evening: That interview is now live and I'm including excerpts of the interview below as well.)

Let me restate my thanks to the best, sustained readership in all of comics. I promise to do my best to make the coming year in Fables a great one.”

And here are some excerpts from the newly posted Newsarama interview, beginning after the initial announcement of wrapping up the series is addressed, when questions turn to the arc and plot lines:

Willingham: Well, we have the end of the "Camelot" story. We have, following that, a two-issue story that's sort of a side story, but it sets up the final, big saga. And that story is called "The Boys in the Band." And it's all about Boy Blue's Band up at The Farm. They go off on an adventure together. The adventure sort of lays the groundwork. It asks a few specific questions that, the answer to those questions are the last big Fables saga.And then that lasts for nine issues, I believe, ending in issue #150, which is going to be an oversized issue.

Nrama: Obviously you know, now, how the series is going to end. At what point did you know that ending? You said it could have gone one of two ways — did you have this in your mind as a possible ending for awhile now? 

Willingham: This is one of the planned ways to end it. But it's just like issue #75, wherein the war is won and Gepetto signs on to Fabletown, could have been one of the moments of ending. This is one of those situations where you could end it there, or you could find other ways to go on. And we decided to wrap it up. 

Nrama: Is Fairest ending as well? 

Willingham: If the timing works out, the last arc of Fairest will end one month before issue #150 of Fables.In that sense, both will wrap up around the same time. 

Nrama: There are a lot of threads hanging right now in Fables, like the promised return of Prince Charming, the effect of The Unwritten crossover, or even the giant rats that Junebug saw. Are you trying to wrap up all the loose ends before the series ends? Are all those things I mentioned going to play into this ending? 

Willingham: Most of it. The giant rats is dealt with in the new Cinderella arc in Fairest, which is the next major arc coming up in that book. The Prince Charming return is dealt with partially in the Fairest In All The Land graphic novel, about to come out, and will also play into the final big arc of Fables. The Unwritten crossover will be addressed pretty close to the end. 

Nrama: I'm just floored. And I'm sure your fans will be too. I mean, I can't speak for everyone, but I just always thought Fables would be around. 

Willingham: Well, me too. But you know, the story was good enough, the scheduling kind of fell into place, and I will make one promise — the ending of this will not be everyone dies....I think that's the way to approach any possibility of doing more Fables in the future, as just special revisit types of things....Mark Buckingham and I are not leaving the fairy tale realms entirely. There are specific projects planned, coming up in the future, when Mark and I will work together in a non-Fables, non-DC kind of thing. And I think those need to be announced a little closer to the actuality of them happening. That's a couple of years away, probably.There are at least two projects that I'm starting up with other artists and such that will continue beyond this.I'm not quitting the business. I'm working on new things. And as you said, maybe I'll be able to wrestle a little more time for the novel I want to do along the way.

Cover art for the current issue: #137
In which Rose Red finishes up the Camelot arc -
at a cost...

And hmmm…. what do I want to give away about the final act? The main plotline of the final arc will deal with what's happening with Snow and Bigby and a new conflict involving Rose Red, in a very definite way. And that's as much as I want to say about that. 

Nrama: We've already seen Snow and Rose Red at odds with each other. And you know, it's interesting that these characters would finish Fables, because Bigby, Snow and Rose Red were the focus of the very first storyline, when the series started. 

Willingham: They were. And the issue that just came out, issue #134, had clues about what the final, big saga is going to be about. I will tease the end by saying that the clues are right there in front of you right now. 

You can read the whole interview HERE. (Note: if you're not up to date in reading Fables, there are some spoilers.)

Did you take note of the section I put in bold and dark red? The part about "not leaving the fairy tale realms altogether"? Hah. Yes. If you truly love the tales, how could you? Fairy tale addicts unite. *solidarity fist-pump*

In fact, as a good example of just how into fairy tales Willingham has delved over the years, the newly released Fables Encyclopedia has over 230 characters profiled (groups like the 3 Billy Goats Gruff are listed under a single entry so in reality there are a lot more) and that doesn't cover all the characters included to date either, since there are more issues out than are referenced in the volume. Almost all these characters are from fairy tales and folk tales (ie only a small few are original creations by the Fables writers) and many of them are surprisingly obscure inclusions most people who aren't fairy tale readers would never have heard of. For example, have you ever heard of "Fair Katrinelje and Pif-Paf-Poltrie"? It's a tale from Grimm's Children's and Household Tales. For reason of this example alone and as a fairy tale reader, if you only ever acquired one volume from the Fables realm, make it the Encyclopedia. It breaks down where each character originated with a very brief tale history as well as how they are used in the Fables world, and makes for a handy reference of characters that have found their way out of lesser known texts and into the hands of comic book lovers (and many more) everywhere.   


As someone who loves fairy tales, and is particularly excited to discover any new works (or uses) today by people who research the early versions really well, I can't describe how grateful I am to have discovered and delved into Fables while it is still being created, to see that universe actively expanding into spin-offs and to cross over into other mediums of novels, art and film. Being able to explore all this when the sky was the limit truly made the stories and characters feel alive, rather than reading history and a tale already told.

I'm glad Mr. Willingham has left room to consider other Fables projects in the future, so it's not exactly as if we will be without Fables ever after. Thank goodness. Writing "The End" on fairy tales like these doesn't feel quite right.

In the meantime, we're currently at Issue #137 newly released, leaving us 13-ish monthly updates to go to the finale. Let the countdown begin...

Fairy tale news extra:

Bill Willingham on Fables video game & the Fables film (Oct 15, '13)

"[The Wolf Among Us video game is] unlike the first two attempts at a pilot for a Fables TV show that people have produced," Willingham said. "In those cases, there were loads of things I could have done, loads of notes I could have given them — you know, you missed this here, you violated this here, etcetera, etcetera. But luckily neither of those two pilots were produced because they bore only a passing resemblance to Fables. I asked myself with those two pilots, 'Did these guys even read the book?

"Unlike them, the writing team at Telltale Games really know the stuff," the writer said. "They knew the stuff backwards and forward. So even though I'm going to take the money for helping to keep them on the right track, I feel like I'm stealing most of that, just because I've had very little to do in the sense of correcting them, in the sense of, you know, 'you can't do that' and reminding them of things in the series. They know it. They know the material backwards and forwards.

In June, Warner Entertainment announced that Fables is also currently being developed as a film by Harry Potter franchise producers David Heyman and Jeffrey Clifford of Heyday Films. Heyman, while promoting the film Gravity, has confirmed that the first draft of the script is currently being written.

"If the movie plans come as close to the material as this," Willingham said, "and as faithful to it as this, then I will be as happy as can be." (source)

"Jonathan Strange & Mr. Norrell" Set to Make Mini-Series Magic c/- the BBC

A seven-part series adaptation of the best selling fairy tale-ish novel is being developed for the BBC (squee!), the cast has just been announced and they're set to start filming in Yorkshire, Canada and Croatia next week!

 I love the way SFX UK added extra commentary in their announcement so I'll share that with you instead of the usual list:

Bertie Carvel

Eddie Marsan

 The BBC has confirmed recent rumours that Eddie Marsan (Snow White And The Huntsman, Hancock and loads of much better non-SF stuff) will play Mr Norrell, and Bertie Carvel (Sherlock, Les Misérables) will play Jonathan Strange in their upcoming adaptation of Susanna Clarke’s best-selling alternate history novel Jonathan Strange & Mr Norrell.

Joining Marsan and Carvel in the seven-part adaptation are Alice Englert (the best thing inBeautiful Creatures), Marc Warren (Doctor Who’s “Love And Monsters”), Samuel West (Eternal Law, Van Helsing), Charlotte Riley (Wuthering Heights, Easy Virtue), Enzo Cilenti (Guardians Of The Galaxy, Kick-Ass 2) and Paul Kaye (Game of Thrones, Being Human).

And you have to love this tidbit from Bertie Carvel who will be playing Strange:

“I read the book some years ago and was totally enchanted. I’ve been casting spells for the part of Strange ever since. It is a considerable surprise to find that some of them worked!”

I'm going to choose lovely, magical coincidence over marketing genius with that line.

Susanna Clarke's award winning novel has had numerous people attempt to realize it in movie form since it hit the best seller list but it looks like this mini-series is definitely a "go" now and, let's be honest, if you're a fan of the book, you'd rather a miniseries than just a two hour long movie... wouldn't you? (Though movie paraphernalia tie-ins would be awesome..)

I'm just VERY curious to see how they manage the footnotes... (Oh please be clever about it!)

You'll be glad to know Toby Haynes - director of both Doctor Who AND Sherlock will be calling the shots. Should be a good 'un! (And I have hopes on the footnote front with him at the helm too.)

Breaking News: "A Tale Dark & Grimm" in the Movie-Making

FilmNation is making Adam Gidwitz's A Tale Dark & Grimm into a movie (I know there are MANY people who have been waiting for this to happen).

Coraline director Henry Selick has signed on to direct A Tale Dark & Grimm, a live-action film based on Adam Gidwitz's children's novel.Inspired by the Grimm fairy tales, the story follows two children who run away from their own dark fairy tale in hopes of finding a happier life, but they end up landing in eight other terrible tales. (THR)

Henry Selick didn't just helm Coraline but also A Nightmare Before Christmas (love that movie!) and James & the Giant Peach, so adapting children's stories isn't a new thing. This one, however, is live-action so I'm curious to see how he goes about it.

The book (and series) have almost been begging for someone to option them and transform them to the big screen and unless Selick and co. do a really bad job on the adaptation, it's going to be a big winner for the studio (and fairy tales everywhere).

Here's the synopsis in case you haven't read the book (FYI: you should fix that right away!):

In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches.Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.

...and the simple, but effective, trailer from Penguin, in case you haven't seen it either:

And, if you're not yet convinced this is worth your time (and that you should read it BEFORE the movie comes out) I am including an excerpt from a review from The New York Times:

“A Tale Dark & Grimm,” by Adam Gidwitz, is something else entirely. In fact, it’s unlike any children’s book I’ve ever read. If “Reckless” is an old-school fairy tale fantasy, and “The Grimm Legacy” is a modern one, “A Tale Dark & Grimm” is a completely postmodern creation. It plunks Hansel and Gretel into a succession of other, lesser-known Grimm tales — “Faithful Johannes,” “The Three Golden Hairs,” “Brother and Sister” and more — but creates a narrative through-line that wends through all the tales like a trail of bread crumbs. Parents do horrible things; they fail their children, and they kill them. But Hansel and Gretel become true heroes — they go on a quest; they save others; they come home; they learn to understand their parents’ burdens and failings. Heavy. And yet “A Tale Dark & Grimm” is really, really funny. The first line is “Once upon a time, fairy tales were awesome.” 

The tone ricochets between lyrical and goofy. There’s an intrusive, Snicket-y narrator who warns the reader every time gore is imminent, apologizing, urging the reader to hustle the little kids out of the room. And it all works. As the story progresses, it gets less and less faithful to the source material and becomes its own increasingly rich and strange thing. A Child’s Garden of Metafiction! It reminds me of Eudora Welty’s “Robber Bridegroom,” in which bits of fairy tales, myths, legends and Southern folklore are stitched together into a marvelous new . . . something. 

Gosh - so many new fairy tale movies in the works. Still! *pig-in-mud grin*

"Red Brick Road" in Development (& Summary of all the Other Oz Projects Spinning Around Hollywood Right Now)

Dorothy as imagined by Rob Prior (official development image)

Did The Wizard of Oz books just become public domain or is 2013 just the year of the (TV) Wizard? Answer: all the better known books have been public domain for a while* so it appears the flying monkeys are just making the network rounds... (and possibly prepping for the big 75th anniversary of MGM's movie).

Here's the latest, this time from Lifetime, making it the FIFTH Oz-themed project announced as being in development in the last three months (!):

 Lifetime has put in development Red Brick Road,from the Wolper Organization, Vertigo Entertainment and Warner Horizon. Written by Tim Schlattman (Dexter) based on an concept by artist Rob Prior and executive produced by Roy Lee and Adrian Askarieh, Red Brick Road is described as an edgy, Game Of Thrones take on the world of Wizard Of Oz. an edgy, Game Of Thrones take on the world of Wizard Of Oz. In the classic 1939 feature, when Dorothy set off for the Emerald City, she followed the Yellow Brick Road. But among the yellow bricks at Dorothy’s feet, there was also a swirl of red bricks. They’ve been there the whole time in plain sight. Unnoticed. Unexplored. Which raises the question — just where do they go? Red Brick Road will answer that by following Dorothy down that fateful path, taking her to the oldest, darkest and most dangerous parts of Oz to find what became of her friends who all have gone missing. (Deadline)

I kind of like the sound of this one, though if you like the Oz books (and the movie) I'd suggest thinking of this as an entirely different story.

To summarize the projects for you:
NBC -      Emerald City (drama - dark re-imagining of the classic tale)
CBS -       Dorothy (medical soap)
Syfy -       Warriors of Oz (fantasy/action post apocalyptic mini-series re-imagining of the classic tale)
CW -        Dorothy Must Die (revisionist take, based on YA novel by Danielle Page)
Lifetime - Red Brick Road (edgy Game of Thrones take on The Wizard of Oz)

Oh and there's also Wicked: The Mini-Series being developed by ABC (based on Maguire's novel rather than the musical) but we haven't heard about that for a while now (a long while) so that's likely on the shelf. Maybe they'll dust it off once someone notices just how many Oz properties are being picked up. I think a mini-series might be the better way to explore the novel.

Wicked the Broadway musical as a movie makes sense too, and that's what I'm kind of waiting for more solid news on, next. Last we heard (at ComicCon July 2013) the Producer attached confirmed that, yes, there WILL BE a move of Wicked, that Billy Elliot director Stephen Daldry was "in talks" re Wicked and that a very vague date of sometime during 2014 was at one point announced (although whether that's for filming or release is a little unclear) but is likely to be changed with no cast or start date yet in place.

Have I forgotten anything? (Feel free to add anything else I missed in the comments below.)

* If you want to read up on the complicated copyright releases of the Oz books into public domain you can read a good summary HERE.