The Do's & Don'ts of Social Distancing Fairy Tales by Erin-Claire

"DO be like Little Red Riding Hood: take essentials to elderly and isolated relatives (but don't bring home any wolves/viruses!)"

Important note: The need for human connection is directly linked to mental health, yet, right now, we need to stay physically apart from each other in order for us all to have our best chance at survival and to protect the most vulnerable. With mental health becoming a serious issue after months of being forced to keep in-person interactions to a bare minimum, and no end to the coronavirus threat yet in sight, it is now being suggested that we replace the term "social distancing" with "physical distancing", to emphasize the importance of maintaining physical precautions while encouraging people to have and create connections in other ways. 

When the pandemic hit and we all went into quarantine in a global effort to slow down the spread of coronavirus, Erin-Claire began making illustrations of fairy tales as both examples and cautionary tales about social distancing. 

It's a very fresh and timely reframing of fairy tales, showing how they can be read and re-read in constantly new ways, helping us to reflect on our current situations, telling tales to remind ourselves of both consequences and possibilities, but above all, that we are all human and struggle with similar things, no matter where we are.

The diversely talented Australian artist, storyteller, and speaker, Erin-Claire Barrow, better known as just Erin-Claire, has been working with fairy tales for quite some time now and is passionate about diversity and representation in stories and empowering people, women especially. Her feminist fairy tales illustration series led to her speaking at #TedXCanberra on this very subject (you can see that HERE) and she has many more stories to tell and feels fairy tales can help us in so many more ways.

The captions below each image are the companions for the illustrations and, in that mysterious and wonderful way of fairy tales, ground us amid a sea of false narratives, and encourage us to get to the heart of issues we're dealing with and face them, head-on.

With "vigilance-fatigue" setting in, sometimes it helps to get the same reminder in a different way to re-energize us into being vigilant and protecting each other again. We think Erin-Claire's #SocialDistancingFairyTales series might help to do just that. 

Enjoy.

DON'T be like the True Sweetheart: Now is not the time to travel the world looking for an ex who forgot about you, attend his wedding ball three nights in a row, win him back then abscond to YOUR castle for yet another wedding party.

DON'T be like the Pied Piper of Hamelin: encouraging large gatherings in public places.

DO be like Rapunzel in her tower: just two visitors and only ever one at a time.

DO be like the witch in Jorinda and Joringel (especially if elderly and vulnerable): if any visitors you don't want come too close, turn them into birds or freeze them in place.

DON'T be like the Twelve Dancing Princesses: sneaking out of your home every night to dance your shoes to pieces with enchanted (or enchanting) princes.

DO be like the Lady from Llan y Fan Fach: if your partner is violent towards you, it is absolutely ok to leave your home to travel somewhere safe or seek help. Also to take all their cows, horses and other livestock.

Fairy Tale Bonus of the Day:

We had to include one of our favorite ink illustrations by Erin-Claire. Though this piece was created for a previous #Inktober (a yearly challenge for artists everywhere), rather than a specific work for her portfolio, it immediately caught our eye and showcases some of the lovely storytelling that comes through in her illustrations. It is titled "Wise Women", and reminded us that though we have to remain socially distant, we can still send magic into the world from where we are and help build a better future.

Thanks, Erin-Claire!

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Fearnot by Erin-Claire

The Six Swans by Erin-Claire

You can find Erin-Claire in these places around the web listed below (click to go to her sites), and continue to follow her #socialdistancingfairytales as she adds any, along with her continuing feminist fairy tales work and possibly even discover some lesser-known tales along the way:

Website - erinclaireillustration.com

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Opera: Magical Lilies, A Family Curse & A Half-Winged Prince Take Center Stage in "The Thirteenth Child"- World Premiere July 27

Composer Poul Ruder is probably best known for his well-received, operatic adaptation of Margaret Atwood's The Handmaid's Tale, which was called “an outstandingly effective piece of music theater” by Opera News and as “a riveting, kaleidoscopic score” by The New York Times. With four operas with serious subject matter already under his belt, Ruder wanted to produce a more positive, less weighty work of fantasy and the Brother's Grimm fairy tale, The Twelve Brothers (a variant of the better known The Six Swans, also a Grimms tale), hit the spot.

CD cover

“In 2010, I finished what I thought would be my last opera,” said composer Poul Ruders. “But being a composer, I knew that somewhere there was a subject lying in wait for me to put my paws on. For a Dane to do a Hans Christian Andersen story would be too obvious! So I went for The Brothers Grimm instead. 

In reading through their stories, I kept coming back to this one, which I think is emotionally very potent.
“As opposed to The Handmaid’s Tale, which is an opera for grown-ups, I would say that The Thirteenth Child is good for all ages, including children, who I hope will find it kind of scary. If not, I haven’t done my job very well. I think if you can sit through a Harry Potter movie and enjoy it and not have to leave the bedroom light on at night, you’ll love this! (SantaFeOpera - season announcement)

Ahead of the world premiere next week at the Santa Fe Opera, in New Mexico, a CD has been released.

From Santa Fe Opera:

QUOTH THE RAVEN, “NEVERMORE” 

Costume board for The Thirteenth Child opera

Forget about magic beans and bowls of porridge—this fairy tale is a “down-to-the-wire” thriller, inspired by the Brothers Grimm. A paranoid king banishes his twelve sons in favor of Lyra, the thirteenth child. When Princess Lyra learns about her long-lost brothers, she embarks on a quest to find them. Like all the best fairy tales, it has an enchanted forest, riddles, a handsome prince, a horrible mistake, and a nearly impossible feat for Princess Lyra to perform if everything is to be put right. 

Don’t miss it, especially if you want to live happily ever after! 

(Synopsis)Act I, Scene 1
The neighboring kingdoms of Frohagord and Hauven are in crisis. Following a warning by his embittered cousin Drokan, Regent of Hauven, King Hjarne of Frohagord is convinced that his twelve sons are plotting to overthrow him. The twelve princes, oblivious to their father’s paranoia, play in the courtyard. The enraged King threatens his sons, telling his pregnant wife, Queen Gertrude, that she must provide him with a female heir, as “only she shall wear the crown”. Gertrude calms Hjarne and they sing of the Lilies of Frohagord, magical flowers that protect the kingdom. When Benjamin, the youngest prince, innocently plucks a lily from the garden, Hjarne flies into a mad rage and strikes Gertrude. Drokan, observing the encounter, admits his love for Gertrude and feels “the trembling of the earth.” 

The Twelve Brothers - first third of a banner illustration by (Phillis) Ming Hai

Act I, Scene 2
Eighteen years have passed and King Hjarne has died. At Hjarne’s funeral, Frederic, the young heir to the throne of Hauven, and Drokan, and the mourners tell of the mysterious disappearance of the King’s thirteen children and the shadows that haunt the kingdom. Queen Gertrude, now mortally ill, and her daughter, Princess Lyra, enter the Royal Chapel. Gertrude is repelled by the sight of Drokan, while Frederic is drawn to Lyra. Drokan plots to usurp the Kingdom of Frohagord and Frederic dreams of the day when Lyra will be his. 

Act I, Scene 3
Queen Gertrude is on her deathbed, attended by Princess Lyra. Lyra asks her mother why she was sent away from Frohagord when she was young. Gertrude instructs Lyra to open a secret drawer where Lyra finds twelve shirts embroidered with the red Lilies of Frohagord. Gertrude reveals that the shirts belong to Lyra’s twelve missing brothers, who were also sent away, taking Frohagord’s lily bulbs with them. Before dying, Gertrude begs Lyra to find her brothers and heal the family’s wounds. Lyra vows to find the twelve Princes. 

The Twelve Brothers - second third of a banner illustration by (Phillis) Ming Hai

Act II, Scene 1
Lyra wanders through an enchanted forest, coming upon a cottage with twelve lilies in bloom. She encounters Benjamin, whom she learns is the youngest of her brothers. In the distance the older brothers are heard as they return home from a hunt. Benjamin, who fears that his brothers will seek revenge against Lyra, hides her. After his brothers assure him that they will do no harm, Benjamin reveals Lyra, much to the joy of all. Preparing for a celebratory feast, Lyra cuts the red lilies, unintentionally casting a spell that transforms her brothers into ravens. She is devastated by her tragic mistake. 

Act II, Scene 2
Queen Gertrude appears as an apparition and tells Lyra that in order for her brothers to return to human form, she must remain mute for seven years. 

Act II, Scene 3
Almost seven years have passed, and Frederic’s search for Lyra is rewarded. A great wedding celebration is planned by the people of Hauven. Drokan jealously plots to destroy the couple and gain the throne of both kingdoms. Before the wedding is to take place, a violent storm threatens Hauven, sending Frederic and his men away to rescue their countrymen. 

The Twelve Brothers - last third of a banner illustration by (Phillis) Ming Hai

 Act II, Scene 4

In the courtyard of the castle of Hauven, Drokan accosts Lyra and demands that she marry him. When she refuses, he binds her to a bonfire. As Drokan lights it, Frederic and his men return, and the twelve ravens swoop down, forcing Drokan into the fire. Suddenly, the lilies burst into bloom, returning the brothers to human form. In the battle, Benjamin is mortally wounded, his body half human, half raven, as he vanquishes Drokan. Frederic rescues Lyra from the bonfire. As Benjamin is dying, he finds peace, and all sing of the restoration of hope.

You can read about the creation of the opera from a fairly extensive New York Times article HERE, and see how they adjusted the fairy tale story for the opera. While it seems the opera does stick quite close to the source material, there are some updates that creator Poul Ruder felt was needed for the work.

Here's a nice little visual insight from Director, Darko Tresnjak in discussing the set:

Costumes for The Thirteenth Child, showing the "red lily" motif

"What initially struck me about The Thirteenth Child is that every moment in the tight, suspenseful libretto is essential. We are plunged into the dizzying, fearsome story from the opening measure. What follows are seven swift scenes, each one set in a new location, each one introducing a new crisis. 

The set is based on a tower that Alexander Dodge, our set designer, saw as a child. There is a bird’s eye view of the tower, the sensationof staring down the stairwell. It made me think of Hitchcock’s Vertigo, especially the tower scene at the end and the famous dolly zoom effect. 

I think of this upended environment as the interior of King Hjarne’s addled, paranoid head. The nightmare into which he plunges his family and his kingdom. The set will give us the opportunity, through the use of projection mapping, to swiftly move from one location to another and to create moments of terror and of wonder."

The Twelve Brothers - full banner illustration by (Phillis) Ming Hai -  click to view full size

 Here are some musical excerpts from The Thirteenth Child, with subtitled libretto and some lovely drawings, to give you a taste:

There is a special Q&A event with the creative team happening next Friday, July 26th:

Santa Fe Opera Presents: Conversation with Creative Team of The Thirteenth Child

Conversation with Creative Team of The Thirteenth Child

Moderated by Cori Ellison, Santa Fe Opera Dramaturg

Time & Location: Jul 26, 6:00 PM

Collected Works Bookstore and Coffeehous,

202 Galisteo Street, Santa Fe, NM, USA

THE THIRTEENTH CHILD
Poul Ruders, composer
Becky and David Starobin, librettists
New Production. A World Premiere.
Co-commission and co-production with Odense Symphony Orchestra.
July 27, 31; August 9, 14, 21
Click HERE for tickets

ADDITIONAL ILLUSTRATIONS NOTE:

'Banner' illustrations throughout are from The Twelve Brothers by (Phyllis) Ming Hai. Please see her website and social media links below to view more of her lovely work.

WEBSITE: phyllisminghai.com 

TWITTER: @CloudieNine

INSTAGRAM: cloudienine

Reflection: Whatever Happened To That Enchanted Ball of Yarn?

Leimomi Oakes - textile and fashion historian and seamstress,
in a Ramie (nettle linen) smock she created, based on the story
of the Wild Swans and historical research.

Note: Our Fairy Tale Newshound was doing some research last month and wandered down a rabbit hole, only to find newish information that put a well-loved tale in a different light. Here are her musings on The Six Swans, weaving shirts out of nettles and that enchanted ball of yarn we lose track of after the beginning of the tale. We thought you might enjoy the thread...

Whatever happened to that ball of enchanted yarn?

Was it made of nettle-fibers, spun fine as royal linen*?

Was its thread then woven to silence your brothers?

Was it the example left for unraveling the curses' sting?

Was it all of these?

(Gypsy Thornton - March 2018)

*Nettles have a fiber which, when extracted can make something like linen, only much finer, called Ramie. It was one of the main sources of plant fiber in Europe for most of history. Many garments thought to be linen are now being discovered as made from nettles! Raime is specifically made from stinging nettles – urtica dioica - though there are many kinds of non-stinging nettles too, which could be used. The pain from the stinging nettles is clearly important to the story though, so urtica dioica is the plant it likely was. Interestingly, people who work with these fibers seem to often refer to them as 'silk'.

Nadezhda Illarionova

In the Six Swans a king secretly hides his children, six boys and a girl, from his new queen, and can only find them by unraveling and following, an enchanted ball of yarn.

I got to thinking: what if that yarn-of-secrets was more key to the story than we've thought before? What if the yarn betrayed the hiding place one day to the jealous (aka evil) queen? What if that yarn was made of the finest quality at the time, which we now know would likely have been by using nettle fibers, and inspired a cascade of tragic events?

The witch-daughter-queen makes more balls of enchanted nettle-yarn, which not only is bound to the family so the King can find his children, but she then weaves it into fine, royal-linen-quality shirts? Shirts that look like priceless gifts but are also designed to be binding, transforming traps? Being so enchanted and family-bound, the shirts bind themselves to the actual forms of the princes as they put them on, cruelly changing them to become silent swans**. The unspoken family secret, once revealed, bites them in the back and becomes their compulsive silence.

But enchantment likes to work in circles...

It may be that those magicked, fine-threaded, nettle-yarn balls also held the key to the princess finding her brothers again and unbinding them from their curse**.

Of course it would make sense that to create the reverse of this spell it would have to be done in silence! And it makes sense that the princess would have (be given/gifted/discover!) a prototype of nettle-yarn on hand so she would know when she had beaten and refined the fibers of that spell enough for it to work.

So she would know when it was time to weave the shirts.

So she could be certain her spell would work.

So she would be reunited with her family, again.

But there's one more relevant bit of history for this story, and it's related to the bittersweet ending where the youngest prince is left with one swan's wing. It's one of the reasons this story pulls at our heartstrings so very much.

Apparently, there was a revival - of sorts - in creating ramie during the 1980's, that is, linen made from nettle fibers. The linen created was finer yet more durable than hemp and creased more precisely too. One of the concerns that reportedly came up was that nettle fibers were often so long and fine that they could become nearly invisible (!º) and could easily catch alight if they came close to an open flame.

In The Six Swans (and related tales) the Princess, (Elisa in The Wild Swans^), is hurriedly working on finishing the shirts on her way to be burned at the stake for witchcraft. (Full circle indeed!) We read the story as that the shirt for the youngest prince was unfinished and only had one sleeve, but perhaps it was less straightforward than that. Perhaps it was hurriedly done so the fibers weren't woven so well together as they ought to have been. Perhaps the sleeve hadn't reversed the curse weaving quite enough and perhaps the fibers, loosely woven on that final portion, hadn't yet been transformed themselves from the fine weavings of the not-easily-visible, to the weft of obviously a finished fabric form, and so that sleeve caught alight as it neared the flames.The undoing of the spell vanished in a puff of smoke, and the consequences of those loose threads remained forever.

Anna & Elena Balbusso

** Side note: in medicine of 'yore' and now, nettles are used to treat joint pain - something I imagine would be extremely prevalent in transformation! Nettles are also used to treat hay fever, bleeding, eczema and alopecia - all symptoms easily connected to transformation.
º Invisible thread?? That sounds like the inspiration for another tale. Or inspiration for the tricksters of another tale at least.
^And The Shape of Water! Consider this an Easter Egg. ;)

Sources used: 

• Nettle-A-Long, harvesting stinging nettle yarn
• Textile materials from the Stone Age (lots of pics!)
• The Dreamstress: A Smock of Nettles
• The Original Folk and Fairy Tales of the Brothers Grimm - The Complete First Edition - Jacob & Wilhelm Grimm, Translated and edited by Jack Zipes/ Illustrated by Andrea Dezsö
• 5 Proven, Remarkable Stinging Nettle Benefits