Beauty and the Beast-The Corona Version, Rapunzel in the Kingdom of Corona & Other Fairy Tale Commentary On Surviving This Pandemic

So how are you all?

We will catch you up on our new year, new surgery, and new challenges (typing = headaches!!) another time but for now our focus, is just like yours: surviving this pandemic, and that's a complex thing.

There were pleas from authorities to not joke about Covid-19 on April Fool's Day two days ago, because there are too many people afraid, or sick, or fighting for their lives while others are risking their own lives (and their families) daily by being on the front lines to help combat this pandemic, and we agree.

We do think, however, that humor can help alleviate stress and this video walks the line between funny parody and sobering truth - hopefully it's a good combo for you. Just going to leave this here for you all to... enjoy? Cringe at? Sober-up over? Heh.. oh boy.

"I've yet to see a reckless fool quite like her,"

"Without a mask or gloves she goes?..." 

Why is this so difficult for folks to adjust to??

For the first time everyone around the world - all at once -  is having to think about everything they do, in every aspect of their lives (from the most basic "how do I get food?" to the more complex "how do I educate my kids?") and that's an overwhelming adjustment to make, especially as it's not something someone else can do for us. We're each having to do it, individually, for the most part, but that doesn't mean we're as alone as we may feel.

The Fairy Tale Profs at The Carterhaugh School of Folkore and the Fantastic, have - inspired by the iconic "maiden in a tower fairy tale" story - put together a list of resources, or, as they delightfully title it "Rapunzel's Toolkit, or How To Nuture Magic and Sanity in Your Own Tower".

It's varied, extensive and wonderfully tailored for fairy tale and folklore folks to be inspired by during our confinement. You can find that awesome list HERE or by clicking on the image below.

While we have you here - and thinking of people locked in places they don't want to be - we wanted to remind folks that we could all use a little more kindness and gentleness in dealing with our current "cellmates". Everyone is having some sort of issue with the restrictions. Perhaps most obviously, extroverts quickly got cabin fever in a just a couple of days and are finding each additional 24 hours more difficult (and depressing), but introverts too are struggling with having no place to escape their co-confined families for some sanity-reviving alone-time and are feeling suffocated. More importantly than either of these groups, though, are two others that desperately need our awareness, support and care:

1) those quarantined with people they don't get on with (relationship fallout is already happening across the globe)
2) women & children in abusive and violent homes (domestic violence is on the rise the world over)

We thought this might be a good image for a sober reminder:

And there are other "at risk for additional violence" groups too: the homeless, the elderly in nursing homes, displaced youth, those in "halfway houses", the incarcerated...

Compassion and kindness isn't just about all the various "Rapunzels" that we are, getting through this more humanely, and creatively, but it may, in fact, save lives in a different - but very important way - too.

Yeah - this subject gets heavy REAL fast!

By the way, anyone else begin picturing a whole lot of Rapunzel-type towers sprouting up through a kingdom, trying to figure out how to keep daily life and functions running while we're talking about this? Just us? :D That would make for an interesting and twisty, fairy tale challenge...

(Feel free to write that fairy tale and we'll publish it here!)

Let's finish with a little extra giggle bonus, because we can't help but feel that despite the incredible gravity of this situation, a roll of toilet paper will be the ultimate symbol for this era in world history...

PS: A PSA (because we cannot get complacent about this!)

  --WASH YOUR HANDS -- (at least 20 seconds - you should know how by now!)                           -- STAY AT HOME --  (ie. in a single place - no visiting people who don't sleep in the same place you do! Shop once a week OR LESS for necessities only.)

-- KEEP AT LEAST 6ft BETWEEN YOU AND OTHERS WHEN OUT --

(the length of a turkey vulture's wingspan!) 

A Personal Note from the OUABlog Fairy Tale News Room

Question: Is Once Upon A Blog still open for business then?

Answer: Yeeesss. Sort of. It's a qualified yes. We wish to be but computer work has become a very real physical challenge and posts are likely to be random, short and erratic. We wish we could do more right now but healing has to be our priority. We hope you understand and forgive the inconsistency. We were working with doctors on this before the world-wide emergency hit, so progress in this department is taking a backseat until our docs are available again. Keep up your "habit of Wonder", practice creative living, focus on healing (like Mother Nature is doing, despite all this!) and you'll see us in your orbit again very soon.

Gypsy & the Fairy Tale News Team

Stop-Motion Animation: A Creaky Artist's Studio and a Little Clay Girl "On the Other Side of the Woods"

A small clay girl is lost in a creaky artist's studio, meets a wolf... and it's exactly as "fairy tale" as it sounds.

Gypsy shared this on Twitter the other day and we realized we had never posted it on OUABlog, which we should have. It's possibly our favorite stop-motion animated fairy tale short film.

"On the Other Side of the Woods" is "a beautifully realized stop-motion fairy tale about a small clay girl lost in a creaky painter’s studio."* It's a tale of art retelling a folktale, using the fourth-wall of an artist's space, commenting on itself & its story. Created, shot and directed by Estonian director Anu-Laura Tuttelberg (with animator Olga Bulgakova), it's the sort of film that stays with you and continues to delight, long after seeing it. It's not only beautifully done but it comments so well on the art of storytelling, on fairy tales, and on those who tell them & the resulting new tale variations.

It's short, sweet and beautifully shot.

Take a look:

One of the beautiful things about this film is that the deceptively simple presentation gives the viewer lots of room to consider different things it could be commenting on: the confusion, naïveté, and vulnerability of childhood; the artist's process and the life the creation has separate from its maker; the monsters of wolves and also of time; the nostalgia and inevitable passing of childhood; seeing our stories in our creations; the wilds of the creative process and the struggle to make a work that survives it; the contrast versus the interconnectedness of fantasy and reality; the different paths retelling an old tale can take...

“I didn't want to separate the two worlds,” says Tuttleberg, “but to make them fit together instead. I wanted to unify them all into one world and atmosphere. The black and white photography is very graphic and I like that kind of character of a visual, plus I started my studies in art with photography, with black and white analog photography and I find it beautiful and intriguing.” (source)

The description - and appreciation - below of the film, while focusing on the materials used, shows yet another aspect of this lovely film. This is from the Dragonframe website (Dragonframe is the industry-standard software used for stop-motion film):

Directed by Anu-Laura Tuttleberg, “On the Other Side of the Woods” is the story of a little girl made of clay who awakens and brings everything she touches to life. The films aesthetic is special because of its unique use of materials for its sets and puppets. The textures are extremely satisfying to watch. Wet clay becomes hardened, pools of water evaporate and replenish, and light slides across every scene . Shot using only natural lighting, both time and the animators touch are very present throughout the piece. “On the Other Side of the Woods” is a great example of what is so special about stop motion. It is a true labor of love and an enchanting and thoughtful film.

We love how the materials for each set and character are very specific and form part of the commentary on, not just the characters but the story itself, as well as being a commentary on the artistic process. Director Anu-Laura Tuttelberg writes:

"“Teisel pool metsa” / On the Other Side of the Woods is a poetic fairytale shot in an old house in the centre of my hometown Tallinn. The atelier where the story takes place used to be the working space for a famous Estonian painter Ants Laikmaa and is now giving inspiration for my works. The film studies different materials for puppet making and sets using such contrasting materials as wood and clay to bring out the differences in the film characters.  

The materials for puppets were chosen to express their characteristics. The girl for example is made of moist clay to express her dynamic and free personality. She is always flowing along with any event that she comes across in life. I used real clay for making her, and asked the animator to move the surface of her body in every frame so that it is visible that she is made of soft wet clay. The technique was quite time consuming as the clay deforms easily while animating and I had to make a new puppet for each shot.

The film is shot with natural light which makes the viewer aware of the stop motion technique and also shows the passing of time in the film."

If you think about the character of Little Red Riding Hood as you read the above description. doesn't it feel like subtext for this classic fairy tale character?

There's so much contained in this little gem!

And now, ever since seeing this film, we fully expect to stumble across other little characters living out their artistically-fairy tale lives in other busy ateliers, don't you?

* Quoted from a review by This Is Colossal
- Additional source: Anu-Laura Tuttleberg portfolio -https://anulaura.com/on-the-others-side-of-the-woods/