Article: 'Fairy Tales for Resistance #RRR' by Gypsy Thornton

"We are all Red" (unofficial title) by Cuban artist ARES

Our Fairy Tale News Hound has a special article up on Enchanted Conversation today. It's all about the importance of fairy tales when it comes to resistance.

Here's the opening paragraph:

In fairy tales, wolves show their insides are the same as their outsides (despite their silver tongues), beanstalks prove to their climbers that greed is the true giant (though other big troubles may appear on the way) and flowers speak up to protest their plucking (even as they sink in their thorns). When impossible things happen, you begin to question reality. It's one of the reasons fairy tales are so very needed. Sometimes that Wonder, that impossibility, is the very thing that wakes us up and invites us to challenge the norm.

You can keep reading at Enchanted Conversation HERE.

We hope you will be inspired to keep use, telling and retelling fairy tales, and find solidarity with many others as you do. The hashtag/label, #RRR, that we're using on our Once Upon A Blog website, is searchable and by clicking it, you can find lots of inspiring reading, viewing and more. New posts are being tagged regularly and the recommendations are growing all the time.

While you're over at Enchanted Conversation, don't forget that:

• You can sign up for the Fairy Tale Round Up Newsletter (which OUABlog and Timeless Tales contribute to). The first newsletter went out some time ago and the next will very shortly (within the week). You can find the sign-up in the side bar HERE or learn more about it before signing up HERE.

• Enchanted Conversation is about to release their Donkeyskin issue, and Kate Wolford has just announced the writers for it HERE. The recent Diamonds and Toads issue was superb and we're really looking forward to this one too.

Article Series: Why Do Theaters Tend To Dumb Down Fairy Tales?

Julie Taymor's The Magic Flute

Why DO theaters tend to go 'kiddie' in adapting fairy tales? Why the insistence on political correctness and happy endings for every one? Even the bad guys?

Matthew Bourne's Sleeping Beauty

Fairy tale friend Cindy Marie Jenkins, who writes for The Clyde Fitch Report ("the nexus of Art and Politics"), is currently doing an in depth article series, posted monthly, over the period of a year, investigating and discussing how we can make better, smarter theater for young audiences, or, as a theatrical colleague said: "We want to do children's theater that doesn't suck!"

Theater Rudolstadt's Pinocchio

In her introductory article, Cindy mentions:

Since the only “kids” show I remember seeing as a child was A.R.T.’s production of The King Stag, with puppets by Julie Taymor, it’s hard for me to stomach anything that dumbs down story for children. They are much more intelligent than most TYA (Theater for Young Audiences) gives them credit for being.

BalletLORENT's Rapunzel

We agree. Kids theater in general tends toward 'safe', but fairy tale theater tends to take that to the extreme, crossing the line from 'safe' into downright saccharine. But why? It certainly doesn't need to. Why is this the trend? What is it about children's theater, and even more so, fairy tales, that causes productions to develop in this direction?

Imago Theater's La Belle: Lost in the World of the Automaton (Beauty & the Beast)

Our Fairy Tale News Hound originally came from a working theater background of many years and has quite a few thoughts on the subject. Fortuitously, she was asked to be interviewed to discuss the issues with adapting fairy tales in particular, and with the introduction up and the investigation well underway, we thought it was high time to share so you can follow along if you're interested too.

You can find the introduction, 

Why Do Theaters Dumb Down TYA?

HERE.

The second installment, which our Fairy Tale News Hound had the opportunity to chime in on, along with Debbie Devine, the director of 24th Street's recommended production Hansel and Gretel: Bluegrass, is titled:

Why TYA Should Join the Dark Side (of Fairy Tales)

which you can find HERE.

To bookmark the series you can click on the screenshot image above, or go HERE, searching with the tag Talking TYA.

Note: All images shown here are from recommended productions, that is, "not sucky" fairy tale theater, to which you can take confidently take young folk to enjoy and experience quality shows and performances.

24th Street Theater's Hansel and Gretel: Bluegrass

'Beauty and the Beast' 2017: MORE 'Best Thought Provoking Articles' About the Movie on the Internet (Pt II)

This is likely the last post focused on Disney's current billion dollar (!) hit, the live action Beauty and the Beast. These are the remainder of the articles and summaries not included in the first list (you can find Pt I HERE), as well as a few new ones that have been written since then. The focus is a little different too. We dig into history as well as looks at parallels with the present day political and social climate, and look at the timelessness of the tale and the resonant issues that have been implied in every version (along with why they're still relevant).

From "5 Bo-Po, Feminist Things We'd Like to See in Beauty and the Beast"
(article written before movie release by social justice advocate,
who promotes awareness & education on issues of
mental health, and on violence against women)

We really like how many of these articles are using the opportunity to expand on the most-tired-&-talked about subjects - it makes for a nice brain stretch and something fresh to discuss!

We've included the link, the origin (either online magazine/newspaper, website or blog & writer), and a brief summary and/or excerpt to give you a taste of why we think it's worth a look.

Enjoy!

Note: All art images (bar the cartoon at right & a couple of instagram captures below) are from the Gallery Nucleus Show "BE OUR GUEST: AN ART TRIBUTE TO DISNEY'S BEAUTY AND THE BEAST" (of which we shared  preview HERE), showing from March 11, 2017 - April 2, 2017. 

You can see the rest of the art at Gallery Nucleus HERE.

INTO THE FOREST
Ha Gyung Lee

SMACKDOWN: Jordan Peale’s GET OUT vs. Disney’s BEAUTY AND THE BEAST - Maria Tatar's blog Breezes From Wonderland

"It’s rare to have a moment when two high-wattage cultural events collide to bring back a story–in this case Beauty and the Beast. One of those blockbuster films, Disney’s live-action version of that story, “smashed records,”...
Then there was Jordan Peele’s Get Out, a Beauty and the Beast story that pulls out all the stops and gives us what horror movies do best, exaggerating and amplifying our cultural anxieties, and putting what Frank Bruni of the NYT called a “fantastical, grotesque spin” on things. Get Out (budget of $4.5 million) as a Beauty and the Beast story? Yes, it’s that and Bluebeard too. Only in this case, the monster is Rose..."

BEAUTY IN THE FOREST
Justin Gerard

'Beauty and the Beast' Comes From a Long Line of Stories About Women Hooking Up With Animals - Jezebel
"...the confluence of modern fan culture and the big business of viral content have conspired to cram every possible remix of the Disney princesses onto your newsfeed. Every new blockbuster and every new article picturing Ariel, Belle, and Aurora as hipsters or breastfeeding moms or activists binds the fairy tale even tighter to Disney, obscuring the source material that little bit more. It behooves us to pause and look at one particular tale’s long history of retellings and consider what we lose by letting Disney dominate.
... The tale we know today is likely descended from the story of Cupid and Psyche. 
The tale is part of a broader, deeper tradition of stories about women and men disguised as beasts..."

GASTON AND LEFOU'S ARRIVAL (FRAMED)
Beauty and the Beast (2017)

Belle’s costumes don’t fit the live-action Beauty and the Beast, but they fit her brand - vox.com
"Belle is the jewel in Disney's crown, and her success is so important that not even the costume design around her is going to stand in her way, even if it doesn’t make sense for the setting or the character. Belle's iconic costumes — in particular her simple blue day dress and her voluminous golden ballgown — are great for the brand; they’re more awkward for the story.

But Belle doesn't look the part, and she was arguably never really meant to. She was designed top-down as a princess, dressed as a brand rather than a character — which makes her a living glimpse into Disney's nostalgia machine.

It's possible (costume designer Jaqueline) Durran has been clear about where credit's due because the dress disappoints on film; it's more an Emma Watson dress than a Disney wonder. ...The major thing this gown tells us about Belle is that Emma Watson plays her."

TALE AS OLD AS TIME
Cécile Carre

Beauty and the Bestiality - The New Yorker
Not as lewd a discussion as you might be led to believe from the sensational-making headline. It largely talks about the issues of falling in love with one form (the beast) that is then transformed into something else entirely (a man). It centers on the differences between Cocteau's underlying themes and commentary (including the "give me back my beast!" finish), versus Disney's, and also discusses Maria Tartar's new book on Beauty and the Beast, along with a number of 'beastly-bride' fairy tales - most of which regular fairy tale readers will be familiar with, even if they're not well known otherwise. We like that they finish with The Crane Wife.

"In Anthony Lane’s review of “Beauty and the Beast” for the magazine, he noted the glint and tug of sex in Jean Cocteau’s 1946 “La Belle et la Bête,” in which the Beast, after becoming a man again, says to Belle, “It’s as though you missed my ugliness.” Lane writes, “The lady preferred the animal. Such thoughts are out of bounds, needless to say, in the Disney garden.” And still, at the end of the remake, as Belle is dancing with her prince, who wears powder-blue pants and a hair ribbon, she asks him, flirtatiously, if he’d consider growing a beard. He looks back at her knowingly, and gives a short, beastly roar.
The “Beauty and the Beast” story may originally have held appeal because of its relatability. “Many an arranged marriage must have felt like being tethered to a monster,” Tatar writes. 
The animating question behind these tales of beastly alliances, however, remains: Which desires are quashed, and which are awakened? What is the heroine robbed of, and what is she given—both in the manner in which her story is told and within the story itself?"

SOMETHING THERE
Heather Theurer

Would The ‘Beauty and the Beast’ Characters Have Died In The French Revolution? - uproxx
This is both a fun article and good food for thought, focusing on the faux-period the movie is sort of set in. The writer is fully aware of both how absurd this 'fictional investigating' is, as well as bringing up some great points about what war Gaston and LeFou have returned from, general forms of dying at the time (which, has become a more common question with both Belle's mother and the Prince's mother given 'death' stories in the new film), The Sun King and where he might fit into the aristocratic picture, as well as whether or not Belle and the Beast would have survived the French Revolution or not.

REMEMBER ME
Jonathan Lau

The Fairy Tale That Won't Die: Beauty and the Beast - Disney Revives the Fantasy of Captivity and Monsters for Young Girls - bitchmedia.org
Written by someone who isn't a fan of the Disney princess machine, this article comments on the current political climate and parallels between it and the French aristocracy of the 1700's. Not as balanced in its argument as it could have been, this nevertheless highlights some different issues some people see as problematic in the film.

PURSUIT
Sophie Li

Beauty and the Beast: feminist or fraud? - The Guardian
Looking at the film with a critical eye - how feminist is this really? - the article delves into a few different areas, prodding at whether the 'feminist updates' are on point or if they're really just ineffective tokens. 1) incomplete subversion of the genre, 2) glorification of male domination, 3) surrendered filial relationship, 4) the great lacuna where Belle's character should be and 5) Palpable fear of ugliness. We would have liked this article better if they had paid better attention in the remake as some of the protests (eg make Belle's father less useless) were actually addressed, and addressed well, but it does bring up some excellent points we haven't seen discussed elsewhere.

'TIL CHAPTER THREE...
Phillip Light

*How feminist was Disney's original Beauty and the Beast? A critique with hindsight. - Glosswitch at NewStatesman

This article is one of our favorites. It outlines what feminism really is and how the contemporary view/idea of feminism is actually working against the principle - many examples of which can be seen in the new Beauty and the Beast if you look closer than the surface.

TIME TO GROW
Amei Zhao

The Beauty of Jean Cocteau’s ‘La Belle et la Bête’  - FilmSchoolRejects
"Forget Disney’s recent reiteration of the classic fairy tale and instead look back at where the tale’s magic began on film, with Jean Cocteau." This essentially explains why Disney's classic BatB as well as the new one still don't eclipse Cocteau's film - and why people will continue to return to it. Comparisons to the 2017 film are used but not dwelt on, for good reason, as you will read in the article.

FELT PRESENCE
Eliza Ivanova

'Beauty And The Beast' Follows A Tradition Of Animal-Human Love Stories - NPR with Maria Tatar (audio)
Transcript included. "TATAR: One reason that we relate to this story, we love it so much, we embrace it as our cultural story is that it tells us about the other - about the other who can seem beastly and terrible. And it proposes that we make a move in the direction of empathy and understanding, rather than revulsion and horror and fear."

BELLE VISITS THE WEST WING (FRAMED)
Beauty and the Beast (2017)

'Beauty and the Beast'-Lord Voldemort Mash-up - PistolShrimp comic video. It's said that "Harry Potter fans are guaranteed to hate this", but we disagree. We think, although done for comic effect, it perfectly illustrates some of the issues people are concerned about. And it's funny.

ENCHANTED WINTER
Alina Chau

Why Belle Should Have Chosen Gaston - Observer.com - Belle will definitely have been sent to the guillotine with the beast.

This article comes to a different conclusion about Belle and the Beast during the French Revolution - with good reason. Broken down into easy-to-digest Power Point presentation pages, this one is being circulated by well known scholars. Both hilarious and excellent, it attempts to get the facts straight (and extrapolate about likely story development 'after the movie' for various characters) about the time period, including what choosing the Beast over Gaston would have resulted in. Reading this made us not want Belle to choose Gaston, but find some other way to be truly feminist and make her own destiny, rather than getting embroiled in the likely futures of either Gaston or the Beast as the story currently stands. (Note; we're not saying she couldn't have ended up with the Beast - just that more change is needed there if she/they are to survive the inevitable future of the Revolution.)

A PECULIAR GIRL
Grace Kum

Gaston Arrogant Villain or Misunderstood Hero? -  Gradient.is
A roundtable with men arguing both sides, which although done in humor and a little parody here and there, hits close to home for today's males.

MORNING LIGHT IN THE PALACE (FRAMED)
Beauty and the Beast (2017)

"Beauty and the Beast" is a pretty film disguising the ugly beast of misogyny - qz.com
"Stop calling this a feminist movie." Worth reading for a discussion of what can be called 'half-hearted feminism' in society today, including Hollywoods's current efforts in filmmaking, casting and storytelling, and the disquieting image of Ivanka Trump's supposed feminism as she works in her father's White House/office.

DANCE
Alina Chau

Indian Artisans behind 'Beauty and the Beast' dress revealed - by Manveena Suri, CNN Threadwork of Belle costume has roots in Gujarat. The unreported stories of the Indian influence on designing Belle's wardrobe, as well as a look at the process it took to create an ethical and eco-friendly, sustainable costume. That the workers themselves haven't been reported and credited except by local press is ironic - though this isn't commented on with regard to the messages of the movie. There's an unwritten story in Belle's costumes waiting to be told... this article doesn't delve into that side, but it does raise awareness of some of the "little people" (as Belle would call them) who were involved in the film.

               

Why Is Belle Indecent? - DocInBoots
The animated film was not, needless to say, historically accurate and there’s no reason for the (current) film to be so. However, the film does reproduce the intricacies of eighteenth century fashion, so Belle’s fashion choices do strike me as overtly anachronistic. No wonder the villagers thought she was odd!
... One of the things that struck me in the (2017) film was that Belle was often running about with her underwear showing! How embarrassing! This was, of course, an effort to create a more ‘feminist’ wardrobe for the active heroine, but for a viewer familiar with fashion history, it could be perplexing. There were a flurry of articles about Emma Watson not wearing a corset, ascribing this to her desire for Belle to be unimpeded and active. However, corsets of the time were designed to support women’s activity and… basically… to support their bosoms! There were no bras. Corsets helped prevent painful bouncing situations.

SOME LIGHT READING
Katie Huon

Getting Gaston Right - DocInBoots
Gaston's popularity isn't something we realized until we saw the lines to meet the character at Disneyland. What is it about such an obviously-despicable character that has women (for the most part) dreaming about him? (And what does this say about women today?)

"It’s difficult to pin down why Gaston is such an attractive figure, despite being completely awful, malicious, and terrifying. I remember speaking to one actor who had played Gaston and he professed to being very confused about the women who gathered at the stage door to see him! Yet, there it is. "

WHAT A GUY, THAT GASTON
Julieta Colas

Beauty and the Beast Time Loop Theory - from Reddit, one for the fans.
Perhaps the village is stuck in their own mid-18th century Groundhog Day... The theory neatly ties up  few odd issues, even while it brings other questions to the fore.

ENCHANTED
Janice Chu

Let's talk about the weird psychosexual energy in Beauty and the Beast - TheWeek

"...the original (Disney movie) was built around distortions of masculinity that are tough to replicate live — from a rakish talking candelabra to a literal sexy beast to a man who ate 48 eggs every morning to help him get large. It takes secondary sex characteristics to a truly troubling extreme, sexualizing feather dusters and repeatedly showcasing the contrast between tiny-waisted Belle and her giant-biceped muscle-suitors. It asks you to regard inter-species love as redemptive while begging you not to think too hard about it, and tricks you into kind of hating that redemption when the poor castle servants recover their former shapes. (I'm sorry, but human Mrs. Potts isn't half as charming without her teapot face...)

But by acknowledging the stranger aspects of the original, Bill Condon's live-action adaptation is an appropriately uncomfortable delight. "

HER JOURNEY
Milsae Kim

Belle's Tax-Funded Fairy Tale Life - FEE Foundations of Economic Education
Another great article looking at practicalities of the setting. Turns out the "little people" in Belle's town are anything but rustic, backward and ignorant. They're actually very successful business folks and specialists in their thriving trades (so much commerce and produce for one little town!) The 'boujee' castle (ie. elite) and court of the Prince/Beast is contrasted with the town and one begins to wonder if the town wasn't better off with a Beast instead of a Prince. But Belle's aptitude for invention may be the way forward... A well researched and entertaining read.

WOLVES IN WINTER
Sara Kipin

In Fairy Tales, Less Is More - The Straits Times Culture Vulture Column
The problem of getting too specific in a classic tale is both the number of details required for it to make sense (and the inevitable issues that don't) but even worse is that the sense of adaptable magic - magic that has its own form for anyone who hears or reads the tale - is in danger of being lost because of the specificity. The magic of the story, and therefore its resonance, is no longer as accessible to as wide an audience.

"Spelling things out for the audience can cause stories to lose their magic.

Not too long ago, I revisited an illustrated book of fairy tales I used to love reading when I was a kid. Leafing through its dog-eared pages, I was struck by how sparse, nondescript, the illustrations were compared to how I'd remembered them.
A sketchy rendering of anything - a rose, a water pump, a library - can expand into something larger than life if it captures a child's imagination.
But do films with such high-definition and sweeping cinematography give children the same scope for imagination that more "primitive" mediums such as books, cartoons or even older films used to offer?"

PROVINCIAL TOWN
Celine Kim

The Feminist Message of the New Beauty and the Beast Has Always Been Part of the Story - Time.com
“... ever since its first publication in 1740, the story has had another, perhaps even deeper takeaway: the importance of a woman's right to choose her own husband.

"... It’s a story written and published by a woman, with a strong female character at its lead, who is very reflective and intelligent and she makes her own choices, which is not something you saw in French literature or in French society at the time,” says Paul Young, associate French professor at Georgetown, who teaches a course on 17th and 18th century French literature."

SOIS NOTRE INVITÉ
Tiffany Le

What 'Beauty And The Beast' Teaches Us About Girls' Education - MoviePilot

"... having the release of Beauty and the Beast at this particular point in history brings the focus back onto the subject, particularly at a time where there are calls to make mainstream feminism more intersectional and address issues that women in minority groups face. It infers to us, the audience, that the disapproving glances Belle receives on her daily trips to the library can manifest in far more aggressive ways for many girls across the world who don't have access to primary or secondary education. This could be through violence or an arranged marriage. But, this can be changed if they are sent to school, and consequently given the opportunity to decide what they want to do with their own future."

THE BEAST
Grace Kum

Found an article worth sharing that we missed? Let us know - either by mail or in the comments - and we'll update this post, with thanks and finders-credit to you. :)

Article: Remembering Joseph Jacobs 100 Years On

If you don't know who Joseph Jacobs is and love fairy tales, you owe it to yourself to find out.

Herbert Cole
Fairy Gold: A Book of Old English Fairy Tales

There's a short article HERE which gives you the highlights about the Australian born, Jewish folklorist, in love with English fairy tales.

Here's an excerpt:

...the stories this Jewish man collected and popularized bear such familiar names as “Jack and the Beanstalk,” “The Three Little Pigs,” “Lazy Jack,” “The Three Sillies” and “Tom Thumb”—every one of them a classic English fairy tale. 

John Batten - More English Fairy Tales

... throughout his life, it was the English “fairy tale” that was his core interest. All the collections compiled by Jacobs were accompanied by detailed notes on the origin and meaning of the stories, and it is in those notes and observations that one gains insights into the creative process that made these stories memorable. First, Jacobs points out the obvious: few of the stories in the collections involve fairies. Rather, Jacobs chose that term to include all stories in which “something extraordinary… [occurs].” It will typically involve giants, dwarfs, fairies and talking animals. It will also include, in Jacobs’ words, “tales in which what is extraordinary is the stupidity of some of the actors.” For Jacobs to include a story in his collection it had to combine a sense of humor and dramatic power.

You can read the whole article HERE.

[Joseph Jacobs was born in Sydney, Australia, August 29, 1854. He died January 30th, 1916 in Yonkers, New York, USA.]

John Batten - More English Fairy Tales

Article: Seanan McGuire on Fairy Tales and Poetry: Pamela Dean's Tam Lin

On tor.com this week, writer of fairy tales and and folklore based novels (among other fun books), got wonderfully nostalgic about Pamela Dean's treatment of another favorite fairy tale of ours, Tam Lin. There's quite a group of people who were greatly impacted by this book, both for the fairy tale themes and the style of writing, not to mention the poetry.

Here's an excerpt:

I liked fairy tales. I liked folk music. When I found a book in a line of books about fairy tales, with a title taken from a ballad, I figured it would be good for a few hours. 

I didn’t expect it to change my life. 

Tam Lin, by Pamela Dean, is one of those books that defies description in the best way, because it both is and is not a fantasy. For most of the book, it’s the story of a girl named Janet starting her college life, with all the changes and chaos that entails. She sees weird things on campus. Okay. Everyone sees weird things on campus. I was already taking classes at the community college across the street from my high school, and I’d seen a man with six squirrels on a leash, a woman attending all her classes in a ball gown, and a person we all called “Troll” whose wardrobe consisted mostly of chain mail and rabbit skins. College campuses are alive with weird things. 

Only her weird things are very real, and eventually they make it clear that the book is a fantasy, and more, that Janet is in some pretty deep sh*t. 

...Tam Lin is a book about choices and consequences, friendships and relationships, and the way our adult selves are built on the bones of the children we once were. It’s also about poetry. If Pamela Dean had never written another word, she would still deserve to be remembered as one of the greats, for this book alone. 

Read it.

You can read the whole article HERE.

Article: A Fish is a Wish Your Heart Makes - The 2,200-year-old Tale of the Chinese Cinderella (& the Ye Xian Illustrations of Stephanie Pui Mun Law)

Yexian of the Chinese Cinderella story, and the magic fish that grants her wishes.

Catchy title, don't you think?

And before you go much further I wanted to point out this lovely series of paintings by Stephanie Pui Mun Law for the fairy tale Ye Xian. I really like the incorporation of the fish into the different paintings. You can find her gallery and much more of her work (many more fairy tales) HERE.

Back to the article: I just thought this was a nicely succinct and personable piece, that's worth a read and might be good to keep on hand for reference. It has a nice summary of ancient Cinderella stories most people outside fairy tale folk wouldn't be aware of, and may be useful if you want to reference the history of Cinderella stories, particularly Ye Xian or Yeh Shen.

Yexian of the Chinese Cinderella story. - Burdens to Bear

Here are some excerpts from the article at AncientOrigins:

Before there was Cinderella, there was Ye Xian. Undeniably one of the most well-read fairy tales, Cinderella describes the life of a young woman forced into servitude by her stepmother until she is freed by her fairy godmother and a charming prince. 

Meet the Cinderellas: Ye Xian, Zezolla, and Cendrillon 

Considered to have been first dictated in the 17th century by Italian writer Giambattista Basile, and later streamlined in the 18th century by the renowned Frenchman Charles Perrault, the version of Cinderella that most have read is, in truth, a later telling of a much older story.  

Before both of these men told of Zezolla and Cendrillon, there was Ye Xian, the tale of a young Chinese girl living sometime between the Qin and Han Dynasties of China (221-206 BC and 206 -220 AD, respectively). 

It goes on to talk about the details of Ye Xian but the bit I like the most is the part about her fishy-friend:

Yexian of the Chinese Cinderella story, in her kingfisher finery

Ye Xian's Magical Protector 

Ye Xian's only relief comes from her acquaintance with a very large and very chatty fish living in the river near Ye Xian's home. The fish, as it turns out, is a guardian sent from the sky by her ever-present mother, and helps Ye Xian through her dark home life. That is, until Jun-li catches Ye Xian with the fish and Ye Xian's stepmother stabs it with a dagger for her and Jun-li's dinner. 

However, just as the fairy godmother of the better known maiden Cinderella has extraordinary magic, so does the Ye Xian's fishy friend. Its role in Ye Xian's future does not end with this mishap. 

Following the murder of her only friend, Ye Xian is visited by the spirit of an old ancestor who informs her that while the shell of her friend might be gone, its spirit is still alive. Through the burial of the fish bones in the four corners of her bedroom, Ye Xian can still harness the power of her spirit guide as one would a genie—whatever Ye Xian wishes for will come true.

Fish are fascinating creatures in fairy tales. One of the weirdly wonderful things about them is how they often continue to have magical properties/provide protection/send messages etc beyond their death... I'll have to hunt for a book on the subject (there must be one somewhere, or at least a paper).

In the meantime you can read the whole article HERE.

Yexian of the Chinese Cinderella story, in her kingfisher finery on festival night.

Article: "Fairy Tale Fathers" by Kristina Wojtaszek

Fairy tale fathers: they tend to be absent, passive, possessive, abusive, foolish or "shadows" (weak). 

But there are a few who are, perhaps, underrated with the circumstances they have to deal with and who do, ultimately, seem to care about their children (Note: the further across the globe you range, the easier it is to find decent father figures in fairy tales but the better known European fairy tales in particular, prove a tough bunch when attempting to find a decent guy!)

Author and blogger, Kristina Wojtaszek of Twice Upon A Time, posted a wonderful tribute to fathers of all kinds everywhere in her blog last year and, being Father's Day today I wanted to point you back to it. She begins:

If you want to really appreciate the father figures in your life, try reading a few fairy tales.  Fairy tales bring out the best, and worst, in every character, but the dads in fairy tales are often excessively dull, single minded, and even downright negligent.  Who can blame the stepmother for donning the pointed hat and hopping on her ill-used broom?  After all, somebody’s got to bring the plot home! 

But there are exceptions.  There are fathers who are worse than evil, like the ones who try to replace their lost wives with their own daughters (who ought to be reigning from asylums, rather than castles) or those daddy Darwin’s who cunningly pit their sons against each other in cruel, and often deadly, competitions for the throne.  But there are fairy tale fathers who’ve risen from the mire and even earned bit of our respect.  Here are three such prime padres:

Go HERE to find out whom Kristina is giving kudos to and why. 

It's lovely and heartfelt and makes you think a little harder about those fathers in fairy tales who had a lot more on their plate than average and yet still did their best to look after their families.

(from) The Frog King by Walter Crane

I would add one note: the tale of The Frog King or Iron Henry (ie The Frog Prince). This is the father of a teenager (most likely), sitting with his daughter at the dinner table and having a conversation and, with no mother in sight, there's a good chance he's a single dad too. Commendably, he insists she be careful of her word and keep her promises, even to a lowly frog (it is assumed, he has NO idea that chances of a naked prince appearing in her bedroom, were on the high side). Although I don't like how spoiled this princess appears to be in this story to start with*, I'm always on the side of this particular King who is trying to get his daughter to behave as a princess should. Plus, how can you not like a King who insists a frog be given a decent meal and cared for as promised?

If you have any to add to the list, feel free to share in the comments. 

And Happy Father's Day to all the father figures of all kinds who, in the words of Ms. Wojtaszek:

"... (have) contributed to the well being of children everywhere; children who would surely have floundered without a father’s care to light the dark and winding forests of their futures."

What she said. (Thank you Kristina!)