Breaking News: A First (Real) Look at Disney's New Belle and the Beast

Looks like we're boarding the ramp-up to the release! The first real picture of  the live action Beast is out, via Stitch Kingdom, as is a look at Belle in her provincial dress (see below) and her ball gown.

Note: at the time of this posting - about 12 hours after the release (leak?) Stitch Kingdom does not seem to be hosting hi-res versions as originally indicated. We can't find any official notice to back up that these were officially released as the post said so we apologize that no more info is currently available. Once on the internet, though, forever out there...

Reactions are, to say the least, mixed. Generally people love Belle's common garb but her ball look is less liked across the board. As for the Beast, a lot of people are having issues with the Legend-ish nature (think Tim Curry) of those horns.

Either way, it's a solid indication of what the film will look like, but when things move, they do look very different and we've been promised some altering of the story to fit the live action (real people) medium, as opposed to animation. In animation you can get away with a lot more but when things are represented live, sometimes things can hit a little close to home.

We will admit we do like the costuming though - both for the Beast and Belle as shown in these two pics.

So what do you think? Still excited?

Disney's "Lion King" Next To Go To Live Action

Why are we posting about Disney's announcement of this on a fairy tale news site? Despite it's story roots being widely acknowledged as Hamlet, Disney's The Lion King was received as a fable in the general public, and one people responded to - personally and with their wallets. (Until Frozen, The Lion King held the title of biggest money spinner for the Mouse House in history.) While fable and folklore are obviously fairy tale related, there is a more compelling reason that this interests us.

Since the Broadway re-imagining by the amazing Julie Taymor, with actors and dancers playing the parts of animals as if they were coming alive from ancient stories, the folktale representation and resonances of this story got stronger. A lot of this was aided by the representation of the characters, both in their designs, the integration of puppetry and tribal designs, but also, very importantly, the live storytelling aspect that captured audiences everywhere, instilling a love of theater and story exploration in a way the Broadway hadn't seen for a long time.


While the film has always been a family favorite, it's the stage version and blending of human and animal (along with storytelling and song) that has inspired a generation to further explore story telling, folktales, folklore, fables and representation of "world peoples" in Western pop culture. While we've met many people who loved the film, for the majority it's their experience of the Broadway play that changed their world view and inspired them in different creative fields.

The clear success - even by Executive standards - of Favreau's approach to a live action re-imagining of The Jungle Book for Disney, has inspired confidence that the company can repeat, and hopefully eclipse, that success with one of it's hottest animal properties, The Lion King.

Here's the announcement:

We can officially confirm that The Walt Disney Studios and director Jon Favreau are putting a new reimagining of The Lion King on the fast track to production. The project follows the technologically groundbreaking smash hit The Jungle Book, directed by Favreau, which debuted in April and has earned $965.8 million worldwide. 

...Like Beauty and the Beast, The Lion King will include songs from the animated film. Disney and Favreau are also in development on a sequel to The Jungle Book. No release date has been announced for either film. (Source)

With the word "reimagining" (a hot word in the media right now, if you hadn't noticed) being key to this announcement, you can be sure fable, folklore and fairy tale folk will be watching how this is done, and how it's received by the public. Will they have singing animals, similar to The Jungle Book approach? Or shall we be treated to a new blending of human and animal which has more in common with the play? While the likelihood is that they will follow the successful formula of The Jungle Book, storytellers around the world should be watching too, as rumors of using a(nother) 'unique approach' to the narrative are strongly hinted as, as well.

While this fan trailer HERE does a good job of recreating key animated scenes in live action, (with generous use of the Aslan animation from Disney's production  of The Lion, the Witch and the Wardrobe), we can expect something very different.

It's a risky step, with such a unique and beloved stage play, already so different from the animated film. It's hard to imagine that a way of telling the story so very differently from the film, as was used on Broadway, will evolve. Disney has a long history of live action films and talking animals and without the use of unique media to change the delivery method from storyteller to audience (such as live puppetry that immerses the audience and involves them in the story), it's easiest to imagine this just use similar techniques to The Jungle Book, minus humans this time, and rely on the audience wanting more.

But you never know. We've been happily surprised once - thrilled even - by how this story evolved when it moved to stage and live action is a different medium to animation, so perhaps we'll be pleasantly surprised again.

ALERT: Tomorrow we'll be posting as complete a list of fairy tale and fantasy movies in the works by Disney, both in live action and animation. Although it won't be a complete list of everything in the works (eg we won't be including Wreck It Ralph II since the fairy tale/folklore tie-ins are minimal-to-none as far as we can see), it's still a pretty long list, and deserving of it's own post. (Heck - you may want to bookmark it, just so you have the list handy!)

Timeless Tales Magazine Cover Contest Cancellation

A special message from the editor of Timeless Tales, Tahlia Merrill Kirk:

Creative projects are all about throwing new ideas onto a wall and seeing what sticks. Which means that sometimes that idea you thought was brilliant and destined for success ends up sliding into a mushy pile on the floor.

That’s pretty much what happened with the Timeless Tales cover contest. It was a total shot in the dark and the shot missed its mark. We had the contest open for nearly a month and got a grand total of TWO entries. This is obviously not enough to be considered a proper contest.

I seriously considered letting our failure slide under the radar while privately emailing the artists an explanation, but then I saw a series of blog posts by Wil Wheaton* (links at the bottom of this post).

Wil is the creator of several webseries I follow closely. He’s one of those really down-to-earth people who I’ve never met, but have a ton of respect for his accomplishments. His summer has been full of professional frustrations this summer and isn’t afraid to share them with his fans.  His honesty made me appreciate all his hard work even more than before. So I’m hoping that I can follow in his footsteps here.

I suspect that the contest’s failure is related to my lack of knowledge about the illustrating community. Possibly, my budget was too small, but I also didn’t have a clue where to promote the contest beyond our own social media. If anyone has suggestions for what I could’ve done better, I’d love to hear them so I can learn from this experience.

I’d like to thank Terry Fischer  (www.TerryAFischer.com) and Scott Klase for being the kind souls who sent in their work. Terry's is on the left and Scott's is on the right:

The good news is that our story submissions are as strong as ever and I have some great ideas for issue #6 that I’ll be announcing later on this year (pretty sure we’re finally going to be adding poetry!) For this upcoming issue, I’ve hired my graphic artist friend who designed our logo (www.dreambrella.com). In the words of a famous fish:

*http://wilwheaton.net/2015/06/tabletop-kingdom-builder-and-screwing-up-the-rules/

http://wilwheaton.net/2015/06/critical-failure/

http://wilwheaton.net/2015/08/tabletop-submission-criteria/

Broadway's The Little Mermaid Gets Wired by Shiki Theater Company (& it looks great)

Mermaid show on land challenge: how do you make a mermaid 'swim' through the air?

For Broadway's various versions of the Disney stage adaptation it's been - oddly - by using 'Heelys' or wheelie sneakers. It's a creative decision that's had a lot of criticism, as no matter how well done everything else was, this particular aspect consistently pulled the audience out of the show.

The Shiki Theater Company in Japan, however, took on the challenge and upped the ante by adding (difficult to manage and execute) wire work to their version of the production. The results? Beautiful! And well worth it. The cast really do look like they are swimming through the air.

While the oddly stiff 'floating hair' cone is a little strange but everything else is so well done, I'm guessing it barely blips the radar for most people.

There's one other key thing about the production, that's helping it to continue having an excellent run, unlike most of it's predecessors. It wasn't only the production aspects of costume and over-the-top set-design that got classier: so did the story. Unlike the original Broadway productions of Mermaid that focused on Ariel wanting to be with Eric, the overhaul included emphasis being put on the single father (Triton) and his wayward daughter (Ariel) and his journey to understanding her and supporting her dreams. It's made all the difference to the show's impact and families (especially fathers) are reportedly walking out with high praises for the show and what a great family experience is was. (It should be noted these main changes are primarily care of Glenn Casales, about whom you can read an article HERE.)

So it's taken a number of years and a number of version but, as many of the articles are fond of saying, it would appear the stage version of The Little Mermaid has finally found it's feet.

Here's clips from the Japanese show, (which has been running for a little while now) set around the song Part Of Your World (oh yes - and that girl - boy can she sing!):

For those interested, you can compare the original English cast scene with this one HERE.

Source: Boing Boing

Reader Spotlight: Bluebird-cakes Goes Into The Woods

I was sent a picture of this delightful - and amazing! - cake recently, from a OUABlog reader and talented fairy tale community friend, Zoe Smith of Bluebird-cakes (aka Wintersgate fairy). She kindly gave me permission to share it and some of her other fairy tale creations with you. Thank you Zoe!

About the Into the Woods cake, Zoe says:

The Into the Woods cake was chocolate mud covered in ganache and decorated in fondant icing , and modelling chocolate was used for the detail of the head and trees.

Chocolate, chocolate ganache, more chocolate... mmm. I just don't know quite how you go about eating a witch's face... (Fingers? No problem. Face? Um... please don't curse me!) But seriously, can you imagine receiving this for your birthday? I think I wouldn't let anybody touch it. Ever! ("Don't never, ever, ever mess around with my greens cake!")
         
Zoe also shared a little more about herself, confirming her long time fairy tale obsession, er, love, and that she truly is one of us...

I am a cake decorator based in the North East of England, love all things fairy tale from dark Grimm's tales to the Spiderwick  Chronicles and I bleed Disney ! Love , love , love animation and we have a collection of DVDs that I pretend belong to my kids but they are truly mine . My books are half fairy tale /animation art , half cake decoration and recipes. And lastly , I am Pinterest obsessed !  Makes you wonder how my husband puts up with me ?!

                
Look at those little animated pansies!! I want a whole cake with singing Alice flowers now...

For those lucky people in the UK who can go see and taste test one of her cakes personally: I envy you.. and keep her in mind if you need something a little special, something made with enchantment. As you can see, Zoe is sure to deliver.

I also discovered that Zoe has an Etsy shop, something for which I have no idea how she finds time to create anything with cakes like these. But in the past she made - and sold - these adorable elf boots below. (Lucky customer!)

I have a feeling we'll see more magic from Zoe's corner before long. I've added her sites and information below.)

                       Zoe Smith - Bluebird-cakes
www.facebook.com/wintersgate
www.pinterest.com/wintersgatefae

Guest Post: Modern Fairy Tale Home Decor

Intimate fairy tale style dining via iseecubed

I was recently asked by the home idea and inspiration people at Modernize if our readers would be interested in an article on home decor that was fairy tale themed and my answer was "Of course! Especially if you can bring us something out of the norm, something modern (ie. non-traditional) for design-savvy adults who love fairy tales; something that goes beyond Pre-Raphaelite motifs (as great as they are), showing you don't need glitter, frills and woodland scenes to maintain a fairy tale feel." Jane Blanchard at Modernize took up the challenge and didn't disappoint. Enjoy and be inspired!

Modern Fairy Tale Home Decor

By Jane Blanchard

Anglo-American poet W.H. Auden said, “The way to read a fairy tale is to throw yourself in.” We assume he meant bed, walls and all.

Every fairy tale needs a room. Just as the prophet Ezekiel spoke flesh onto skeletons in the Valley of Dry Bones, so an interior designer speaks second life into fairy tales from the troves of Walt Disney, Hans Christian Anderson and the Brothers Grimm.

Yet too often, the run-of-the-mill fairytale room suggests that the artist’s craftsmanship long ago outstripped his knowledge of literature. It brims with Beauty and the Beast chandeliers, Sleeping Beauty canopies, that sort of thing. Lots of melodrama. Lots of pink.

Dutch design studio Ontwerpduo took the road less traveled by. Hired to colonize with furniture a room inside a gorgeous 16th century mansion, Ontwerpduo designers made 10 pieces based on different fairy tales. Themes included the secret room, the genie in a bottle, and the princess and the pea. Lighting fixtures overran the ceiling like fugitive plumping pipes. Lilies blossomed out of the carpet rug – and was that a pea underneath the six-stack bed?

Via Once Upon A Blog...Fairy Tale News

Ontwerpduo has its own Fairytale Furniture collection, which showcases a swinging birdcage seat, a warped wooden cabinet, and a handcrafted "Marbelous" maple table with grooves and channels ferrying stainless steel marbles across the surface, down the legs and along the supports. Lewis Carroll would be proud.

Via Designose

The Dutch design studio may be one of the first to homestead the next frontier of home design: modern fairytale chic. Warner Bros. Studio argues that pop culture cinema and television like ABC’s “Once Upon a Time” and HBO’s “Game of Thrones” will ignite an interest in adult fairytale design, a movement defined by its creativity of scale and emphasis on mood. Aspen bedposts tower over sleeping beauties; intricate glass chandeliers loom over distressed window frames. The style relies upon earthy tones, gothic elegance, rustic accents and mirror arrangements.

But the fairytale design is not new. In the 1920s, architect Hugh Comstock constructed a handful of fairytale cottages in Carmel-by-the-Sea. Now some of the most sought-after properties in Monterrey, California, the Comstock cottages sport rusticated chimneys, pointed eaves, storybook masonry and whimsical arched doorways. A modern Carmel-by-the-Sea home might cost $5,000,000.

Via Tales from Carmel

Sandra Foster devised her own DIY gingerbread house, and it didn’t cost $5,000,000. Stretched by a too-big house and long workdays, she and her husband felt like a pair of Laffy Taffy candies. So they bought a woodland cabin in the Catskill Mountains for $40,000. Foster renovated the 9x10 cabin using odds and ends purchased from antique shops, salvage stores, Craigslist, and the occasional tree trunk. Her refuge, a Victorian shabby chic cabin, cost just $3,000.

Via the New York Times

Now that’s a happy ending.

Jane Blanchard is a blogger, home design geek, and graphic designer from Savannah, GA. She also is a passionate writer for Modernize.com. 

For more home design tips and tricks, please visit Modernize.com.

Note: This article was written for Once Upon A Blog with permission to publish here, in exchange for a credit for Modernize and link to the company website only. Once Upon A Blog has no ongoing affiliation with Modernize but is happy to say they found the staff friendly, helpful and professional. They were a pleasure to work with.

A Greenhouse of Spring Magic (Courtesy of Chanel S/S 2015)

Apologies for the delay in posting. I am under the weather today, (there may be a delay in tomorrow's too just as an FYI) but thought I'd finish off a draft post to make it a little easier on myself, and show you what Chanel put together for their Spring Haute Couture show in January.

This is such a lovely way to reveal color. Bold in more ways than one...

"Florals for spring. Groundbreaking.” Those four words, famously uttered by The Devil Wears Prada villainess Miranda Priestly, have become something of a mantra in the fashion sphere. Leave it to Karl Lagerfeld, though, who showed Chanel’s spring 2015 couture collection on Tuesday in Paris, to turn spring florals into something not only groundbreaking, but downright futuristic. (Architectural Digest)

First the guests were treated to foggy greenhouse with intriguing paper-cut shapes of over-sized plants, then after being seated inside a gardner came out and "watered" it, starting the animations...

...which culminated with the models walking out as if they were living blooms.

I have to say I was so taken with the visuals that, for me, it was almost a disappointment when the models first walked out!

Strangely, it's been difficult to find much on the creation of such a stunning and much-talked-about centerpiece, the 'mechanical blooming hothouse' but this is from Vogue:

One definition of superb haute couture is that it’s the art of making impossibly difficult things seem as if they just—poof!—happened that way naturally. That’s precisely how Karl Lagerfeld’s spring haute couture was, a pleasingly unforced blooming of Chanel flower ideas set in an artificial hothouse. The Chanel conservatory was planted with mechanical plants which (gasp!) opened up and produced origami flowers before our very eyes, a naively childlike moment of transient entertainment, which, of course took an army of experts to engineer. “I thought of it six months ago, in a flash,” said Lagerfeld, cross-examined after the show. “There are 300 machines here under our feet, one to make each flower work.” It is exactly the same with the ridiculously intense inventive work that goes into every inch of Chanel couture embroidery on the runway, as he pointed out. Karl comes up with the vision—in this case, a fusion of Henri Matisse’s cutouts of leaves and 3-D paper Chinese lanterns—and then the ateliers apply themselves to figuring out how the minutiae of such structures can be faithfully conjured up in fabric.

I thought the gauzy floral skirts were very reminiscent of Terry Gilliam's The Brother's Grimm movie design/direction for some of the fairy tale portions of the movie (can't find any images to clips at the moment to show you what I mean unfortunately). Perhaps that's why I held on to it to show you.

In the meantime it looks like three-dimensional florals displayed on white is something we're going to be seeing a lot. Here's something that looks like it's from the same show but isn't: it's the "wedding dress" worn by Mila Kunis' character in the (reportedly insane) sci-fi-with-shades-of-Snow-White movie, Jupiter Ascending. (Note the red and white.. works for the concept of the character too.)This design, however is by Michael Cinco.

NOT Chanel - this design is by Michael Cinco for the movie Jupiter Ascending

Fashion has forever been connected with magic, fantasy and fairy tales but more and more we see the presentation of these shows be quite theatrical, trying to draw the audience into a story they might want to take home a piece of, for a price. (There's always a price...)

I applaud it, myself. It shows me people need stories - even their clothes, no matter how beautiful, are more relatable and desirable when a story is attached. There's something particularly special about haute couture because the pieces are one-of-a-kind, made to fit only one person (sometimes even sewn on to that person!) but a lot of time an attention goes into the making of each piece, like weaving magic spell. (Which always makes me think of The Three Spinners fairy tale and how great magic cost them.)

I don't normally spend a lot of time thinking about fashion (seriously: fashion beanies? Midriffs are bac?!) but I am completely fascinated by process and theater and all those forms of storytelling so for those who like seeing behind-the-scenes like I do, here's a peek at magic in the making:

There's probably a lot more someone who's much better with fashion could write for you on fashion and fairy tales but for today I'll just leave you with the lovely to have your own thoughts.

Multimedia Ballet: "Belle Redux: A Tale of Beauty & the Beast" to Premiere Valentine's Weekend

It would seem that 2015 is the year of Beauty and the Beast.

Ballet Austin, known for technical excellence and innovative productions, is about to launch their World Premiere of Belle Redux: A Tale of Beauty & the Beast in time for Valentine's Day weekend.

(Funny thing: when I first saw the image used in the little poster below I could have sworn the rose glowed in a pulse - that it was a gif. It was the pulsing of the rose in connection with the rose "multimedia" that caught my attention in the first place. But I can't find it now...)

"Once upon a time... Escape with Ballet Austin into the mysterious world of a beauty, a beast and a ballet, as Artistic Director Stephen Mills seduces you with a modern take on the timeless story of Beauty and the Beast. Commissioned by the global innovators at 3M, this sleek and sexy new production is an exciting evolution of the fairy tale you remember. 

Fall into a dark and intoxicating world of passion and intrigue, featuring Mills' classically innovative choreography and a haunting new score by renowned, Austin-based composer Graham Reynolds."

The production was commissioned by 3M Innovations with the intent that it will contribute to the evolution of the way in which this tale is told.

The sets for Belle Redux / A Tale of Beauty & the Beast draw inspiration from the film noir genre and Jean Cocteau's ground-breaking film La Belle et la Bête. Sleek and mysterious, Michael B. Raiford's designs give dancers the freedom to move about the space while lending a sense of gravity to Stephen Mills' innovative production.

If you're confused, bear with me - I shall explain, with the help of some quotes from the development notes on the production (words in bold and underlined, are my emphasis):

“Belle Redux / A Tale of Beauty & the Beast is unlike anything I’ve previously brought to the stage, and much of that has to do with the way this work was conceived,” Mills acknowledged. “Four years ago, Joaquin Delegado, who was then running 3M’s Austin businesses, approached me with an idea and a concern. He was worried that young people might grow up in a world where the art of innovation—the act of making something better, more interesting or more useful—would be lost or confused with advancements in technology, which is not the same thing. He wanted Ballet Austin to create an original dance work underscoring the complexity of innovation and how it differs from invention, or creating something from scratch.

It turns out the Beauty and the Beast fairy tale is an excellent case study for innovation with regard to storytelling forms - one which Ballet Austin are seeking to continue the tradition of, as well as develop the evolution of with regard to how the story is told (and therefore received/what impact it will have).

From the press notes:

Belle Redux / A Tale of Beauty & the Beast follows the well-known storyline of the French novel La Belle et la Bête (Beauty and the Beast) first published by Gabrielle-Suzanne Barbot de Villeneuve in 1740 and then abridged and re-released by Jeanne-Marie LePrince de Beaumont six years later. Over two centuries, this tale of a beautiful young woman, who becomes entrapped and then enamored of a prince-turned-beast, has evolved through various art forms. 

French filmmaker Jean Cocteau advanced Beauty and the Beast storytelling through his groundbreaking movie La Belle et la Bête in 1946. Fifty years later, Cocteau’s film noir inspired American composer Philip Glass to create an operatic score that serves as an alternative soundtrack for the movie. In 1991, Walt Disney Pictures transformed the story into an Academy Award-winning animated motion picture, which Disney then adapted into a Broadway musical four years later. Over the years, Beauty and the Beast has constantly transformed and is now a case study on innovation.

In 2015, Stephen Mills again innovates the Beauty and the Beast story and its presentation by unveiling a 21st century, multi-media experience...

Having seen several stage versions of Beauty and the Beast, including ballet and contemporary dance (none of which were Disney, by the way), I'm reserving judgement on how well the innovation aspect of this production is perceived (though I have little doubt the production itself should get excellent reviews). Although I'm extremely fascinated by the idea of evolving storytelling and wish what they are hoping to do will indeed be as revolutionary as they set out to be, I'd be surprised if it made it's way into the public consciousness the ways the other forms of the story have. Why? Because apart from one fairly straight ballet, everything I've seen was incredibly innovative and, most used multimedia as well. (And most of them had adult leanings rather than catered to family sensibilities.)

What's notable about this production, though, are a few things: one, 3M's involvement (which means advertising and getting the word out), the professional quality of the production not being in question, the call back to Cocteau's visual style with regard to the multimedia elements (see the images in the post) and the costumes being done in the particular dark-fairy-tale-meets-high-couture signature style of world renowned (and greatly missed) fashion designer and legend Alexander McQueen.
                                           

Drawing inspiration from haute couture and the imaginative designs of the late Alexander McQueen, Ballet Austin Artistic Director/Choreographer Stephen Mills and Costumer Designer Michael B. Raiford mix edgy urban looks with fantastical elements for their 21st century take on Beauty & the Beast.

There is an interview with the dancer playing Belle, Michelle Thompson, and though it will mainly interest those who know and love ballet, she gives her insights into how this Belle might be a little different and how the Beast may be different, as well as how they mirror each other. You can find that video HERE.

For those wondering how much/if the story will change, here's a snapshot of the program notes (click to see full size):

If anyone gets a chance to see this, I'd be personally interested in your impressions so please share. And snag me a program, would you?