Disney's "The Nutcracker and the Four Realms" Update

Although we announced the trailer release on Twitter the day it came out, we realize there may not be a handy summary of details, the trailer and screenshots etc regarding this highly anticipated Winter release from Disney, and thought it might be nice to gather them here to bring folks up to date, especially as the film will be released a little earlier than "Christmas week" as originally planned.

We posted at length during the development and pre-production of the film HERE and HERE, explaining the sources being used and the approach (along with the cast list) so we'll just get straight to the synopsis to remind you of where the plot is being hinted at going, and the limited looks so far. (They still have a lot of work to do with special effects etc, which will likely take most of the year.)

Here's the latest on how the production is going:

(In late December), the (Disney) studio announced it was planning a massive 32 days of additional photography on the ballet-inspired fantasy movie, bringing in “Captain America: The First Avenger” director Joe Johnston instead of original filmmaker Lasse Hallstrom. The studio said Hallstrom was unavailable due to scheduling issues — though he has no other projected publicly lined up — but he will be involved with postproduction. (TheWrap)

Here's the official synopsis, released with the trailer in December:

All Clara (Mackenzie Foy) wants is a key – a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer’s (Morgan Freeman) annual holiday party, leads her to the coveted key—which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip (Jayden Fowora-Knight), a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger (Helen Mirren), to retrieve Clara’s key and hopefully return harmony to the unstable world. Starring Keira Knightley as the Sugar Plum Fairy and featuring a special performance by Misty Copeland, Disney’s new holiday feature film “The Nutcracker and the Four Realms” is directed by Lasse Hallström and inspired by E.T.A. Hoffmann’s classic tale. In theaters on Nov. 2, 2018.

Here's the trailer:

No summary would be complete without a boat-load of stills. the fantasy aspect is very apparent, though the responses to the visuals seem to be quite mixed. Some people love them, others are calling it an "Alice in Wonderland reboot". It's early days yet, considering how much still needs to be done, but what do our readers think about it so far? (Note: Pictures shown in no particular order.)

We barely get to see Helen Mirren as Mother Ginger but she's intriguing, even in just a glimpse. And she has a wooden sword...

We get glimpses of Misty Copeland dancing "all the parts" as The Ballerina. 

For your reference, from our post on Twitter in December: 

Misty Copeland on diversity & her 'Nutcracker' princess: "(my scenes are)...kind of a production within..the movie...a performance characters are experiencing...I’m portraying all the scenes in Nutcracker, the snow scene, battle scene, land of the sweets." https://t.co/4doQCz8CkX

— Gypsy Thornton (@inkgypsy) December 5, 2017

While we have no doubt Copeland's dancing will be phenomenal, we're yet to be wowed by this sequence and hope the end result will have more innovation than what's been shown to date. The use of Tchaikovsky's score means we'll definitely be treated to another variation on this beloved suite; definitely a plus.

This sequence where Clara sees a tag on a string, rope or ribbon, then follows it in some sort of Victorian parlour Christmas game, is intriguing. We've seen a couple of games like this in films and TV episodes before (Reign anyone?) and even vaguely remember playing something like this as children but finding information on this game is proving difficult to dig up. We're quite curious about the significance and symbolism it may have with regard to the story and the four realms. Feel free to chime in and share links in the comments, if you find some online resources on this topic.

This tree opening and framing looks really familiar! (Pan's Labyrinth, Once Upon A Time, Maleficent, among others...)

And finally a little bit of odd trivia that folklorists should enjoy, from The Times:

Margaret Thatcher’s influence has been widely felt but few would have put money on the Iron Lady being the inspiration for a Disney heroine. According to Keira Knightley, the puffed-up pink hairdo flaunted by her character, the Sugar Plum Fairy, in Disney’s forthcoming film The Nutcracker and the Four Realms, was based on Thatcher’s bouffant, in volume if not colour. “There were a couple of Tory female politicians I thought of,” Knightley tells Variety. “She’s Margaret Thatcher meets Marilyn Monroe.”

Cast

• Mackenzie Foy as Clara
• Jayden Fowora-Knight as Philip
• Keira Knightley as Sugar Plum Fairy, the Sweets Realm Queen
• Helen Mirren as Mother Ginger
• Morgan Freeman as Drosselmeyer
• Misty Copeland as The Ballerina
• Eugenio Derbez as Flower Realm King
• Miranda Hart as Dew Drop Fairy
• Jack Whitehall as Harlequin
• Ellie Bamber as Louise
• Richard E. Grant as Snow Realm King

This shot of Clara in the toy soldier's uniform is possibly the most intriguing to us; it indicates she's not a passive child-heroine, but an active protagonist. While the other visuals are fine, this is the one that makes us curious. Bring on November!

Chloe Grace Moretz To voice Character in Animated Film 'Red Shoes & the 7 Dwarfs'

It's animated. It's a parody. It will expose the true story of Snow White and it's South Korean (and will be in English).

In the upcoming (family friendly) spoof, which was written and directed by Sung Ho, the Dwarves (are actually) seven cursed princes (or knights) looking to break the dark spell by kissing the most beautiful woman in the world. Snow White will come dressed in red shoes for the occasion. The film will teach the lesson that looks aren’t everything. (DenOfGeek & THR)

Here is the trailer making the Cannes circuit. It's not what you might expect:

The film is currently in post-production, which is odd timing for an actor to join, except that we're guessing Moretz will be the English language voice for her character, (though this trailer is already in English). There are no hints from the official IMDB page as to what character Moretz will be playing.

One odd thing is the beauty aspect. We know the point of the film is to challenge traditional ideas about beauty but there's a whole Jessica Rabbit vibe here at times and it feels a little off. Hopefully it's just because we're not seeing the development and handling of this in the feature film, but it's still odd to watch and realize.

And we're sure someone, somewhere is having a whole conversation about Western standards of beauty versus Eastern standards of beauty too. We know Koreans are often criticized at having extremely unrealistic beauty standards for women to attain, which is seen to have many adverse social repercussions, but perhaps that's part of why this film has been made. We shall see.

The film is currently being shopped around at Cannes Film Festival this week, so we should hear more news on this very soon.

We also have to share the original teaser trailer from 2014, when the film was titled 'Red Heels and the 7 Dwarfs'. You might say it's... unconventional. Perhaps it's due to culture and how we've come to expect family films to 'represent', but we think there's some pretty weird stuff going on in this trailer... And we don't believe it's just us that think so.
  

Chloe Grace Moretz

Take a look. (This will be great fodder for analysis and presentations on all sorts of subjects, we promise. So much here to, er, use for examples of, er, things.)

So, yeah - we can see how that trailer wouldn't go down so well, especially for families. (!) There's so much in there to pick at, (borderline offensive in some places, has a sense of being politically incorrect, sexist, etc) which is probably why the current trailer (shown earlier in the post) is the one they're going with at Cannes.

Just sayin'.

Hard to get a good read on the film when the Director says 'very family friendly romantic comedy sequel/prequel' and yet the initial teaser above is full of what appear to be 'hidden' adult jokes. We're not sure what we really think about this yet, but we'll be keeping an ear out for more info.

By the way, are we the only ones seeing some HCA Red Shoes parallels in these trailers?

(Hint: it's not the sleeping part.)

#nofeetchoppingplease

Hulu Adapting Atwood's 'The Handmaid's Tale'

Anna and Elena Balbusso for the Folio Society

If you're familiar with Margaret Atwood, you're also familiar with her use of fairy tales in her work. The Handmaid's Tale, while more obviously referencing Red Riding Hood in key phrases in the book, the often used motif of the isolated woman, or Rapunzel syndrome, is also part of the it too. There are other subtle fairy tale references throughout, such as to Cinderella, The Red Shoes and The Girl Without Hands, a constant, underlying presence in Atwood's work. There are nursery rhyme references too, (eg. The Spider and the Fly), all of which blend together, seemingly naturally, in Atwood's hands.

Now that Hulu is working on a 10 episode series, we're curious to see if any of those references and allusions are included. With Atwood as consulting producer and reportedly very happy with how the script and production are developing, we are optimistic there will be:

"I am thrilled that MGM and Hulu are developing The Handmaid's Tale as a series, and extra thrilled that the very talented Elisabeth Moss will be playing the central character.  The Handmaid's Tale is more relevant now than when it was written, and I am sure the series will be watched with great interest.  I have read the first two scripts and they are excellent; I can hardly wait to see the finished episodes,” said Atwood. (source)

Here's Hulu's press description of the production from a few months ago:

Adapted from Margaret Atwood’s influential and acclaimed novel, THE HANDMAID’S TALE is the story of life in the dystopia of Gilead, a totalitarian society in what was formerly part of the United States. Facing environmental disasters and a plunging birthrate, Gilead is ruled by a twisted religious fundamentalism that treats women as property of the state. As one of the few remaining fertile women, Offred is a Handmaid in the Commander’s household, one of the caste of women forced into sexual servitude as a last desperate attempt to repopulate a devastated world. In this terrifying society where one wrong word could end her life, Offred navigates between Commanders, their cruel Wives, domestic Marthas, and her fellow Handmaids – where anyone could be a spy for Gilead — all with one goal: to survive and find the daughter that was taken from her.

Golden Globe winner, Elisabeth Moss (Mad Men) will play the lead and title role of Offred, the 'handmaid', and in August, Joseph Fiennes (Shakespeare in Love) was confirmed to play the role of Commander Fred Waterford.

Fiennes will play Commander Fred Waterford, a founding father of the totalitarian society of Gilead. A powerful, high-ranking official, Commander Waterford rules the household where Offred (Moss) is a handmaid. This marks a returned to scripted television following his role in the second season of “American Horror Story” in 2013. 

... Reed Morano will direct and executive produce the first three episodes. The cast also includes “Orange Is the New Black” alumna Samira Wiley; “The Leftovers” star Ann Dowd; “The Mindy Project’s” Max Minghella and “Hemlock Grove’s” Madeline Brewer. 

The series is scheduled to begin production in Toronto this fall for a 10-episode order, slated to premiere in 2017. (source)

While on the subject of Atwood, we wanted to highlight this book which sounds intriguing as it combines all creative aspects of Atwood's expressions - from art to writing. We haven't yet had the chance to read it, and it has mixed reviews, are curious all the same. The title is Margaret Atwood's Fairy Tale Sexual Politics by Sharon Rose Wilson.

Here's the description:

An intriguing investigation of fairy-tale images in Margaret Atwood's haunting fiction, poetry, and artwork 

Sharon Rose Wilson's analysis of Margaret Atwood's sexual politics through a study of fairy-tale patterns offers a new reading of Atwood and a fresh appreciation of the traditional fairy tale's ability to illuminate modern literature. 

Not only is this the first study to explore systematically Atwood's fiction and poetry through fairy-tale images, but also it occasions the first time Atwood has allowed examples of her artwork to be published in a book. 

In relating Atwood's fragile, mysterious paintings, collages, linocuts, drawings, and cartoons to her writing, this study shows how such fairy-tale images-along with myths, the Bible, history, film, art, and popular literature-reveal archetypes in her work. The engaging writing and the eerie visual art of Margaret Atwood braid together fairy-tale themes from Grimm and Andersen with the feminist concerns for which this internationally acclaimed Canadian author is well known.  

In The Handmaid's Tale, for example, she presents her version of Little Red Riding Hood facing patriarchy's wolf. In almost all her novels she explores the "Rapunzel Syndrome," in which women experience internalized isolation. In joining Atwood's literature and her artwork, Wilson challenges feminist assumptions that fairy tales limit gender roles. To the contrary, fairy-tale motifs in Atwood's works are a liberating force. Indeed, Wilson discloses how the genius of this fascinating writer perceives the fairy tale to be a means of transforming the constricting images that tradition has placed upon sexual identity. 

Sharon Rose Wilson is a professor of English and women's studies at the University of Northern Colorado.

You can get a really good preview via Google Books HERE and the book is available for purchase HERE and HERE.

Andy Serkis' "The Jungle Book: Origins" Underway

This version of The Jungle Book (for Warner Bros) will be using Kipling's writing as it's source whereas Disney's will be using their own movie. Apparently this will be completely CG so we should expect something completely different from the upcoming Disney reboot. And yes, production is confirmed as having officially started.

It gets even more confusing trying to keep the films separate in your head when you see the cast - both films of which are impressive and have lots of "Names". (Hm - I probably haven't made it easier using Disney images alongside the characters but hopefully you get the idea - these guys = NOT Disney.)

For this one we have the following line-up:

The film includes Benedict Cumberbatch as Shere Khan, Cate Blanchett as Kaa, Christian Bale as Bagheera, Naomie Harris as Nishi, Eddie Marsan as Vihaan, Peter Mullan as Akela, Tom Hollander as Tabaque, Jack Raynor as Mowgli's brother and Rohan Chand as Mowgli. Serkis, (Edit: who is directing) meanwhile, will (also) be the voice behind Baloo. (source)

Disney's is even more star-studded with:

..Ben Kingsley as Bagheera, Idris Elba as Shere Khan, Bill Murray as Baloo, Giancarlo Esposito as Akela, Lupita Nyong'O as Raksha, Scarlett Johansson as Kaa, and newcomer Neel Sethi as Mowgli.

Disney's The Jungle Book is due in theaters April 15, 2016 while Serkis' movie is scheduled for release on Oct. 6, 2017.

Perhaps the two movies really will be as radically different as the two Snow White movies were that were released at (pretty much) the same time. With over a year's difference in release time, I guess we'll see how it pans out.

A Raw Icelandic "Beast" with Much Beauty

"Once upon a time, there was a hero, although she didn't know it yet. Her name was Bell. And she was destined to confront a Beast..."

There's a new film in the making which promises a very different take on Beauty and the Beast, journeying back to the fairy tale's roots and delving into the Mythic, in a way we haven't yet seen. It's titled, simply, Beast, but the movie promises to be anything but simple.

The Icelandic setting and all-Icelandic cast, along with "The Mountain", (aka Hafþór Júlíus Björnsson) from HBO's Game Of Thrones, ratchet the epic factor up more than a few notches, as does the edginess of the Viking-esque time period of 'the year 800'. 

This is Bell is on a feminine hero's journey, one which would give Theseus a run for his money, so it's no coincidence that the mythic story of one of Theseus' great challenges, defeating the Minotaur at the center of the labyrinth, was a foundation for this movie.

Director Max Gold says:

"When Beast is released, fans can expect to see a darker, Icelandic take on the fairy tale that they’ve come to know and love--told from a feminine perspective.  

"A masculine hero’s journey usually involves the hero leaving home then conquering and/or killing his way through a series of obstacles. But a feminine hero’s journey happens in a different style. For example, Scheherazade tells stories to save her own life. Persephone empathizes with her captor in the underworld to earn some time above ground. The Theseus/Minotaur myth (lots of similarities to Beast) is actually also a more feminine version of the hero’s journey even though Theseus is male. For example, Theseus leverages his enemy’s size and strength to his own advantage. Or when facing Medusa, Theseus literally “reflects” in his shield to find her whereabouts. These are feminine means, which makes sense because Theseus’s father is Poseidon, god of the sea.  

"There’s this new buzz phrase, “strong female protagonist.” Most of the time “strong” just means “put a weapon in the female protagonist’s hand.” That does not make a strong female protagonist, it just makes a female protagonist who carries a weapon. In Beast, the story is told from Bell’s perspective and she uses her own courage and cunning to find her way. She is a deeply flawed character but is also willful. You will find out whether her strong will is enough when she comes face to face with her darker side. And yes, at some point she does also wield a badass sword!"

Apart from showcasing a selection of beautiful visuals here, the best way I could think to introduce you to the film is via a couple of their development films. First "Princess" Bell then Bell the Hero. If you don't have time to watch any of the videos, I still strongly suggest you take a look at the last 30 seconds or so of Bell the Hero (at the 1min35sec mark). It's amazing.Take a look:

While the film is definitely a "darker take" on the Beauty and the Beast tale, it's clear from corresponding with Max Gold, and getting peeks behind the scenes here and there, that every scene, including the bloodier ones, are all there with a purpose.

"Violence is a necessary part of a fairy tale; it always points to the death of potential consciousness that befalls those who don't pay attention. Our Beast is a hoard of energy that saps the land and causes the famine. Without this as an antagonist, the stakes of Bell's journey would be inauthentic.

“Bell’s psychological journey inward is as much a focus as her harrowing quest through the Icelandic wilderness. Bell is fleeing a brutal past; she is contending with a lot of inner demons. She is a deeply flawed character and we don’t shy away from putting those flaws up on screen, but she is also extremely willful. Her will and courage ultimately carry her through.”

From references of The Poetic Edda and Icelandic Sagas, along with nods to Jung and David L. Hart's "The Water of Life: Spiritual Renewal in the Fairy Tale" and labyrinthian metaphors, both with regard to the inner psyche and the forbidding Icelandic wildlands, this Beauty and the Beast retelling has some serious foundation to build it's story on. The attention to storytelling detail is also clear in every frame with both beautiful photography and specific framing that tells a story of its own (a quick look at the embedded videos will have you amazed that such an icy wasteland can be so very stunning!). 

When you see this it's easy to recognize how important the awareness of the Land is in the movie as well. A sense of story grows out of it, just like it does for the Icelandic people, so it made sense when I learned that Max Gold had more than a passing appreciation for it as well.

"One of the patterns I began to notice in Icelandic folklore was that everything ties back to the land. The evil wizards who turn the sand black, or the elves who come from the lava rocks--all of them emerge from and return to the landscape. They are land spirits, or for the more objective they are anthropomorphisms. Take a drive through Westfjörds and when you come back tell me that you didn’t see faces in the rock staring back at you. There is a deep respect for and connection with the land in Icelandic cultural heritage, something akin to that of the original Americans before the Europeans unfortunately wiped them out.  

"Casting the film entirely Icelandic maintains an integrity of place that bleeds through the screen. Rather than rely on special effects, my visual team emphasizes the stunning landscape to catapult the audience head-on into this magic world. 

"My friend Helga introduced me to the Icelandic landscape painter called Kjarval. Kjarval was responsible for re-introducing the landscape to the Icelandic people by way of his paintings. 
Between Kjarval’s paintings and the folklore, the unique and rustic world inhabited by Beast and Bell comes to life. All of that said: not once did we “use” the landscape. Everyone on my team had a running joke: “the landscape used us.” My friend Max was carrying a 4x4 floppy up a hill and he actually blew away in the wind. Henry had to grab him and pull him back down!" 

This video below is slightly longer at over 3 minutes but you get to see a lot of that 'mythic foundation building' I keep referencing. 

Now that you know the context of the film and have seen an exploration of visuals and scenes, I'd like to add the trailer for you to view too. Just be warned: the trailer begins with some violence, which can be a shock if it's the first thing you're seeing. If any form of violence or gore bothers you, just don't watch the first 11 seconds. The rest is worth watching and at times breathtakingly stunning, I promise. (I do recommend you don't have kids around though - this is not for children.):

I've spent quite a bit of time looking into Beast and am more and more impressed the more I learn. The only trouble is that there isn't a guarantee it will be finished... yet. Despite the formidable talent and crew they have on board, this film is still an Indie project and is relying on crowd funding and support to get the picture done.

I'm not the only one who believes this film promises and excellent standard though. Beast was recently named a Kickstarter "Staff Pick" and they're more than half way to their goal. I'm sort of astonished that the monetary goal is so low, considering how high they have the bar set for production but they've already proven they can do a lot with a little. I'd dearly love to see this film complete and we've got just one week to help them make this possible.

This project will only be funded if at least $20,000 is pledged by Tue, Apr 7 2015 1:36 PM PDT. (As of this posting just over $13,000 has been pledged - only $7,000 to go!)

Being a Kickstarter, there are some really great incentives and rewards for helping out with donations. You can donate as little as a dollar or a few dollars and get some extra promotion yourself, and starting at the $30 mark you can receive a high res copy of the film yourself (isn't that close to what you'd pay for a Blu-ray these days anyway?)

The approach to this film is the sort of storytelling we want to see - exploring tales we love in a new ways with intelligence, reverence and excellence. Please consider joining me in supporting Beast. Even a small amount can make a huge difference.


BEAST: A DARKER RE-IMAGINING OF “BEAUTY AND THE BEAST.”
SET ENTIRELY IN ICELAND.
Blind Hummingbird Productions
Beast stars Hafþór Júlíus Björnsson, aka THE MOUNTAIN from HBO’s Game of
Thrones alongside a completely Icelandic cast.
Bell is played by newcomer Berta Andrea and Beast is played by Icelandic model Ingi
Hrafn. The film is shot by Cannes-showcased cinematographer, Ed Wu. Production
Designer: Haisu Wang (Steven Spielberg’s THE PACIFIC) Costume Designer: Ella
Reynis (GAME OF THRONES.)
Beast is written and directed by Max Gold, whose previous credits include the Golden
Globe-nominated Arbitrage (2012). Gold’s commercials, short films and video art
installations have received numerous accolades and international festival attention.
Kickstarter: https://www.kickstarter.com/projects/maxgold/beast-a-live-action-feature-
film-of-beauty-and-the
Trailer (official site): www.beast-iceland.com
Blind Hummingbird Productions: www.blindhummingbird.com
Twitter: @Beast_movie , @blindhummingbrd
Facebook: facebook.com/BEASTIceland , facebook.com/blindhummingbird

Additional sources: HERE, HERE, & the official website HERE