"Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio" Exhibit at NOMA

A while back I mentioned (HERE) there was a Disney Fairy Tale Art Exhibit making its way to New Orleans.

The exhibition is up and running (it opened on November 15, 2009) and will continue to show until March 14, 2010 at NOMA (The New Orleans Museum of Art).Here's an excerpt from the exhibit description by the museum:

Dreams Come True showcases original artwork from legendary Disney animated films, including Snow White, Cinderella, Sleeping Beauty, The Little Mermaid and Beauty and the Beast, and will feature a children's section celebrating Disney's connections with jazz music and the Crescent City. The artworks, on loan from the Walt Disney Studio Animation Research Library, will be accompanied by film clips to demonstrate how individual sketches and paintings lead to a finished celluloid masterpiece. Organized by the Walt Disney Animation Research Library and the New Orleans Museum of Art, this once-in-a-lifetime exhibition, which cannot be seen anywhere else in North America is set to coincide with the premier of Disney's upcoming animated feature, The Princess and the Frog, set in New Orleans during the 1920s Jazz Age.

And from the dedicated page:

The New Orleans Museum of Art will present Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio, a major exhibition featuring more than 600 original artworks that shaped legendary animated features including Snow White and the Seven Dwarfs, Cinderella, Sleeping Beauty, The Little Mermaid and Beauty and the Beast. (Ed FTNH: as well as artwork from the December 2009 movie release The Princess and the Frog.)

... Visitors to the exhibition will encounter themed rooms showcasing artwork related to specific animated features. Arranged chronologically by year of release, the rooms will feature, in order: Silly Symphonies, Snow White and the Seven Dwarfs, Cinderella, Sleeping Beauty, The Little Mermaid, Beauty and the Beast and The Princess and the Frog. Film clips will accompany the artwork to demonstrate how individual sketches and paintings lead to a finished celluloid masterpiece. An adjacent Education Area will highlight Disney's long association with music and also will serve as a mini library for animation research and storytelling programs.

You can read the rest of the description HERE.and there's a brief but interesting article about Lella Smith hosting a preview tour of the exhibit HERE. (Lella Smith is Creative Director of Disney's Animation Research Library. I posted excerpts from an interview with her HERE as well as links if you're interested in finding out more about her.).

There's no mention of Pinocchio, Alice in Wonderland, Peter Pan, The Black Cauldron, Aladdin, Mulan or any of the shorter fairy tale related works in either of the Fantasia films or the separate shorts like Little Match Girl, so I'm guessing they're sticking with full-length feature films based on Grimm's and Perrault's work only.

There is a very interesting looking catalog of the exhibition available for purchase online HERE, by Lella Smith.Here's the blurb:

Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio
by Lella Smith

This beautifully illustrated catalogue presents familiar fairy tales and the adaptations made by the Walt Disney Studio for the movies. The films span 80 years- from the early Silly Symphony shorts to the 2009 release of The Princess and the Frog.

The comparative tales would be very interesting and this is likely to be a collector's item in the future. Even if you can't make it to the exhibition before mid-March next year, this may be a nice thing to think about buying.

NOTE: All the Sleeping Beauty art shown is by legendary Disney artist Eyvind Earle. You can read more about him and his work HERE.

Disney's Snow White Out On Blu-ray Today + Exhibition Coming To New Orleans

A while ago I posted the announcement that Disney's "Snow White and the Seven Dwarfs" was being released on Blu-ray and discussed some of the new features, including the new artwork created specifically for this release. (You can find that post HERE.)

Today's the day you can finally go buy it (please note the above image is actually the DVD cover which will be released seven weeks from today). Rather than link you to Amazon again I'm going to send you to the SurLaLune blog HERE, where yesterday Heidi gave details of a discount coupon available for a very limited period of time. She also linked to the various packages available for you (thanks Heidi!).In honor of this landmark film being released in the best quality available to us today, rather than talk about the Blu-ray product again I want to point you toward a couple of other related things.

The first is a very interesting article HERE in which Lella Smith, the Creative Director of Disney's Animation Research Library was interviewed about the restoration of the film and the sort of information the ARL staff are 'privy to' and 'keepers of'. I haven't seen more than small quotes from ARL librarians before so this extended article (it is longer than an average article) is a treat and uncovers more of Disney's consideration of the Grimm's tale than you usually hear of.
For example, here's an excerpt from the interview which describes Walt Disney (the man)'s awareness of the 'original' versions of the tale and his reasons for changing the things he did (please note - the article seems to essentially be an unedited transcript of a conversation, complete with all the odd speech fillers):

Can you talk about a few of the differences from the Brothers Grimm? We talked a bit about it from the Brothers Grimm telling to the Disney telling.

Lella Smith: Sure, one of my favorite subjects. Well, you know, Snow White was a story that had been around for decades and decades in an oral tradition. And in many different countries there were subtle changes and not so subtle changes. In one of the stories I remember I think it was in an Italian version the huntsman was supposed to cut off Snow White's toe and use it as a stopper in a bottle of her blood. You know, there were lots of changes in the story. And Snow White who was seven years old and the daughter of the queen, that was pretty frightening to think about. So when Walt began to decide about his Snow White although she is young, I've seen his story note that says look, she has to be old enough to be able to consider marriage. So, you know, and they thought out those differences. The huntsman depending on which fairy tale you read sometimes he had to bring back the liver, sometimes the heart. So that changed with different tellings. And in some tellings the queen was to dance in the hot - shoes that had been put in the hot coals until she dropped dead. So, you know, Walt Disney said wait a minute, let's get rid of the queen earlier so that we can celebrate the happiness of the story. So in fact he had the witch fall off the cliff so that the prince and Snow White could then celebrate their happiness together in the forest. So there were lots of subtle changes but they were all done with a purpose. Another change was that in the original version you remember that the queen came three times to try to kill Snow White and each time - the first two times the dwarfs arrived home in plenty of time to save her but the third time they didn't. And so, you know, Walt said well one poison apple is enough, let's get it over with so that change was made. But there were - they were changes that were not made without a lot of thought because to him, he was taking well known stories and transferring them to a different kind of medium, the screen. And so he had to in some ways expand the story to full length film. In some ways he had to simplify the story so that it wouldn't be overcomplicated on screen. And when you think about it, these were changes that were no different from changes made in one telling to the next telling. Often when tellers told these fairy tales they would make little changes depending on how, you know, they felt the story should go. So it was continuation of the idea that fairy tales are oral tradition and until, you know, they were written down by the Grimms Brothers, you know, they were just pretty much all over the place.

Lella Smith also discusses, in some detail, how the various dwarf characters were developed from name through to how they each moved and behaved differently in the same situation.The other thing I'd like to draw your attention to is, in the article Ms. Smith announced an exhibition that will show in New Orleans on Disney and fairy tales in November. She also mentioned some upcoming books the ARL are involved with (the bold is mine):

Lella Smith: ...we're opening an exhibition on November 15 in New Orleans called Dreams Come True, Art of the Classic Fairy Tales from the Walt Disney Studio. And that is an exhibition that celebrates fairy tales, talks about how Walt Disney Studio changed them, some of the reasons they did, the elements of animation are represented in the exhibition and there will be about 800 works. So I wrote the catalog and the text labels and then we'll go there for the opening. And then we're working on books. We're just coming out with a book now the second in the animation archive series on animation. And we've just finished designing the design book which this is the third in the series of books. It's called the archive series that goes back and picks out the finest of the finest of the stories from our library, the finest animation, the finest design pieces, and puts them into a big book available on Amazon.com.

It sounds like a fascinating exhibition. I only wish I could get to New Orleans to see it.