Catching Grimm Shadows - The Art of Andrea Dezsö (Now Showing in NY)

Left: Fairy tale silhouettes created for the Complete First Edition translation, Right: Andrea Dezsö self portrait

For lucky New Yorkers (and those visiting before the end of March) there is a very special solo exhibition you need to put on your "must see" list, that just opened (February 21st, 2015) at the Nancy Margolis Gallery. Much of the art was created specifically for Grimm's fairy tales and the artist is Andrea Dezsö.
   
If you're not familiar with the name Andrea Dezsö it's probably not because you haven't seen her work. You have; especially if you're a regular reader of this blog. One of her most recent projects was completing twenty different illustrations for Jack Zipes new translation of the Grimm's First Edition (twenty-one, including the cover) and these special pieces are a large part of the gallery showing.
   
(Oh to see these in person!)

Her silhouettes communicate a raw folk-like quality like the unvarnished tales they accompany.

And Ms. Dezsö is not new to getting to the heart of a subject, nor to folktales and fairy tales either. Her self-portrait (see the head of the post) illustrates just how important a theme this is to the artist, showing the essence, the true tale, inside something, or someone. It should come as no surprise that she's often called on for editorial work as a result.
   
Although am award winning illustrator and known for her distinctive silhouette work (something I find truly interesting - showing the outline to show the inside..), it becomes quickly apparent this artist isn't limited to any one medium at all. While she does work with paper, she also uses etched glass, mosaics (small and wall+ sized!), paint, ceramics, puppets, animation, mixed media sculptures, giant public murals ad site-specific art, stainless steel sculptures... pretty much anything she seems to be able to get her hands on. 

I don't know if the term was coined before she made it popular but Dezsö is also known for her "tunnel books" and "tunnel installations". A recent and extremely popular exhibition had people walking inside of giant cut outs, lit in different sections, as if one were walking through a story. 

Often she returns to books and to tales and folktales, the theme often returning to looking at the inside and of seeing through layers. More recently, and included in the Nancy Margolis Gallery exhibition, is a new form of tunnel one, one in which she translated her tunnel book technique to glass! 

(Seriously: any one want to sponsor me a ticket to see this? Please?)
        

Of creating the Grimm tale illustrations Dezsö says:

"I wished to find the heart of each tale and express it visually. My aim was to create a feeling of atmosphere that could convey a strong sense of place and I wanted the drawings to look like made-up folk art, instead of simply relying on details from the region or period."
   
"I chose tales to illustrate that gave me immediate, strong mental images as I read them. The images that popped into my mind first are generally what I illustrated. Using silhouettes leaves room for the reader’s imagination; not everything is concrete, it’s more a conjured world of dreams, in the same way that the Grimms' tales invite in the reader."

Here is an excerpt from the gallery's press release for the show:

February 21 through March 28, 2015.
Inventive, brilliant, undaunted by complexity or scale mixed media artist Andrea Dezsö, masters a multitude of materials to execute numerous projects ranging from intimate graphite drawings, book illustrations, magnificent mosaics, paper tunnel books, large ink drawing, sandblasted glass, subway murals, colored marker on paper, a long list reflecting Dezsö’s exceptional capacity to take on any challenge regardless of medium.

       

Growing up in communist Romania, Dezsö found art and literature allowed an escape from the rigid limitations the regime imposed on the lives of people. Absorbed, introspective, Dezsö took control of her life by creating her own worlds filled with wishful flights to charmed lands of dark beauty, and haunting iconography. Dezsö’s art, boundless, unrestrained blends a personal vision, contemporary sensibility with a touch of darkness born of Romanian/ Hungarian expression.

      

In the current exhibition Dezsö brings together many creative moments, some familiar, others more recent. Utilizing the flat glass technique learned during a two week 2014 residency at Pilchuck Glass Dezsö succeeded in transposing the layering concept used in her popular paper tunnel books into multi layers of glass panels to form a tunnel book, ”Girl and Devil in Underwater Cave”, and four, one-of-a-kind single flat glass panels sandblasted with lively pictorial scenes.

While visiting Hawaii in 2014 Dezsö made a series of marker drawings and one long drawing 112” x 36.75” made with marker, latex paint, ink, and collage. An exciting addition to the upcoming exhibition are the illustrations Dezsö was commissioned to do for the Princeton University Press publication of The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition by Jacob & Wilhelm Grimm, Translated and edited by Jack Zipes.

It sounds amazing and hearing from people who have seen her work in person - it's rave reviews all round, something to be experienced that doesn't completely translate to a flat image on a computer screen. Hopefully one day I'll be lucky enough to get to see these in person.

These bowls - they're just wonderful!

I strongly recommend you peruse Ms. Dezsö's website. You'll see folktale references and fairy tale references throughout, including some originals of her own making. All are touching, some are raw, some are stunningly beautiful... and I envy the people who take the subway where those gorgeous stainless steel railings are installed and where her mosaics and other public art brighten up the tunnels! You can also keep up to date on the many exhibits and activities of this busy artist through her page on Facebook HERE.

For a quick overview I've started putting together a Pinterest page where you can see a variety of her work at a glance. I predict you will not be able to "just glance" though, but will go for a further journey to closer... she's good at helping us do that.

Fairy tale bonus of the day:

You may also recognize Ms. Dezsö's art from the book cover Lies, Knives, and Girls in Red Dresses by Ron Koertge that was published last year. Here's a promotional video that includes some of Ms. Dezsö's work from the darker side (don't watch right before bed!):
Writing in free verse honed to a wicked edge, the incomparable Ron Koertge brings dark and contemporary humor to twenty iconic fairy tales.

Fearless Folkloric Foxes: Mining the Unexpected Mythic in (Assumedly) Ridiculous Pop Culture (& You Know What They Say About Assume...)

Norwegian folk art - and tricksters - have gone mainstream.

First of all: I did NOT EVER expect to give the source of this a second thought but it turns out, a ridiculous, bizarre, annoying and hugely successful viral internet music video has produced a stunning folkloric work that's unbelievably mythic. (If you've seen some of the the text and are thinking "whaaa...?", just keep reading and concentrate on the artwork.)

The source I'm talking about, if you're still in the dark on this one, is the bizarre/nonsense music video by Norwegian comedy duo Ylvis, "What Does the Fox Say?" (link takes you to the video). Turns out, even before the video went viral with its bear and squirrel costumes, that they had plans to produce a beautiful and mythic work of home grown folk art in children's book form, to be released in the wake of an "intentionally bad" song (their words). They even had an illustrator in mind, Svein Nyhus, a very famous Norwegian author and illustrator, and approached him about the project but he was very busy with other priority deadlines and the timing just didn't appear to be good.


While the song was supposed to be a quick way to draw annoying, but also amusing, attention to the pair and their talk show, what they didn't count on was just how popular their "bad song" was going to get (well over 300 million YouTube hits to date), or just how many dollars from the viral success of their video produced, making for a hit on the song alone. To quote the duo: "It's just so stupid. But stupid dollars are the same as smart dollars." As the YouTube hits started stacking up, Nyhus (the illustrator) called them back and agreed to take on the task of illustrating the, er, "text".

And now they also have a gorgeous book, which is not only a #1 NYT best selling children's book but also sold out on its first day on Amazon.com. It's also been rumored as being under consideration for Children's Book of the Year (unconfirmed). The book is hardcover, 32 full color pages and only contain the lyrics - no other story, but then, that's where you get to write your own... ;)

You can read a full color PDF version right HERE. (Highly recommended - although, you'll likely want to go grab a print copy too. Just a heads-up.)

I'll admit I was completely taken by surprise by the beautiful (stunning!) folk art the book contains, making me look at this pop-culture "phenom-sense" with a whole new set of eyes. (I never could figure out if the song was supposed to be silly and whimsical or sneakily subversive. Perhaps it's both!) However I felt about the music video, I was immediately and irresistibly drawn to the book.

While the comedy duo clearly meant their music and video to be a ridiculous stunt, it would seem that  - at least initially - they unintentionally tapped into their mythic roots and translated them playfully for pop culture - no skin off their nose if it didn't take. But it did take, showing that people - MANY people - had a positive and playful gut resonant response to the video images, even they couldn't explain, which in turn proved the importance of playful nonsense. It's this very trickster-like mentality that is reaffirmed in the excellent illustrations. In fact the whole presentation of the book tends to bring the mythic aspect to the forefront - and it's blowing people away (in a good way!).

I admit to having some shame now, for dismissing something so ridiculous, even though, somehow, it appeared to be resonating with hundreds of millions of people; and that's without/before the filter of the artwork, even if it was only on a playful level. Although I consider myself more open to pop culture and children's odd obsessions and trends than many, I have to wonder: did I dismiss this disguised trickster and the power of nonsense due to some unrealized snobbery (and ass-umption) on my part?! It certainly appears that way, and I almost missed out on something amazing as a result. Shame on me! I have some serious reassessing to do...

That said, I still can't handle repeat views of the video. The book, however, has me wanting to put the pages on display.

Someone else made a different connection with the book as well. Though my own revelation took me down forests paths of fox myth-masks and trickster stories, this person stumbled on a darker side to the images which I found fascinating. Here's the comment the person who uploaded this video (book images to a very different soundtrack) added:

DISCLAIMER: THIS VIDEO NOT INTENDED TO BE LISTENED TO BY CHILDREN - I had discovered that "The Fox" by Ylvis was so mainstream that a children's book was to be made featuring the lyrics of the hit song. Upon viewing the illustrations I was reminded of something eerie... something not native to Earth. If you're familiar with John Carpenter's "The Thing", just look at the illustrations and compare the Fox with the alien.(Basically I was almost passed out one night while on a website chatting with people when I saw this book while "The Thing" theme happened to be playing. Needless to say, it creeped the hell out of me. Crazy Swedes.)

Have any of you been treasuring this book on your shelves, secretly worried that you'll be outed? You can breathe a sigh of relief now.
This book is "mythic approved".

Additional sources: HERE, HERE & HERE

The Sochi 2014 Winter Olympics Opening Folktales (Must See!)

I have less than 10 minutes to write this post so please forgive the intense brevity!
First a quote on the gorgeous patchwork quilt design created for the 2014 Sochi Winter Olympics:

In the concept design, every patch was infused with the history and personality of traditional crafts from each of Russia’s 89 regions: in a single tapestry we combined Uftyuzhskaya painting and Vologda lace, Gzhel and Zhostovo painting, Kubachi patterns and the flowers of Pavlo Posad shawls, Mezenskaya painting and Khokhloma, Yakutsk patterns, fabrics of Ivanovo and other distinctive Russian patterns. That is how we arrived at a modern, distinctive and unmistakeably Russian Look of the Games.”

(See HERE for more on the Sochi quilt designs, including examples of the folk art it drew on.)

Sochi Olympic Opening = folktales coming to life!

If you haven't seen it - go find and watch! Many allusions to folktales, traditions, beliefs displayed in art, dance, film and theater.

My favorites: the Tolstoy tribute and Tchaikovsky's 'Spinning Lake' (the former = dance-theater par excellence, & the latter = wondrous + incredible physical physical feat!).

Adored the amount of regular people involved in behind-the-scenes and in performing (over 2 000 regular every day people), as well as world renowned artists, proving that with hard work, good design and planned timing ordinary people can make real magic too.

The opening ceremony was breathtaking, often incredibly beautiful, classical yet contemporary, very innovative, overall wondrous and technically marvelous.

Seriously, the tech side was perfect, (minus one, unfortunately very visible glitch), the technology used was cutting edge but felt classical and beautiful, and the best of all the arts - music, design, theater, dance, puppetry, film, animation, ballet, opera & more - were represented with uniquely Russian flair and the physical feats some of the performers had to pull off (LIVE!) were astonishing, yet looked effortless.

Folktales were represented throughout in story moments, in film, in images and motifs, in song, in pattern and movement.

The design of the banners for the Olympics reminds us that wonder stories are a strong part of Russia's heritage and still part of Russia's cultural expression.

The word that keeps appearing in the media across the world the day after the Opening aired is "fairytale", and they don't mean the 'glitter and happy endings' types. They mean the timeless, beautiful, rooted and often raw stories that remind us of who we are and guide our path to the future.

Out of time! Posting some pics from the opening, despite the fact that they do not do the performance (even the imperfect & heavily edited TV broadcast) justice! Seeing it all move is... magic.

Wish I had time to put this together better for you but hopefully it will be a good reminder for those who saw it and a prompt for those who haven't yet.

Enjoy!