On 'Mary Poppins Returns', the Issues of Being Practically Perfect & Time Lords

Mary Poppins has a lot of those things we love: arriving (and leaving) by unconventional means (umbrella, or, more technically, the East Wind), a magical carpet bag you can fit anything into, a talking umbrella-bird, paintings you can jump into, floating tea parties, sliding up bannisters, having unlikeable people/nannies being blown away (by the wind - natural consequences!), talking to (and with) birds, a mirror with its own personality, dancing on rooftops, and so much more. It's clear this classic takes its cues from fantasy and fairy tales.

The original carpet bag... not made for carrying carpets (though it probably could).

But before we continue, have you seen the new trailer? No?

We'll let you watch before we weigh in:

So we're a little disappointed that she floats in on a kite, although that gives kites yet another magical connection, and it is, after all, the mode of conveyance in the book Mary Poppins Comes Back (the sequel to the first Mary Poppins volume.) The trailer is - obviously - supposed to underscore the melancholy state of, well, everything, without Mary there but there is a lot of that despair on display in this teaser before we get to the sunny breakthrough/arrival of the magical nanny. Generally speaking, we adore all the concepts of and around Mary Poppins, as mentioned above, but...

OK. Full disclosure:

We were always more-than-a-little disconcerted by Disney's Mary Poppins. She creeped us out, being so "practically perfect". The books didn't communicate quite that sense at all; she was clearly quite vain. (The references to this flaw in the books are many. Check the link to have an online read of just how many!) We loved Travers' books but the thought of having a '"jolly holiday with (the Disney) Mary" gives us the willies!

The following excerpt is from a very old post of InkGypsy's, (on a very old and defunct blog), from over ten years ago, and still holds true:

The new carpet bag
(can you imagine what that
carpet would have looked like?)

A character that's always bugged me is Mary Poppins. From the first time I saw that Disney film I was disturbed by this apparently perfect, almost emotionless, amazingly powerful woman with an agenda that's never revealed. She seemed alien to me and not at all comforting. If she'd been my nanny I would have had nightmares. As it is I just find her disturbing. Even with all that singing and dancing I was always aware of the ice in her eyes and the strangely perfect precision of all her movements and actions. I felt like Bert was under a spell, and not a good one. Oddly enough her arrival in the sky with the umbrella was like a black cloud appearing and it didn't go away until she blew away too. Despite this, umbrellas - and their potential to fly you away to distant places - are a wonderful image for me, as are dancing on chimneys and sidewalk paintings you can jump into, but my enjoyment of these is greatly disturbed by the shadowy, threatening presence of Miss Poppins. It's the cold perfection that I find completely inhuman and ultimately dangerous. I always felt she was really a personification of the Snow Queen and that the film was only ever Act I of the story. Act II, in which her sinister plan is revealed, was never completed and I was quite happy that we never saw her (that way on screen) again.

And now, behold Act II!


This new teaser trailer, with Emily Blunt as the new iconic and magical nanny, gives us a few of those same vibes... and a 'quick google' has let us know, we're not alone in this!

Even with all the creepy possibilities, we must admit we really are looking forward to this one. With the different awareness of how women are portrayed now, and Disney having done a bit of soul searching to produce the quite decent movie Saving Mr. Banks, we have this on our watch list. 

It is interesting to note that, from the brief glimpse we've had, this second movie, does indeed take its cues from Travers second Poppins book (just as the first movie did). We're curious to see how well it follows along with it. Here's a summary of that book from Wikipedia:

Mary Poppins Comes Back, published 1935
Nothing has been right since Mary Poppins left Number Seventeen Cherry Tree Lane. One day, when Mrs. Banks sends the children out to the park, Michael flies his kite up into the clouds. Everyone is surprised when it comes down bringing Mary Poppins as a passenger, who returns to the Banks home and takes charge of the children once again (though she'll only stay "'till the chain of her locket breaks"). This time, Jane and Michael meet the fearsome Miss Andrew, experience an upside-down tea party, and visit a circus in the sky. In the chapter "The New One" a new baby girl in the Banks family is born to the name of Annabel and concludes the family of now five children; three daughters and two sons. As in Mary Poppins, Mary leaves at the end (via an enchanted merry-go-round), but this time with a "return ticket, just in case" she needs to return.

There are other directions the problems of being "practically perfect" can go, too. While our Newshound was "researching" she ended up on Twitter, discussing two paths, that, interestingly, ended up converging. Here's the conversation thread that began with a fairy tale comparison:

Seriously, that mirror image, in both the original movie and in this teaser trailer, fairly beg to make the comparison. And it's not a stretch to have Snow White say, on her box being opened, "No thanks, just regenerating...".

Let's be honest, especially now that The Doctor has finally acknowledged the femme side, the movie we really want is to see is:
Mary Poppins: Time Lord

by Karen Hallion

Fairy tale bonus of the day:

Many years ago, someone edited together a trailer for Mary Poppins, as if it were a horror movie. Although it was a (great) exercise to show the power of editing, it also cuts a little close to being possibly true...

Warning:

DO NOT WATCH if you're not interested in seeing the dark side of Mary Poppins!

(You'll never be able to see her the same way again.)

10th Anniversary of Pan's Labyrinth - It's Lasting Appeal - & the Coming (Loaded!) Blu-ray & 'Making Of' Book

Blu-ray Criterion art

On October 11th, 2006, Pan's Labyrinth debuted in Spain. Widely critically acclaimed at the time and now hailed as a modern classic, the movie went on to receive 97 awards, including 3 Oscars. While awards can be impressive, what's even more so, is that the film constantly tops 'best of' lists to this day, including ours.

To celebrate the 10th anniversary, and the soon-to-be-released Blu-ray from Criterion, and the 'making of' book, Guillermo del Toro's Pan's Labyrinth: Inside the Creation of a Modern Fairy Tale, both being released on October 18th (!), we're including some of our newsroom team's favorite alternate posters, some officially commissioned for movie promotion, some fan made. The variety of styles illustrates just how widely appealing this movie is, as each of them represents the movie well.

Aaron Horkey

Jared Wright

But what is it people like about Pan's Labyrinth? Talk to a number of people and you'll likely get many different answers, from how beautiful it is to the layered meanings, many of which can be interpreted differently by different people. Not surprisingly, that's a large part of the appeal.

This article HERE on Moviepilot, made an effort to distill the factors to a small list and, we think, did an admirable job. Here are the main points Moviepilot writer Roselyn listed:

• Appealing to a wide audience
• Our love of fairy tale
• Open to interpretation
• Exceptionally beautiful

We're including a small excerpt of the explanation for each point but recommend you read the whole article yourself):

Stewart Forrest

Appealing to a wide audience - 

Pan’s Labyrinth straddles the boundaries between many genres and masterfully balances each one so that it truly has something to offer everyone. At once a work of gritty historical fiction and a fantastical fairy tale, the movie is both realistic and magical. Yet, these halves do not merely coexist; events in the fantasy world eerily mirror those in the "real" world, providing important clues as to the deeper meanings of the film.

Beniek

Our love of fairy tale - 

 Pan’s Labyrinth is perhaps most importantly a modern reimagining of a fairy tale that is as dark as Grimm’s original tales.Another possible explanation of Pan’s Labyrinth’s popularity is that the film taps into our love of fairy tales. We love fairy tales because they are, in their simplest form, a battle between good and evil... Real life is never that simple, but fairy tales give us hope that things will work out in the end.While some fairy tale elements, such as the rule of three, are left intact,Pan’s Labyrinth also manipulates classical elements to create something new. Rather than a damsel in distress, Ofelia is a heroine. And it is not an evil stepmother, but an evil stepfather who enters her life. As a result, Pan’s Labyrinth is inherently familiar to us, but also innovative in ways that invite us to watch more closely.

Mike Delmundo

Open to interpretation -

Pan’s Labyrinth is completely open for individual interpretation. The movie never provides any concrete answers and you are left to piece together the plot in a way that makes the most sense to you. Morals and lessons are never overtly revealed and how you interpret the more ambiguous parts of the film can create new meanings.Like any great work of film or literature, Pan’s Labyrinth’s strength lies in the fact that it is not constrained to any time or place, but can be interpreted by anyone. Every viewer can bring something new to the discussion and can relate to the movie in their own way.

Edward Julian Moran II

Exceptionally beautiful -

Or perhaps most simply, Pan’s Labyrinth’s popularity has to do with the film’s exceptionally beautiful design. Highly stylized and carefully constructed, there is not a single element out of place. Each scene bursts with details and everything about the design is linked to the central themes of the film.Pan’s Labyrinth creates a world that is vividly real and a plot that is easy to follow in spite of all it’s complexity. Quite simply, Pan’s Labyrinth is a pleasure to watch.

We recommend reading the whole article HERE.

In the meantime, keep a sharp eye out for the coming Blu-ray and the book. Reports are that the Blu-ray is worth every penny and more - not to be missed, and the book is a treasure. Check out the official list of Blu-ray extras below!

• Director's Introduction - this archival video introduction by director-writer-producer Guillermo del Toro was shot in 2007. In English, not subtitled. (1 min, 1080i).

• Del Toro and Funke - in this brand new video interview, Guillermo del Toro discusses his interest in fairy tales, the manner in which kids and adults approach and decipher them, the impact they had on his films, some of the key conflicts in Pan's Labyrinth and the world in which its protagonists exist, etc. Also participating is novelist Cornelia Funke (Inkheart). The interviews was conducted exclusively for Criterion in 2016. In English, not subtitled. (40 min, 1080p).

• Director's Notebook - presented here is an interactive gallery with Guillermo del Toro's notebook of drawings and sketches for Pan's Labyrinth, with short video inserts featuring comments from the director. The notebook was produced by Javier Soto in 2007. In English, not subtitled. (1080i).
  
  1. Del Toro Intro. (1 min).
  2. Gallery - with an interactive interface.

SAE (Real name unknown)

• Documentaries - the four documentaries were produced by Javier Soto in 2007.
  
  1. The Power of Myth - in this featurette, Guillermo del Toro discusses the specific time period that is depicted inPan's Labyrinth, some of the symbolism that is channeled through the main story, and its main protagonists and the dilemmas they face. In English, not subtitled. (15 min, 1080i).
  
  2. Pan and the Fairies - in this this featurette, Guillermo del Toro discusses the many unique characters that appear in Pan's Labyrinth as well as the special effects/costumes that were used in the film. Also included in the featurette are clips from archival interviews with some of the special effects artists that contributed to the film. In English and Spanish, with optional English subtitles where necessary. (31 min, 1080i).
  
  3. The Color and the Shape - in this featurette, Guillermo del Toro discusses the use of color in Pan's Labyrinthand the film's visual style. In English, not subtitled. (5 min, 1080i).
  
  4. The Melody Echoes the Fairy Tale - in this featurette, Guillermo del Toro discusses his initial interactions with composer Javier Navarrete and the soundtrack he created for Pan's Labyrinth. In English, not subtitled. (3 min, 1080i).

Rhys Cooper

• Doug Jones - in this new video interview, actor Doug Jones, who plays the Faun and Pale Man, discusses his contribution to Pan's Labyrinth and Guillermo del Toro's working methods. Included in the interview is plenty of raw archival footage that shows the preparation work that was needed for his transformations before each shooting session. The interviews was conducted exclusively for Criterion in 2016. In English, not subtitled. (26 min, 1080p).

Adam Rabalais

• Ivana Baquero Audion - presented here is archival footage from actress Ivana Baquero's audio for the role of Ofelia in Pan's Labyrinth which was shot on April 10, 2005. In Spanish, with optional English subtitles. (3 min, 1080i).

Jock

• Prequel Comics - presented here four animated comic-style stories with original tales for the unique creatures that are seen in Pan's Labyrinth, which were produced by Javier Soto and illustrated by Jason Shawn Alexander, Guy Davis, and Michael Kaluta in 2007. With sound effects.
  
  1. The Giant Toad. (1 min, 1080i).
  2. The Fairies. ( 1 min, 1080i).
  3. The Faun. (1 min, 1080i).
  4. The Pale Man (2 min, 1080i).

Consider Graphics

• Video Comparisons - presented here are three video pieces that offer before-and-after comparisons that highlight the type of work (from concept work to music) that was done during the pre-prodction process. The three pieces were produced in 2007. 
  
  1. Lullaby. (3 min, 1080i).
  2. The Green Fairy. (2 min, 1080i).
  3. Thumbnails/Storyboards. (1080i).
  
  • Del Toro Intro
  • Ofelia Enters the Labyrinth
  • Ofelia and the Giant Toad
  • Death of the Doctor
  • Ofelia's Death

Daniel Serra

• Trailers and TV Spots - presented here is a large collection of original trailers and TV spots for Pan's Labyrinth.
  
  1. Teaser
  2. Trailer
  3. TV Spot: "Deadly"
  4. TV Spot: "Trap"
  5. TV Spot: "Three Tasks"
  6. TV Spot: "Top Critics"
  7. TV Spot: "Nominations"
  8. TV Spot: "Phenomenon"
  9. TV Spot: "Accolades"

Drew Struzan

Bo Moore

• Commentary - this audio commentary by Guillermo del Toro was recorded in 2007 and initially appeared on New Line Cinema's release of Pan's Labyrinth. The director explains in great detail how the idea for the film emerged, where and how various sequences were shot, the film's unique narrative structure and visual style, etc.
  
  1. An important juxtaposition
  2. References and insects
  3. Camera movement
  4. Stunning single shot
  5. From true accounts
  6. Magical green hues
  7. Frustrating first day
  8. Wipes
  9. Pale Man foreshadowing
  10. Circles and curves
  11. Based on reality
  12. Subtle changes
  13. Noteworthy pattern
  14. Straight out of Goya
  15. The original story
  16. Magical moment
  17. No salaries
  18. Control freak
  19. Hopelessness
  20. Ambiguity of symbols
  21. Willful miscasting
  22. A satisfying scene
  23. "My favorite shot"
  24. Wings of fire
  25. Fairy-tale moment
  26. Immortality
  27. "From the heart"

• Leaflet - an illustrated leaflet featuring an essay by film critic Michael Atkinson.

Kelly McKernan

• Book - a 100-page illustrated hardcover book featuring an introduction by author Neil Gaiman and essays by critics Michael Atkinson, Mark Kermode, and Maitland McDonagh, as well as production notes and original sketches by Guillermo del Toro and illustrators Carlos Giménez and Raúl Monge. (Note: The book is available only with the Trilogía de Guillermo del Toro box set).

Do we need to mention the box set is now on our wish list?

Guillermo Del Toro Collection - Cronos / The Devil's Backbone / Pan's Labyrinth [Blu-ray]