The Sochi Olympics Are Going to be Epic! (Or Mythic. Or Both.)

You may be wondering why the heck I'm posting a trailer for the Olympics on a fairy tale blog. But then, if you're asking that - you haven't seen it. It's epic, mythic and like something out of Asgard (or maybe Niflheim is more accurate), Middle Earth or Mount Olympus... well, hey isn't that appropriate? Take a look:

Savage North cover by Wayne Reynolds

Frost Giant Jarl for Dungeon Magazine
(Artist Unknown)

I kind of love that the ad is all about conquering nature instead of about "being the best" or putting down other countries of athletes. This focus, while at first seeming grandiose (no - it is NOT a trailer from a new Lord of the Rings movie), the spot attempts to capture just how epic a thing it is that these athletes do at the Winter Olympics. And, in my opinion, kudos to the team that created this for doing so*. This is where it started - with the gods watching and mortal man defying nature, his own nature and the limitations the gods had thought they'd put on humans.

Myth and fairy tale are often linked in very cold regions. Sometimes it's hard to tell where a Norse fairy tale ends and the myth begins. The Frost Giants of legend make appearances in fairy tale, as do ice kings, queens, maidens, trolls and giants.

The chilling voiceover makes it clear: this is a story of epic proportions we're telling here; one future generations will talk about forever. Here's the transcript, narrated at full  grandmaster intensity, by British actor Charles Dance (who plays Tywin Lannister on Game of Thrones**):

At the Wall (Game of Thrones Comic #7 cover)
Jon Snow, Tyrion Lannister & Ghost

I am the dreadful menace.

The one whose will is done.

The haunting chill upon your neck.

I am the conundrum.

I will summon armies.

Of wind and rain and snow.

I made the black cloud overhead.

The ice, like glass below.

Not you, nor any other.

Can fathom what is nigh.

I will tell you when to jump.

And I’ll dictate how high.

The ones that came before you.

Stood strong and tall and brave.

But I stole their dreams away.

Those dreams could not be saved.

But now you stand before me.

Devoid of all dismay.

Could it be? Just maybe.

I’ll let you have your day.

And can't you see all those fairy tale creatures living in this setting, ready to challenge our modern day heroes? While our heroes wear technologically enhanced athletic gear for speed (and survival) and to gain a prize, are the heroes of our fairy tales seeking treasures in the ice and glass mountains so different? Granted, it's unlikely these people will lose their heads, their fortunes or their families (though they often skirt the edge of mortality) but it's not unheard of for these heroes to win a "princess" (or two) after the trial, or gain the key to the treasure vault of their city (sometimes literally!).

Too often I think we consider ourselves far away from all these old stories, from fairy tales and from myth but really, we're just the modern version of it.

And I love that this ad reminded me of all that.

And I'll be tuning in to the BBC (who have some of the best coverage of all the nations competing at the Olympics IMHO) to watch the athletes go "North of the Wall" and conquer Winter.

Bring on the 2014 Games!
(And snow, please. Sochi could REALLY use a heavy dose of snow over the next few weeks...)

* The trailer was directed by Tomasz Bagiński, polish director and animator. His film "The Cathedral". was nominated for an Oscar a few years ago.

** I wonder how long it took them to decide that there's no way they could have Mr. Dance say "Winter is coming.." without having this epically intense trailer dive bomb into a parody? Although it would have been funny - I'm glad they didn't (but just wait for the memes..!)

When "Game Of Thrones" Meets Fairy Tales

The Princess and the dragon are one in Game of Thrones

Note: All images are made by (talented) fans who are clearly storytellers themselves...

It should come as no surprise that people see fairy tale themes and story lines cropping up in their favorite shows - even where none were intended - and the increase in popularity of "collaged image" fan art from TV shows has become an excellent way of people presenting how they see the show: the themes, the subtext, the fairy tales.

Here are three specific uses of fairy tale I found recently for the very popular HBO series Game Of Thrones (based on George R.R. Martin's best selling novel series A Song of Fire & Ice):

The first is regarding the youngest and scrappiest daughter of the Stark family, Arya. So young, yet on the run from many who might seek to harm her. Her family sigil is the "Direwolf" (essentially a monstrous wolf) and though she's had to part ways from her real companion animal, little Arya Stark proves herself wily and adept at navigating her "dark forest". Arya is very much the Little Red Riding Hood we wish our girls could be (while desperately hoping their woods will never be half so dark).

You have the eyes of a wolf and a taste for blood.

Arya's elder sister, Sansa, is a recognized Beauty and nothing like her sister (or so it would seem to everyone, including the sisters themselves). She was brought up to be a lady and tries very hard to be every inch that example, though is initially a little arrogant in lording that. Even when circumstances turn from her naive idea of fairytale to nightmare, she appears to remain soft in her ladylike manners and beauty. When she becomes trapped by people and circumstance she finds she has nothing left to defend herself with, other than the lessons she paid attention to - to be a proper lady and her spirit which is far stronger than even she knows. In Sansa, the opposite of Arya, we see a different female strength: one with a patient and adaptive spirit. One who quickly understands her limitations and physical weaknesses but doesn't give up hope, doing her best to rally herself to action at just the right moment. The beasts she encounters come in all forms - pretty ones who's souls are evil, ugly ones who show compassion when she least expects it. Sansa herself learns to no longer look on the outside, taking the hard road to wisdom, yet keeping her poise. It is the riddle that she must keep solving: who is a true beast and who is a true man? We can only hope our girls will show as much strength as Sansa does (like Beauty), in her situation, no matter what Beasts come their way.

He throws our human aspirations to the godlike sadly awry; only from a distance would you think The Beast not much different from any other man, although he wears a mask with a man’s face painted most beautifully on it.  Oh, yes, a beautiful face; but one with too much formal symmetry of feature to be entirely human: one profile of his mask is the mirror image of the other, too perfect, uncanny.

He is a carnival figure made of papier mâché and crêpe hair; and yet he has the Devil’s knack at cards.

Sansa has also been likened to Sleeping Beauty, as she waits, a hostage, in a tower, keeping her true nature quiet, asleep if you will, as she waits to be free of this curse she's under (though those who put the curse on her are actually waiting for her to "flower" or bloom into womanhood so she can be married to the (truly evil) King Joffrey and get with his child. In Sansa's case, things change and though her forced betrothal to the king becomes void, she is assured she will still be "deflowered" and remains under the curse. When the replacement, Margaery Tyrell, who is set to be Joffrey's new queen, arrives, Sansa becomes, in fact, surrounded by roses. Specifically it's the Court of Roses, which is the Tyrell family sigil.

During the princess’ long captivity, the riotous roses that bloomed on the thickets about her tower became her sole companions. 

They are the only ones she can speak to, even if it is using the "language of flowers" (in this case veiled conversations and witty use of courtly manners to say what cannot be said out loud). For a time, at least, Sansa is friends and allies with her flowery friends but it's very clear these roses have thorns and she would do best to be wary of their company as well.

The Game Of Thrones versions of these fairy tales, of course, remain unfinished. If you know anything of Game of Thrones it may be that the creator George R.R. Martin is likely to kill off any main character at any point in time. No one is safe. That this threat hangs over the stories of these girls in their versions of these tales, make it even more poignant.

And once again we see the strength of the fairy tale shine through. Though there is no guarantee of a happy ever after (especially here) there is still much we can take from these tales.