Coming Soon: "The Beast's Garden" by Kate Forsyth

Here's an intriguing sounding book to keep an eye out for: a new retelling of Grimm's Beauty and the Beast, set in Nazi Germany, by fairy tale scholar and writer Kate Forsyth! (Author of The Wild Girl, Bitter Greens and many more.)

Here's the description from Random House publishing:

Linderhof castle, Bavaria, Germany

A retelling of the Grimm's Beauty and The Beast set in Nazi Germany. 

‘I fell in love the night the Nazis first showed their true nature to the world …'  

The Grimm Brothers published a beautiful version of the Beauty & the Beast tale called ‘The Singing, Springing Lark' in 1819. It combines the well-known story of a daughter who marries a beast in order to save her father with another key fairy tale motif, the search for the lost bridegroom. In ‘The Singing, Springing Lark,' the daughter grows to love her beast but unwittingly betrays him and he is turned into a dove. She follows the trail of blood and white feathers he leaves behind him for seven years, and, when she loses the trail, seeks help from the sun, the moon, and the four winds. Eventually she battles an evil enchantress and saves her husband, breaking the enchantment and turning him back into a man.  

Kate Forsyth retells this German fairy tale as an historical novel set in Berlin during the Third Reich. A young woman marries a Nazi officer in order to save her father, but fears her new husband and the regime for which he works. 

Soldier picking flowers

Ava becomes involved with an underground resistance movement in Berlin called the Red Orchestra, made up of artists, writers, diplomats and journalists, who pass on intelligence to the American embassy, distribute leaflets encouraging opposition to Hitler, and help people in danger from the Nazis to escape the country.  

Gradually Ava comes to realise that her husband Leo is part of a dangerous military conspiracy that plans to assassinate Hitler. As Berlin is bombed into ruins, and the Gestapo ruthlessly hunt down all resistance to Nazism, Ava unwittingly betrays Leo. When the Valkyrie plot fails, Leo is arrested and Ava must flee. Living hand-to-mouth in the rubble of Berlin, she must find some way to rescue her husband before he and his fellow conspirators are executed.  

The Beast's Garden is a compelling and beautiful love story, filled with drama, intrigue and heartbreak, taking place between 1938 and 1945 in Berlin, Germany. 

When will it appear? Release date in Australia is set for July 29th, 2015, according to the website, though Kate's blog cites an earlier date of "late April 2015".

International dates (including UK and US) are yet to be announced.

In the meantime, to further whet your appetite, may I suggest looking through the inspirational images Kate has pinned to her The Beast's Garden page on Pinterest. (Some of those inspirations are posted here.)

Lions Gate Tiergarten Berlin

AFTS Call For Papers on "Transformations: Spinning Straw into Green and Gold" for the 2015 Conference

by Marianne Stokes (& used/altered part of the header for fairy tale blog Spinning Straw Into Gold)

From The Australian Fairy Tale Society: a call for papers for presentation at the 2015 Conference on Sunday June 21st, 2015 (the Winter Solstice in Australia) .

Due date is now Friday, February 27th, 2015. 

Details are below...

Man, I REALLY want to go hear about all this at the 2015 conference! I will have to hook up a remote listening device..! Luckily, this will be recorded for those of us who can't attend, to catch up afterward.

AFTS: Call for Papers

Odette's Transformation by Poppy Alice

Conference theme:

‘Transformations: spinning straw into green and gold’

Transformation is a key element within the enchanted realm of fairy tale, both within the stories themselves and the history of the genre. The possibilities of change are explored in tales where frogs become princes, boys become swans, and many a poor girl is revealed as a true princess following a trial of courage and endurance. Over time and across cultures universal ideas have wrapped themselves in an array of motifs, shifting to suit their audience, setting, and times while retaining the same underlying truth. How have Red, Cindy and Snow adapted to the Australian climate? Are there fairy tales born of our cultural landscape? What changes and what remains the same in a transformation?

Proposals are invited for presentations on the following fairy tale topics:

Daphne by Arthur Rackham

* cross cultural transformations 

* cross generational transformations 

* cultural appropriation 

* European tales from an Australian perspective 

* oral to written and back again 

* folkloric to academic 

* magical transformations – human / non-human 

* therapeutic – personal transformation through story 

by Kaarina Kaila

* adaption across forms – storytelling, music, dance, film, visual arts, etc 

* personal to public and back again 

* maturation / coming of age 

* changing status 

* objects of transformation 

* myth to fairy tale 

* adapting for audience (age, gender, class, sexual orientation, dis/ability), place, and time 

* curses to blessings 

by Christina Marie Day

Performers are invited to present short works or a taster to showcase longer works.

Artists are invited to exhibit and discuss their work.

Along with academic papers, performance, and exhibitions, we are also seeking panelists.

Presentations will run between 15-30 minutes.

The conference will be recorded, with the permission of presenters, and uploaded to the AFTS website.

by Anne Siems

Please send 100-200 word abstract submissions to: austfairytales@gmail.com

Submissions close 5pm Friday 27th February, and presenters will be announced in March 2015.

Conference tickets will be discounted to $50 for successful applicants.

So, fairy tale lovers. Start spinning those abstracts and stories, and we hope to hear from you soon!

Let the enchantment begin!

The Australian Fairy Tale Society Committee

Theater: Kabuki "Pinocchio"

This makes complete sense to me. So much so I have to wonder why I haven't see someone do it before... 

(Note: apologies for the weird formatting below - I could not get Blogger to behave today!)

Here are some excerpts from a wonderful article in the Boston Globe:

A Kabuki-influenced version of “Pinocchio” may strike some as the sort of theatrical experiment best suited to an avant-garde troupe performing in a dimly lit basement. But Wendy Lement and Steven Bogart... promise all the laughs and tugged heartstrings traditional to the tale of the wooden puppet who wants to become a real boy, along with some new shading. 

“When we went back to the original story, I was startled at how funny it is,” says Lement, Wheelock’s producer and co-artistic director. “It’s both hysterically funny and very dark in places, and both of those are combined in 
Kabuki.” 

Kabuki is a highly stylized form of traditional Japanese drama involving singing, dancing, and elaborate costumes and makeup. With performances through Feb. 22 at Wheelock, this “Pinocchio” is a world premiere version of the story of the mischievous creation of the poor puppeteer Geppetto. 

...But if it was not set in Pinocchio’s native Italy, then where? Soon she and Bogart discovered their mutual experience with Japanese theater.... They saw how masks and transformations were common to Japanese theater and “Pinocchio,” the 1880s novel by Carlo Collodi that spawned countless adaptations, including Disney’s classic animated film. 

“We’re not Kabuki experts, we’re not doing pure, traditional Kabuki,” Bogart says. “We’re Kabuki influenced, Noh influenced, even Butoh theater-influenced, pulling all of these elements in to create the story.” 

So audiences will face a stage backed by sliding screens, not unlike those in a traditional Japanese-style home, that here can be moved to change the scene. Movement and dance and masks will echo Japanese styles. The band on an upper deck of the set will include a skilled player of the shamisen, a traditional three-stringed Japanese instrument. And as for the marine creature in whose belly Pinocchio ends up . . . 

“In the novel, the whale is not a whale, it’s a dogfish. I don’t know how big a dogfish is, but the Disney version turned it into a whale,” Bogart says. “We did some research and found a character, Namazu, in Japanese mythology, which is a giant catfish. It’s so big, it’s controlled by a god, and when the god is not paying attention, Namazu creates earthquakes and tsunamis.” 

You can read the rest of the wonderful write-up of the show and how it was inspired and created HERE. 

I wish I were able to see this! Unfortunately, I will have to settle for some photos and perusing the many costume designs posted on the Wheelock blog for now, but if you get a chance to see it, do let us know!

PINOCCHIO
Based on the book The Adventures of Pinocchio by Carlo Colladi. 

World premiere of an original adaptation by Steven Bogart and Wendy Lement. 

Influenced by Japanese theatrical traditions, Pinocchio’s adventures are told through mystical creatures, live musicians, and gymnastic choreography, making the transformation of an animated puppet into a real live boy, a magical, dynamic, and deeply moving experience. WFT’s Pinocchio will surprise and delight audiences of all ages. 

Playing January 30th to February 22, 2015

Wheelock Family Theatre is located in Boston, MA, USA.

You can follow Wheelock Theatre on their blog HERE and on their Facebook page HERE, and they've included a useful study guide for kids on Collodi and Pinocchio HERE as well.

"Bitter Greens" Wins American Library Association Prize for Best Historical Fiction 2015!

A huge congratulations to our fairy tale friend Kate Forsyth!

(Here's the official award listing from the ALA.)

From Kate's Facebook page a few hours ago:

Charlotte-Rose de la Force

Congratulations again Kate!

The award is well deserved.
*clinks glasses of champagne*
(And we can't wait to read what comes next!)

And the Very Inspiring (Fairy Tale) Blogger Awards Go To...*drumroll*

Six Swans Triptych by Rovina Cai

It's awards season, and Once Upon A Blog just got handed a lovely Very Inspiring Blogger Award by lovely fantasy author, Katherine Harbour. Thank you Katherine!

Katherine Harbour is the author of the spellbinding novel Thorn Jack (a Tam Lin inspired tale) and, as a special bonus for OUABlog, has agreed to treating us to a guest chat in the near future, as we look forward to the paperback release of Thorn Jack and the upcoming sequel Briar Queen, (stay tuned!).

Today's award, however, is a way to spread love and appreciation for bloggers we are inspired by, as well as to give you a sneak peek behind the scenes of the people who write to make the blogosphere a good place to roam. To do this I get to share seven impossible things before breakfast.. wait, no seven things about me that maybe most of you don't know. Then I get to nominate up to fifteen bloggers to send you all to appreciate, who are then invited to do the same - pay it forward, pass the appreciation, and spread the awesome!

By the way, Katherine Harbour's intriguing list is HERE. (I am especially looking forward to our chat after reading it!)

So, seven things about me you might not know:

1) I love many, many of the aspects of the Alice In Wonderland and Through the Looking Glass stories and I love the merchandising (from Disney through to indie products), but the original books disturb me
2) Despite a bunch of good reasons to feel otherwise, I still love Disneyland
3) I wish I could read German fluently so I could read the original-text German editions of Household Tales, written by The Brothers Grimm
4) I rewrote The Six Swans for animated film, including storyboarding two sequences of it, long before I ever worked in animation (no has ever seen them, nor ever will!)
5) I was an actor and writer for a Children's Theater Company for about a year, touring schools and libraries
6) I love the rain and am creatively energized by thunderstorms
7) My dearest wish since I was small was to talk to animals (completely influenced by fairy tales). This eventually led me to getting an Advanced Certificate (2 yrs pre-veterinary) in Animal Care with an emphasis on Marsupials!



Inspiring Bloggers on my personal MUST-READ list for Fairy Tale News & Thoughtful FT Discussions:

• Kristin of Tales of Faerie (amazing armchair fairy tale scholar with awesome research skills who writes very readable informative posts, that are also very inspiring)
• Heidi Anne Heiner of SurLaLune site and blog (fairy tale study today wouldn't be the same without her and she remains as relevant and insightful as ever)
• Tahlia Merrill Kirk of Diamonds & Toads & editor of Timeless Tales Magazine (& OUABLog's new partner-to-be! Perhaps obviously, we think she's awesome.)
• Adam Hoffman of Fairy Tale Fandom (a very welcome male voice in the fairy tale blogosphere - regular news and wonderful articles)
• AFTS (Australian Fairy Tale Society) with Reilly McCarron currently leading the charge (very regular fairy tale news with an emphasis on activity in Australia)
• Megan Reichelt of The Dark Forest (she doesn't get to blog much these days  - she's busy performing stories! - but there are many wonderful past posts to delve into, if there isn't anything new. I love her witty writing style!)

Other Inspiring Bloggers I love to visit (in alpha order):

• Christie of Spinning Straw Into Gold (fairy tale blogger with a treasure trove of posts)
• Belinda Calderone of The Monash Fairy Tale Salon (fairy tale scholar who writes in a fresh accessible way, in touch with pop culture)
• Cate Fricke of Something to Read for the Train (writer, thoughts on folklore and fairy tale)
• Midori Snyder of Into the Labyrinth (author/artist of many a lovely myth-based and fairy tale work)
• Maria Tatar's Breezes From Wonderland (Harvard blog on children's literature, folklore and storytelling, fairy tale scholar extraordinaire)
• Terri Windling at Myth & Moor (author, folklore and fairy tale writing legend and advocate)
• Kate Wolford of Enchanted Conversation: Fairy Tale Magazine, teacher and author of Beyond the Glass Slipper. She also has a lovely stable of regular contributors to her blog.
• Kristina Wojtaszek of Twice Upon A Time (author with strong folklore and fairy tale leanings and great sense of humor)

If you have been awarded and wish to continue passing on the inspiration (there is no obligation to do this), here's what you need to do: 

- Link to the person who awarded you (me!) 

- List seven things about yourself your bloggers may not know (yet) 

- Grab the award pic and post it on your blog post for all to see 

- List - and link to - up to fifteen bloggers who inspire you and award them! (And let them know so they can get involved if they want to.)

Cinderella In New York

"End of the Night"

The marketing is beginning to increase exponentially for Disney's next live action remake "Cinderella" but, sadly, there isn't much I've seen that inspires me to see the film.

This new, mixed-media look at Disney's Cinderella, currently making the rounds on Tumblr, is far more interesting to me. For some reason, putting these animated characters into real backgrounds really makes you think about the story, and perhaps more about the many different types of Cinderella stories there are, including those under our noses today (and particularly if you live in New York).

"Mean Girls"

The artist responsible is New York based photographer and musician Harry McNally, for his new series titled Moments Like These. And Cinderella isn't the only familiar "neighbor" you'll discover in a very current New York context.

McNally places our most beloved Disney characters in the most real (and so New York) situations: The evil step-sisters parade around the Upper West Side as if they're fresh out ofGossip Girl; Alice gets lost in the subway instead of Wonderland (because who hasn't?); and Jasmine orders bottle service... at the club. 

"The photographs were not taken with the intention of adding characters to them," he tells Refinery29. "The idea for that came one night while I was obsessively reviewing my photo archive. The scenes depicted in the photographs can be suggestive, some more than others. A situation is already there, ready to be imagined. Adding the character element makes the situation more of a 'moment.'" (source)

I've seen a lot of variations looking at Disney in modern context but this series does a great job of telling the story in a very fresh way (though I think the flippant commentary on the images, care of the reporter in the linked source, detracts). The angles and sizes are so well done it doesn't take much of a stretch of one's imagination to turn these animated figures into possibly-very-real people.

"Transformation"

My other favorite is the confused Alice in the subway, trying to choose which tunnel to take... You can see her and more characters-in-context HERE and buy (pricey) prints HERE.

Tim Burton's Long Lost Disney Project: "Hansel & Gretel" (1982)

This "long lost" film resurfaced on YouTube last year while I was in recovery and I found my note to myself to post the news on OUABlog when I returned, just today. (The images included are some of Burton's concept art for the project.)

A little background:
The film was conceptualized and created by Tim Burton whilst in Disney's employ. It aired one time only on Halloween night in 1983 on the The Disney Channel, due to the Disney Executives horrified reactions when they saw it on air, and I think, in this instance, they were right. It doesn't really fall within the Disney branding, and I wouldn't have been pleased to find a little one watching this either! (Did no one check the show before it aired? Yikes.)

The film was included in the MoMA exhibit that featured Burton's earlier and lesser known works and history a few years ago but hasn't been available to see anywhere before or since (except in Paris for a similar exhibition).

The movie is usually classified stop motion, though it uses real (amateur) actors, all of whom are Japanese*. (Note: it's also Tim Burton's first time working with live actors, which may be apparent in the quality of performance, though his direction is often very imaginative.) In yet another interesting choice, (especially for the time period) the same male actor plays both the Stepmother and the Witch. Seen throughout are designs now considered "Burtonesque", many of which might be considered precursors to other film designs seen in Frankenweenie and The Nightmare Before Christmas. There's interesting use of birds in this one too (duck and swan in particular), and that little toy duck looks remarkably like one Jack Skellington has Halloween town make as one of the presents.

From Wikipedia:

Filmed for $116,000 on 16mm, this live-action short film featured a cast of amateur Japanese actors, kung fu fights (despite kung fu being Chinese) and Japanese toys, as Burton was obsessed with Japanese culture at the time of production. The film's design style and color schemes paid homage to the Godzilla movies and is said to be heavy on special effects, making use of front projection, forced perspective and even some stop-motion animation.

Here you go. Enjoy! (Or, be creeped out):

CAST--------- 

Hansel - Andy Lee 

Gretel - Alison Hong 

Stepmother / Wicked Witch - Michael Yama  

Father - Jim Ishida 

Dan Dan the Gingerbread Man (voice) - David Koenigsburg 

Features early work by Stephen Chiodo of the Chiodo Bros. Studio as well as the late Joe Ranft of Disney and Pixar. 

Music by John Costa of Mr. Rogers' Neighborhood fame!(source)

Can I just say: I'm just not going to ask what the Father did to the Stepmother, and I will stick with my regular Gingerbread Men, thank you very much!

* Has anyone else noticed the Asian (specifically Japanese) fascination with Hansel and Gretel? I wonder what it is about the tale, exactly?

Discussing the "Pan" Teaser Trailer: Are Our Children's Stories Adaptations Getting Too Grown Up?

This trailer has been out for a while. I just never got the chance to post it (or discuss it). There haven't been any new ones yet that I've seen, despite the release date closing in. I have to wonder if they're not rethinking a few things...

Before I discuss, here's the trailer:

I'm not sure how I feel about this adaptation, and I'm not talking about the casting, (cough-Rooney Mara as Tiger Lily??-cough).

In my mind neither Pan nor Tink are exactly sweet (they're actually a little frightening in some ways) but the rest of Neverland and the surrounding story by Barry are more "light-childhood magic" than using dark, looming adolescent themes. I think that's an important aspect of the Peter Pan story, particularly as it deals with the joys of childhood (which might be nice to see an example of, since that's barely acknowledged anymore in any child shown in the media that's over five years old, though true childhood extends far longer) and why you might not want to grow up.

In case you're not aware, this is a prequel to Barry's classic, how Peter became Pan, so you'd think it would be focused on the POV of a child, but this trailer isn't telling me that at all.

I think this is perhaps my main problem with making all adaptations "dark". Mostly, they're not truly adult versions but instead they teeter on that YA/New Adult precipice where everything is uncertain and generally not quite as straightforwardly free and joyful as children's storytelling and tales, yet these versions also aren't layered enough to properly explore the raised issues.

There's no doubt our culture is youth-skewed, but with a specific YA focus still being dominant in both TV series and novels, children aren't getting much of a chance to be "real and as naive as they should be children" either. Children's entertainment these days seems largely to talk down to children, or is so filled with "educational value" so that there isn't that escape into the imagination that children need and crave, where they can explore and learn on their own. Instead, ironically in this case of a Peter Pan interpretation, they're encouraged to "grow up".

As a parent whose son is just the right age to introduce to wonderful worlds of live action fantasy and imagination with a little (but not too much) danger, I'm finding a lot of modern movies just aren't up to the task and I'm having to hunt down DVD transfers of much older classics. What's missing in children's movies at the moment is straight forward (fairy) tales that allow the child/person to enjoy and take them at face value but also have enough layering (yet not too much explanation and detail to make it so specific) that allows a stretching of the imagination and new understandings of themes when the child is ready to go there.

One thing is certain: this version of Peter Pan isn't going to address that issue at all. It's going for that elusive pre-teen male demographic that's so hard to attract. But I'm not certain it's hitting the mark there either. Just look at the posters. Not a single smile or overall joyful palette of color. Where is the humor, the sense of fun, the role play? The magic here is "serious" and Neverland does't really look like somewhere a kid would want to stay...

Thoughts?

Note: Pan is set to open in theaters on July 24th.

Enchanted Forest for Sale

The Enchanted Forest attraction in British Columbia is officially looking for a new caretaker.

From The Huffington Post:

That magical place in southeastern B.C. known as The Enchanted Forest is up for sale. 

The 38 acres of fairy tales come to life — the Three Little Pigs' houses, a castle with a dungeon (and prisoners!), and the shoe where the old woman lived with so many children she didn't know what to do — has been listed for $2.7 million. 

The "turnkey business," as it's advertised, has grown through the years to include B.C.'s tallest treehouse as well as the SkyTrek Adventure Park, which boasts zip lines, climbing walls, and bridges suspended in the wilderness. 

...It attracts 85,000 visitors each year.

Can you imagine owning - and caring for - this place?

I really hope they find a buyer who loves it and wants to continue the magic for generations to come.

(Anyone have $3M spare I can, ahem, "borrow"?)