Showing posts with label online resource. Show all posts
Showing posts with label online resource. Show all posts

Monday, October 10, 2016

FREE Xlnt Hans Christian Andersen Online Course Returns Oct 24 2016 - Registration Open Now







We were thrilled to hear this course is being offered again this year! Gypsy Thornton, our Lead Fairy Tale Newshound, was able to attend the first few weeks in 2015, and reports being happily surprised at how in depth it was, while still being accessible to lay folk who enjoy fairy tale scholarship. It was regretful she was unable to continue due to health issues at the time. She plans to return to complete more, if not all, of the course this year.

One great benefit of this course is meeting hundreds (yes, hundreds) of people from around the world who are interested in fairy tales. We hope to see some of our readers  there!
Explore the fairy tale world of H.C. Andersen
- the inspiration behind The Little Mermaid and Frozen -
with this free online course.

HANS CHRISTIAN ANDERSEN'S FAIRY TALES FREE COURSE FROM FUTURE LEARN

NOTE:THIS IS A RE-POST OF AN ANNOUNCEMENT, COMBINING INFORMATION FROM THE INITIAL COURSE IN 2015 AS WELL AS THE UPCOMING ONE ON OCTOBER 24, 2016.

ABOUT THE COURSE

This free online course will introduce you to some of Hans Christian Andersen’s most popular fairy tales, share the story of the writer himself, and discuss his cross-cultural importance today, as the inspiration behind many popular books and movies.

Interpret Hans Christian Andersen’s fairy tales with experts from his birthplace

You will learn with experts from the HC Andersen Center at the University of Southern Denmark – an internationally renowned research institution located in the writer’s birthplace, Odense.
Each week, these experts will guide a discussion, analysis and interpretation of one of Hans Christian Andersen’s fairy tales, including:
  • The Tinderbox
  • The Travelling Companion
  • The Little Mermaid
  • The Snow Queen (the inspiration for Disney’s Frozen)
  • The Story of a Mother
  • The Red Shoes
New English translations of the fairy tales will be used. You can download them from thiwebsite.

You will explore the themes of each story, and investigate how they both conform with and digress from the basic elements of the fairy tale and the folk tale.
The fairy tale genre became very popular in the period of literary history to which Hans Christian Andersen belongs, Romanticism, when childhood was discovered as an age that is important in its own right. What Hans Christian Andersen did with this genre is absolutely unique - there are no other writers of fairy tales like him.
Through the course, you will understand how Hans Christian Andersen’s authorship developed. From the rewriting of old folk tales via self-invented fairy tales to his so-called new fairy tales characterized by a modern approach.

Explore Hans Christian Andersen’s enduring, universal appeal

The majority of Hans Christian Andersen’s 157 fairy tales have been translated into at least 150 languages. They not only create a fantasy world for children, but also explore universal, sinister and more adult themes such as death, grief and loss.
Through this course, you will discover why his stories have such an enduring and universal appeal - for both children and adults.

Understand the writer’s life - from humble beginnings to global fame

Hans Christian Andersen often described himself as a “bog plant” - his roots were deeply anchored in mire and mud, but he constantly stretched up for the light of the sun.
Through the course, you will understand this analogy, reflecting on how the writer grew from humble beginnings, to achieve fame and acknowledgement as an artist in both Europe and America while he was in his prime. After his death, he became famous in Asia and all other parts of the world.


REQUIREMENTS


You will need a basic ability to read and understand Hans Christian Andersen’s fairy tales in English. Otherwise, a curiosity about and a love for the fairy tale genre is the sole prerequisite for the course.

Join the conversation on social media.

Use the hashtag #FLfairytales to join and contribute to social media conversations about this course.

(NOTE: IMAGES BY HELEN STRATTON)

Friday, September 4, 2015

"Goldie & Bear" Debuts September 12 via Digital Distribution, Cable to Follow (Maria Tatar Is Series Consultant)

We're about to have a new, fairy tale focused, series for kids from Disney! And it's not about using Disney properties or 're-booting' old franchises; this is all about getting the fairy tales kids USED to know so well, back into circulation and back into our lives. (I know!! *much cheering and fist pumping*)

For the skeptics among us (which previously included me), I should mention straight away that one of our Grand Dames of fairy tale study and research, Maria Tatar, has been on board with the series as a consultant from it's development and continues on with the series in this capacity to help keep things - and the fairy tales - on track. (*more cheering, whooping added*)

Here's a quote from Development Executive Nancy Kanter (via Variety) about why they're doing this at all:
“We are trying to keep these classic stories, and classic characters, in kids’ minds,” said Nancy Kanter, executive vice president of original programming and general manager of Disney Junior Worldwide. "With school systems placing more emphasis on math, science and analysis of documents, perhaps there’s less room for Tom Thumb and Hansel and Gretel? “We thought it was really important that kids still had a touchstone to these time-honored tales,” she added.
I can't tell you how encouraging it is to hear that. While I believe there's more to it than just "wouldn't it be nice to keep some of that heritage alive", it's a wonderful start. I vote thumbs up!

They're also kicking this off via the vehicle kids are using most these days: apps, online access and games. While series TV via Disney Channel and Disney Junior on cable (and possibly other providers) will follow in November, the idea is to get the series into the hands of kids where they're most likely to find it for themselves first.

From the press release: 
Disney Junior will debut the first six episodes of fairytale-inspired "Goldie & Bear" on the popular WATCH Disney Junior platforms, beginning Saturday, September 12, with one new episode premiering on the WATCH Disney Junior app and WATCH Disney Junior.com each Monday from September 21 through October 12. Set in the magical world of Fairy Tale Forest, the animated series for kids age 2-7 reunites Goldie and Bear, after the renowned porridge incident featured in "Goldilocks and The Three Bears." The series premieres in November on Disney Channel and Disney Junior.
Reflecting Disney's deep roots in storytelling that resonates across generations, "Goldie & Bear" captures the timeless appeal of sharing stories through fairy tales, folk tales and nursery rhymes. Each episode features two 11-minute stories that showcase the new, unexpected friendship between Goldie and Bear as they seek out fun and adventure along with their friends and neighbors, all of whom are drawn from beloved storybook characters. Whether it's helping the Big Bad Wolf learn to consider others before blowing down their houses, helping Jack and Jill get up that hill, or rescuing accident-prone Humpty Dumpty after his great fall, Goldie and Bear enjoy living in a fairytale world filled with real-life situations, humorous mishaps and heartfelt moments.  
Beginning where the classic tales leave off, "Goldie & Bear" celebrates the distinct personalities of Goldie, Bear and their quirky pals, and encourages children to develop their own enchanting friendships. The series is populated with a diverse cast of storybook characters who model friendship, community, respect for individuality, resilience in the face of adversity and compassion for others, and is meant to spark conversations among kids and parents about the narratives and morals highlighted by Goldie and Bear's unlikely friendship and their comedic interactions in Fairy Tale Forest.  
Maria Tatar, chair of Harvard University's program in Folklore and Mythology and series consultant, advising on storytelling, fairy tales and folklore, said, "When we are stumped, a story often provides the answer - not in the form of a one-liner but in a conversation about the things that mattered to us in the tale." DisneyJunior.com and WATCH Disney Junior will roll out a suite of more than 20 "Goldie & Bear" micro-games throughout the fall, with the first six debuting with the series.  Housed in a storybook containing an interactive map of Fairy Tale Forest, each game centers on a classic fairy tale or nursery rhyme character. 
"Goldie & Bear" stars Natalie Lander ("The Middle") as Goldie and Georgie Kidder ("Star Wars: The Clone Wars") as Bear. Recurring guest stars include Lesley Nicol ("Downton Abbey") as Fairy Godmother, Isabella Day ("Cristela") as little witch Rosita, Debby Ryan ("Jessie") as Thumbelina and Miles Brown and Marsai Martin ("black-ish") as Jack & Jill.  "Goldie & Bear" was developed for television and is co-executive produced by Jorge Aguirre ("Giants Beware!" graphic novel series); Chris Gilligan ("Frankenweenie") is executive producer and director; Joe Ansolabehere ("Recess") is story editor and Rob Cantor (from the band Tally Hall) is songwriter. 
I was sent a little sneak-peek of the synopsis for the premiere which I have been given permission to share:
The premiere episode "Big Bear/Birthday Chair" will go live on the WATCH Disney Junior app and WATCH Disney Junior.com on Saturday September 12th. In the episode, when Bear eats one of Jack’s magic beans so he can be a bigger bear, he and Goldie must find a way to reverse the magic after he learns being big isn’t as fun as he thought.  Then, when Goldie forgets Bear’s birthday gift, she has to quickly find the most perfect present for her best friend. 
And here's a little preview:
Normally I might make a note just to check in with a series like this (like I did for The 7D) but with Maria Tatar consulting on the series since it's early development, and continuing on with the show in this capacity, I'm going to make a point of watching it when I can.

It should also be noted that, Jorge Aguirre, creator of the wonderful graphic novel series Giants Beware, developed this series and is co-executive producer as well, so they're all points in favor of the series as far as I'm concerned.

I'm always a little hesitant to jump on board with CG series as many of them look so similar they can begin to blend together but perhaps a unique signature style will become more obvious and the show will look more instantly appealing when we see more variety of situations and characters.

Even with my reservations about the design style, the acting, animation and writing glimpses we have been given look very promising.

Fairy tale bonus of the day:
Goldilocks has been lurking around Disney for some time. There was supposed to be an animated short released back in 1936, but it never got beyond the development stage. From Disney Wikia:
The Three Bears (or Goldie Locks and Three Bears) is an unproduced animated short that was to have been released in 1936. It is a proposed Silly Symphony of the well-known children's story. Model sheets prove that Goldilockswas planned to look like, and possibly be voiced by, Shirley Temple. Papa Bear was modeled after W.C. Fields. Another version of this short as a MickeyDonaldand Goofy cartoon would have had Mickey, Donald and Goofy casted in the roles of the Three Bears which was approached to the story after the prosed Silly Symphony failed to materialize.

Monday, June 22, 2015

Tom Davenport's Pioneer Fairy Tale Films Now Available to Stream Free!

From the Brothers Grimm
Tom Davenport's Pioneer Fairy Tale Films
This is great news! I haven't had the chance to view all the films in the From the Brothers Grimm Davenport collection yet myself, as getting hold of copies has been challenging but I'm so glad Mr. Davenport has decided to share his films so freely so they can be much more widely viewed.

These aren't your average fairy tale films. They're set in a 'pioneer-era America', with a lot of Appalachian flavor, and are beautifully done. (They also show what filmmakers can do without a massive budget if you know what you're doing! I'd love to see what Tom & his wife Mimi could do with the current technology-on-the-go now available like smart phones and Go Pros!) 

I would also like to make special mention that, though the Davenports are kindly making these available for free viewing, please consider a small donation to help with the archive cost of these films so the originals can be preserved. (And it's a nice way to thank the Davenports too.)

Here's what the Davenports have announced:

We made a series of adaptations of folk/fairy tales in the 1980s and 1990s that were popular in schools and libraries. My wife Mimi and I set them in our local rural Virginia community near Delaplane. 
We have made streams and would like to share them freely with you. Donations will help us preserve these films in a climate controlled archive and allow us to connect with you - a gift much appreciated by this old filmmaker. 
Tom Davenport
 
Suggested donation is $2 for a single film. $10 for the whole series. But any amount will be gratefully received.
There are 11 films and I'm including the synopsis and the trailer for each as a teaser, but encourage you to go to his site, donate what you can and view the whole films there. There's also a bonus MGM Guide (Making Grimm Movies Guide)  for how to make low budget films series you can find HERE, and a teacher's guide to use with high school and college film students as well.

Ashpet (45 mins)
Set in the rural South in the early years of World War II, Ashpet is a version of Cinderella, the world's most popular folk tale.


Bearskin (20 mins)
In a contest with the devil, a Civil War soldier must not wash nor pray for seven years.


Bristlelip (20 mins)
A haughty princess gets her comeuppance in a version of Grimm's King Thrushbeard.

Frog King (15 mins)
A princess breaks her promise to a frog.



Goose Girl (18 mins)

An evil maid forces a princess to change places on their way to her wedding.



Hansel and Gretel (16 mins)
An Appalachian version of the classic story of the courage and loyalty of two children abandoned in the forest.



Jack & the Dentist's Daughter (40 mins)

In this comic variant of the Grimm's story, The Master Thief, a poor laborer's son wants to marry the dentist's daughter.



Mutzmag (50 mins)

With nothing more than her plucky spirit and her pocket knife, a mountain girl outwits a witch and an ogre to save herself and her sisters.



Rapunzel, Rapunzel (15 mins)

Rapunzel imprisoned in a tall wooden tower by a witch, allows a young man to climb her long brown hair to visit her.



Soldier Jack (40 mins)

Jack catches Death in a sack in this Appalachian tale.
Willa (85 mins)
An American version of 'Snow White' where Willa joins a traveling medicine show to escape her evil step-mother.

You can find links to the full films HERE. Enjoy your Summer viewing! And support a 'pioneer' filmmaker while you're at it.
Fairy Tale Bonus of the Day:

There is also a book available about the films and filmmaking process via amazon HERE. Recommended by Jack ZIpes and including a forward by him (which you can read HERE), this is one for the FT library folks!

From the Brothers Grimm: A Contemporary Retelling of American Folktales and Classic Stories

Description: Retells ten fairy tales from the Brothers Grimm, placing them in the Appalachian Mountains and other American settings through the text and photographs from the Tom Davenport film versions."This collection will add a new dimension to any folktale section.  The ten tales have been Americanized and reset in Appalachia.  Imagine Cinderella as a poor, white Southern girl named Ashpet who is helped to romance by a wise black woman. Hansel and Gretel become children of a poor mountain family during the depression. Other stories include “Rapunzel, Rapunzel” and “Jack and the Dentist’s Daughter.” In its simplest form this book will be used with delight by speech students searching for a children’s story to read aloud. The book is also meant to spark interest in the video series that Davenport produced for PBS. B&W photos from the videos will encourage this. With or without the videos, language arts teachers will find many ways to use the tales. An accompanying teacher’s guide gives hints on using the book for kindergartners through senior high students, but it is also bound to be read just for fun. Recommended." (from The Book Report 1993)

Monday, June 24, 2013

Enchanted Conversations with Kate Wolford on Goodreads: Highlights

Last week we were privileged to have two days (June 19 & 20) of real-time "enchanted conversation" during a Goodreads author-chat with Kate Wolford, editor and writer of Beyond the Glass Slipper and creator of Enchanted Conversation, A Fairy Tale Magazine, the online and free-to-read resource that's fostering some truly wonderful fairy tale writing.

I (by some miracle) managed to join in from time to time and was so encouraged to see great dialogue on fairy tales and writing and in members of the fairy tale community coming together! (And I also had the wonderful surprise of my very own copy of Beyond the Glass Slipper arrive during that time! I can't wait to get into it.)

There were eight topics being discussed simultaneously, not always in real time but they were all active during the whole two days. I grabbed a screencap for you:
 
Look at all the goodies! And all with a focus on writing new fairy tales and retellings. Don't you wish you had joined in now? (Bad news: we have no idea when Kate will be available to chat with us again. Good news: you can still read everything that was said.)

The experience reminded me of the SurLaLune fairy tale and folklore discussion forums which, although no longer as active as it once was*, is still (wonderfully!) available for reading, research and discussion (THANK YOU Heidi). I miss those conversations! Kate's Goodreads discussion brought all that excitement back. I will be the first to admit that though I was (literally) running in and out the door to appointments during the whole two days, I would pause if I possibly could for a few seconds as I rushed by the computer, refresh the Goodreads page while still standing, and do my best to speed read (and sometimes speed-write!) through the comments (and my apologies for glaring syntax and typos that occurred to participants... *red-face*)

Enough gushing - let me show you some of the highlights:

On "Indispensable books and resources?" the discussion opened was opened by S.g. with:
I've been serializing some fantasy work based off fairytales for a while. One of the things that I felt a little uncomfortable about is that when it comes to fairy tales there tends to be one or two predominant versions that everyone seems to stick to... part of my own research prior to jumping into a new one is trying to make sure I've read a lot of the different versions so I have a sense of what might be essential facets of a specific tales before I decide what "core things" to retain in a fantasy reenvisioning.
While I have to say I really am glad to have the SurLaLune BLog (http://surlalunefairytales.blogspot.com/) to consult, 
What are some good academic papers, journals, or books that I can consult? 
Among the many suggestions, Kate added this gem:
You know, my library of fairy tale books has grown almost entirely from looking at the bibliographies of the backs of books.
It's like secret book treasure.  
Yes! I agree completely. :)

On "The "Popular" Tales", discussion opened with a topic that is directly addressed by Kate Wolford's book, Beyond the Glass Slipper. Siareen commented:
I think if anyone saw a game, a book or a movie that integrated a number of tales "Into the Woods" style, it wouldn't be difficult to come up with most the tales without actually looking.
For instance most the princesses would be there, such as "Snow White", "Cinderella", "Rapunzel", "The Little Mermaid", "Beauty and the Beast" and "Sleeping Beauty", there might also be some "Little Red Riding Hood", "Jack and the Beanstalk", "Rumpelstiltskin" and "Hansel and Gretel", and if we're really lucky, they might go for some of the "less well known" tales such as "Twelve Dancing Princesses", "Thumbelina and "The Frog Prince".
The list of options, sadly never gets much bigger than that. There seem to be a number of tales which everyone knows [not all Disney], which are used and reused again and again and again. Most the rest lay mostly forgotten by the public until they pick up say an original Grimm fairy tale collection and realize they don't recognize half the tales.
Why do you think some tales are popular while others are not?
Are these the better tales? The ones that appeal more to our day and age? Perhaps they are the ones which are easiest to retell or write about? Or are there just certain elements that make these stories the ones everyone thinks about when they hear the words "fairy tale"? 
Naturally we talked a little about Kate's book and then we refocused things a little:
Maybe we can focus the topic more on writing fairy tale inspired stories. It's these same tales that seem to be the inspiration for most the literary interpretations. Do you think there are the tales that are easier to turn into a story? Or is it only familiarity that plays the important role in fairy tale retelling choices? 
We discussed illustrations, nostalgia, pop-culture, Disney (of course - such a huge influence though the company can't take credit for keeping Red Riding Hood, Goldilocks and others in popular circulation), and cultural influences and traditions (eg Germany's and Russia's canons of popular tales might surprise many).

The most popular topic by far was: "What Do You Dislike In New Fairy Tale Telling Trends?" and although we all had our various niggles we did put forward some positive options and ideas as well (this was a very fun back and forth).

Kate added this quotable set of comments in the middle of it all:
Fairy tales are made by society. They are shaped by society at LEAST as much as they shape it.
What we don't like our fairy tales anymore, we change them. Heck, when we DO like them, we change them.
The cultural heritage aspect of them is one of the reasons we return to fairy tales. Just looking at the discussions here today, you can see how fairy tales grab people. We'll never quit them. The discussion here today show how far into the cultural DNA they are.
I have to add Alyne's lovely opening comment on the "Why do you love Fairy Tale re-tellings?" topic, which was the next most active discussion:
This book by Tanith Lee (Red As Blood, or Tales from the Sisters Grimmer) made me want to write fiction, as did Angela Carter's book, The Bloody Chamber. These are some pretty old books and so its been a long time I've had this dream.
I had to live in Europe to find my plots. Always the fairy tale element is there. Why? Because I am haunted by Grimm. 
Childhood is indelible.Those fairies and witches and enchantments, including the dark forest and castles and strange chapels, were incredibly romantic to me. 
Fairy tales are the stories of our ancestors. They are also cover stories for forbidden mysteries. Finding the root of these mysteries is a quest for some artists. Removing the veil. From this simple intrigue can spring many stories. 
That's what drives me as a writer. What about you as writer or reader? Why do you seek fairy tales?
(By the way - I am SO interested to know what any reader out there is thinking in response to these right now! If you have comments you want to share, please feel free to add them below. The more we discuss, the better equipped we will be as writers, artists and filmmakers in using fairy tales.)

A fascinating and tricky subject, which I wish we'd had more time to discuss was: "Re-writing "problem" tales", that is, tales that have something disturbing about them, including those that seem unfair and/or have an unhappy ending (Kate includes a few of these in her book by the way). This one is a little weightier and more difficult to grab an excerpt from that's self-explanatory so I will just suggest that you go read through the discussion. If you write or work with fairy tales, you're going to bump up against this problem sooner or later.

We also described fairy tales as "cultural dynamite"and "peanut butter" (as in, they go with everything/every genre). I'll leave you to look up the context HERE if you're interested... ;)

Kate's book is not only a good individual resource but is, as you can see a good prompt for conversations in the fairy tale community. I'm going to include the blurb from the back of the book as it summarizes very clearly, not only what the book is about but the spirit of the work that Kate Wolford is doing and just how inspiring it was to have her discussing fairy tales with the community at large:

Oh and please note: if you are an e-reader, Beyond the Glass Slipper has special e-reader friendly annotations and functions (explained HERE) to make the book more fun to read and a great fingertip resource.

I dearly wish there was a way to make fairy tale community discussions a regular feature but it's not as easy to make happen as you'd think. Kudos to Kate and the Enchanted Conversation readers and writers in particular for making it fantastic. I had a blast. I highly recommend joining in (or at least lurking and occasionally waving hi) if anything like this happens again.

*Older discussions were very active indeed, with members signing in daily and sometimes multiple times a day to contribute. They're a gold mine of information and inspiration. It would be wonderful to see this happen again!