Showing posts with label Pinocchio. Show all posts
Showing posts with label Pinocchio. Show all posts

Thursday, April 2, 2015

Review: Metalalia - "A Multimedia Fairy Tale Experience" by Stace Dumoski


"Metalalia - A Multimedia Fairy Tale Experience"

Review by Stace Dumoski


Editor's Note: Stace was brave enough to take on an unusual request - not just an ebook but a multimedia ebook at that, and it's clear she was just the right person for the job. (I'm also very much looking forward to her future reviews.) And in case you're wondering, what Metalalia means: "Metalalia comes from the Ancient Greek words meta, meaning ‘after’, and lalia, meaning ‘stories told’. It accurately describes the stories we are telling: original stories influenced by the thousands of fairytales, folktales and myths that have gone before, and re-imaginings of those bygone tales adapted to serve the needs of our time." (Note: image above is from Metalalia's "The River Girl".)

Description:
Metalalia: Mixed Media Fairytales for Phones and Tablets Metalalia is a unique multimedia e­reader, an immersive storytelling experience featuring - - High­ definition art, narration and music - Launched in December 2014 - Free to download, includes one free story - Additional stories available for in­app purchase with new content to be released monthly An ever growing library of stories, Metalalia contains bold retellings of classic tales in dynamic new settings. The app offers an experience unlike any other and the ability to customise how you enjoy your story.
Founded by LA­based musician Pam Shaffer, Metalalia combines Pam's signature haunting melodies with stories by the NESTA award­winning British writer Alex Nicholson alongside art from a team of accomplished visual artists and app developer Adam Schwem, known for his work on Shazam and Music ID.
I have been fascinated with the possibilities of digitally-assisted narrative ever since Captain Picard first walked onto the holodeck, so I was very excited to be given the opportunity to review Metalalia, an app designed for Apple's iPhone and iPad that presents original fairy tales as a multimedia experience. The app is the creative project of writer Alex Nicholson and musician Pam Shaffer, who collaborated with various composers, artists and programmers to create this digital storybook, which they envision as "an illuminated manuscript, but for the iPad."


It's important to point out Metalalia is not a single story, but an engine for presenting various tales produced by the authors. The free download includes one story, and there are currently three additional titles available for purchase at $2.99 each.


The app itself is very clean and intuitive to use. It opens with the image of a rustic bookcase from which you select the story you wish to read. Once the story begins, readers swipe the screen to turn the page, and can toggle text, music, and narration on or off, giving them complete control over the storytelling experience. On a technical level, the experience was flawless, and I'd like to see more storytelling experiments in this format.


The "fairy tale" that accompanies the download of Metalalia is a Rapunzel-inspired story called "The Hair-Woven Rope." I didn't think to time it, but the story lasts about 15 minutes, if you play the narration. It starts off well, with a fortress on a floating island and an unnamed protagonist locked away in a tower by her father. It features seven illustrations by artist Amy Faigin, and a lovely piano score by Shaffer. It's a fine, feminist adventure tale in which the heroine manages to escape her unhappy situation by her own devices (I'm sure you can guess how from the title of the story). It's a story I'd be happy to share with my own kids, but I'd say more "fairy tale inspired" than an actual fairy tale itself.


"The Wind-Up Boy" is a steampunk version of Pinocchio, in which the title character is created not to fulfill his father's desire for a child, but as an automated soldier for an ongoing war with a neighboring country. While the original Pinocchio is a moral tale that promises rewards for good behavior, Metalalia's version feels like it was intended to be a parable about the dehumanizing effects of war. Jiminy Cricket envisioned as a propaganda-spouting electronic "locust" is a particularly intriguing idea. (Editor: That IS intriguing! What a great concept.) I wanted this story to be longer, and for the author to spend less time echoing the events and characters of the original novel, and more time exploring the heart of the Wind-Up Boy. The adventure ends abruptly without him ever being tested, or having a chance to come to terms with his place in the world, and I found myself swiping my screen to look for more.

Shaffer and Nicholson promise more stories "featuring music and visual art set to original and reimagined fairytales and myths featuring LGBTQ characters, POC and disabled people." From the descriptions available about the other stories available for purchase, it seems like the fairy tale elements might be a little stronger than the story I read. Anyone who is looking for more stories like these should visit the Metalalia website for more information, or go HERE to the iTunes store for the app.

Note: You can see a video HERE of Metalalia in preview mode.
Disclosure: Complimentary copies of some of the stories were provided by Metalalia in exchange for an honest review.


Stace Dumoski is a professional content writer, aspiring fantasy novelist, and lover of all things magical and fantastical.  She has an undergraduate degree in Medieval Studies and has undertaken formal study in Folklore and Mythology and helmed the website "Phantastes: The Online Journal of Fantasy Criticism" which was listed three years running in the Year's Best Fantasy and Horror anthology. In joining the OUABlog review posse, she brings her extensive skills to report on some of her favorite subjects. You can find her magic filled blog HERE.

Friday, March 27, 2015

Bibbidi Bobbidi Basketball Jerseys

1. THE PLEASURE ISLAND MONSTROS

A Whale of a Team

The man-eating beast lurking around the shores of Pleasure Island has inspired this team’s monstrous stats. Watch out for their end game (and their toothier front, as well)!

Fairy tales and sports: it's one of those combinations I have to weed through daily to find the 'real' fairy tale news, but this time the two have been combined wonderfully by the talented graphic design team at shirts.com.

These guys looked like they had a lot of fun making these! 

4. THE FORBIDDEN MOUNTAIN THORN BUSHES

A Thorny Lineup

You’ve got to watch out for these players! They have infamous elbow jabs and they know how to use them. If they’re behind at the half, they become real fire-breathing hot heads.

15. THE SNUGGLY DUCKLING DREAMERS

Breakin' Femurs

The only team in the league that can somehow play with hook hands. They’ve got big dreams to win the whole thing and nothing is going to stop them except, perhaps, a spontaneous frying pan duel. 
Very clever!

Here's their introduction (and I like their notes about the teams too):

16. THE ARENDELLE ICE HEARTS

It Takes Heart

Beware the frozen heart!
They’ve got icy resolve to win at any cost.
They keep their home games as cold as an eternal winter,
 the cold never bothered their biggest fans, anyway.
It’s that time of year again: the sneakers are squeaking, the balls are bouncing, and you’ve finally spotted your first referee of the season. It can only mean one thing -- March Madness is here! 
While we’re all basketball mad around the office with our brackets all stacked with care, we noticed that we have a year-round-madness that is much more magical than even the hottest NCAA game. We’re speaking, of course, about Disney magic! So, we thought it would be a wonderful idea to take our two passions and mash them up. 
If the Disney universe held its own basketball tournament, these are the jerseys all the fans would be proudly sporting to every game.
I have to say, if these were real products, I'd be pulling out my wallet to order a couple of them right now.

14. THE XIAN LUCKY CRICKETS

Lucky Shot

If your team can deal with the incessant cricket noises throughout the game, we think they’ll have no problem winning the match. Either way, fans love the fireworks show at the end buzzer!

(I like the cricket one because it makes me think of lots of different folktales too, not just the movie source.)

You can go see them all, full size, HERE - and guess which jersey belongs to which team (movie).

Now we just wish they were real.

Tuesday, February 3, 2015

Theater: Kabuki "Pinocchio"


This makes complete sense to me. So much so I have to wonder why I haven't see someone do it before... 

(Note: apologies for the weird formatting below - I could not get Blogger to behave today!)

Here are some excerpts from a wonderful article in the Boston Globe:

A Kabuki-influenced version of “Pinocchio” may strike some as the sort of theatrical experiment best suited to an avant-garde troupe performing in a dimly lit basement. But Wendy Lement and Steven Bogart... promise all the laughs and tugged heartstrings traditional to the tale of the wooden puppet who wants to become a real boy, along with some new shading. 
“When we went back to the original story, I was startled at how funny it is,” says Lement, Wheelock’s producer and co-artistic director. “It’s both hysterically funny and very dark in places, and both of those are combined in 
Kabuki.” 
Kabuki is a highly stylized form of traditional Japanese drama involving singing, dancing, and elaborate costumes and makeup. With performances through Feb. 22 at Wheelock, this “Pinocchio” is a world premiere version of the story of the mischievous creation of the poor puppeteer Geppetto. 
...But if it was not set in Pinocchio’s native Italy, then where? Soon she and Bogart discovered their mutual experience with Japanese theater.... They saw how masks and transformations were common to Japanese theater and “Pinocchio,” the 1880s novel by Carlo Collodi that spawned countless adaptations, including Disney’s classic animated film. 
“We’re not Kabuki experts, we’re not doing pure, traditional Kabuki,” Bogart says. “We’re Kabuki influenced, Noh influenced, even Butoh theater-influenced, pulling all of these elements in to create the story.” 
So audiences will face a stage backed by sliding screens, not unlike those in a traditional Japanese-style home, that here can be moved to change the scene. Movement and dance and masks will echo Japanese styles. The band on an upper deck of the set will include a skilled player of the shamisen, a traditional three-stringed Japanese instrument. And as for the marine creature in whose belly Pinocchio ends up . . . 
“In the novel, the whale is not a whale, it’s a dogfish. I don’t know how big a dogfish is, but the Disney version turned it into a whale,” Bogart says. “We did some research and found a character, Namazu, in Japanese mythology, which is a giant catfish. It’s so big, it’s controlled by a god, and when the god is not paying attention, Namazu creates earthquakes and tsunamis.” 
You can read the rest of the wonderful write-up of the show and how it was inspired and created HERE
I wish I were able to see this! Unfortunately, I will have to settle for some photos and perusing the many costume designs posted on the Wheelock blog for now, but if you get a chance to see it, do let us know!
PINOCCHIO
Based on the book The Adventures of Pinocchio by Carlo Colladi. 
World premiere of an original adaptation by Steven Bogart and Wendy Lement. 
Influenced by Japanese theatrical traditions, Pinocchio’s adventures are told through mystical creatures, live musicians, and gymnastic choreography, making the transformation of an animated puppet into a real live boy, a magical, dynamic, and deeply moving experience. WFT’s Pinocchio will surprise and delight audiences of all ages. 
Playing January 30th to February 22, 2015
Wheelock Family Theatre is located in Boston, MA, USA.

You can follow Wheelock Theatre on their blog HERE and on their Facebook page HEREand they've included a useful study guide for kids on Collodi and Pinocchio HERE as well.

Tuesday, May 13, 2014

Interview With A Leg! I mean "The Leg". (Actually it's the creator of "The Leg", aka Van Jensen, which is still pretty awesome.)


By now you should have heard, from many places, all about this curious-and-awesome Mexican folklore based graphic novel of The Leg: The Remarkable Reappearance of Santa Anna’s Disembodied Limb. 

If you missed my post from a week ago (when a special Kickstarter was launched on Cinco de Mayo to get it printed), you can catch up HEREIf nothing else, be sure to check out the trailer. It is made of awesome! (Folkloric treasure trove!)

Creator and word wrangler, Van Jensen, whom you will know from his amazing three volumes of Pinocchio, Vampire Slayer!, kindly found time to answer a bunch of questions on folktales and more (we even talked spaghetti) and allowed us a closer look into the story and the folklore that's woven through The Leg.
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Hi Van! Thank you so much for agreeing to let us behind the curtain a little and scratch your brain about your latest project. What with Pinocchio, Vampire Slayer! getting a new multi-volume release, a new graphic novel and a Kickstarter that's jumping along in leaps and bounds (huzzah!) among regular work and other projects you have brewing, we know you're a busy man! 
Van Jensen at work
So first of all, your hero is possibly the most unusual hero ever written. How on earth were you inspired to give life to an amputated limb?
This all goes back to a Mexican History class I took as an undergrad, and the professor randomly mentioned the anecdote of Santa Anna losing his leg in the Pastry War and then giving it a full military funeral. Later, the people exhumed the leg to protest Santa Anna. I have no idea why, but that story struck me as fascinating, and I kept thinking about it for years. At some point, it morphed into this question: What if the leg was still alive? What would it do? Where would it be? 
Santa Anna's wooden leg, Illinois
So, this is a true(ish?) legend that you've given additional (zombie-like) life to. I need to know: have you been to Springfield, Illinois to see the real Leg? (And how 'ish" is this LEG-end anyway?)
As far as I know, that fake leg is the real deal. There's been a lot of fascination over the years with Santa Anna's fake leg, especially in Texas given the Alamo connection, and then the King of the Hill episode. I haven't seen the leg in Springfield, but perhaps a road trip is in order! 
So this wasn't just the Van way to get on the zombie train?
It's funny, but I never thought of this as a zombie story. I don't know why, but it just didn't dawn on me. Maybe it was my subconscious! 
What is it about Mexican lore and folklore that fascinates you? 
Starting with that class I took, it was really the realization that, despite the nearness of Mexico, I knew very little of its history. And it has a fascinating, bizarre, violent history, complete with a wealth of folklore and fairy tales. Some of the folklore especially has a lot of European influence, but even then, these familiar stories have a new spin on them. And then there are crazy native legends, like the story of the Witch Wife.  
I worked a lot of that into this book, but there's so much more that I wanted to include but couldn't.  


Your hero has an unusual sidekick (ahem) for a spaghetti Western with a folkloric twist: a little girl named Ana. Can you tell us about her? How did she come to be, why is she so important and why does she get so attached to this leg?
Ana is a young girl who was separated from her parents and is stuck in an orphanage. She believes she's destined for greatness, because her lineage traces back to Santa Anna. But what she doesn't realize is that Santa Anna was famously promiscuous, and so her connection to him is a source of dishonor, if anything. Then she discovers the Leg, and they help each other as they strive to reach Mexico City and save the president from assassins. 
Ana is a voice of innocence, and it is through her that we see the Leg's personality emerge. She humanizes him, allowing him to connect with a literal part of his legacy. There's also a kind of Calvin and Hobbes aspect to their relationship, which was just a lot of fun to write. 

We're told the Leg has to save Mexico; a tall order for anyone, let alone a lone leg with nothing but a boot and a kid to help him! What is the Leg's greatest threat? (Other than centuries of toe cheese?)
Ha! Well, as the story begins, the Leg discovers that there is a plot to kill the president of Mexico, and he takes it upon himself to save the day. Along the way, there are some major threats he'll have to face. But at its core, this is a story of discovery, and the Leg learns that his greatest enemy is himself. Santa Anna was renowned for his ego, and the Leg must overcome that part of himself to win the day. 
The story is full of references to legends and tales and I was continually delighted to discover what you'd woven in, in each chapter. Without wanting to spoil any surprises, can you tell us what have been your favorite folkloric elements that you've woven into the narrative? 
The lost tribe of northwest Mexico were a lot of fun. There's this legend of shape shifters living atop a mountain, and I HAD to include them. There's also some witchcraft, and the details of the spell came from an actual Mexican healing spell I tracked down. 
Are there legends, superstitions, tales or creatures you still wish you'd been able to work into the story? (Do tell!)
Oh, yeah, tons! I actively avoided La Llorona, although it is a really cool story, it's just overly common. The first draft of the script included the Pedro Urdemales trickster character, but I had to cut that to save space. It's a really fun legend though. 
If you could have one aspect of 'Other' from The Leg be real for a whole day, what would it be?
The talking crow would be fun to have hanging around. I always imagined that crows had a lot to say, although maybe I'd regret it. 
Are there any things you included in the way of "folkloric Easter eggs" that readers who know their legends and tales should keep their eyes peeled for? (eg I'm thinking of a particular house-on-one-leg design myself and I noticed an eagle that keeps appearing. Is this a reference to the Mexican fairy tale The Greenish Bird?)
The house-on-a-leg for sure! The eagle is a reference to Santa Anna mostly--that was his nickname. There are some teases throughout as to the identity of the crow, which ultimately is revealed. There are a few other references, especially ones worked in by Jose into the art. One that's kept pretty subtle is the Judas statue, which references a pretty weird piece of Mexican tradition of detonating statues of Judas. 
How did you get yourself in "the Mexican mood" to write this (Art? Music? Tequila? Continuous re-runs of Once Upon A Time in Mexico?) and were their references or resources you kept close?
I'm such a boring writer. I don't listen to music or drink. Pretty much, I just lock myself in a room and get to work. But I did read a lot about Mexican history and folklore. There are a ton of great books, but I remember Judas at the Jockey Club as being one of the best. It's been eight years since I wrote this story, so my memory is a little foggy! 
Fast forward to finding the perfect artist for The Leg in Jose Pimienta: how did you find him and how did you pitch your story? (And how did you decide how far to take the design to make the boot emote without turning it into a version of the Hogwarts Sorting Hat?)
It was at Comic-Con in 2011. A friend introduced us, and Jose was looking for something to draw. I didn't have anything, but then I told him about The Leg on a whim. At that point, I'd given up on ever publishing it because it was so weird. But Jose really perked up, and he told me that he grew up in Mexico, and he wanted to read the script. So I sent it to him, and he responded right away asking to illustrate it. The whole thing seemed kismet, so I readily agreed. 
Jose did an amazing job with the book. It's so incredibly hard to get emotion out of a boot, but he nailed it. I can't say enough about him. He's been a dream to work with, and I'm thrilled to finally share his art with everyone. 
So, let's do a quick check on what people can expect from your graphic novel: 
- Sentient zombie leg?  Check. 
- Ghosts?  Check (we see one in the first chapter, which you can preview HERE
- Walking skeletons?  Check. 
- Magic?  Check. 
- WItches/bruja?  Check. 
- Frida references?  And Diego! 
- "Santas"? (Not the belly full of jelly guy, Saints)  Check. 
- Spaghetti?  Yep. 
- How about gunfights?  Lots! 
- Nuns?  Indeed. 
- Puns?  Of course! 
- Chupacabras?  Hmm. Sort of.  
Do you think we'll be seeing more of the world and characters from The Leg in future stories?
There's certainly room to do more with it. Part of that depends on how the Kickstarter campaign does. It's a project that I almost certainly will never make money on, but I do love the book and the characters. And I love working with Jose. If people want to see more, they can help by supporting the Kickstarter and helping spread the word! 
With the graphic novel complete but not yet published, you currently have a Kickstarter campaign to get it printed and into our grubby hands as you and Jose originally envisioned. With 21 days to go (as of May 13) and almost 75% (of $10 000 needed) funded to date, how has it been for you both to see the response?
It's been totally overwhelming. This is an overtly non-commercial book, but the response has been very strong. I think that says a lot about the quality of the art, and that there are readers out there who want intensely weird stuff. Which works for me, because that's what I like to write! 
I was thrilled to hear about the stretch-goal of creating a Spanish-language version of The Leg. Can you tell us more about that (or tease us with some other stretch goal ideas you have bubbling)?
If we hit $15,000, we'll give a free Spanish-language PDF to all backers who pledge at least at the $8 level. We really want to get to that point, so all support in getting the word out helps! Beyond that, we plan to do some upgrades at higher levels, potentially doing a hardcover instead of paperback. And there are some artists who would love to contribute pin-up pages, so that's something that we'll offer. 
Are you up for a rapid-fire word-showdown?Let's do it!
Would you rather: 
Talking animal or a talking object?Animal. 
Flying carpet or broom?Carpet. I'm scared of heights, and a broom doesn't seem very secure! 
Have a corpse bride or bruja wife?Bruja? Yikes. 
Giants or trolls?Giants. 
Face La Llorona or El CuCuy?CuCuy. At least it's pure evil. 
Bet on The Leg or Pinocchio VS in a showdown?Clearly, they would only team up against undead monsters. But if they had to fight, I bet the Leg would kick butt. 
And lastly, because we're dying to know:What are the most creative leg pun/s to date that have tickled your funny bone?
I love ALL leg puns. The more the merrier! Someone the other day asked me if I'd considered calling it "The Leg of Extraordinary Gentlemen." Just delightfully terrible.
Thanks so much Van! We wish you every success and not only hope you meet your initial goal but stretch it far enough to get the Spanish edition made as well!
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Here's the lowdown: You rarely see such a great combination of storytelling and images, let alone one that includes folklore, legend and history. It's also entertaining as heck, not to mention very juicy fodder for folklore and fairy tale people. There aren't many graphic novels that can keep my attention beginning to end in one sitting but I became completely absorbed in reading The Leg. The layout, art and excellent use of words flows very much like an oral storytelling and the story itself is everything it promises to be. Spring boarded from recorded history it has that unique Mexican mix of politics and art, gunslingers and family, religion and superstition all coexisting in a harsh landscape. At the same time, the fact that it's chock-full of Mexican folklore and legend references and tales, and all without seeming cramped, is a complete delight. An excellent introduction to Mexican folklore and more for ages 15(ish)+, via a fantastic (in both senses of the word) story. Apart from the fact that I can't yet put it on a bookshelf (c'mon Kickstarter funders!) I can't think of a reason I wouldn't recommend it.
         Here's who we can blame, er credit, for this strange-awesomeness.
Words: Van Jensen, co-creator of PINOCCHIO, VAMPIRE SLAYER  (Top Shelf Productions) and writer of GREEN LANTERN CORPS and THE FLASH (DC Comics). Van is also an award-winning journalist based in Atlanta. This is his first self-published work. Follow him on Twitter.

Art: Jose Pimienta, a native of Mexico and the co-creator of A FRIENDLY GAME and an artist on several successful Kickstarter-funded comics anthologies. Follow him on Twitter
Colors & Letters: Matthew Petz, artist of the webcomic WAR OF THE WOODS and colorist of several comics and graphic novels. Follow him on Twitter
Design: J. Chris Campbell, maestro of WIDE AWAKE PRESS.
Please do go check out Van & Jose's KICKSTARTER HERE and consider helping put some fantastic (& fun - and gorgeously illustrated) Mexican folklore into people's hands. 

Monday, May 5, 2014

"The Leg": The New Mexican Folklore Inspired Graphic Novel with A Kick! (& Happy Cinco de Mayo!)

From the brilliant (some might say twisted) mind of Van Jensen, creator of "Pinocchio, Vampire Slayer!", comes:


And, get this, today Mr. Jensen launched a Kickstarter (I know!) to help take this (really wow - seriously, it's amazing) completed graphic novel from a limited-edition-of-one, to print for us all.

You did know there's this thing about disembodied legs in Mexican folklore and legend, right? And this is where the weird fun begins!

Note: Before you go any further I have to warn you: read a little and you are drawn in. At this point, I am totally hooked on this story! (I need more!*headdesk*) Woven in among the colorful and forbidding landscapes of both setting and story, you'll find a sentient disembodied leg, desert shamans, a giant, a wizard, a little girl (named Ana... one 'n'), possibly magical birds, vengeful skeletons, a lot of grit, a lot of humor, a bruja, tales upon tales and so much more...
















Once upon a time in Mexico—more specifically, in the 1880s during the Pastry War—President Santa Anna lost his left leg when it was struck by French cannon fire. Santa Anna gave his missing limb a full military funeral (true story!). But when the Mexican people rebelled against Santa Anna (because he did insanely vain things like giving his limb a military funeral) and threw him out of office, protesters exhumed his leg, dragged it through the streets and cast it aside (also a true story!). It hasn’t been seen again…until now! 
Our story is set in 1938, when the Leg has reappeared, clad in a tall leather boot. When the Leg learns of a new threat against Mexico, it embarks on an epic journey across the country, battling with villains both modern and magical in its quest to save the country and redeem Santa Anna’s tarnished legacy. 
Will the Leg succeed in its quest? The answer lies inside THE LEG: The Remarkable Reappearance of Santa Anna's Disembodied Limb.
From Bleeding Cool (because they do a great job of nailing the flavor of this work in just a couple of sentences):
The Leg features the disembodied leg of Santa Anna adventuring through 1930s Mexico. It’s a weird pastiche of fairy tales, Spaghetti Westerns and Mexican history featuring art by Jose Pimienta, who grew up in Mexico.
1938 Mexico, a century after Santa Anna lost his left leg in battle against French invaders. Now, mysteriously, the Leg has returned, and it discovers a new threat against its beloved country. As the Leg ventures across Mexico, it will encounter the strangest elements of Mexican folklore and history, and it will come face to face with its own turbulent legacy. A pastiche of Robert Rodriguez’ Mexico trilogy and the surrealist paintings of artists Diego Rivera and Frida Kahlo, THE LEG is an intensely original spin on the Spaghetti Western genre.
Launching today on Cinco de Mayo, a holiday that marks Mexico’s military triumph over France, the book is completely completed and money is being raised to cover the print bill.
Here's the Kickstarter video (which is also one of the most pleasing book trailers I have seen in ages):
I was exceptionally pleased to discover that one of the stretch goals for this Kickstarter include a Spanish Language edition of the graphic novel, which I feel is only right, and very important to help make happen.

The story, helped by the beautiful visuals, feels very Mexican with an amazing blend of political strife and grasping for power alongside a stubbornly surviving people, whose common sense and religious beliefs live side by side with their abounding superstitions and (possibly real) legends.

Inspired by random bits of folklore uttered by a professor in a Mexican history class, and ultimately illustrated by acclaimed artist and Mexican native, Jose Pimienta, The Leg shows a deep love of Latino culture, a fascination of the 'Other' and betrays a writer infused by tales and wonder.

Once Upon A Blog will be interviewing Mr. Jensen later this week to find out more about the mind and method behind The Leg, but today is launch day and besides, you need a little Mexico-folkloric in your life on Cinco de Mayo, don't you?

Start by checking out the first chapter - in full glorious color - of The Leg, which you can download directly from HERE then please consider helping the Kickstarter along, because the ultimate question we have to know is: will The Leg save Mexico?

Friday, April 11, 2014

Fairy Tale News Hound Digs Up More Than She Can Chew, er, Post (aka Article Roundup From Between the Coffee Stains in a Reporter's Notebook)


It's no secret that I barely get to a quarter of the fairy tale news stories I dig up and there are always a good handful I regret not sharing so I'm going to try something and we'll see how it goes.
I'm going to list a group of stories I haven't had time to post on that I think are worth checking out, giving you links to the various key articles and web pages so you can both be aware of these things happening and research them yourself if they catch your interest. 

This won't be uber-regular as it could turn into a column all by itself (!) but from time to time, hopefully I can pass on a plateful of fairy tale goodies that you can follow up on at your leisure.

My big challenge, considering I'm already interested in them, is to keep my summaries brief and concise so this post doesn't turn into an encyclopedic-sized essay.... 

(Note: Most of these are from last week and any events mentioned are still running/exhibiting.)


Beren and Luthien by Helena Panassol 
From a blog that, studies and critiques Tolkien's work comes a parallel with Rapunzel:
"...the Silmarillion presents a reconstruction of the story of Rapunzel, in which Luthien, trapped in a “wooden house” at the top of “the greatest of all the trees,” causes “her hair to grow to a great length,” and “of the strands… twine[s] a rope” and “climb[s] from her prison” (Silmarillion 203). "
I wish it expanded on it a little more but there's enough there for you to start your won research if you're intrigued. 




A fun post with some silly thoughts that also points out the two-sided nature of the banner and that the dual (and dueling) sides of Maleficent that are likely to be explored in the movie. This does appear to be the driving force of the movie but the article also kind of want to make a whole list of more silly predictions for fun now too. :) The article also touches briefly on the discomfort being felt by money-makers on Wall Street at the darkness of the film (which is the key talking point about the movie this week).
"... if you didn’t already predict a rosy reception to Sleeping Beauty: Dark Side Edition, you can start placing your bets...""... the structure of the poster symbolizes Malificent’s inner struggle: one side is dark and thorny, and the other is lush and community-oriented..."


Try not to get TOO excited just yet... except it's hard not to perk your ears up when the composer is already so enthusiastic.
"..."Wicked" composer Stephen Schwartz... revealed that the "Wizard of Oz" origin story has already "started gearing up" for the big screen. Although, he admitted that there are still no concrete plans for the Wicked movie adaptation. However, after years of false starts, it seems that this year could possible the year for "Wicked" in the big screen.
"... his creative team are already thinking about what to consider in order to do so.
"What are we going to change?" Schwartz said. "What are we going to keep? How do you use a whole new language and medium to tell the story? [We can] really look at it again and say, 'Oh, we can do this, and we've always wanted to do that and we couldn't onstage, but we can in a movie.' We're actually having a blast."

Third year natural science undergrads ask these questions (and more in the same vein) seriously and come up with some interesting answers.
"Pinocchio could only sustain 13 lies in a row before the maximum upward force his neck could exert cannot sustain his head and nose. The head’s overall centre of mass shifts over 85 metres after 13 lies, and the overall length of the nose is 208 metres."Lengthy, extensive lies are advised against, for the health and well-being of Pinocchio." 
"...It is theoretically possible to gain enough energy for the transformation of a frog to a prince from the kinetic energy of air alone."However, extraction of such amount of energy is practically impossible for present science, as it would require extracting all kinetic energy from the air molecule."This would result in an environment of absolute zero temperature. While solar heating would slowly provide the air with energy again, the health of the prince/frog and any other person (princess) in the area cannot be assured.
(A separate article HERE on Rapunzel's hair - what type of hair it would have to be, how strong, anchor points etc)



A brief but good introductory review of this fairy tale anthology that lives on the dark side of the border.
Red Caps might be a rock band. Or they might be something more sinister, a fey source of sounds that are but the backdrop to thrills and misadventures. These thirteen stories provide readers jaded by the traditional, Old World fairy tales with tempting new stories that will entice bored readers from their suburban ennui. Closets are waiting to be explored. Escape from work camp leads to a dangerous encounter on a wet road. That high school year book is magical and might be mocking you…or helping you find love. And isn’t love one of the central premises of the fairy tale? 
These teenage boys and girls need not fear that their love has no worth, because Steve Berman has written for them princesses who love maidens and adorkable students who have wondrous and smart boyfriends. Readers can be assured that, if the tale does not end happily, it ends most memorably.


Both are inspired by Andersen's mermaid but they take their own journeys.
Cate from Something to Read for the Train also had a recent review worth reading (HERE) on the first book as well.
"Not every little mermaid has to follow in the wake of Hans Christian Andersen’s beloved fairy tale. Two new mermaids with tales all their own swim to the surface in “The Mermaid and the Shoe,” written and illustrated by K.G. Campbell, and “The Mermaid’s Shoes,” written and illustrated by Sanne te Loo. These modern mermaids make for a refreshing and amusing departure from their famous predecessor."


Sergeant Wu, a character not (currently) "clued in" to the world of the Other on NBC's Grimm has to deal with seeing an Aswang - a fascinating Filipino folklore addition to the world folklore rearing its head on Grimm these day. Scary as all hell, we still like seeing folklore and fairy tales from all over the globe appearing in our modern multi-cultural world.
"A big thanks to Filipino-American actor Reggie Lee! The Filipino folklore ruled in the United States TV ratings which additionally emphasizes Filipino-American actor Reggie Lee, who plays Sergeant Wu on supernatural TV series “Grimm”. “Mommy Dearest” is the fourteenth episode of Season 3 of Grimm..... In Reggie’s interview, he related his part in helping create the story, how he gave the writers three mythical Pinoy creatures to choose from, and they wound up picking the aswang. “Binigay ko yung manananggal, yung dwende saka tiktik. But they really, really fell for the tiktik. So I was really happy that they stayed true to the Filipino story”, he said."


A very interesting use of the tale - read the excerpt (& the article) for a brief overview. The link above on Theater Nisha takes you to their production photos on Facebook.
Theatre Nisha’s version though, is not as happy as Anderson’s, reveals Sunandha. Where in the book she becomes a ‘daughter of the air’, on stage dies of a broken heart. “We wanted to give a context for the mermaid - a contrast and, at the same time, draw parallels to her story with modern day incidents,” explains the director.
On stage, Ariel not only rebels against what she is expected to do, but her actions are a metaphor for several incidents relating to women and their safety. “Through Ariel, we are confronting issues of honor killing, racism, fascism and maybe a little bit of jingoism that’s gotten a hold of us these days,” she says.
The characters are quite fluid – no one actor portrays the mermaid all by herself..."


Snow White's Apple
by Benjamin Lacombe
An article that caught my eye and stayed with me this week, about colors in illustrations contrasted with the mention of specific colors in fairy tales, as well as the conciseness of language used in fairy tales as opposed to retellings. Reminds me of discussions on the SurLalune boards.
"A fairytale does not have to try hard.  In keeping everything simple, it also keeps everything fresh. ‘Close by the King’s castle lay a great, dark forest’ leaves almost everything to your imagination, and then comes the ‘old lime tree’ and the cool well, and that’s as much as anyone needs to know.  A novelist might add a description of the well, providing it with a carved marble parapet or a rustic stone wall.  It might be beautifully written and very fine – but in a fairytale, it would merely get in the way....Colours in fairytales are strong, simple, basic, and meaningful.... White, black and red are meaningful colours because they are rare in nature and therefore noticeable. White is the colour of innocence, the colour of an untrodden fall of snow under which the whole landscape is transformed. A white dove is an emblem of peace, a black raven a signifier of wisdom. In some variants ofSnow-White, it is a raven which the queen sees against the snow, a more likely and a sharper contrast than an ebony window-frame. Black is unusual. Most birds are brownish: even today with our dulled attention to nature, we notice black crows and white swans.  Before chemical dyes, black was an expensive colour for clothes: it stood out: most people could not afford to wear it. And red of course is the most meaningful of all colours, the most emotionally charged.  Red is the colour that accompanies childbirth, wounds, war, accidents. Red is the stuff of life and death.... Colours in fairytales aren’t decoration, they aren’t even ‘just’ descriptive. They carry information.  They are a form of emphasis. And they can be relied upon. A golden head which rises to the surface of a well may be strange, but won't be evil. ..."


A collection of photos I haven't seen all together before. Some of it is that odd-vintage style but some of it is really wonderful. 

Seeing it all together, gives you a good idea of the mood this particular production evoked in the audience.
“The Blue Bird is a 1908 play by Belgian Maeterlinck. It premiered at Constantin Stanislavski’s Moscow Art Theatre.  
The story is about a girl, Mytyl, and her brother Tyltyl seeking happiness, represented by The Blue Bird, aided by the good fairy Bérylune.”


This looks like a lot of fun. Unfortunately I'm currently on the wrong continent...
Pulling no punches, this production is designed for a world raised on American idol. From the original fairy-tale Myers and O’Brien have created a 21st century music theatre spectacular for all ages. Conceived by the Windmill Theatre and the multi-Helpmann Award winning creative team behind last years hit play School Dance, this very physical, funny and heartfelt musical comedy looks set to accomplish that rare and wonderful feat – breaking new ground on a story we all thought we knew!


The promise of exclusive behind-the-scenes and making-of movie content is quite tempting to go check out, especially because... MALEFICENT!
“We’re about content-driven retail. That’s the beauty of our business model.”...Disney welcomed HSN’s fashion director and other executives on set to gather inspiration for the movie’s aesthetics via conversations with the art department, costume designers and other crew members. That intel was shared with HSN’s merchandise and marketing teams, as well as its go-to designers, who put together an exclusive collection comprising curated items as well as products designed specifically for the event.... Following the 24-hour launch event later that month, HSN will air Countdown to Maleficent specials in primetime every night leading up to the film’s May 30 release. ...(HSN and Disney) indicate that the programming will build upon the precedent set by their Oz partnership, which featured props, set pieces and trailers from the film as well as appearances by star Mila Kunis and the movie’s makeup artist."
UPDATE 4-12-14: I neglected to add a link to HSN in case you want to check them out. Apologies! You can find the site HERE and this HERE is where news on the Maleficent merchandise & specials will be updated. If I get any advance news I will be sure to share that with you too.

Fan Made poster (source)
Slightly older news but if you haven't heard it yet, you need to know: Yes, the Harry Potter spin-off will now be  "three megamovies" and J.K. Rowling will be doing the screenplay (it's her screenwriting debut). 

And check out the fan-made Harry Potter-styled moving poster! I have a strong feeling we are on the verge of "gif posters" as being the new official advertising medium as well. You heard it here first.. ;) 
"That is when Warner announced that Ms. Rowling had agreed to adapt for the big screen her “Fantastic Beasts and Where to Find Them,” a 2001 book billed as one of Harry Potter’s Hogwarts textbooks. Three megamovies are planned. 
The main character will be a “magizoologist” named Newt Scamander. The stories, neither prequels or sequels, will start in New York about seven decades before the arrival of Mr. Potter and his pals."





Known as Shakespeare's fairy tale or a Roman-era Snow White, this film is currently in production with no release date yet announced. Although this is older news because it's been happening for a while now, I haven't mentioned it yet as details have taken a really long time to trickle in, a trailer released late last year has been removed from everywhere and it's still pretty under the radar overall. It would appear, though, that we're finally getting closer to seeing the film finished and released. 
The cast is stellar, including Dakota Johnson as Imogen (that's the Snow White character), Milla Jovovich as Queen, Ethan Hawke as Iachimo and Ed Harris as Cymbeline. 
(See the link on the title for a little more information and the 'reboot' link for film style details.)
Phew! I'm going to stop there as that's an awful lot for one post but this is by no means everything happening with fairy tales in the last week. Seriously. I'll bring you some more news tomorrow...