In case you're not aware of it's slid under your radar, don't forget GKids current Studio Ghibli Fest, showing classic Studio Ghibli films in theaters around the US during 2017!
Studio Ghibli is known for their children's fairy tale/ fantasy films that do, indeed, fit our genre very well. The storytelling is different to Western fairy tales, of course, but is still very accessible to kids of all ages and highly recommended.
You may think: "But I've seen all these, more than once. What's the point?" The answer is that the experience is entirely different on the big screen - an opportunity that comes along quite rarely - and worth the price of entry.
The showings take place over two days: the first day with English dubbing and the second day with Japanese audio and English subtitles. (We recommend viewing with the original audio and subtitles! It makes a huge difference and both kids who can read and those who can't love the original audio versions too.)
We took the Fairy Tale News Room Little League to go watch 'My Neighbor Totoro' (in Japanese with English subtitles), at the end of June, and are more convinced than ever that this should be considered a fairy tale film and a must-see for children the globe over. All the kids knew the movie so well they thought they'd be bored seeing 'this little kids movie', but came out proclaiming this movie "the best ever!" and back on top of their favorites list ("...the Japanese version!").
Other films coming up are:
Kiki's Delivery Service - July 23, 24
(If you haven't seen this lovely, magical film, do yourself and kids you know a favor and go see it)
Castle in the Sky - August 27, 28
(A robot in a fairy tale? Yep. Expect to fall in love with him...)
Nausicaä of the Valley of the Wind - September 24, 25
(a wonderful eco-sci-fi-fairy tale kids love)
Spirited Away - October 29, 30
(perfect for uplifting Halloween viewing!)
Howl's Moving Castle - November 26, 27
(with Miyazaki's version of Baba Yaga's hut - sort of.)
You may not have heard of this new film that has a serious Studio Ghibli vibe, but take a look at why you want this one on your radar!
We've included the three trailers so you can see a range of the goodies awaiting - all three are worth watching for a different perspective on the film:
'Mary and The Witch's Flower' is based on the 1971 English children's novel by Mary Stewart (yes, that Mary Stewart!), 'The Little Broomstick' and is considered a simple 'proto-Harry Potter' type of story. The movie itself shows a lot of Ghibli-like magic, style and Miyazaki-ish imagination, even as it pays close attention to it's source material.
The story is based off a very short novel. The greatest strength of the original story was its vivid and lyrical descriptions, making the world it takes place in feel very tangible despite the brevity of its plot. This same quality is on display in the film, too, which succeeds more because of its attention to detail than anything else. Even brief asides in the novel like “The little broomstick gave a leap, a violent twist, a kick like the kick of a pony” are faithfully recreated in visual form. (Animenewsnetwork)
Here's a brief introduction to the novel, taken from a non-spoilery review:
‘Nothing, thought Mary, nothing could ever happen here’ ‘Everywhere was damp, and decay, and the end of summer’; but then a small black green-eyed cat appears, and adventure and magic begin. The cat leads Mary to a clump of unusual purple flowers that she shows to Zebedee the gardener at Red Manor, who names both the cat (Tib) and the blooms (fly-by-night). Zebedee also tells Mary of the folklore surrounding the flower , including: ‘And ’tis said that in the olden days the witches sought her [the flower] from the corners of the Black Mountains, and from the place where the old city was and there’s now naught but a pool o’ water’.
...While sweeping up leaves with a small broom, Mary accidentally smears the broom in the juice of a fly-by-night flower. Immediately, ‘the little broomstick gave a leap, a violent twist, a kick like the kick of a pony’ and Mary and Tib are transported by flying broomstick to Endor College, school of witchcraft. Endor is no Hogwarts: Madam Mumblechook believes that Mary has come to enrol at the school to learn skills such as ‘Turning milk sour, blighting turnips, making the cows go dry’. The ill-wishing of the spells is underlined by the sourness of the rhymes used in the spells: nursery-rhymes that ‘slipped somehow, so that the result was not ordinary, or even nice at all.’ But then Mary makes a sinister discovery about animals that have been ‘transformed’ and begins to wonder if she will be allowed to leave Endor. She does manage to return to Red Manor, only to find that the cat Tib has been kept captive at the College.
True to the spirit of a Mary Stewart heroine, Mary decides to go back to rescue Tib, which leads to further adventure and dangers as Mary releases all of the animals, breaks the transformation spell and flees Endor College. (extracted from a review at MaryStewartReading)
We recommend reading the whole review for a good overview of the book and it's themes in context of today. What Studio Ponoc does with those themes and ideas, we've yet to see, of course, but it's intriguing to have this as background.
The new studio producing 'Mary and The Witch's Flower', Studio Ponoc, is being considered "the new Studio Ghibli" - or, more accurately "Studio Ghibli 2.0".
As Miyazaki slips out of retirement (for the sixth?? time) to finish another short film, 'Boro the Caterpillar' for the exclusive Ghibli Museum theater presentations, it's clear that even with blessed longevity, he can't keep un-retiring forever, and speculation mounts as to 'who will be the new Miyazaki?'. (Answer: no one!)
Director of 'Mary and The Witch's Flower', Hiromasa Yonebayashi (director of 'Arriety' and 'When Marnie Was There') is considered a protegé of Miyazaki with this being his third feature film (and his first since leaving Studio Ghibli). Miyazaki - a notoriously critical director - has officially given it his thumbs-up, which is a huge deal. While no one will ever 'do Miyazaki like Miyazaki', Yonebayashi is certain to do his legacy proud at the very least and we can look forward to more of this unique type of storytelling and animation magic in the future.
Distribution update from Crunchyroll on July 13, 2017:
After a modest opening in theaters in Japan on July 08, 2017, Mary and the Witch's Flower will be casting its spell with an expanded theatrical release that will include some 155 territories worldwide, including the United States, England, France, Australia, China, and South Korea. The film will also see distribution in South America, Africa, and the Middle East.
Jean Ache, (born Jean Huet 1923-1985) was greatly admired in France (and beyond) for his wide ranging cartoonist and animation work, as well as his 'one off' cartoons, published in the periodical Pilote. While generally realist in his comic style some of these 'one-offs'took unusual and unexpected forms.
One of these was Huet's wonderful Little Red Riding Hood series, created in 1974. It included seven re-imaginings of the tale, in the style of seven modernist painters.
It's best just to look, appreciate and enjoy. We suspect you're familiar enough with the tale that the few untranslated French words won't be a problem...
What a brilliant way to combine tale telling, narrative form, art elements and art history and to inspire a new generation of artists and storytellers!
Ah Google Translate! Where would researchers and far flung friends and colleagues be without you? Performer Malinda Kathleen Reese gave us a glimpse of what non-English speaking folks, trying to translate tales and lyrics via Google Translate, might be 'hearing' instead...
This is a bit of (very well done) fun, of course, but it illustrates wonderfully why, when studying tales translated to English from other languages, you should be aware of the translator and how accurate they're considered to be, or (if you're lucky and have their notes) why they chose to use certain words and phrases instead of the more obvious ones... for instance the ones the Google Translate might suggest. ;)
One of the difficulties in translating to English is that it's a very imprecise language and definitions are constantly evolving, because social and popular meaning changes. And that's only half of the equation. The other is the original language and its quirks. If you've ever dabbled in languages with even minor translation endeavors, you quickly learned that there is rarely a 'correct' way to translate - except that the guaranteed 'wrong way' is to try the word-for-word method - and that it's more of an art form than a science of substituting equal meanings.
You have to take into account:
the words and what they specifically mean (and their equivalent in the language you're translating too)
what the words also imply (the subtext of using that specific word instead of similar ones), which is influenced by...
the context at the time - and place - of writing
all of which usually has a 'tone' and style
(A very small selection of recommended books of translated tales with lots of great notes!)
And that doesn't include:
storytelling style - which is very important in translating tales
cultural expressions, idioms, similes and metaphors
those words that have no English equivalent
(And there are more factors too that a qualified folklorist or professional translator could discuss at length, but you get the idea.)
When you take these into account, even retelling old tales originally written in English can prove tricky..!
Speaking of untranslatable words, can you imagine a retelling of Rapunzel, in which these words - wonderfully illustrated by Marija Tiurina - are used? (Click on the images to see full size.)
And what about this one for Riquet of the Tuft?
You can find a lovely bunch of many more 'untranslatable words', that have been wonderfully illustrated HERE.
It's a pretty fascinating subject and we're a little in awe of people who translate tales and other creative and social works (not to mention those who facilitate United Nations negotiations!). Be prepared for a fun ride down a rabbit hole if you decide to look into this subject further!
(Note: our suggestion, if you don't want a world of instant-overwhelm, would be to start with annotated tales, and tale collections in which the translators include their notes on the story origins, collection and translation process, sometimes summarized in a foreword on each of the stories. Be prepared to never read anything quite the same way again!)
And just because these are a lot of fun, here's Malinda's latest Google Translate Sings video with a compilation of Mary Poppins songs. Enjoy!
Want more? Malinda has a bunch of princess songs too, in which she sings the original and has a 'sing-off' with the google translate version. Funny stuff!
It's Hollywood's 'hot pitch' of the (very hot, Fourth of July) week, and, even at this very early stage has multiple studios, including Universal, Paramount and TriStar among other known names,vying for the chance to be the ones to make it happen. The movie is said to be inspired by the classic ballet fairy tale Swan Lake but won't be a ballet or dance movie. This will be a story (dare we say fairy tale?) movie - and Felicity Jones is attached (the Star Wars film franchise's most recent star in Rogue One).
The pitch, from Kristina Lauren Anderson (who wrote 'Catherine the Great'), is inspired by the classic ballet story Swan Lake.
The project has Jones attached to star and 'Call Me by Your Name' helmer Luca Guadagnino attached to direct.
Swan Lake, composed by Pyotr Ilyich Tchaikovsky, is one of the most popular ballets of all time. The story follows Odette, a princess that is turned into a swan by an evil sorcerer's curse. Darren Aronofsky's 2010 thriller Black Swan used the play as inspiration for its story, but did not follow the storyline of the classic ballet. This new retelling would not be a ballet but would be a tentpole film based on the story told in the ballet. (Ed: emphasis in bold is by OUABlog.)
FYI the term 'tentpole' is Hollywood-speak for 'expensive to make' and 'expect lots of merchandise to be made for this film'.
We are very interested in this!
In the meantime, we can see Felicity Jones as SNL's Cursed Princess from February 2017 (mild adult humor):
Greetings, fairy tale fans! This is Tahlia, editor of Timeless Tales Magazine, letting you know that our latest issue is ready for your eyeballs' gentle caress 😉. It is chock full of surprising and inspiring retellings of Arthurian Legends.
We've really tried to capture both the drama and the absurdities of life in King Arthur's court. We promise that you've never seen Camelot like this before!
What if the Sword in the Stone took place among the Aztecs?
What if Lancelot met Guinevere in a Starbucks?
What if Sir Galahad was actually a woman?
What if Merlin was an outlaw in the Wild West?
What if Morgan Le Fay never died, but was reborn over the centuries?
Here's an excerpt from "Galahad & the Trickster" by Andy Scott:
“Hail,” Galahad called. “P-pardon me, good sir. Pray, tell me, is this still the North Road?”
“This?” the man crooned. He turned and stretched like a cat, his lithe body lounging perilously on the old rickety post. The sign's letters danced and transformed into letters, but were still gibberish.
Galahad gasped. “Demon! B-Be gone, wr-wretch of the infernal abyss.” His voice echoed into the empty forest.
The man leaned back and closed his eyes. “Wuddifahcud, pup … buddahcan’t. All-Father, in his one-eyed wisdom told me I couldn’t leave this hole until the prophecy was fulfilled.”
“Wh-what prophecy, demon? And speak true!” Galahad almost believed his own courage.
The man sighed.
“Odin’s prophecy, dolt. Can’t get around that.” Swinging his legs he sang, “Never shall you see Asgard again, Loki, until a virgin ploughs Yggdrasil’s key from his consummated bed.”
Loki? Galahad’s insides squirmed. He had heard of the ‘gods’ of the North Men. Cruel, pagan demons with brutal rites. He whispered a prayer under his breath, sword still trembling towards at Loki’s neck.
“Y-you said ‘consummated’” Galahad croaked, “but if the bed was consummated the giver couldn’t be a virgin?”
Carterhaugh is where it's at for Summer folklore and fairy tale studies this year! (Carterhaugh School of Folklore & the Fantastic, that is.) And time is running out to sign up!
Did you just need a little reminder of the awesome awaiting you to complete that registration?
Go directly HERE to sign up BEFORE MIDNIGHT this FRIDAY.
Need some more background before you commit? Happy to help.
We highly recommend CarterhaughSchool's courses but why do we love Caterhaugh's founders and professors, Brittany Warman and Sara Cleto (and their sometimes-guest-lecturer Shveta Thakrar) here at Once Upon A Blog? It's not just because these ladies are passionate about all aspects of fairy tales, combining formidable scholarly-chops and research with accessibly-lovely whimsy and humor (because they most definitely do!), but because they make their courses appeal to a wide range of folks. They're inclusive and lay-friendly, while remaining challenging and engaging for the experienced scholar as well. Their materials combine the best of old world research and resources, with the tech-savvy and visual eye candy that appeals to critical, yet hungry contemporary fairy tale folk. They're fresh yet grounded, and have helpings aplenty of brains and beauty in the presentation and the content. Best of all, they specifically encourage personal development along an individual's chosen 'path' (scholar, writer or artist) for the final assignment so you can make your study relevant to your personal life and journey. Like folklorists tend to do, the study becomes part of the student's actual life and experience.
Here are Sara and Brittany doing some 'field research' for the Legends course about to begin (which they turned into a fun commercial):
These ladies are a hoot! We love that they're prepared to jump into fairy rings!
Image by Comfreak at Pixbay
And may we just say: don't be fooled by all the prettiness coming your way via Caterhaugh. While they admittedly love (and are in favor of) beautiful fairy tale things, these ladies are the real deal and fully qualified to give your brain a good work out too. (They just have also been blessed with good aesthetic taste as well!)
To give you a sense of where it's possible to go with them in discussions and study, we recommend listening to their awesome interview and discussion on inclusivity in fairy tales with the forHugo Finalist SF/F podcast The Skiffy and Fanty Show. You might be surprised at the depth they go to in the hour long show - which we recommend making time to listen to, even if you have to do it in sections. It's too good to miss and inclusivity is something we need to be especially aware of at this point in time.
But back to Caterhaugh's current offerings - WHICH ARE STARTING UBER-SOON.
This time around these fairy godmothers of folklore and fairy tale studies are bringing us a long course (ten lessons over ten weeks) onLEGENDS. But wait: why are fairy tale mavens teaching a whole course on legends? Legends aren't fairy tales, right?
Ah - but they have so many delectably overlapping features, you'd be hard pressed to find a fairy tale scholar who doesn't also do their fair share of reading and study on legends simply because they can't help themselves! Brittany and Sara wrote a short and delightful article to explain. It's titled:
And we also highly recommend their 10 Reasons to Study Folklore - (two words: 'ceiling cat') which should provide a good bridge into the upcoming course on Legends as well.
We'll wait while you check it out... *whistling, rocking back and forth on toes, more whistling...*
Arthur Rackham
You're back? Great!
Here's a taste of what's to come:
"We’ll look at supernatural legends, urban legends, and historical legends, leading you through the woods beyond King Arthur’s court and into a fairy’s grotto and out again into the haunted synapses of the internet."
Supernatural Legends UnitJuly 8th – Fairy Legends July 15th – Vampire Legends July 22nd – Cryptozoology Legends July 29th – Sea Legends
Urban Legends Unit August 5th – Ghost Legends August 12th – House Legends August 19th – Internet Legends
Historical Legends Unit August 26th – British Legends September 2nd – American Legends & Wrap Up
Do you feel your eyes getting bigger with each section? We do!
But then we read 'Cryptozoology'. Gah. That settles it. The FT Newsroom Little Leaguers are going to be mighty upset with us if we don't get on board this train! (And if Gravity Falls is mentioned and they're not allowed to participate, there might just be a mutiny!) We'll have to triple check we can do this course on the road. (Brittany tells us: as long as you have regular access to the internet, you can!)
So guess what we've just added to our Summer program?
Just like with the fairy tale long course, you can read a summary of how it works around your personal schedule HERE, with a list of the dates of each set of materials being sent and the lectures and additional teaching material becoming available, as well as your unique Carterhaugh keepsakes (in the form of beautifully designed Grimoire pages for you to build your own magical book of knowledge).
You can register HERE but it must be by midnight, June 30th 2017, EST - THAT'S THIS FRIDAY MIDNIGHT EST FOLKS!
The course will be conducted through video lectures that will be accessible on the dates listed below, but all the materials will be yours to download and interact with whenever you choose (so don’t worry if you can’t play on those specific dates!) The price for this 10 lesson class will be $200, payable in one, two, or four installments. Full payment must be complete by the time registration closes on June 30th at midnight. Aside from the videos you will also receive the PowerPoint presentations featured in the video lectures, a beautifully made PDF “grimoire page” summary of each lesson, and any supplementary reading. This material is yours to keep and download for personal use!
There will be a final assignment prompt for which you may choose the path of the scholar, the path of the writer, or the path of the artist. Personal feedback on completed final assignments is available upon request – we would love to see what you come up with!
Dates: July 1st, 8th, 15th, 22nd, 29th, August 5th, 12th, 19th, September 2nd – note that these are simply the dates that materials will be posted! You will be able to download everything and watch whenever is most convenient to you.
Total Number of Lessons: 10
What’s Included: Welcome Letter, 10 Video Lectures, 10 PowerPoint Presentations, 10 Beautiful PDF “Grimoire Page” Lesson Summaries, PDFs or Links to Any Supplementary Reading, Personal Feedback on Completed Final Assignment if Desired
Any Additional Materials Needed: No
Registration Closes: June 30th at Midnight
Price: $200 – you can pay in one, two, or four installments! Full payment must be complete by the time registration closes on June 30th.
In fact, it brings so many different traditions and holiday folklore to the table it might be considered 'edutainment'. (Not that we're complaining - because we're not. In case that's not clear... okay? Actually, more of these sorts of shorts for the various seasonal celebrations would be ultra awesome. Please!)
Take a look at the trailer and see how many different references you can find, just in this teaser. (We were thrilled to see yule goats included!) And you know there will be more in the full short. Our only query is whether they stuck to Euro traditions or went around the world.
'Olaf's Frozen Adventure' will play in theaters before Pixar's 'Coco', starting November 22nd.
