Warriors In Gowns and Other Plot Twists by Gina Pfleegor

Gina Pfleegor
"Plot Twist" (oil paint on panel)

 Gina Pfleegor is a "pop-surrealist" artist we've recently discovered, thanks to Beautiful Bizarre Magazine's RAYMAR Traditional Art Award contest, 2021, in which the delightful painting above was chosen as a finalist. 

We adore the title: "Plot Twist", which is the perfect introduction to the series this painting belongs to. 

While not focused completely on fairy tales, it's both fitting and not surprising to find fairy tales referenced; specifically, The Frog King, Beauty and the Beast, and Rapunzel but also alluding to Fairy (Tale) Land in general. The series endeavors to reconsider femininity and heroism (or heroine-ism); exploring the struggle between defining strength (for women especially, but the struggle isn't limited to those who identify as "she/her") and just what being female - or how to incorporate a sense of femininity in one's life, means.

“In this series of paintings, I found myself drawn to a subject I know well; that balance of feeling strong yet feminine as a woman in our society today. Attempting to depict a sense of authenticity regarding what this can often feel like, I used symbolism to show that we can be both without sacrificing the other. Sensual can be strong, determined can be vulnerable, and sometimes warriors wear gowns into battle.”

Gina Pfleegor (Artist statement on the series via West End Gallery)

Redefining the narrative is what this series is all about and that becomes very clear when you learn the titles for each of the pieces. We found musing on the paintings in conjunction with their titles so fun we thought we'd share our personal commentary. Please note, the artist hasn't commented much on her intent for each piece so every viewer is free to see what they wish... ;)

"Plot Twist" gives us a sinister but refreshing and cathartic ending to The Frog King (more popularly known as The Frog Prince). The lily pad wallpaper, with its sperm-like design seeking to devour its fellow "lily pads" shows the futility of doing so against this princess. One eyebrow is raised in challenge to the viewer, while the little crown is left on the plate for her to consume, take or leave as she chooses. 

"Plot Twist"

"And She Lived Happily Ever After" focuses on a very satisfied looking Beauty (or Belle, since the yellow dress, and jowls above are both a Disney callback), with the Beast almost out of frame, behind her, no longer an obstacle but a trophy, even as her own story continues (with a lot more to come, judging by how big that book is!). 

"And She Lived Happily Ever After"

"Slay" portrays a Rapunzel with lopped-off hair, (we like to think she did it herself with that sword!), looking post-battle sweaty, sunbeams shining down triumphantly as she sits, sword remaining at the ready, a dead dragon relegated to her background. The dragon might be closer to her than the tower she was once trapped in, but it's still left well behind as she looks to her future from her (literal) rock-solid base. 

"Slay"

The tea-drinker, ear cocked toward the flying bluebird is titled "Do Tell" and, while not obviously referencing a particular fairy tale, clearly bears the marks of one. (Snow White came to mind immediately with the combination of domestic and "ladylike" motifs being disrupted as well as her obvious affinity to nature but she could easily represent quite a range of fairy tale heroines.) Birds in fairy tales are not only linked to the soul but are agents of transformation, and bringers of knowledge. The savvy princess, also in blue like the bird - a color strangely rare in fairy tales - even as she drinks tea, pinky finger held just-so as per the rules of polite society, she has her ear attuned for secrets and knowledge. Whether via gossip or riddling out tidbits of information from strange sources, the blue hints at the supernatural; a connection to nature and knowledge beyond the norm, (and, we like to believe, a sign of potential happiness), while the orange-gold not only suggests class but that underneath lies a resistance to rules, perhaps even a rebel on the rise. Curiosity, the thirst for knowledge, is both women's hallmark of agency and, traditionally, the "vice" warned against for leading her to female downfall. The bird and woman sharing blue speaks of trust, and a bond that works together against opposing forces, while the orange marks them as rebellious collaborators. There's a lot suggested in this piece but clearly, the woman is poised for something new - be it knowledge or action. No passive princess here.

"Do Tell"

We wanted to include another piece that not only has a clear connection to the land of the Fairy Tale but holds an additional clue to its potency that the average viewer might easily overlook. The title for the piece is "Charmed", and it appears the queen here has charmed the serpent, instead of it being the other, traditional, way around. Behind her head, though, the sun holds another clue: the Latin words "amor et melle et felle est fecundissimus" meaning "love is rich, with both honey and venom*". This is not a girl to underestimate or a woman to be ruled over by another. She is just as potent as the creature she holds gently around her neck and in her hands and meets the viewer's gaze shrewdly and confidently. She is the fairy tale heroine with agency, with personality and if her nemesis - or partner - is given a name, you can be sure she will have one too.

"Charmed"

Just like the direct gaze of these female characters challenges the viewer to reconsider their first glance at these pieces, the narratives implied by the symbolism used in each, ask that you redefine and rewrite the assumptions - something very central to women's issues, as well as issues of narrative, today.

You can see the rest of this series by Pfleegor HERE and stay up to date with her projects and appearances through her blog on Facebook HERE. To finish we found an earlier fairy tale-themed piece, from 2018, titled "The Sorrow Of The Snow Queen" that we insta-loved. While it doesn't really fit into the spirit of the current 2021 series it also says a lot more than what you see at first glance. Instead of telling you what we see this time, though, we'll let you think about what it says to you.

"The Sorrow Of The Snow Queen"

*To be accurate the full quote, by Roman playwright Titus Maccius Plautus is:

amor et melle et felle est fecundissimus;

gustui dat dulce, amarum ad satietatem usque oggerit.

Which translates as:

“Love exceedingly abounds both in honey and in gall: it yields sweetness even in a taste, and produces bitterness to sufficiency”.

Sensitive Tales As A Metaphor For Living With Conditions and Illness

These beautiful illustrations, by artist, Diana Renjina, are not, as it might first appear, for - or from - a fairy tale, but they illustrate beautifully how unusual tales of sensitivity can bring a different perspective to living with illnesses, particularly those that manifest on the skin. As you can see from the text accompanying the images, the blooming flowers and sprouting greenery symbolize psoriasis, a common, non-contagious skin condition in which the skin gets "rosy" and sometimes scaly or flaky, and can be itchy and even painful. 

Tales that come most quickly to mind are those like The Princess and the Pea, in which the princess bruises easily but also those other tales that feature skin marks and other unusual symptoms when the main character is affected by the elements (from the lightest touch of a petal - perhaps allergies, to moonlight - which could substitute easily for conditions brought on by the environment like asthma). With The Most Sensitive Woman (from Italy) and The Three Delicate Wives of King Virtue-Banner (from India) it's not difficult to extrapolate different medical conditions that might be occurring here. Tales like Donkeyskin and Allerleirauh, in which the maiden hides herself under mud and more, show a physical response to being touched/affected by the world and their various environments. In these cases, the Donkeyskin tale types can illustrate how being abused can bring about conditions of illness, though we won't go into that in this post.

Tales of transformation, too, can bring a new perspective on living with visible diseases. From The Frog King, to Hans My Hedgehog to The Wild Swans, it's clear the transformation is not wanted, is painful and considered ugly, and, sadly, often less than human, so that these poor cursed or affected people have to prove themselves worthy or find a way (usually a difficult, extreme and long-term process) to be cured.

More recently, possibly due to technology such as digital animation and art, it's becoming more common to see fairy tale-type illustrations in which patterns, flowers, plants, frost and other beautiful natural manifestations sprout - literally - from the skin. There's no doubt these images call to mind fairy tales, even if they're not specific and familiar ones we've heard, and whether or not it's intentional, it seems instinctive to parallel the tragic beauty of a natural - yet unusual - physical manifestation of a condition with the (usually) melancholic hero or heroine it's happening too, such as could be described in these images in this post.

When we do not "feel good in our own skin" we cannot help but try to do something about it. Some try to deal with it by using salves, medicines, trying to find a cure. Others try to escape it all together and find ways to cover themselves; we put on costumes, (either by dressing differently than we otherwise would, or literally creating a costume which incorporates - or hides - the condition) or, essentially, a different skin. 

In fairy tales this can happen literally. There is an interesting looking book titled: Fairy Tales and the Social Unconscious: The Hidden Language written by Ravit Raufman, that discusses the idea of how we identify with our skin - and how we look. We have only skimmed it, so cannot speak to the whole work but it has very interesting things to say about the physical manifestations in fairy tales such as Donkeyskin indicating an unhealthy state - whether that's psychologically or (sometimes and) physically.

What we have to wonder is, if we could see some of these diseases as not needing to be 'cured' but more of an unusual condition that manifests under certain circumstances (like stress - which is a trigger for almost everything), would we be more understanding and accepting of people's conditions than we, as society, currently are right now?

Here's an illustration by a different artist, Lynore Avery, showing the youngest brother in The Wild Swans tale-types, having to live with his only partially 'healed' condition. Illustrated like this, with feathers overlapping like scales or unusual skin cells, it seems to underscore the physical issues of the problem and shows the remnants of the 'hidden' curse, but it also hints at a Magic, and, possibly, a potential we haven't yet considered. 

Accepting this about oneself if always easier when others close to you do, and this is where sensitive stories like these could be helpful. While using fairy tales to explore these ideas could be condemned as romanticizing a very real condition, we think it might also bring healing and new understanding, especially for those of us who live with and love their swan princes, just the way they are. Then we might be able to finally accept our own skin and live out our story, happy ending-possibilities and all.

Advertising From the (Unpublished) Vault: Sky Broadband Fairy Tale Commercials & Fairy Tale Times

We don't think we ever posted these from 2010, a few (!) years ago, but they're worth a repeat viewing either way. We like that the theme of change (linked to transformation in fairy tales) is used so inventively. We do remember posting The Boy Who Cried Wolf ad from 2011 though. (You can find that HERE.)

The Princess and the Pea

The Frog Prince

 Little Red Riding Hood

Aladdin

Pretty fun take on fairy tales we think!

We also recently found these Fairy Tale Times pages for Sky Broadband, which we hadn't seen before. Looks like the advertising team had a lot of fun with these! We've included full sizes of each page where available, as the text really is an enjoyable read.

               

           

 We love the variety of tales included here! Kind of makes us wish we could subscribe to a fairy tale newspaper.

Virginia Lee's 'The Frog Bride'

The AFTS Member Ezine Issue 02: The Frog King, or Iron Henry, is out!

Note: If you are a registered member of the Australian Fairy Tale Society (ie your membership fees are paid up to date), and haven't yet received notice via email, along with the link and secret password, please contact the AFTS via Facebook private message HERE or email them directly at austfairytales@gmail.com. They'll hop-to-it and get your goodies to you ASAP.

We've had frog kings, frog princes and frog princesses on the brain for weeks now and in celebration of completing a great compilation of new frog-themed fairy tale works, packaged into the unique fairy tale magazine, we thought we'd share mythic artist, Virgina Lee's lovely, lovely book The Frog Bride, based on the Russian tale The Frog Tsarevna - a story we love and wish we could have explored much more in the last issue.

Here are her notes (from a couple of years ago) on her first children's book, published in 2008:

My first children’s book ‘The Frog Bride’, undertaken 7 years ago, is a shortened version of The Tsarevna Frog, a traditional Russian folk tale retold here by Antonia Barber. It features a slightly camp Prince Ivan with Princess Vassilisa, who has to take her frogskin off and put it on again, rather a lot. In this quest for true love and acceptance, Vassilisa tirelessly tries to impress and capture the hearts of the prince and the royal court by performing her magic and revealing her innate beauty, when all she really desires is to be fully accepted for her less desirable appearances and habits, frogskin and all. 

 I didn't actually write it myself but it was my choice of story. I chose it mainly because I wanted to illustrate a girl taking off a frog skin. I'm always drawn to the physical transformations in stories and what they symbolize. 

Virginia Lee put a lot of love and artistic skill into the illustrations in this book and it could use some more attention (ie. sales) to boost the demand for more gorgeous illustrated books like it.

Enjoy! (And then go grab yourself a copy, if you haven't already.)

Don't you just love the hung-up frog skin in the wardrobe? Such a lovely touch!

Note: the paperback version has this cover below.

Breaking News: Blue Sky Studios & Fox Animation to Adapt Garth Nix's "Frogkisser!"

Frogkisser! is not even released yet (due out in February 2017 by Scholastic in the US and in Spring via Picadilly Press in the UK) but has already gotten a lot of interest. So much so that it's been snapped up for a live action-animation hybrid movie by Fox Animation and Blue Sky Studios (Ice Age, Rio, Epic, The Peanuts Movie).

Here's Nix's excited tweet:

Garth Nix: “FROGKISSER! is one of those novels that just bubble out of the imagination and demand to be written all at once and won’t permit anything else to get in the way. I am delighted that my various publishers have all responded to the book with as much exuberance as I felt while I was writing it.”

And i's a musical!

Fox Animation recently announced an initiative to expand what it calls "family hybrid" movies and the Australian author's book is first cap off the rank. Apart from great news for Nix and fairy tale fans, this clues us into a interesting direction for future movies coming from Fox and Blue Sky - a musical family hybrid - aka live action and animation fantasy family-friendly movie! We really are going back to the trends of the 80's and 90's in a good way. (Disney will be taking notice, you can be certain.)

It is indeed a "princess kissing frogs" story but with a wonderful Garth Nix twist. Here's the blurb:

The Last Thing She Needs Is a Prince. 

The First Thing She Needs Is Some Magic.  

Poor Princess Anya. Forced to live with her evil stepmother's new husband, her evil stepstepfather. Plagued with an unfortunate ability to break curses with a magic-assisted kiss. And forced to go on the run when her stepstepfather decides to make the kingdom entirely his own. 

Aided by a loyal talking dog, a boy thief trapped in the body of a newt, and some extraordinarily mischievous wizards, Anya sets off on a Quest that, if she plays it right, will ultimately free her land-and teach her a thing or two about the use of power, the effectiveness of a well-placed pucker, and the finding of friends in places both high and low. 

With Frogkisser!, acclaimed bestselling author Garth Nix has conjured a fantastical tale for all ages, full of laughs and danger, surprises and delights, and an immense population of frogs. It's 50% fairy tale, 50% fantasy, and 100% pure enjoyment from start to finish. 

Fox seems pretty happy about it. They even seemed to have gotten a jump on the marketing. Appearing on Ralph Millero's Instagram today (Millero is 20th Century Fox Vice President in charge of The Peanuts Movie), with the caption "How many frogs have you kissed?":