Showing posts with label fairy godmother. Show all posts
Showing posts with label fairy godmother. Show all posts

Saturday, May 20, 2017

Portlandia's Carrie Brownstein to Direct 'Fairy Godmother'

We have to agree with the writers at iO9. This movie, that we had relegated to the don't-even-bother corner did just get way cooler!
Yes, that’s Carrie Brownstein of Portlandia fame, who in addition to being a comedy god is also an acclaimed author and a rock star. She could probably pick any project to make her feature-film directing debut, but something about Fairy Godmother must’ve appealed. According to Deadline, the script by blogger and playwright Chiara Atik sparked a bidding war last year, and it offers a spin on the classic fairy godmother story: 


'When sought after Fairy Godmother Faye is hired by a mind-bogglingly gorgeous teenage client, Kenzie, to find her true love with the hottest prince in the land, Faye finds herself facing an unfamiliar challenge when the prince starts falling for her instead.' (iO9)
Hm. Unless the description isn't disclosing some fabulous take on this, Carrie Brownstein really is the only thing keeping this movie from the 'likely to ignore' pile. We must have faith in the Brownstein and believe... (clap hard!)
                

Monday, April 13, 2015

"Find the One" (aka When Animated Princesses Look for A Bra They Probably Do It Like This)

Ok, I admit it: I rolled my eyes when I first saw news about this campaign  of a fairy godmother helping animated girls find "the one true bra". I was not, however, expecting a whole musical!

Take a look:
Lingerie brand Triumph's sales division and marketing folks (Northern Europe) had this to say about this, quite involved, campaign. The key word to watch for here is "transform" - and I'll admit, they kind of have a good point:

A fairy godmother helps the girl find the perfect bra ("the one"). Ferguson (Triumph & Sports Illustrated model) is then seen (edit: transformed into a real girl) in a changing room, looking in a mirror at her bra as she whispers, "I found it." 
Eszter Szijarto, the head of brand marketing at Triumph, said: "It is really important for us to find new ways of bringing to life the bra finding journey so that we continue to inspire customers to go for a bra fitting. 
"By transforming our model, Hannah, into a cartoon we are treading new ground and by doing so, we aim to create a compelling visual experience that captures the magical feeling of finding the right bra that transforms your life – ‘the one’." 
"Women easily identify with animated characters, which explains the success of animated fairy tales all over the world. 
"Also, the perfect bra and Prince Charming have a lot in common: almost every woman dreams of finally finding the right one."
There's more information HERE.

I want to note - that's a very nice use of the frog prince motif too. Though we never see him transform, he subconsciously reminds the viewer this is all about transformation, right the way through (though the message might have been slightly clearer had we seen the animated girl actually transform into a real one). 

What do you think? Will this encourage girls and women to not settle on their undergarments but to get the right fit? I think at, the very least, it will do a good job of helping mothers of Frozen fans take their daughters bra shopping with a less self conscious atmosphere. 

(This is turning out to be such an eclectic fairy tale news day!)

Thursday, May 15, 2014

"Maleficent" Clip: Fairy Godmother

Sun Princess
Beautiful, a faery’s child;
Her hair was long,
her foot was light,
And her eyes were wild.
~John Keats
Oh Aurora, bless your little heart... I do hope we get to see that Maleficent encouraged your "wild side" just a bit.  
Such naivety does not become a ruler-to-be.

Did you see Maleficent's face at the end? Perfect.It's how I often feel when I see fairy tales brought to life too...

Friday, June 21, 2013

Cinderella Gets a Fairly-Odd-Mother

Helena Bonham Carter in an outfit I always thought of as "Cinderella's Fairy Godmother giving the dress a test-run"
And we like it! From Slashfilm late yesterday:
Kenneth Branagh‘s live-action Disney film, Cinderella, has just found its Fairy Godmother. Helena Bonham Carter will play the iconic role helping the title character (Lily James) fall in love with the prince (Richard Madden) in spite of the Wicked Stepmother (Cate Blanchett).
The film has yet to be given a release date, but late 2014, early 2015 seems likely. It was written by Aline Brosh McKenna (The Devil Wears Prada) and Chris Weitz (Twilight: New Moon).

This live action fairy godmother will apparently play a much bigger role than the bibbidi-bobbidi-bumbling character in Disney's animated version of Cinderella. Ms. Carter will have screen time masquerading (undercover?) as a beggar woman "who watches over*" Cindy (shades of The Slipper and the Rose?) before she reveals her magical self . Sounds like we're going for a "things are not what they appear to be" theme on this movie. Which could be a lot of fun if they play with that smartly (without going camp).

Looks like an stars-all-round cast with the stepsisters being played by familiar faces too. They are Sophie McShera (Downton Abbey) and Holliday Granger (The Borgias). 

I also found some cool insights from Hero Complex on the film as well as some curious insider quotes, illustrating the way the fairy tale is being considered by the creative team:
Gustav Dore's illustration for Perrault's Cinderella
Though the fairy godmother in the 1950 animated feature was a grandmotherly dumpling, Bonham Carter’s casting would suggest that the updated “Cinderella” might be embracing a darker tone; the actress is known for playing offbeat, exaggerated roles, including the villainous Bellatrix Lestrange in the “Harry Potter” films, the twisted Mrs. Lovett in “Sweeney Todd” and clownish thief Madame Thénardier in “Les Misérables.”
...It’s too early to say whether the film will follow in the whimsical, color-saturated footsteps of “Alice in Wonderland,” or whether it will take a more classic approach, but producers have said they want the film to feel “modern.”
“We were thinking of titles and characters that we hadn’t really seen done in a modern, live-action way, and we were kind of stunned that Cinderella hasn’t really been done that way, as a traditional, loyal telling of the story,” producer Simon Kinberg told Hero Complex.
My Fairy Tale News Hound ears just pricked up: go back and read that underlined part again. Traditional? Loyal? Are we talking being faithful to Perrault's telling then? (He was the writer that added a fairy godmother to the Cinderella tale.) *makes note to hunt for more clues* There are a couple more tidbits:
"Oh my..." (Helena Bonham Carter's Oscar shoes)
Kinberg and McKenna together hatched the plan for a live-action update, hoping that Cinderella’s status as an “iconic character” would help the film.
“It’s a funny thing ’cause her name, a little bit like Sherlock Holmes or Star Wars or these other franchises, it’s one of those names that people all around the world know the name and intrinsically know the story,” said Kinberg. “It’s just an identifiable, very rootable underdog story.”
You know what? I just got interested. One of my favorite interpretations of a fairy godmother was from The Slipper and the Rose in which the fairy godmother had many fairy tale godchildren, a sort of enchanted apothecary kitchen with the all-important fairy tales datebook, was very overworked - especially as her magic backfired if she ever tried to use it for herself, like to make a cup of tea - yet was still smart and able to nudge things toward happily ever afters. Notice I said "nudge". She still squarely put most of the work on the "kids" shoulders; something I really appreciated, even as a kid.

I always liked those dubious mentors who seemed to be an enemy but were really helping heroes toward their destiny (like Snape, or the crotchety old fairy at the well who tested different daughters and only revealed her true nature as they passed - or failed - the test). I have to wonder if Carter's godmother will include shades of these delicious characters. Either way, I'm hoping she'll get to be her chameleon-like character and transform on screen. Although her roles and performances aren't always my flavor of quirk she's so very talented. One of my favorite roles was also under Branagh, in Mary Shelley's Frankenstein and I'm curious to see what she does with this time, especially if there's a dual personality... Hmm. A schizophrenic fairy godmother who seemed against (but was for) the hero would be very interesting!

The production is set to start shooting in pumpkin season, aka Autumn, (of course!) in London.

Additional sources: *The Hollywood Reporter , USA Today