Theater: Last Chance to See "Iron-Brow and Thorn-Coat" in 2019! (Glastonbury, UK)

LAST PERFORMANCE IS THIS WEEK: OCTOBER 24th!

Hedgespoken is a traveling storytelling theater-caravan that converts the home of artist pair Rima Staines and Tom Hirons to a performance place. They take their show on the literal road and are about to have their last show of Iron-Brow and Thorn-Coat for 2019. This show has quickly sold out in many locations so if you are local to Glastonbury, go grab your tickets HERE RIGHT NOW! (We dearly wish we could do this!) 

Hedgespoken performances and events have grown to be the stuff of legend, with Rima and Tom (and their sons) living a mythic traveling life, using traditional storytelling with fairy tales, folklore, performance, puppetry and live music.. combining many artforms, all while living sustainably.

Here's the publicity statement for their show Iron-Brow and Thorn-Coat:

When the sea-foam is red at the end of the Earth, only then will you see me again – until then you will wander the earth and all that you touch will turn to iron… 

Once upon a time, there was a forest...

In the forest, strange changes can take place. There may be kings and queens and princesses and witches, and common folk going about their business, not to mention all the animals. A lot is going on. Love can be found, and lost, and found again. There’s talk of the farthest sea, of a desert of fire beyond the forest, but these are probably just rumours... 

Once upon a time, there was a forest...

A curious hedgehog with high hopes and his iron-browed bride journey to the ends of the Earth. Will they find true love and happiness, or witches and dragon-flames? Beyond a limitless ocean, a woman covered in moss begs for forgiveness, while under a crone’s stone doorstep, two toads endure winter for love’s sake. 

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IRON-BROW AND THORN-COAT is our retelling of a classic Lithuanian folk-tale. Steeped in old magic and half-familiar memories, this is a beguiling tale of magical transformation, love, betrayal and endurance, featuring puppets and masks designed by Rima, plus foolery and traditional storytelling, accompanied by exquisite multi-instrumental music and song. 

Suitable for ages 5+ (it's very much not just for kids, though!)
Duration - approx 1hr 15mins

If you're wondering about the fairy tale Hedgespoken are basing their show on, here's a little more information. The title Iron-Brow and Thorn-Coat is wonderfully evocative, and typical of how Hedgespoken can draw the magic out of the simplest phrase. The original title of this Lithuanian fairy tale is The Hedgehog and His Bride. At first it seems to be a funny and straight-forward little fairy tale about a transformed-to-hedgehog curse, but then, right about where you would expect the fairy tale to end (happily), the interesting part begins. Throw in an iron-curse, some East of the Sun West of the Moon, some Tam Lin, some brooms and some toads and you have quite an atypical fairy tale (compared to those popular in Western tradition, at least). 

Here are some teasers from the text, but you can be sure that Hedgespoken, making the character of Iron-Brow the center of the story will take you on an intriguing journey before and well beyond this.

(From Fairy-Tales.parnas in the Lithuanian fairy tales in English, section):

"And before I go I will put a magic spell on you: whatever you touch will turn to iron."
Off he went beyond the far seas, leaving his young wife behind him, and whatever she touched was at once covered with a thick coat of iron. She touched her legs and they turned to iron. She passed her hand forgetfully over her forehead and her forehead turned to iron, too. This was a harsh punishment indeed and (she) suffered cruelly and wept because of it.
Cursing her lot and moving her feet with difficulty, she came to the house of the old broom-maker...

You can read the whole tale HERE but we recommend you not doing so if you're planning on seeing the show, either now or in the future. (If you do, you will have to prove you are not a robot to enter the site.) There are obviously spoilers, and while Hedgespoken will still make anything expected magical, the twists in the story, if you're not familiar with them, are pretty wonderful and we can only imagine how much fun Tom and Rima have had putting together this enchanting show. (Look at those puppets in progress!)

Fairy tale theater ad storytelling is always wonderful to see. It's extra wonderful when it's done extremely well and captures a mythic quality in the process. It's even more special when a lesser-known fairy tale takes center stage and enchants a modern audience. It makes you wonder how this tale got forgotten in the first place. Perhaps by re-naming The Hedgehog and His Bride, the fairy tale of Iron-Brow and Thorn-Coat will have finally completed its journey and transformed from forgotten and obscure, to fresh and magical, along with strains of "I've heard of that one!"

We know that there is much power in a name...

Thank you Hedgespoken for using all your many quality skills to bring back the arts and tales, to help us find roots and grow into a better future.

About Hedgespoken (from their website):

Storyteller, mask-maker and writer Tom Hirons and internationally-respected artist, puppeteer and musician Rima Staines tell tales and spark imaginations from the Hedgespoken truck wherever they can, from busy festivals and family camps to quiet laybys and secluded forests.

Hedgespoken specialise in retelling East European and British folktales and also stories from the wide world of the Traveller and Gypsy communities.

Note: All images in this post are from Hedgespoken's promotional materials.

Sensitive Tales As A Metaphor For Living With Conditions and Illness

These beautiful illustrations, by artist, Diana Renjina, are not, as it might first appear, for - or from - a fairy tale, but they illustrate beautifully how unusual tales of sensitivity can bring a different perspective to living with illnesses, particularly those that manifest on the skin. As you can see from the text accompanying the images, the blooming flowers and sprouting greenery symbolize psoriasis, a common, non-contagious skin condition in which the skin gets "rosy" and sometimes scaly or flaky, and can be itchy and even painful. 

Tales that come most quickly to mind are those like The Princess and the Pea, in which the princess bruises easily but also those other tales that feature skin marks and other unusual symptoms when the main character is affected by the elements (from the lightest touch of a petal - perhaps allergies, to moonlight - which could substitute easily for conditions brought on by the environment like asthma). With The Most Sensitive Woman (from Italy) and The Three Delicate Wives of King Virtue-Banner (from India) it's not difficult to extrapolate different medical conditions that might be occurring here. Tales like Donkeyskin and Allerleirauh, in which the maiden hides herself under mud and more, show a physical response to being touched/affected by the world and their various environments. In these cases, the Donkeyskin tale types can illustrate how being abused can bring about conditions of illness, though we won't go into that in this post.

Tales of transformation, too, can bring a new perspective on living with visible diseases. From The Frog King, to Hans My Hedgehog to The Wild Swans, it's clear the transformation is not wanted, is painful and considered ugly, and, sadly, often less than human, so that these poor cursed or affected people have to prove themselves worthy or find a way (usually a difficult, extreme and long-term process) to be cured.

More recently, possibly due to technology such as digital animation and art, it's becoming more common to see fairy tale-type illustrations in which patterns, flowers, plants, frost and other beautiful natural manifestations sprout - literally - from the skin. There's no doubt these images call to mind fairy tales, even if they're not specific and familiar ones we've heard, and whether or not it's intentional, it seems instinctive to parallel the tragic beauty of a natural - yet unusual - physical manifestation of a condition with the (usually) melancholic hero or heroine it's happening too, such as could be described in these images in this post.

When we do not "feel good in our own skin" we cannot help but try to do something about it. Some try to deal with it by using salves, medicines, trying to find a cure. Others try to escape it all together and find ways to cover themselves; we put on costumes, (either by dressing differently than we otherwise would, or literally creating a costume which incorporates - or hides - the condition) or, essentially, a different skin. 

In fairy tales this can happen literally. There is an interesting looking book titled: Fairy Tales and the Social Unconscious: The Hidden Language written by Ravit Raufman, that discusses the idea of how we identify with our skin - and how we look. We have only skimmed it, so cannot speak to the whole work but it has very interesting things to say about the physical manifestations in fairy tales such as Donkeyskin indicating an unhealthy state - whether that's psychologically or (sometimes and) physically.

What we have to wonder is, if we could see some of these diseases as not needing to be 'cured' but more of an unusual condition that manifests under certain circumstances (like stress - which is a trigger for almost everything), would we be more understanding and accepting of people's conditions than we, as society, currently are right now?

Here's an illustration by a different artist, Lynore Avery, showing the youngest brother in The Wild Swans tale-types, having to live with his only partially 'healed' condition. Illustrated like this, with feathers overlapping like scales or unusual skin cells, it seems to underscore the physical issues of the problem and shows the remnants of the 'hidden' curse, but it also hints at a Magic, and, possibly, a potential we haven't yet considered. 

Accepting this about oneself if always easier when others close to you do, and this is where sensitive stories like these could be helpful. While using fairy tales to explore these ideas could be condemned as romanticizing a very real condition, we think it might also bring healing and new understanding, especially for those of us who live with and love their swan princes, just the way they are. Then we might be able to finally accept our own skin and live out our story, happy ending-possibilities and all.

"Hans My Hedgehog" Story Poster by Yael Albert

I found this recently and loved, not only seeing some new artwork for a fairy tale I love but that the poster takes you through the whole story as well. I wish there were more tales illustrated this way. They'd make wonderful teaching and reference tools as well as fantastic additions to a playroom.

The artist, Yael Albert is an Israeli-born illustrator who, although she seems fairly new on the scene (within the last few years) has hit the ground running going from high profile awards to publishing contracts in New York, including The New York Times (click to see his illustration).

Unfortunately I can't seem to find any details on why this poster was made or what inspired her. I also sincerely wish there was a high resolution image of this poster available so I could see all the details in context but we'll have to settle for a few enlarged images instead.

I wanted to mention her lovely little postcard sketches from her blog too (like this one HERE). Apparently she found some old postcards and doodled in some imaginary aspects for each one - what a great idea! I love them. They're completely fairy tale-like in their atmosphere and remind me of when I was a child and thinking of tales in different situations. 

Her website is HERE, her blog HERE and this beautiful Hans My Hedgehog poster was originally found HERE.