Tuesday, March 31, 2015

A Raw Icelandic "Beast" with Much Beauty

"Once upon a time, there was a hero, although she didn't know it yet. Her name was Bell. And she was destined to confront a Beast..."

There's a new film in the making which promises a very different take on Beauty and the Beast, journeying back to the fairy tale's roots and delving into the Mythic, in a way we haven't yet seen. It's titled, simply, Beast, but the movie promises to be anything but simple.
The Icelandic setting and all-Icelandic cast, along with "The Mountain", (aka Hafþór Júlíus Björnsson) from HBO's Game Of Thrones, ratchet the epic factor up more than a few notches, as does the edginess of the Viking-esque time period of 'the year 800'. 
This is Bell is on a feminine hero's journey, one which would give Theseus a run for his money, so it's no coincidence that the mythic story of one of Theseus' great challenges, defeating the Minotaur at the center of the labyrinth, was a foundation for this movie.

Director Max Gold says:
"When Beast is released, fans can expect to see a darker, Icelandic take on the fairy tale that they’ve come to know and love--told from a feminine perspective.  

"A masculine hero’s journey usually involves the hero leaving home then conquering and/or killing his way through a series of obstacles. But a feminine hero’s journey happens in a different style. For example, Scheherazade tells stories to save her own life. Persephone empathizes with her captor in the underworld to earn some time above ground. The Theseus/Minotaur myth (lots of similarities to Beast) is actually also a more feminine version of the hero’s journey even though Theseus is male. For example, Theseus leverages his enemy’s size and strength to his own advantage. Or when facing Medusa, Theseus literally “reflects” in his shield to find her whereabouts. These are feminine means, which makes sense because Theseus’s father is Poseidon, god of the sea.  
"There’s this new buzz phrase, “strong female protagonist.” Most of the time “strong” just means “put a weapon in the female protagonist’s hand.” That does not make a strong female protagonist, it just makes a female protagonist who carries a weapon. In Beast, the story is told from Bell’s perspective and she uses her own courage and cunning to find her way. She is a deeply flawed character but is also willful. You will find out whether her strong will is enough when she comes face to face with her darker side. And yes, at some point she does also wield a badass sword!"
Apart from showcasing a selection of beautiful visuals here, the best way I could think to introduce you to the film is via a couple of their development films. First "Princess" Bell then Bell the HeroIf you don't have time to watch any of the videos, I still strongly suggest you take a look at the last 30 seconds or so of Bell the Hero (at the 1min35sec mark). It's amazing.Take a look:

While the film is definitely a "darker take" on the Beauty and the Beast tale, it's clear from corresponding with Max Gold, and getting peeks behind the scenes here and there, that every scene, including the bloodier ones, are all there with a purpose.
"Violence is a necessary part of a fairy tale; it always points to the death of potential consciousness that befalls those who don't pay attention. Our Beast is a hoard of energy that saps the land and causes the famine. Without this as an antagonist, the stakes of Bell's journey would be inauthentic.
“Bell’s psychological journey inward is as much a focus as her harrowing quest through the Icelandic wilderness. Bell is fleeing a brutal past; she is contending with a lot of inner demons. She is a deeply flawed character and we don’t shy away from putting those flaws up on screen, but she is also extremely willful. Her will and courage ultimately carry her through.
From references of The Poetic Edda and Icelandic Sagas, along with nods to Jung and David L. Hart's "The Water of Life: Spiritual Renewal in the Fairy Tale" and labyrinthian metaphors, both with regard to the inner psyche and the forbidding Icelandic wildlands, this Beauty and the Beast retelling has some serious foundation to build it's story on. The attention to storytelling detail is also clear in every frame with both beautiful photography and specific framing that tells a story of its own (a quick look at the embedded videos will have you amazed that such an icy wasteland can be so very stunning!). 
When you see this it's easy to recognize how important the awareness of the Land is in the movie as well. A sense of story grows out of it, just like it does for the Icelandic people, so it made sense when I learned that Max Gold had more than a passing appreciation for it as well.

"One of the patterns I began to notice in Icelandic folklore was that everything ties back to the land. The evil wizards who turn the sand black, or the elves who come from the lava rocks--all of them emerge from and return to the landscape. They are land spirits, or for the more objective they are anthropomorphisms. Take a drive through Westfjörds and when you come back tell me that you didn’t see faces in the rock staring back at you. There is a deep respect for and connection with the land in Icelandic cultural heritage, something akin to that of the original Americans before the Europeans unfortunately wiped them out.  

"Casting the film entirely Icelandic maintains an integrity of place that bleeds through the screen. Rather than rely on special effects, my visual team emphasizes the stunning landscape to catapult the audience head-on into this magic world. 

"My friend Helga introduced me to the Icelandic landscape painter called Kjarval. Kjarval was responsible for re-introducing the landscape to the Icelandic people by way of his paintings. 
Between Kjarval’s paintings and the folklore, the unique and rustic world inhabited by Beast and Bell comes to life. All of that said: not once did we “use” the landscape. Everyone on my team had a running joke: “the landscape used us.” My friend Max was carrying a 4x4 floppy up a hill and he actually blew away in the wind. Henry had to grab him and pull him back down!" 
This video below is slightly longer at over 3 minutes but you get to see a lot of that 'mythic foundation building' I keep referencing. 

Now that you know the context of the film and have seen an exploration of visuals and scenes, I'd like to add the trailer for you to view too. Just be warned: the trailer begins with some violence, which can be a shock if it's the first thing you're seeing. If any form of violence or gore bothers you, just don't watch the first 11 seconds. The rest is worth watching and at times breathtakingly stunning, I promise. (I do recommend you don't have kids around though - this is not for children.):
I've spent quite a bit of time looking into Beast and am more and more impressed the more I learn. The only trouble is that there isn't a guarantee it will be finished... yet. Despite the formidable talent and crew they have on board, this film is still an Indie project and is relying on crowd funding and support to get the picture done.
I'm not the only one who believes this film promises and excellent standard though. Beast was recently named a Kickstarter "Staff Pick" and they're more than half way to their goal. I'm sort of astonished that the monetary goal is so low, considering how high they have the bar set for production but they've already proven they can do a lot with a little. I'd dearly love to see this film complete and we've got just one week to help them make this possible.

Being a Kickstarter, there are some really great incentives and rewards for helping out with donations. You can donate as little as a dollar or a few dollars and get some extra promotion yourself, and starting at the $30 mark you can receive a high res copy of the film yourself (isn't that close to what you'd pay for a Blu-ray these days anyway?)

The approach to this film is the sort of storytelling we want to see - exploring tales we love in a new ways with intelligence, reverence and excellence. Please consider joining me in supporting Beast. Even a small amount can make a huge difference.

Blind Hummingbird Productions
Beast stars Hafþór Júlíus Björnsson, aka THE MOUNTAIN from HBO’s Game of
alongside a completely Icelandic cast.
Bell is played by newcomer Berta Andrea and Beast is played by Icelandic model Ingi
Hrafn. The film is shot by Cannes-showcased cinematographer, Ed Wu. Production
Designer: Haisu Wang (Steven Spielberg’s THE PACIFIC) Costume Designer: Ella
Beast is written and directed by Max Gold, whose previous credits include the Golden
Globe-nominated Arbitrage (2012). Gold’s commercials, short films and video art
installations have received numerous accolades and international festival attention.
Kickstarter: https://www.kickstarter.com/projects/maxgold/beast-a-live-action-feature-
Trailer (official site): www.beast-iceland.com
Blind Hummingbird Productions: www.blindhummingbird.com
Twitter: @Beast_movie , @blindhummingbrd
Facebook: facebook.com/BEASTIceland , facebook.com/blindhummingbird

Additional sources: HERE, HERE, & the official website HERE

Monday, March 30, 2015

Lesley Barnes' Colorific "Firebird"

Something lovely and a little bit different to start off with this week. The Firebird as illustrated by the amazing Lesley Barnes.

Lesley is a British illustrator, originally from Glasgow. If you're familiar with animation you wouldn't be surprised to learn that's where she started, but her colorful illustration is what she's best known for today.

Currently Lesley is featured on the cover of the new image-delicious book The Graphic Canon of Children's Literature: The Definitive Anthology of Kid's Lit as Graphics and Visuals edited by Russ Kick.

Presenting a selection of pieces from the The Graphic Canon of Children's Literature, written by Russ Kick and published by Seven Stories Press.  

In this follow-up volume to the lauded Graphic Canon series, master anthologist Russ Kick shows adults everywhere that great children's literature is great literature, period. And that it's not just for children.
The original three-volume anthology The Graphic Canon presented the world's classic literature--from ancient times to the late twentieth century--as eye-popping comics, illustrations, and other visual forms. In this follow-up volume, young people's literature through the ages is given new life by the best comics artists and illustrators. Fairy tales, fables, fantastical adventures, young adult novels, swashbuckling yarns, your favorite stories from childhood and your teenage years . . . they're all here, in all their original complexity and strangeness, before they were censored or sanitized.

You can find out a little more about the sorts of projects she's worked on and upcoming works in this short but lovely article HERE.


The concertina book is now on my (impossible things) fairy tale wish list too!

You can find Lesley Barnes in many places on the web! There's a nice board showing a range of Lesley's work HERE on Pinterest, and below are all the official links:









Sunday, March 29, 2015

Ask Baba Yaga: How Can I Get Over the Fear That This One Physical Feature Makes Me Look Grotesque?

RAGANA YAGA. New label coming soon for a new beer from Seventh Son Brewing Co. by Mike Moses
Self image - I haven't met many people who don't have some issues with it, and I've met a LOT of people who hate mirrors. It doesn't matter if the feature really is grotesque or not, if you get caught off guard by your reflection in a bad way when you're otherwise feeling just fine, it can change your entire day - or the direction you're taking in a key decision.This is a question I'm very curious to hear Baba Yaga's answer for.

Today's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

I think I'm going to need a little time to mull over this one and just what that ink pool is for me personally. What I want to know now is, how do I 'step through the glass to glimpse other Sights'?

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).

Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Saturday, March 28, 2015

LA Opera's Costume Rare Tag Sale TODAY ONLY (Cinderella Costumes Included)

Doing some promo footage for the 2015 LA Opera Costume sale for KTLA Morning News
Looking for a Cinderella shoe, or broom? How about a Papageno mask, or a handmade stepsister wig? Today - Saturday March 28th - might just be your lucky day. The LA Opera Costume Shop is having a public tag sale (today only).

The LA Opera Costume shop is cleaning house in prep for moving their location and having a rare "tag sale" of about a thousand items worn on stage in numerous productions, including more than a few worn by the world's greats (think Placido Domingo). Fairy tale costumes will be included in the selection of course!
The L.A. Opera's costume shop, pictured in 2013 during the tailoring of outfits for "The Magic Flute," is moving -- so an estimated 1,000 costumes are being put up for sale. (Luis Sinco / Los Angeles Times)

From the LA Times and ArtsBeatLA:
Think late 19th century bustles and flouncy panniers; handmade shoes and masks; military garb and gladiator gear; period wigs and accessories. The items for sale are from productions such as “Cinderella,” "Aida," “The Grand Duchess,” “Lucia di Lammermoor” and “The Turn of the Screw.” Prices start at $25 for complete costumes and $2 for individual pieces. 
One-of-a-kind items such as handcrafted hats, uniquely designed shoes, numerous masks, theatrical jewelry, period wigs, gladiatorial armor and even slave cuffs will be laid out on tables alongside the racks.  Also for sale will be bolts of unusual fabrics and faux fur, as well as buttons, belts, floral hair pins, bustles and panniers. 
Costumes available for sale will include items from Aida, The Barber of Seville, The Birds, The Broken Jug, Cinderella, The Grand Duchess, Lucia di Lammermoor, Orfeo ed Euridice, The Queen of Spades, Salome, The Turk in Italy, The Turn of the Screw and Vanessa, among others.
A special “diva rack” will have the high-end items, $1,000 to $5,000, worn by stars such as Jennifer Larmore, Kiri Te Kanawa, Bryn Terfel and Deborah Voigt.
You can see a slideshow of some of the available costumes HERE and

If you're in the neighborhood, go check out the 90 clothing racks at:
330 South Alameda Street in downtown LA (parking lot)
10:30am to 4pm
Saturday March 28th ONLY 

It's a public event and you can browse for FREE!

If you go, don't forget to take your camera. We want to see the goodies please!

Vote for Timeless Tales' Next Theme!

Would you like to read some new retellings of the Goose Girl or Baba Yaga? Do you have a new story on the theme of Thumbelina or Bluebeard that you'd like to submit but don't know where?

Timeless Tales Magazine lets its readers choose each theme. 

While they are preparing their Perseus and Medusa issue (releasing in June), you can head over to their poll and vote for Issue #5's theme. 

As you can see, Baba Yaga is currently in the lead, but the poll is open until April 5th, so that could change. Head over HERE to check it out and vote (anonymously) with just a click. 

Which one is your favorite?