Showing posts with label author. Show all posts
Showing posts with label author. Show all posts

Tuesday, July 28, 2026

Jane Yolen, "America's Hans Christian Andersen", Passes Away at 87

 

Jane Yolen (February 11, 1939 – June 11, 2026) - photo portrait by daughter, Heidi Stemple

We lost one of the most prolific and inspiring American authors who wrote across multiple genres and generations last month, but the title she was affectionately given by the press due to her constant work with and championing of fairy tales was "America's Hans Christian Andersen"*.

Heidie Stemple commenting on her late mother's response to the affectation for Louisville Public Media

The author of over 450 books, Yolen didn't just write and work with fairy tales, of course, but they were a subject never far from her mind and heart. The range of tales she told and retold, for kids through to adults, reflected how integral they were to her own life and way of thinking, and that's what I will be focusing on in this tribute.

*She was also referred to as the "Aesop of the 20th century".

Reclaiming Women's History & Retelling Fairy Tales For Brave Girls

Yolen's first book sale, Pirates in Petticoats, happened on her 22nd birthday, February 11, 1961. The feminist non-fiction story already showed her proclivity for telling tales with strong and unusual female protagonists, something she continued to do throughout her life in her fiction, non-fiction, poetry, and in mining fairy and folktales for forgotten stories to retell in freshly inspiring fairy tale anthologies. Sometimes, as in Sister Bearher retelling of a favorite Norwegian tale of mine (The Cat on the Dovrefjell), she would change the male hero into a girl or woman, asking that we reframe traditional ideas of bravery and heroism.

Tribute piece for Jane Yolen June 12, 2026 by Astrid Sheckles

Raising Up Forgotten Voices and Stirring Up Controversy

Born to Jewish parents and considering herself a secular Jew, Yolen identified as a poet and journalist/non-fiction writer, though she was most often referred to as a children's book author, as these became her most well-known works. Both Briar Rose and The Devil's Arithmetic, dealing with aspects of the Holocaust, were included on reading lists for middle and high school for a time, and later banned due to censorship for the subject matter and due to the sexual orientation of a key character. In a similar vein, her book on Christopher Columbus, Encounter, in contrast to other books at the time, portrayed the "discovery of America" as not only disruptive but frightening to the indigenous populations, which also drew controversy. Her writing on these subjects and others of a similar nature continued unapologetically throughout her life, encouraging and empowering many others to not only learn about these hidden histories but to investigate history themselves, take up their own pen, and continue to do the same.

A Champion of the Power of Fairy and Folktales

Winner of multiple prestigious awards (including a Caldecott, two Nebula Awards, the World Fantasy Association's Lifetime Achievement Award, and many more), Yolen's writing spanned multiple genres, with her use of folktales, fantasy, and poetic imagination drawing readers of all ages to both explore history in new ways and to see the world through eyes primed to discover and create their own wonder. A running theme through her life and work, she believed strongly in the power of fairy tales to succinctly communicate truths she believed people need to hear in a "non-messy" and memorable way, and to spread the type of hope they need to really live.

Writing With Her Children

Jane Yolen married David Stemple in 1962 and had three children, all of whom write ("the family business", as Heidi joked), and have creative careers. Jason Stemple is an author, photographer, and drone pilot, Adam Stemple is a musician and author (of seven books and many short stories to date), and Heidi Stemple is an author and speaker, writing mainly for children (with over thirty books published, at this writing). Yolen has creatively collaborated and co-authored multiple books with all three of her children. "Family business" indeed!

Yolen's Briar Rose

Yolen's Briar Rose (published in 1992) deserves a special mention on a fairy tale blog, as you will see. It was originally published as part of the Fairy Tale Series of novels, compiled by Terri Windling. It won the Mythopoeic Fantasy Award for Adult Literature in 1993. For those who are unfamiliar with, or need a refresher on, the book, I am including a quote from an education guide (on unbancoolies.org) to give a quick overview and to explain why its particular intertextuality was so unique at the time, as well as why it was, and remains, critically acclaimed (emphasis in bold and underline is mine): 


Jane Yolen’s Briar Rose is not just a story about a sleeping princess but a narrative that connects fairy tale motifs with real-world history. The book intertwines the traditional story with the experiences of a Holocaust survivor, who is the grandmother of the narrator. This blending of fantasy and history creates a powerful juxtaposition that brings new meaning to the themes of survival, memory, and the power of storytelling. By incorporating the Holocaust into her version, Yolen transforms Briar Rose into a story about resilience and the enduring strength of the human spirit amidst unimaginable darkness. This approach encourages readers to see fairy tales not only as escapist fantasies but also as vessels for preserving history and teaching important lessons.

Yolen’s use of storytelling within the narrative serves as a metaphor for healing and remembrance. The act of telling and retelling the story of Briar Rose becomes a way for the characters—and readers—to confront trauma and find hope. This technique highlights the transformative power of stories, a recurring theme in Yolen’s work.

With countless adaptations of Briar Rose or Sleeping Beauty, Jane Yolen’s version is distinguished by its emotional depth and historical context. Many fairy tale retellings focus on romance or fantasy elements, but Yolen’s narrative challenges readers to think critically about history, memory, and the importance of passing down stories through generations.

Another aspect that enriches Yolen’s Briar Rose is its subtle incorporation of Jewish folklore and cultural references. This adds authenticity and depth to the story, especially given the Holocaust context. Readers gain insight into how cultural identity and storytelling intertwine, making the narrative resonate on multiple levels. 

Despite multiple attempts and much enthusiasm from fans and entertainment industry professionals around the globe, this dream was never realized, though many other of her works found new life across the visual mediums of movies and TV.

Here is a little background on how this book came to be, which reads a little like a magical story all on its own. This screenshot is from Jane Yolen's personal website, in which she recounts how the book came to be. (It should be noted that this book was originally published for adults.):

Jane Yolen's personal recounting of the inspiration and impact of her historically-based retelling of Sleeping Beauty, Briar Rose

Briar Rose was an influential work for me* and sits on my favorite works bookshelf. Her more recent verse novel, Finding Baba Yaga (written as a series of connected poems), in which this blog was delightfully and weirdly mentioned through an odd misunderstanding I can't help but treasure, now sits beside it, and there's a story to that book, too, which I will tell below.

*I also recommend the audiobook - something I rarely do.

How Once Upon A Blog Ended Up In Finding Baba Yaga

Finding Baba Yaga credits OUABlog ("...the very strange website Once Upon A Blog... Fairy Tale News.." is how she refers to it) in the preface of this book, published in 2018, with writing the "Ask Baba Yaga" regular "advice" feature, which Yolen says inspired her to write this unique verse novel. While I did present the column in my own way, the "Ask Baba Yaga question and "advice" was not my work, but the brainchild of mythic writer and seer Tiasia Kitaiskaia. At the time, Kitaiskaia was publishing these brief pieces of advice to a niche readership in The Hairpin, and had generously given me written permission to re-publish them in my own format on Once Upon A Blog as a regular feature. Once Yolen's new book hit shelves, and I discovered the mistaken credit, I immediately began a flurry of messages and emails to Yolen, her publisher, and Kitaiskaia to rectify the mistake as quickly as possible. Though I never heard what passed between Yolen and Kitaiskaia regarding the mistake, it had been revealed that Yolen was a regular reader of Once Upon A Blog, and the discovery, via reading OUABlog, has remained a part of the preface (with adjusted wording so Kitaiskaia's genius is clear), becoming an odd part of the lore here, which I remained tickled by and treasure.

Screenshot from GoogleBooks showing the mention of OUABlog across two pages. Note: this is the adjusted mention

Always An Insightful, Generous Poet - Even When Commenting On Posts & Socials

Yolen was not only a prolific writer but also remained actively interactive with writers and artists of fantasy and fairy tale, often responding to comments on posts with spontaneous poetry that took conversations to another level. Terri Windling's incredible blog, Myth & Moor (now sadly retired), was a favorite online haunt of hers where she not only showed support for Windling and her other dear friends there, but regularly offered her artistic response to a post or comment by way of writing her responses in spontaneous, often fairy tale-alluding poetry. 

Her Mark - and Her Magic - Remains

Quirky, unique, outspoken, a master wordsmith, and magical, she is already greatly missed. To have lived in a world where she was writing, busy creating wondrous works, and distilling conversations and comments into little fairy tales filled with profound observations and wisdom that we can continue to tell, forever, has been a privilege. 

Thank you for everything, Jane.

Your star will shine brightly ever after.

Tribute portrait of Jane Yolen June 12, 2026 by Jarrett J. Krosoczka
__________________________________________________

A Small Selection of Yolen's Fairy Tale-Related Book Covers


Books shown (left to right, top to bottom):
  • Briar Rose
  • Finding Baba Yaga
  • Tam Lin
  • Sister Emily's Lightship and Other Stories
  • Touch Magic - Fantasy, Faerie & Folklore in the Literature of Childhood
  • Mapping the Bones
  • The Girl Who Cried Flowers and Other Tales
  • Gray Heroes - Elder Tales From Around the World
  • The Seeing Stick
  • Jewish Fairy Tale Feasts - A Literary Cookbook (Tales retold by Jane Yolen, Recipes by Heidi E.Y. Stemple)
  • Sleeping Ugly
  • Tales of Wonder
  • His Fairytale Life - A Book About Hans Christian Andersen
  • Not One Damsel In Distress -Heroic Girls from World Folklore
  • Once Upon A Time (she said)
  • Fairy Tale Feasts - A Literary Cookbook for Young Readers and Eaters (Tales retold by Jane Yolen, Recipes by Heidi E.Y. Stemple)
  • Sister Bear - A Norse Tale
  • The Moon Ribbon and Other Tales
  • The Fish Prince and Other Stories (with Shulamith Oppenheim)
  • Twelve Impossible Things Before Breakfast
  • Mightier Than The Sword
  • Favorite Folktales from Around the World
  • The Barefoot Book of Ballet Stories (with Heidi E. Y. Stemple & Rebecca Guay)
  • How To Fracture A Fairy Tale

Thursday, June 19, 2014

Aussies 'n' Fairy Tales Week: Shaun Tan, Artist and Alchemist

From the foreword - it's the Brothers Grimm themselves, being told stories by a fox
Shaun Tan, author and illustrator extraordinaire and winner of many, many awards, including:


  • Three time winner of Best Artist for the World Fantasy Award
  • Best Professional Artist Hugo Award (2011) and multiple award nominee

  • Astrid Lindgren Memorial Award or ALMA (2010)
  • Academy Award (aka Oscar Award Winner) for The Lost Thing, Best Short Film (animated)

It's very likely you know of him or know his work, especially if you follow children's literature, fantasy or animation (he also worked as a concept artist for Pixar's "WALL-E").

While Mr. Tan's illustrations have always had that uniquely Australian slightly off-kilter sense of fantasy underlying the mundane, and has always seemed to seamlessly weave the fantastic or 'other' into his largely suburban illustrations, it's only fairly recently that he created works specifically based on fairy tales. It turned out that he found this more challenging than he initially believed but, boy did it pay off!
Thousandfurs

Note: His Thousandfurs sculpture (shown above) was also a Spectrum 21, Dimensional Art Nominee/Finalist for 2014, which were held in May (they are 'the' coveted International Award for Contemporary Fantastic Art).
The Three Little Men in the Wood (Die drei Männlein im Walde)

As I've seen this quoted elsewhere in entirety, I'm including the whole of Mr. Tan's statement about the project here, as it will be of special interest to fairy tale folk, and those artists working to "illustrate" fairy tales (in whatever manner and media):
In 2012 I was approached by my German editor Klaus Humann of Aladin Verlag in Hamburg to consider a cover illustration, as well as perhaps some some internal drawings for a new edition of the Grimm Brothers collected folk tales written by Philip Pullman (the well known author of the His Dark Materials trilogy). I thought about this for some time, as I've always wanted to do something Grimm related but didn't have an ideal approach (or much time for commissions). Philip had chosen a selection of 50 favourite fairy tales, and written them with a thoughtful clarity that will appeal to modern readers yet keeping true to their original spirit. I was particularly interested in the scholarly notes at the end of each tale, offering background, critique and even a few suggested improvements from a writer's point of view; I was also interested in Philip's introduction which praises the concise, 'cardboard character' narrative of Grimm's fairy tales and points out they do not necessarily benefit much from illustration. A good problem for a visual artist! And one I'm inclined to agree with: I'd long ago researched fairy tales as a possible illustration project, but soon gave it up as the tales had such an abstracted quality about them, I couldn't think of a suitable 'way in' as an artist who favours representational imagery. While I love such illustrations as those byArthur Rackham, I've always felt they conflict with my own less literal experience a reader. And in many cases, the tales are just too strange or irrational for conventional 'scenes'. 
The Frog King, or Iron Heinrich
(Der Froschkönig oder
der eiserne Heinrich
)
So I was a little reluctant at first, but soon began to think of ways I could avoid painting or drawing altogether. As a child, I was actually more obsessed with sculpture than painting and drawing, working with clay, papier mache and soapstone, and was reminded of this when browsing through my collection of books on folk art and particularly Inuit scultpure and Pre-Columbian figurines from Mexico. Many of these small, hand-sized sculptures are strongly narrative and dreamlike, and offered a 'way in' to thinking about Grimm's stories as part of an old creative tradition. The works I ended up creating hopefully convey the spirit of each tale without actually illustrating them, like anonymous artifacts in a museum open to all kinds of interpretation.
Though Philip Pullman's Fairy Tales from the Brothers Grimm was published in the UK and US, each with a nice cover, it's the German edition that is the most wonderful, thanks to the inclusion of illustrations by the, incredibly adaptable, Shaun Tan.  Mr. Tan created some fifty sculptures representing Pullma's chosen fifty tales, which are photographed beautifully and are displayed in the edition throughout. While there are no plans at present, to translate it into English, (I don't understand why myself, as the edition with Shaun Tan's sculptures would be my first choice), one of the wonderful things is that Mr. Tan hasn't stopped there. He continues to be inspired by the tales and is in the process of enlarging the collection of fifty sculptures to at least 60.

Here is a very recent one, from Shaun Tan's blog, with his note:
"One of several new sculptures inspired by Grimm's Fairy Tales, this one for a the story 'The Blue Light' (Das blaue Licht), about a solider taking revenge against those who have wronged him (including the witch above). I began this series as a set of illustrations for the German edition of Philip Pullman's Grimm Tales published last year, and have since continued to create additional works for other stories that I found particularly intriguing outside of that collection. By 1850, the Grimm Brothers included over 200 tales in Children's and Household Tales, so there's certainly no shortage of inspiration; as Margaret Atwood notes, 'no emotion is unrepresented'." (Shaun Tan)
          
Little Red Cap (Rotkäppchen)
         
Godfather Death (Der Gevatter Tod)

I find it interesting that, in a discussion with Neil Gaiman, Shaun Tan says the way he uses words is, he believes, not just his style but also a cultural thing:
Gaiman: Your stuff is always laconic. One of the things I love about it is that a picture is worth a thousand words and you make your pictures work very hard. 
Tan: Part of it is that I don't trust myself as a writer. I still lack confidence, probably because the first 20 or so stories I wrote were roundly rejected. I actually started out as a writer and then converted to illustration because I realised that there was a dearth of good illustrators in genre fiction, at least in Australia at that time. I diverted all of my resources to visual imagery, and as a result I noticed that my writing did become more and more pared down, until it started to approximate my normal speaking patterns. When I write a story I imagine I'm telling it to someone like my brother. And we don't talk that much [laughs] – it condenses everything down and that's a very Australian thing, too.
And that trait might just explain why Australians on the whole seem to be so drawn to fairy and folktales and enjoy working with them.
The Nixie of the Mill-Pond (Die Nixe im Teich)

There is a wealth of information on Shaun Tan's work all over the internet, from his website to interviews to articles and awards, so I won't repeat much more here. I will only say that I am so glad Mr. Tan found illustrating fairy tales to be such "trouble" and found his own way around it. The sculptures are unique and beautiful and, now that they exist, it seems odd they didn't before.
           
The Stolen Farthings (Der gestohlene Heller)
A Riddling Tale (Rätselmärchen)

The Twelve Brothers (Die zwölf Brüder)
I can't wait to see what tales he tackles next in his Grimm sculptures and hope to see the collection together on day as well.
Iron John (Eisenhans) - (Not to be confused with The Frog King or Iron Henry)
(You can see many more of the sculptures from the German edition HERE in a previous post of mine and from a related one over the the SurLaLune blog HERE with an additional write about the book.)


Rumpelstiltskin (Rumpelstilzchen)
In the meantime, he is back to being very busy as author and illustrator and already gathering awards for his latest offering, Rules of Summer, about two brothers, living in a world of fantastic creatures and crazy gizmos, in which one breaks all the rules and the other does his best to stop him doing so... or save him. At home in Australia, this last month, Shaun Tan won both the Ditmar and the Chronos National Awards for Best Artwork for Rules of Summer, and just this past week he also won the 2014 Illustration Prize for Children's and Youth books from the German Gemeinschaftswerk der Evangelischen Publizistik (GEP)another prestigious illustrators award, also for Rules of Summer.


These 3 sculptures were sold at the Frankfurt Book Fair in October 2013 (sob!)
Here is a brief list of popular works as author and illustrator (or illustrator only, where indicated):
Shaun Tan's website can be found HERE.
He blogs HERE, usually with works-in-progress or pieces that likely won't be published elsewhere, as well as occasional news.

Tuesday, June 17, 2014

Aussies 'n' Fairy Tales Week: Juliet Marillier, Daughter of Tales, Writer of Legends


Heir to Sevenwaters by Juliet Marillier - Full cover illustration for Tor UK by Jon Sullivan
Here's a multi-award winning, epic historical fantasy novelist and fairy tale writer whom you will likely be familiar with: Juliet Marillier.

If you haven't read any books by Ms. Marillier, you're in for a treat. "Epic" is an excellent description of the stories she writes (many are, or become, series) and it's clear she does a lot of historical research into time, place, legend and related tales as she's creating her worlds. She cites traditional fairy tales and folklore as being among her biggest influences, and that she continues to read them all to this day. It's no surprise, then, to find folk motifs woven throughout her books, or to discover that she's written some wonderful stories inspired by specific tales (retellings is probably not quite the correct term).

The AFTS spoke to Ms. Marillier recently, asking her just what it was about fairy tales that attracted her. Here's an excerpt:
Many fairy tales weave through your books and short stories. Daughter of the Forest is based on ‘The Six Swans’ and Wildwood Dancing on ‘The Twelve Dancing Princesses’. What is it about fairy tales that attracts you? 
Juliet Marillier & furry family
I’ve loved fairy tales since I was a small child. Back then, it was the sense of wonder, the huge possibilities opened up by the idea that a magical realm exists alongside, or maybe inside, the world we know; and it was the thought that each of us can be a hero and achieve the apparently impossible. It’s often the gormless youngest brother or the quiet youngest sister who ends up saving the day – a person thought unimportant by his or her family and community. For a shy, bookish child, that was a reassuring message for the future! 
Over the years I’ve continued to read fairy tales, folklore and mythology and to read scholarly discussions of them, and the magic has never died for me. Fairy tales are powerful. They make sense of real life dilemmas. They give people codes for living wisely and well, and they provide hope and reassurance in times of fear and doubt. When I use fairy tale material I do so with immense respect for all the storytellers who have come before me, each of them reworking the story to suit his or her circumstances.
You can read the whole interview on the AFTS website HERE.

Since there's a very good chance she's already on your radar, I'll just list the books that are most distinctly linked to a tale (or tales) with a little added information.

Daughter of the Forest
Based on the fairy tale The Six Swans, it remains one of my favorite retellings of all books to date. A series of five more books followed to expand the story.

From Ms. Marillier's website:
In Daughter of the Forest, the fairy tale story - a youngest sister must maintain complete silence while weaving shirts from nettles in order to return her swan brothers to human form - is combined with a family drama set on both sides of the Irish Sea. More than anything, this is a story about the bond of love between siblings. 
The framework for Daughter of the Forest is a Germanic tale, The Six Swans, from the collection of the Grimm brothers. Beneath the classic fairytale elements (a wicked stepmother, a transformation, a trial by silence) is a story of courage born from loss, and lives forever altered. With its swan imagery and its remote forest setting, the Germanic story settles easily into the Irish landscape and may indeed even owe something to the Celtic tradition, a major influence on European folktales from the thirteenth century onwards. The Children of Lir, the tale of Aengus Og and his swan-bride, these are Irish myths in which child turns to swan and swan to beautiful maiden, in the space of an eye blink.
Wildwood Dancing
Using the fairy tale of The Twelve Dancing Princesses (& referencing another...).

Description:
There are many mysteries within the wildwood. Jena and her sisters share the biggest of all, a fantastic secret that enables them to escape the confines of their everyday life in rural Transylvania. They have kept it hidden for nine long years. 
When their father falls ill and must leave their forest home over the winter, Jena and her oldest sister Tati are left in charge. All goes well until a tragic accident allows their over bearing cousin Cezar to take control. The appearance of a mysterious young man in a black coat divides sister from sister, and suddenly Jena finds herself fighting to save all she holds dear. With her constant companion Gogu by her side, she must venture to realms dark and perilous in her quest to preserve, not just those she loves, but her own independence as well.
And a bonus question from the Writer Unboxed mini-interview on the book:
Q: What would you like people to know about the story itself?JM: It combines fairytale fantasy, history, family drama and love story. The Transylvanian setting allowed me to explore some of the darker aspects of the Otherworld, but I’ve tried to avoid vampire cliché. The relationship between Jena and Gogu is central to the book. I’m always puzzled by those Frog Prince stories in which the girl is so thrilled when the frog morphs into a handsome prince. I mean, would you fall instantly in love with someone who had just … appeared? So I wrote a story in which the strongest bond of love is between girl and frog.
Heart's Blood
Inspired by the fairy tale Beauty and the Beast.

Author's Note:
Beauty and the Beast has always been one of my favourite fairy tales, and readers will recognise the bones of it in Heart’s Blood: a mysterious house with an alienated, disfigured master, a priceless plant growing in a forbidden garden, magic mirrors and unusual household retainers. The story of my novel has the same general shape as that of Beauty and the Beast. 
However, this is far from a fairy tale retelling. It’s not even a close reinterpretation of the traditional tale. Heart’s Blood is a love story, a ghost story, a family saga, a story about people overcoming their difficulties, and a little slice of Irish history, as well as a homage to a favourite fairy tale. 
Prickle Moon
Ms. Marillier's short story and novella collection.

Review:
"She sang them in, verse by verse, name by sweet name ..." So begins Prickle Moon, Juliet Marillier’s first collection of short stories, and what stories they are. Each tale, whether inflected by fantasy, horror or science fiction, is powerful. Each bears the bones of its fairytale ancestors, inviting you to sit by the fire and hear stories at once timeless and ancient, yet shot through with the silver veins of modern life. Entertaining and enchanting, lyrical and lovely, Marillier will sing you in, too. (British Fantasy Award winner Angela Slatter)




AND COMING SOON:


Dreamer's Pool (Blackthorn and Grim Book 1)
Set in medieval Ireland, this book contains both fairy tale and mystery elements. Release date is set for October 2014 for Pan Macmillan in Australia, and November 2014 for Penguin's US edition.

Description introduction:
What if you were locked up awaiting execution and a stranger offered you a bargain that would set you free?  What if accepting bound you to certain rules of behaviour for seven years, rules you knew you were likely to break within days? And what if the penalty for breaking them was to find yourself back where you started, eaten up with bitterness and waiting to die?
Blackthorn chooses life, even though she must promise not to seek vengeance against her arch-enemy, Lord Mathuin. In company with a cell-mate, the hulking, silent Grim, the one-time healer and wise woman flees north to Winterfalls in Dalriada, where she settles in a derelict cottage on the fringe of the mysterious Dreamer’s Wood.  Blackthorn has promised her benefactor, the fey nobleman Conmael, that she will use her gifts only for good. But she and Grim are both scarred by the past, and the embittered healer finds her promise increasingly hard to keep. 
Read the first chapter excerpt HERE.

Other books by epic fantasy books (all with folktale motifs!) by Juliet Marillier:
   


You can find Ms. Marillier's website HERE
Her Facebook page is HERE
And she's a regular columnist on Writer Unboxed HERE.