Aussies 'n' Fairy Tales Week: Shaun Tan, Artist and Alchemist

From the foreword - it's the Brothers Grimm themselves, being told stories by a fox

Shaun Tan, author and illustrator extraordinaire and winner of many, many awards, including:

• Three time winner of Best Artist for the World Fantasy Award

• Best Professional Artist Hugo Award (2011) and multiple award nominee

• Astrid Lindgren Memorial Award or ALMA (2010)

• Academy Award (aka Oscar Award Winner) for The Lost Thing, Best Short Film (animated)

It's very likely you know of him or know his work, especially if you follow children's literature, fantasy or animation (he also worked as a concept artist for Pixar's "WALL-E").

While Mr. Tan's illustrations have always had that uniquely Australian slightly off-kilter sense of fantasy underlying the mundane, and has always seemed to seamlessly weave the fantastic or 'other' into his largely suburban illustrations, it's only fairly recently that he created works specifically based on fairy tales. It turned out that he found this more challenging than he initially believed but, boy did it pay off!

Thousandfurs

Note: His Thousandfurs sculpture (shown above) was also a Spectrum 21, Dimensional Art Nominee/Finalist for 2014, which were held in May (they are 'the' coveted International Award for Contemporary Fantastic Art).

The Three Little Men in the Wood (Die drei Männlein im Walde)

As I've seen this quoted elsewhere in entirety, I'm including the whole of Mr. Tan's statement about the project here, as it will be of special interest to fairy tale folk, and those artists working to "illustrate" fairy tales (in whatever manner and media):

In 2012 I was approached by my German editor Klaus Humann of Aladin Verlag in Hamburg to consider a cover illustration, as well as perhaps some some internal drawings for a new edition of the Grimm Brothers collected folk tales written by Philip Pullman (the well known author of the His Dark Materials trilogy). I thought about this for some time, as I've always wanted to do something Grimm related but didn't have an ideal approach (or much time for commissions). Philip had chosen a selection of 50 favourite fairy tales, and written them with a thoughtful clarity that will appeal to modern readers yet keeping true to their original spirit. I was particularly interested in the scholarly notes at the end of each tale, offering background, critique and even a few suggested improvements from a writer's point of view; I was also interested in Philip's introduction which praises the concise, 'cardboard character' narrative of Grimm's fairy tales and points out they do not necessarily benefit much from illustration. A good problem for a visual artist! And one I'm inclined to agree with: I'd long ago researched fairy tales as a possible illustration project, but soon gave it up as the tales had such an abstracted quality about them, I couldn't think of a suitable 'way in' as an artist who favours representational imagery. While I love such illustrations as those byArthur Rackham, I've always felt they conflict with my own less literal experience a reader. And in many cases, the tales are just too strange or irrational for conventional 'scenes'. 

The Frog King, or Iron Heinrich
(Der Froschkönig oder
der eiserne Heinrich)

So I was a little reluctant at first, but soon began to think of ways I could avoid painting or drawing altogether. As a child, I was actually more obsessed with sculpture than painting and drawing, working with clay, papier mache and soapstone, and was reminded of this when browsing through my collection of books on folk art and particularly Inuit scultpure and Pre-Columbian figurines from Mexico. Many of these small, hand-sized sculptures are strongly narrative and dreamlike, and offered a 'way in' to thinking about Grimm's stories as part of an old creative tradition. The works I ended up creating hopefully convey the spirit of each tale without actually illustrating them, like anonymous artifacts in a museum open to all kinds of interpretation.

Though Philip Pullman's Fairy Tales from the Brothers Grimm was published in the UK and US, each with a nice cover, it's the German edition that is the most wonderful, thanks to the inclusion of illustrations by the, incredibly adaptable, Shaun Tan.  Mr. Tan created some fifty sculptures representing Pullma's chosen fifty tales, which are photographed beautifully and are displayed in the edition throughout. While there are no plans at present, to translate it into English, (I don't understand why myself, as the edition with Shaun Tan's sculptures would be my first choice), one of the wonderful things is that Mr. Tan hasn't stopped there. He continues to be inspired by the tales and is in the process of enlarging the collection of fifty sculptures to at least 60.

Here is a very recent one, from Shaun Tan's blog, with his note:

"One of several new sculptures inspired by Grimm's Fairy Tales, this one for a the story 'The Blue Light' (Das blaue Licht), about a solider taking revenge against those who have wronged him (including the witch above). I began this series as a set of illustrations for the German edition of Philip Pullman's Grimm Tales published last year, and have since continued to create additional works for other stories that I found particularly intriguing outside of that collection. By 1850, the Grimm Brothers included over 200 tales in Children's and Household Tales, so there's certainly no shortage of inspiration; as Margaret Atwood notes, 'no emotion is unrepresented'." (Shaun Tan)

          

Little Red Cap (Rotkäppchen)

         

Godfather Death (Der Gevatter Tod)

I find it interesting that, in a discussion with Neil Gaiman, Shaun Tan says the way he uses words is, he believes, not just his style but also a cultural thing:

Gaiman: Your stuff is always laconic. One of the things I love about it is that a picture is worth a thousand words and you make your pictures work very hard. 

Tan: Part of it is that I don't trust myself as a writer. I still lack confidence, probably because the first 20 or so stories I wrote were roundly rejected. I actually started out as a writer and then converted to illustration because I realised that there was a dearth of good illustrators in genre fiction, at least in Australia at that time. I diverted all of my resources to visual imagery, and as a result I noticed that my writing did become more and more pared down, until it started to approximate my normal speaking patterns. When I write a story I imagine I'm telling it to someone like my brother. And we don't talk that much [laughs] – it condenses everything down and that's a very Australian thing, too.

And that trait might just explain why Australians on the whole seem to be so drawn to fairy and folktales and enjoy working with them.

The Nixie of the Mill-Pond (Die Nixe im Teich)

There is a wealth of information on Shaun Tan's work all over the internet, from his website to interviews to articles and awards, so I won't repeat much more here. I will only say that I am so glad Mr. Tan found illustrating fairy tales to be such "trouble" and found his own way around it. The sculptures are unique and beautiful and, now that they exist, it seems odd they didn't before.

           

The Stolen Farthings (Der gestohlene Heller)

A Riddling Tale (Rätselmärchen)

The Twelve Brothers (Die zwölf Brüder)

I can't wait to see what tales he tackles next in his Grimm sculptures and hope to see the collection together on day as well.

Iron John (Eisenhans) - (Not to be confused with The Frog King or Iron Henry)

(You can see many more of the sculptures from the German edition HERE in a previous post of mine and from a related one over the the SurLaLune blog HERE with an additional write about the book.)

Rumpelstiltskin (Rumpelstilzchen)

In the meantime, he is back to being very busy as author and illustrator and already gathering awards for his latest offering, Rules of Summer, about two brothers, living in a world of fantastic creatures and crazy gizmos, in which one breaks all the rules and the other does his best to stop him doing so... or save him. At home in Australia, this last month, Shaun Tan won both the Ditmar and the Chronos National Awards for Best Artwork for Rules of Summer, and just this past week he also won the 2014 Illustration Prize for Children's and Youth books from the German Gemeinschaftswerk der Evangelischen Publizistik (GEP), another prestigious illustrators award, also for Rules of Summer.

These 3 sculptures were sold at the Frankfurt Book Fair in October 2013 (sob!)

Here is a brief list of popular works as author and illustrator (or illustrator only, where indicated):

• Pretty Monsters by Kelly Link (2008 - interior illustrations)
• The Lost Thing (2000)
• The Arrival (2006) (Which has also been made into an amazing piece of folktale-like theater - see pics below)
• Tales from Outer Suburbia (2008)
• Grimm's Marchen (German edition only) by Philip Pullman (2013 - illustrations/sculptures)
• Rules of Summer (2013)

Shaun Tan's website can be found HERE.
He blogs HERE, usually with works-in-progress or pieces that likely won't be published elsewhere, as well as occasional news.

First Casting for Sofia Coppola's "The Little Mermaid" Makes Waves

The Little Mermaid by Edmund Dulac

Normally I don't bother with casting news unless it appears to be an indication of the direction the tale is going in. This announcement for Sofia Coppola's The Little Mermaid, though, would seem to do just that.

Although it isn't for the lead or any other main character, the casting news for "Sister #4", is already causing a lot of interest. Why? Because Sister #4 (likely a mermaid) will be played by fashion sensation and Australian model, Andrej Pejić.

(Even I've heard of Andrej Pejić!)

Why the big deal? Isn't the addition of pretty people an almost foregone conclusion with the-filmmaker-beloved-by-fashonistas, Sofia Coppola?

You may remember that Ms. Coppola's version of The Little Mermaid is not the Disney one. It's to be based on the Hans Andersen story. And you may also remember that HCA is thought to have written the unhappy story, based on his own unrequited love for another man.

The Little Mermaid has become THE fairy tale for the LGBT community (especially since Disney created their popular version and many people, often for the first time, saw a lower body transform and identified very personally with the agony of being "caught between worlds"), and Hans Andersen's own struggles go a long way to making that a valid interpretation.

Where Andrej Pejić makes a difference by being included in the casting is in being the world's most famous androgynous model, modeling both female and male clothing on the catwalk and being the current fashion poster child for the transgender community. Pejić was ranked number 18 in the Top 50 Male Models of the world in 2011 as well as being included in FHM's 100 Sexiest Women in the World, the same year. Self-described as "living between genders" and indicating a preference for female pronouns, she has never shied away from the controversy surrounding her gender or status, and although, 
1) there's no doubt Pejić is ridiculously gorgeous as male or female (or between) and
2) Pejić has done a small amount of movie/film work before, 
casting her for inclusion in this particular project by the talented, smart and very aware director, Sofia Coppola, is no accident.

While it remains to be seen what direction the film will go and which themes are focused on in the story, at the very least, Ms. Coppola has essentially announced that this film is inclusive for all who see it as "their" film, even if this is the only nod the LGBT community.

It will be very interesting to see whom else will be part of that world...

Source: HERE

Aussies 'n' Fairy Tales Week: Juliet Marillier, Daughter of Tales, Writer of Legends

Heir to Sevenwaters by Juliet Marillier - Full cover illustration for Tor UK by Jon Sullivan

Here's a multi-award winning, epic historical fantasy novelist and fairy tale writer whom you will likely be familiar with: Juliet Marillier.

If you haven't read any books by Ms. Marillier, you're in for a treat. "Epic" is an excellent description of the stories she writes (many are, or become, series) and it's clear she does a lot of historical research into time, place, legend and related tales as she's creating her worlds. She cites traditional fairy tales and folklore as being among her biggest influences, and that she continues to read them all to this day. It's no surprise, then, to find folk motifs woven throughout her books, or to discover that she's written some wonderful stories inspired by specific tales (retellings is probably not quite the correct term).

The AFTS spoke to Ms. Marillier recently, asking her just what it was about fairy tales that attracted her. Here's an excerpt:

* Many fairy tales weave through your books and short stories. Daughter of the Forest is based on ‘The Six Swans’ and Wildwood Dancing on ‘The Twelve Dancing Princesses’. What is it about fairy tales that attracts you? 

Juliet Marillier & furry family

I’ve loved fairy tales since I was a small child. Back then, it was the sense of wonder, the huge possibilities opened up by the idea that a magical realm exists alongside, or maybe inside, the world we know; and it was the thought that each of us can be a hero and achieve the apparently impossible. It’s often the gormless youngest brother or the quiet youngest sister who ends up saving the day – a person thought unimportant by his or her family and community. For a shy, bookish child, that was a reassuring message for the future! 

Over the years I’ve continued to read fairy tales, folklore and mythology and to read scholarly discussions of them, and the magic has never died for me. Fairy tales are powerful. They make sense of real life dilemmas. They give people codes for living wisely and well, and they provide hope and reassurance in times of fear and doubt. When I use fairy tale material I do so with immense respect for all the storytellers who have come before me, each of them reworking the story to suit his or her circumstances.

You can read the whole interview on the AFTS website HERE.

Since there's a very good chance she's already on your radar, I'll just list the books that are most distinctly linked to a tale (or tales) with a little added information.

Daughter of the Forest
Based on the fairy tale The Six Swans, it remains one of my favorite retellings of all books to date. A series of five more books followed to expand the story.

From Ms. Marillier's website:

In Daughter of the Forest, the fairy tale story - a youngest sister must maintain complete silence while weaving shirts from nettles in order to return her swan brothers to human form - is combined with a family drama set on both sides of the Irish Sea. More than anything, this is a story about the bond of love between siblings. 

The framework for Daughter of the Forest is a Germanic tale, The Six Swans, from the collection of the Grimm brothers. Beneath the classic fairytale elements (a wicked stepmother, a transformation, a trial by silence) is a story of courage born from loss, and lives forever altered. With its swan imagery and its remote forest setting, the Germanic story settles easily into the Irish landscape and may indeed even owe something to the Celtic tradition, a major influence on European folktales from the thirteenth century onwards. The Children of Lir, the tale of Aengus Og and his swan-bride, these are Irish myths in which child turns to swan and swan to beautiful maiden, in the space of an eye blink.

Wildwood Dancing
Using the fairy tale of The Twelve Dancing Princesses (& referencing another...).

Description:

There are many mysteries within the wildwood. Jena and her sisters share the biggest of all, a fantastic secret that enables them to escape the confines of their everyday life in rural Transylvania. They have kept it hidden for nine long years. 

When their father falls ill and must leave their forest home over the winter, Jena and her oldest sister Tati are left in charge. All goes well until a tragic accident allows their over bearing cousin Cezar to take control. The appearance of a mysterious young man in a black coat divides sister from sister, and suddenly Jena finds herself fighting to save all she holds dear. With her constant companion Gogu by her side, she must venture to realms dark and perilous in her quest to preserve, not just those she loves, but her own independence as well.

And a bonus question from the Writer Unboxed mini-interview on the book:

Q: What would you like people to know about the story itself?JM: It combines fairytale fantasy, history, family drama and love story. The Transylvanian setting allowed me to explore some of the darker aspects of the Otherworld, but I’ve tried to avoid vampire cliché. The relationship between Jena and Gogu is central to the book. I’m always puzzled by those Frog Prince stories in which the girl is so thrilled when the frog morphs into a handsome prince. I mean, would you fall instantly in love with someone who had just … appeared? So I wrote a story in which the strongest bond of love is between girl and frog.

Heart's Blood
Inspired by the fairy tale Beauty and the Beast.

Author's Note:

Beauty and the Beast has always been one of my favourite fairy tales, and readers will recognise the bones of it in Heart’s Blood: a mysterious house with an alienated, disfigured master, a priceless plant growing in a forbidden garden, magic mirrors and unusual household retainers. The story of my novel has the same general shape as that of Beauty and the Beast. 

However, this is far from a fairy tale retelling. It’s not even a close reinterpretation of the traditional tale. Heart’s Blood is a love story, a ghost story, a family saga, a story about people overcoming their difficulties, and a little slice of Irish history, as well as a homage to a favourite fairy tale. 

Prickle Moon
Ms. Marillier's short story and novella collection.

Review:

"She sang them in, verse by verse, name by sweet name ..." So begins Prickle Moon, Juliet Marillier’s first collection of short stories, and what stories they are. Each tale, whether inflected by fantasy, horror or science fiction, is powerful. Each bears the bones of its fairytale ancestors, inviting you to sit by the fire and hear stories at once timeless and ancient, yet shot through with the silver veins of modern life. Entertaining and enchanting, lyrical and lovely, Marillier will sing you in, too. (British Fantasy Award winner Angela Slatter)

AND COMING SOON:

Dreamer's Pool (Blackthorn and Grim Book 1)
Set in medieval Ireland, this book contains both fairy tale and mystery elements. Release date is set for October 2014 for Pan Macmillan in Australia, and November 2014 for Penguin's US edition.

Description introduction:

What if you were locked up awaiting execution and a stranger offered you a bargain that would set you free?  What if accepting bound you to certain rules of behaviour for seven years, rules you knew you were likely to break within days? And what if the penalty for breaking them was to find yourself back where you started, eaten up with bitterness and waiting to die?

Blackthorn chooses life, even though she must promise not to seek vengeance against her arch-enemy, Lord Mathuin. In company with a cell-mate, the hulking, silent Grim, the one-time healer and wise woman flees north to Winterfalls in Dalriada, where she settles in a derelict cottage on the fringe of the mysterious Dreamer’s Wood.  Blackthorn has promised her benefactor, the fey nobleman Conmael, that she will use her gifts only for good. But she and Grim are both scarred by the past, and the embittered healer finds her promise increasingly hard to keep. 

Read the first chapter excerpt HERE.

Other books by epic fantasy books (all with folktale motifs!) by Juliet Marillier:

   

You can find Ms. Marillier's website HERE
Her Facebook page is HERE
And she's a regular columnist on Writer Unboxed HERE.

Guillermo del Toro No Longer Directing His "Beauty" (But He'll Still Be Producing)

Fan art by supkayla

Well, I'm seriously disappointed at this news, though del Toro's original vision still going into production with Emma Watson as Beauty, and him staying on as Producer is a decent consolation prize. I just really wanted to see his vision, done his way and to knock the socks off anyone who only knows the singing cutlery version.

-sigh-

Here's the scoop from StarburstMagazine via Entertainment Wise:

(Due to lack of time and other film commitments) Master Mexican director Guillermo del Toro has stepped down as director on the upcoming remake of BEAUTY AND THE BEAST, starring Emma Watson. While del Toro’s beautifully-twisted imagination would have taken the classic tragic love story (edit: far away) from the sanitized clutches of Disney, he’s staying on as producer. Having already written the script, (FTNH edit: and having created a signature development book) the film, no doubt, will bear his distinct style, half way between the art movie and big budget action. 

...Warner Bros. hasn’t yet announced a replacement director, although expect more on this as it develops.

Just to make it clear this B&tB would be:

Warner Bros + del Toro Producing + Emma Watson + Director still unknown...

From Emma Watson's Vogue shoot a few years ago

If you're wondering about the Disney live action version just announced, this is not the film you are looking for. (It is, however, a film I'm still keen to see.)

"Ever After High" Gets a Movie, To Become Netflix Original Series for Kids (+ Cerise Hood Exclusive Is Quite A Doll!)

New & much improved EAH Cerise Hood EXCLUSIVE for SDCC* 2014
(Available after SDCC from mattycollector.com - very limited supply - obviously)

A new movie and a whole new series for the very popular Ever After High from Mattel.

Note: In case you didn't know Once Upon A Blog is pro-Ever After High. Why? See my post HERE (and scroll down past the Descendants part to see why I ate the words of my first impression of this princessy-looking toy line with animated series tie-in).

Press Release:

June 16, 2014: Netflix Inc. and Mattel, Inc. today announced an all-new and wicked animated original series for kids of all ages based on the spelltacular Mattel franchise, Ever After High. The new animated series will premiere in all Netflix territories in early 2015.

...The Netflix original series will be preceded by Ever After HighSpring Unsprung, a new movie, in early 2015, and 12 episodes of Ever After High the series will follow. Both will feature the royally rebellious and spellbinding stories of the Ever After High students with new twists, turns and character introductions for current and new fans to enjoy.

I don't see any word on whether our girl Shannon Hale will be involved but here's hoping she is.

On a related note: the new Cerise Hood SDCC exclusive collectible is not your average doll!
Here's the regular one (photographed very nicely, but still):

   

 

And you can see the exclusive below with detail pics HERE (although this is not really my thing - ie. dolls - the accessories and motifs on this one are worth checking out).

*SDCC is the giant annual San Diego Comic Con

Tomorrow is the Beginning of (the 10 Chapter long) Happily Ever After for Willingham's "Fables"

Issue 141 - 1st of the Happily Ever After finale chapters. Cover by Nimit Malavia

Issue 141 of Fables is the last big turning point in Willingham's popular comic series, marking the beginning of The End (for real!) for the long-running, critically acclaimed, fairy-tales-like-you've-never-seen comic-cult favorite.

In true classic storybook-ending style, this story ends as it begins, with the sisterhood conflict of Snow White and Rose Red - but turned up to 11.

“HAPPILY EVER AFTER!” part 1. Good knight vs. bad knight. King Arthur vs. Morgan le Fay. Rose Red vs. Snow White. The two sisters are caught up in the roles Camelot has set for them, and now they’re ready for battle. Plus, don’t miss the backup story illustrated by P. Craig Russell!

I admit I'm not caught up yet, having yet to navigate my way through the various crossovers etc but I've kept a general eye on things and have been following the Fairest spin-off, which also culminates at Issue 150.

Note: Issue 150 will be 150 PAGES LONG! I'm kind of looking forward to that actually. Since it has to finish, I have fairly high hopes that this will finish well and Willingham will pull out all his stops to add the notes from his fairy tale research that he hasn't yet been able to use. *fingers crossed* And I'd like an annotated version of the comics with reference to all the research too please... (No I did not happen upon a genie and am making outrageous wishes, I'm just choosing to be extremely optimistic!)

This seem like a pretty significant point in time for alternate fairy tale pop-culture influence so I'm going to do what I can to personally follow the final ten issues. It's unlikely I will comment on them until the finale is said and done, if then. It's just one of those events that should be marked by people watching the influence of fairy tales in pop-culture (and vice versa).

A little bit from Willingham on the finale arc (note Flycatcher is "The Frog King" for those a little hazy on the many, many denizens of Fabletown. He's also a fan favorite, and included on my short list too):

"I'm not saying that everyone dies and everything's horrible. But as the story plays out, it becomes clear that that's it. The story comes to an end."

Some characters in Willingham's expansive Fables cast will have their final curtain calls in the main story line — others star in short backup stories in the last run of issues, beginning with Flycatcher in No. 141, and then moving to Sinbad, Cinderella, Prince Charming and others.

There will also be some skipping around in time, Willingham says. "The final story of Flycatcher for example takes place at some undisclosed time in the future, but apparently he's had time to have kids between now and then."

The article mentions how Willingham made good use of a Fables forum to keep track of all the questions of character fates, unresolved plot-lines and other fan puzzlers (smart!) and will be dealing with a lot of those danglers in the final arc as well. Hopefully that will be satisfying story-wise without being too "i" dotting and "t" crossing.

You can read much more about The End HERE (though it might seem a little confusing if you're not a decent way into the series).

I read vague possibilities of Fables one-off "specials" in between the lines of Bill Willingham's admission that it's not as easy to let go as he originally anticipated.

"Just doing this last story line," he says, "these pesky characters keep suggesting, well, if you've done this then here's something nice, or here's something that could happen to this character down the road."

Oh - and don't forget: the movie is still actively in development. Things are still looking very good for a Fables film.

Aussies 'n' Fairy Tales Week: Debra Phillips, Painter of Stories

You may have seen her work recently in conjunction with the AFTS conference, but not known the name of the creative woman behind this new vision of Snow White. Her name is Debra Phillips and she tells stories. But not just with words. She also tells stories with paint.

While she is a writer and is currently involved with an academic study related to storytelling and fairy tales, she also creates stories using paint and often incorporating other media as well. Be it stitching, photography, old maps or her own brushstrokes, there is always a story woven into the work.

A Grimm View of Life series: Three Little Pigs

From Ms. Phillips:

When I paint I tell myself a story about the people in the scenes, the events leading up to the scenes and the qualities of each person within the painting. For me, a painting is a story. Although it is entire in itself, there is always a story before the image and a story after the image.  Decades ago when I painted the series of saints, I also wrote on the back a short story about the life of the saint (either imagined or real). 

A Grimm View of Life series: Goldilocks and porridge

What you see here are some of her intriguing paintings, exploring familiar fairy tales in a new ways, something, she says, is bring influenced by her current academic research and study, with an emphasis on the notion of time experienced in fairy tales and how they can transform to become a distinct narrative about an imagined future.

But that's not all she does.

A Grimm View of Life series: Snow White and rotten to the core

In the past, Ms. Phillips could often be found writing stories for friends by request, often with the purpose of commemorating a specific and special life event (birth, wedding etc). Over time, she began to include water colors, collages or photographs she had created. At some point she added stitching and the concept of her unique brand of hand crafted books was born.

Detail from a mixed-media collage

Story writing has overtaken my self and my life. There is always a tension between the desire to write and the desire to paint. Sometimes the paintings emerge from writing and sometimes the story comes from seeing a theme running through paintings or collage images. 

Fairy story themes are a constant thread running through all the stories. Some fairy stories are obvious and others are hidden in the other themes of the story. All my stories are about the human condition, especially its frailties and it’s complex relationships.

As you can see at the head of the post, Ms. Phillips had the honor of being the cover artist for the AFTS Inaugural Conference program this year. She also attended and, along with everyone else, has been reported as being both delighted and inspired by the papers and presentations of all kinds.Which can only mean one thing: we should be seeing more from Ms. Philips very soon.  

A Grimm View of Life series: Snow White & Rose Red have the wolf at their feet

In the meantime, she has a small website with a few examples of her work HERE, including a fascinating introduction to her current studies with fairytales. I look forward to seeing what Ms. Phillips does next.

Article: "Fairy Tale Fathers" by Kristina Wojtaszek

Fairy tale fathers: they tend to be absent, passive, possessive, abusive, foolish or "shadows" (weak). 

But there are a few who are, perhaps, underrated with the circumstances they have to deal with and who do, ultimately, seem to care about their children (Note: the further across the globe you range, the easier it is to find decent father figures in fairy tales but the better known European fairy tales in particular, prove a tough bunch when attempting to find a decent guy!)

Author and blogger, Kristina Wojtaszek of Twice Upon A Time, posted a wonderful tribute to fathers of all kinds everywhere in her blog last year and, being Father's Day today I wanted to point you back to it. She begins:

If you want to really appreciate the father figures in your life, try reading a few fairy tales.  Fairy tales bring out the best, and worst, in every character, but the dads in fairy tales are often excessively dull, single minded, and even downright negligent.  Who can blame the stepmother for donning the pointed hat and hopping on her ill-used broom?  After all, somebody’s got to bring the plot home! 

But there are exceptions.  There are fathers who are worse than evil, like the ones who try to replace their lost wives with their own daughters (who ought to be reigning from asylums, rather than castles) or those daddy Darwin’s who cunningly pit their sons against each other in cruel, and often deadly, competitions for the throne.  But there are fairy tale fathers who’ve risen from the mire and even earned bit of our respect.  Here are three such prime padres:

Go HERE to find out whom Kristina is giving kudos to and why. 

It's lovely and heartfelt and makes you think a little harder about those fathers in fairy tales who had a lot more on their plate than average and yet still did their best to look after their families.

(from) The Frog King by Walter Crane

I would add one note: the tale of The Frog King or Iron Henry (ie The Frog Prince). This is the father of a teenager (most likely), sitting with his daughter at the dinner table and having a conversation and, with no mother in sight, there's a good chance he's a single dad too. Commendably, he insists she be careful of her word and keep her promises, even to a lowly frog (it is assumed, he has NO idea that chances of a naked prince appearing in her bedroom, were on the high side). Although I don't like how spoiled this princess appears to be in this story to start with*, I'm always on the side of this particular King who is trying to get his daughter to behave as a princess should. Plus, how can you not like a King who insists a frog be given a decent meal and cared for as promised?

If you have any to add to the list, feel free to share in the comments. 

And Happy Father's Day to all the father figures of all kinds who, in the words of Ms. Wojtaszek:

"... (have) contributed to the well being of children everywhere; children who would surely have floundered without a father’s care to light the dark and winding forests of their futures."

What she said. (Thank you Kristina!)