Fairy Tale Chambers by Ontwerpduo

I really like this take on a fairy tale themed room; something practical and functional without feeling like you've stepped into someone's outdated (and too young for the occupant) princess bedroom. 

The design was a private client commission by a company called "Ontwerpduo" and, looking at their portfolio it's clear they like playing with design and taking some out-of-the-box risks without over saturating people in the concepts.  I really like the simple sophistication and nod to the natural as well as the magical.

Here's how it developed (from the website):

Once upon a time we were asked to design a room in an extraordinary house. A 16th century mansion in a beautiful garden with a long history made us feel like we stepped into a fairy tale. No wonder this became the theme for the design. 

For this room we designed 10 pieces all based on different fairy tales, or themes from fairy tales, such as: the secret room, genie in a bottle, princess on the pea, sleeping beauty, etc.

(You must admit, the photo shoot for this is gorgeous!)

Using some of the same ideas but transplanted to a public place, here are some images from their Room 407 design for the Dutch Lloyd hotel in Amsterdam:

Room 407, a monumental room, which we organized with our newest designs. All designs are based on different fairy tales. The ceiling light and the curtains are overgrowing the room, like the roses overgrew the castle in ‘Sleeping Beauty’. You can also find ‘The princess and the pea’, The ghost in the glass’, Little red riding hood’ and ‘The twelve brothers’ in the room.

From the "What It Is, What It Isn't" design set, inspired by Alice in Wonderland (the website even quotes Carroll's text to set the scene). I do believe that the "viewer" actually makes the furniture look "normal". Although this isn't the first set of melted/ warped through-the-looking-glass furniture I've seen it is the first trying to incorporate the back and forth of traveling through the glass and back again. Very interesting ideas:

Objects are how we perceive them to be. Our minds make things what they are and for us this is reality. Think of a branch hanging in the water. We see, with the refraction of light, the branch under the waterline in a different angle. But we know that in reality the shape of this branch is different. We learned how to see the world. 

What if there was an instrument which would change the world into something that we find strange? And better, what if this instrument can also change it back?

I really like the way these people think. They love to play and also have a lot of child-focused designs, meaning the designs are fun for kids but functional and practical (and chic looking) for adults. combining their sense of play with enchantment they dreamed up a lighting system called Light Forest, which you can make grow over walls and ceilings in any way you desire.

Light forest is a wall and ceiling lighting system. The possibilities are unlimited. The design consists out of different parts, which can de connected to the wall and ceiling. Step by step the lighting system will "grow" across the space.

While the photos look slightly industrial you can see how just a little adaption makes for a fantastic addition to a fairy tale chamber. (See bedroom photo above.)

I have to include this tallow candle set for the instant story feel. Such a great combination (and remind me of a number of fairy tales for some reason...)

I recommend also looking through the Garden of Eden indoor/outdoor furniture set photos too.

Original source: HERE and official Ontwerpduo website HERE.

"The Boy Who Cried Wolf" Illustrations

Since I was just looking up "The Boy Who Cried Wolf" I have to add these lovely illustrations I found. First, a very nice and different way to illustrate the gist of the story in a single image, by Angelica Alzona.

The Boy Who Cried Wolf by Angelica Alzona

I really like her Peter and the Wolf illustration too.

Peter & the Wolf by Angelica Alzona

I also found an unusual ink drawing by Hye Jin Chung, who has some very different work on a blog HERE.

The Boy Who Cried Wolf by Hye Jin Chung

Nice to see fairy tale wolves in a non-Red Riding Hood context, don't you think?

Advertising: "The Boy Who Cried Wolf" for Sky

You may have seen the previous fairy tale ads for Sky broadband on the SurLaLune Blog (HERE) well now there's another to add to the collection, although technically it's a fable rather than a fairy tale.

In time for a Christmas Day premier to advertise their Winter special is "The Boy Who Cried Wolf".


This ad joins the Sky fairy tale TV spots of The Princess and the Pea, Aladdin, The Frog Prince, Little Red Riding Hood and The Emperor's New Clothes. (There is a King Arthur spot too.)


From the company:

 “The new advert is the latest addition to the popular Sky fairytale campaign and  The Boy Who Cried Wolf has provided a great setting for our Broadband Winter sale. We’re also pleased that the ad has helped answer the perennial question: can a wolf ride a bike?’

I believe this is the same company who used fairy tales in a set of print ads in 2008 for the "SKY Satellite TV (Only the safest program for your kids)" campaign. In these a guard uses a security wand over Red Riding Hood, Pinocchio and a princess to check for "unsafe programming". I've included the Pinocchio one below. (See HERE for the three ads.)

2011 Winter campaign ad Source: HERE

Doctor Who Goes Through The Wardrobe

I have a confession to make: I'm not really a Doctor Who fan. I did watch when I was little with my Dad and although I loved Tom Baker with his crazy scarf and wild hair as the Doctor (yes, I'm showing my age!) certain episodes gave me nightmares and I didn't continue watching on my own. Fast forward through many years and a few attempts to see why people still loved it and... nothing.

Until now, that is.

Like many fairy tale lovers the idea of anyone walking into a wardrobe makes my ears perk up and my heart quicken with expectations of winter wonderlands and magical Narnian* creatures waiting on the other side of a bunch of old coats. In fact, I was in the middle of restoring a rickety but "magical looking wardrobe"(complete with dryad shadows in the wooden sides!) when I got the call to move to the US. Not being hugely well constructed in the first place, I knew the wardrobe wouldn't survive a trip on a boat to join me on the other side of the world so I sadly gave it up, though I think about it often and wonder where it ended up.

What does this have to do with Doctor Who? Well, I'm not calling myself a fan yet but when I heard Doctor Who was "heading into Narnia" (or at least a Doctor Who version of Narnia) I made sure I DVR'd the episode. I'm so glad I did!

Description from Coventry Telegraph:

It's called The Doctor, The Widow and The Wardrobe and beyond the obvious hints towards the Narnia classic, we know Steven Moffat's tale is set during the Second World War when a widow and her two children flee London for Dorset. There they meet an eccentric caretaker and discover a portal into a winter wonderland.

I finally got around to watching it today and... it's a must see for fairy tale people. Wonderfully and smartly written but with such a childlike spirit and it truly embodies the Christmas/season spirit - I'm impressed. Not only did the episode include plenty of magic, humor and a little sci-fi on the side but it managed to blend all the different season celebrations wonderfully and celebrate them all and their true meanings. No matter if you celebrate Yule, Hanukkah, Christmas or other old year/new year celebrations, this episode managed to pay a beautiful tribute to them all. 

You can get more of an idea of the episode HERE which is actually spoiler free. Though some of the visuals will give you clues it shouldn't take any of your enjoyment away from seeing it for the first time.

Fairyland is mentioned (see below) and looking at some of the visuals you can see why. And I love the two lines from the episode that are written below. How can you not love the Doctor after he says something like that?

Lily: Is it Fairyland?

The Doctor: Fairyland?! Oh grow up Lily! Fairyland looks completely different. 

This episode gently nods to many different tales and classics but most of all it puts the viewer in that time in your life when you once believed many more things than you would admit and it didn't take much nudging to see the world in a different and magical way (if you're lucky - sometimes you still feel like this!) I watched this again with my young son (not yet five years old) and he really enjoyed it - for many reasons. The only problem is that he now wants a Christmas tree next year just like the one the Doctor made... lol

Of course, now I need to go check out the Doctor Who tribute to Dicken's A Christmas Carol just to see how flying sharks might fit into a story and end up pulling a sleigh...

Here's the trailer for The Doctor, The Widow and The Wardrobe:


And if you've seen the episode and wish there were more to explore, there is! You can check out the current content at this site HERE - as of this writing it's all about the Christmas special - or start HERE which should be kept in the Doctor Who archives "for all time".


* Narnia - specifically The Lion, The Witch & the Wardrobe by C.S. Lewis, recently made into  a lovely film. The BBC had a series made many years before but doing it again big budget style was worth it. I was pleasantly surprised by the film and loved seeing so many fairy tale creatures and connections on screen (eg The White Witch is easily inspired by the Snow Queen).

Dvořák's "Rusalka"

Lovely poster from Opera Lyon's 2001 Production of Dvořák's Rusalka

Note: There's LOTS of "linky goodness" in this post, especially good for those who love Russian tales like I do, so go explore and fill your fairy tale soul today. :)

Also: Stars like this: * indicate a corresponding additional note at the bottom of the page.

UPDATE/CORRECTION 12/28/11: Božena Němcová was Czech, not Russian. Thank you to Janu Banu who commented with the correction and Judika who emailed me as well. My sincere apologies! Being mistaken for English and other nationalities myself all the time, I'm embarrassed I rushed finishing my post without double checking - and correcting! - all my facts before going live. Thank you again Janu and Judika for reading and for caring enough to let me know and correct the post.  :)

There is a fairy tale opera scored by famous composer Czech Antonin Dvořák (in 1899) that has recently made a comeback in operatic circles and in February 2012, UBC (University of British Columbia) will be mounting their own beautifully lavish production.

From the UBC promotional copy:

In Dvořák’s version, Rusalka is a water sprite that dwells in a lake. Rusalka has fallen in love with a mortal, a Prince who comes to the forest to swim in the lake. Since she is invisible to the Prince, she desires to take on human form in order to leave the cool waters and live in the sunlight with him. Rusalka’s father, the wise ruler of the lake’s underwater realm, warns her against such a transformation. Despite her father’s warnings, she seeks out the witch, Jezibaba, to fulfill her wish. 

Renee Fleming during a performance of Rusalka by the NY Met

 Rusalka’s desperate longing to experience true love plunges her into an emotional storm heightened beautifully by majestic melodies, including the famously stunning aria, Song to the Moon. In the end, she must choose to make the ultimate sacrifice for love. Rusalka is not only Dvořák’s finest and most enduringly popular opera but also one of the most deeply moving operas of all.

 There is, however, a point of confusion here. The opera has been officially called "Rusalka: The Little Mermaid Story" and the apparent background for it (from the promotional copy) is this:

Rusalka is based on the original Slavic fairy tale of the Little Mermaid. The story was later adapted by Hans Christian Andersen and then by Walt Disney Studios into the 1989 film.

The problem here is that a rusalka is NOT a mermaid and should never be confused with one. There are similarities, such as rusalki (plural) are female water beings (or demons, since their agenda is usually seducing and drowning boys and men) which at first seem to have a lot in common with sirens, though they don't have fish/water animal tails.

Rusalki are actually a type of ghost (ie. they used to be human) and the water-version of willis (another Slavic fairy/spirit seen in the story Giselle, the popular ballet first performed in 1841****). Willis and rusalki are essentially both female ghosts looking for revenge specifically against the men who did them wrong in life, though any man is considered fair game. Rusalka are not completely malicious though. They can find peace and stop their haunting once justice (or revenge) is carried out on their behalf.

From an Australian production of Rusalka

Andersen's Little Mermaid story (first published in 1837), however, is a lot closer to Undine* (or Ondine), than the beings of slavic folklore.


I just looked up Heidi's research on Andersen's Little Mermaid at SurLaLune and she notes this:

While The Little Mermaid contains common fairy tale and folklore elements, especially those about mermaids, this fairy tale is the literary creation of Hans Christian Andersen. The tale has no direct oral predecessor in folklore. 

The closest percursor of the tale is Undine, a story by Friedrich de La Motte Fouque***. Andersen admits to his familiarity and consideration of Undine while writing his Little Mermaid. In many ways, his tale is a direct reaction to the earlier story.

You can read even more on the tale with annotations and many more goodies on The Little Mermaid at SurLaLune with this in mind - in fact, please do!

This gives me stronger footing to be skeptical of this opera's claim on Andersen as in all my reading on Hans Christian Andersen I'd never seen reference to him adapting a rusalka story into The Little Mermaid.

But that doesn't mean Rusalka (by Dvořák) isn't worth seeing/listening to. On the contrary! Wikipedia states this:

The Czech libretto (for Dvořák's "Rusalka") was written by the poet Jaroslav Kvapil^[1] (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová.

You can find a synopsis of the story the opera uses HERE and you can learn a little more about one of the fairy tale collectors, Božena Němcová, whose work the libretto was based on HERE. (This is something new to me: a female Russian Czech fairy tale writer and collator/collector from the early 1800's. I have to go find my Russian Slavic fairy tale books and see if her name is on any of them. Considering her list of published works, I'm betting "yes".)


See? Fairy tales and Russian tales and Slovak folklore and legends. :) There are a lot of other elements for fairy tale people to enjoy in this opera too - the story, the costumes and the beautiful score, which includes the famous aria "Song to the Moon". (The link takes you to YouTube where you can hear Sarah Brightman sing a beautiful Italian version of it "La Luna"- I suggest ignoring the visuals for the video though - just listen.)

Bavarian State Opera 2011 version of Rusalka

For a completely different variation on the theme how about this one presented at the Munich Opera Festival this past July, which features a girl in a fish tank? This version has been updated and interestingly twisted in the retelling, causing quite the stir. Rather than distract further from the current post I'll just let you find out for yourself if your interested. The link is HERE.

NY Met production of Rusalka

Dvořák's Rusalka is one of the more romantic stories I've seen involving a rusalka. Usually they're a little more blood thirsty and dark but the emphasis here is definitely more toward "girl from one world seeks to be with her love from another", rather like some selkies (though not all), swan maidens and, yes, little mermaids. 

Opera appears both recent and Russian - source HERE

I have a feeling that although there was some influence between writers and artists at the time, it doesn't seem to account for all the various being produced in different places. It's one of the reasons I've put in so many of the connected dates for various works - to see if you can "unriddle this riddle" a little yourself. Looking at the timeline is very interesting. Perhaps it's a case of "1800's fairy tale zeitgeist" specifically centered on tragic rusalka figures and other water beings such as mermaids. Considering what we're seeing happening in 2011 and 2012 in TV and movies (and even more specifically with Snow White), I wouldn't be at all surprised.

This is not an illustration. It's a "still frame capture" from the 1998 Oscar nominated animated short film "Rusalka", detailed below.

There is one other important related video I'd like to bring to your attention and that's the 1997 gorgeously done animation of Aleksandr Petrov using an incredible (and almost unbelievable!) technique of oil paints on glass for his separate images.  The story is based on a work by Alexander Pushkin from 1819 (it is thought - Pushkin wrote two different Rusalka poems**) and the title is simply "Русалка" or "Rusalka", though it's been mistranslated as "Mermaid" in many places and is completely mesmerizing. It's easy to see why this short had an Oscar nomination in 1998.

There is a wonderful and in-depth blog post HERE about Aleksandr Petrov's film and about rusalki which I highly recommend. It includes Pushkin's poem and explains things in a very easy-to-read manner.


Performances of the UBC production Rusalka begin on February 9th, 2012 at the Chan Center for Performing Arts in Vancouver. You can find more information about it and the artists involved HERE.

*Which was beautifully illustrated by Sir Arthur Rackham. Some of my favorite fairy tale illustrations of all time are Rackham's Undine drawings. Today's bonus: a video of Rackham's Undine drawings, including the cover of the book. Enjoy.

** Pushkin's second but unfinished poem bears a strong resemblance to the opera which is the subject of today's post.

*** Undine, a story by Friedrich de La Motte Fouque is from 1811.

**** The ballet Giselle debuted in 1841 and was based on at least two other works: De l'Allemagne by Heine, written in 1833 and Victor Hugo's Orientales published in 1829).

Fairy Tale Photography by Irina Istratova

Irina Istratova is an artist from the Ukraine who has a preference for the dark side but this photographer/photomanipulator/digital artist has also produced some lovely fairy tale-like pieces. 

I like that despite her obvious preference for the dark and morbid side of things she shares this ultra romantic tale on her profile of how she met her husband. I have to wonder if meeting him inspired her to work on some of the fairy tale romantic images posted here. :)

Irina Istratova

You can see more of her work HERE and HERE (but of course, remember you will see some 'dark' work there too).

A Very Merry Fairy Tale Christmas To You All!

Don't you love this tale-tree? All that's missing is the star...

While I do love having a tree to decorate the season with, I'm imagining all the books above are fairy tale volumes - of course! - so I'm sure I could find a niche for a decoration like this... ;)

To all my friends and readers of all cultures, traditions and beliefs: may the best of the season be yours, with all the good things possible shown to us in fairy tales. May your own tales in the coming year reflect the triumph of goodness and love with happy beginnings, middles and endings too.

Merry Christmas!

Merry Fire Wolves and Happy Snow Golems...

... and a continuing happy holidays to all!

Since seeing the Adventure Time Thanksgiving special (title: "Thank You") with the snow golem and firewolf puppy, my son has insisted we watch it almost every day since - and I'm still not sick of it. (Neither is my son - obviously.) Now every story told here has to have a fire-wolf puppy in it. "Jack and his Fire-wolf Climb the Beanstalk (& Set A Giant's Castle On Fire)" is kind of a cute story.

Really.

Fire wolves work with everything. :)

And that includes Christmas (and whatever holiday/s you are celebrating this season), which is why I couldn't resist posting the oh-so-cute drawing at the head of the post when I found it. (Thank you Mari! It's gorgeous.)

May joy find you when you least expect it this season...

 as well as when you do...

and may you have those you love close by...

to warm your heart...

until you're a happy, happy puddle. 

;)

Article: From Werewolf Hunters to Rights Activists: Updating Fairy Tale Heroines by Marissa Meyer

Cinderella by Sir John Everett Millais

 Marissa Meyer, author of the January debut "cyborg Cinderella" novel Cinder  has written an article for Tor.com titled "From Werewolf Hunters to Rights Activists: Updating Fairy Tale Heroines". (See HERE for my post earlier this month on Cinder.)

The article begins with a good dollop of Marissa Meyer's humor, referencing, of course, Cinderella and why you probably don't really like her, or the idea of her, very much. Then she goes on to explain why.


Here's an excerpt:

Today’s teens want heroines who are courageous and empowered, who are willing to fight for what they want and choose their own destinies. And while dashing heroes continue to populate today’s fiction, the trend is leaning toward an equality between the protagonists, with skills and strengths that complement each other, and it’s perfectly acceptable for the princess to slay the dragon herself when called upon. 

...While writers continue to experiment with settings, time periods, and tales both common and forgotten, this trend seems to be here to stay. Those passive girls of old are becoming extinct, being replaced with bold and plucky heroines that don’t only deserve a happy ending, but go out and claim it.

It's a quick, fun read and while the concepts aren't new to readers of this blog it's a great introduction for people who are, for the first time, curious about this fairy tale thing are being delighted by retellings. While it doesn't really cover how much substance the more 'original' (ie. non-Disney) fairy tales have, it does show how much fun retellings are, especially with the variety today that's actively expanding right now both in books and in TV series and movies.

I still remember my epiphany on the subject of retellings. I was nine years old and the symbology in fairy tales was something that fascinated me. I had already begun to look at them in a deeper way and started actively hunting for different perspectives on fairy tales by writers but mainly in the form of articles and essays. I came across C.S. Lewis' Till We Have Faces in the local church library, which retells the story of Psyche and Cupid from the point of view of the elder and ugly rejected sister, and it completely blew me away. It was this book that made me realize you can retell old stories in a completely new way without losing their mythical core. I also didn't miss the Beauty and the Beast/ Cupid & Psyche connection and it truly felt as if I had just stepped into a magical wardrobe that had been siting in front of me for years. I was hooked and have been a student of fairy tales ever since. It's truly exciting to think that people everywhere are having similar revelations week to week right now.

If you know someone who is just starting to understand your fascination with fairy tales and is asking about retellings Marissa Meyer's article would be a good one to have them read. It's not heavy, doesn't get into old fairy tale texts or anything that might seem weighty to newbies and Ms. Meyer's humor is evident throughout. You can find the whole article at Tor.com HERE.

As a bonus (I love bouses!) Tahlia over at Diamonds and Toads has just this week posted an interview with Marisa Meyer! It's a must read. Tahlia asks some great questions and they're perfect for fairy tale readers who want to know how other fairy tale readers and writers think. Go read and thank Tahlia for such a great post. It's like a little Christmas present all by itself. :)