Del Toro's 'The Shape of Water' is an Other-Worldly Fairy Tale

Poster by James Jean

“If I told you about her — the princess without a voice — what would I say?”
(Opening narration from the trailer)

So begins a very different exploration of a princess, and of a mer (not maid but) man. Set in the Cold War era of 1963, we're taken to the world of a mute and lonely cleaning woman of a high-security government lab, who discovers a top-secret experiment: an “aquatic man”, destined to be experimented on. The discovery - and he - change her life forever.

It sounds sci-fi/ monster-movie-ish: where is the fairy tale aspect? (we hear you ask...) Take a look at the trailer and see. There's something undeniably fairy tale about the way this story is told, and it's not just the strong styling. Clearly Guillermo del Toro is exploring a number of fairy tale themes here:

The mythology teases are tantalizing: All we know is that the creature was revered in the Amazon as a god but somehow ended up under U.S. government control. (Collider)

It seems not a whole lot is known about the synopsis other than what is shown in the trailer. From the initial pitch by del Toro and footage here, we could be looking at plot, or dreams, or both. The use of art as a medium within the film for storytelling is intriguing as well. Recalling shades of The Creature From the Black Lagoon and Night of the Hunter, both of which do have a fairy tale slant to them. Whatever the case, the mousey little woman finds her 'voice' and a strength it's unlikely anyone, including she, knew she had. 

Abe? Is that you?

And that appears to be where this 'other-worldy fairy tale', as it is officially described, begins. 

You may consider our curiosity piqued.

Fox Searchlight has given “The Shape of Water” an awards season release date of Dec. 8.

D23 Unveils Details on Disney's 'Nutcracker & the Four Realms'

People seem to be very excited about the details of Disney's live action 'The Nutcracker and the Four Realms' that have been revealed at the D23 convention this past week. No visuals, other than the title card have been released to the public yet but we're told by all fans who've seen it that "it's beautiful! - at least as beautiful as Beauty and the Beast", and there is a little intriguing information about the synopsis we can share.

(In case you missed it, you can catch up on everything we've known about this movie to date HERE so you can read the following with more context.)

Gennady Spirin's illustration of the Mouse King for The Nutcracker

From the Disney's Inside The Magic report:

The film will star Keira Knightley as the Sugar Plum Fairy, along with Morgan Freeman, and Helen Mirren. It’s a re-imagining of the classic story – a cross between Alice in Wonderland, Beauty and the Beast and Fantasia with a bit of a Narnia vibe. 

The film largely takes place in a strange and mysterious parallel world—home to Land of Snowflakes, Land of Flowers and Land of Sweets. But it’s the ominous Fourth Realm where Clara must take on a tyrant called Mother Ginger as well as a gang of mice who’ve stolen a coveted key from Clara. 

“The Mouse King is made up of thousands of mice—a cutting-edge CG creation. But we wanted him to move in a way that would be wonderfully surprising and incredibly cool, so we called on Lil Buck to provide the style of dance that defines the character. (InsideTheMagic)

The glaring omission from this report (!) is that the ABT's Principal Ballerina, Misty Copeland, will also star and be dancing in the film, not to mention that she will be THE reason many people go to see this film.

Speaking of dance, the style showcased by Lil Buck for the Mouse King's motion style, is called 'jookin' and is basically a contemporary cross between pop-n-lock and breakdance.

Here's a little more information on the actual realms from EW:

Bailey also elaborated on the four realms that Clara visits during her magical Christmas Eve adventure: The Land of Flowers, attended by Eugenio Derbez’s Hawthorn; The Land of Snowflakes, lorded over by Richard E. Grant’s Shiver; the Land of Sweets, dominated by Knightley’s Sugar Plum Fairy; and the fourth realm, belonging to the villainous Mother Ginger, played by Mirren.

Lil Buck showcasing his 'jookin' at D23 2017

The movie is (still) reportedly inspired by E.T.A. Hoffmann’s classic tale (he is credited with the story, while Ashleigh Powell is credited with the screenplay) but the influence of the popular revisions and ballet variations are clearly very influential as well. That said, with this being a 'darker version of the Nutcracker story' (as reported by various posts by D23 attendees) hopefully we'll see some of Hoffman's original touch - and his wonderful character of Marie, who is much less delicate than the now-traditional Clara - in there. (We highly recommend the NPR article which interviews Professor Zipes on the story HERE, and discusses Hoffman's original and how the story became watered down.)

'Nutcracker' finished filming in January this year (2017) and is currently in post-production release date for this movie has been bumped up to November 2, 2018, meaning Disney's live action 'Mulan' will be re-slated for a later debut, possibly 2019, as the Christmas/Holiday 2018 slot is set for 'Mary Poppins Returns'.

With SDCC (San Diego ComiCon) in full swing this week we should start to see some visuals released very soon, so stay tuned.

Sources: OhMyDisney, EW, InsideTheMagic, AWN.com

GKids Studio Ghibli Fest 2017!

In case you're not aware of it's slid under your radar, don't forget GKids current Studio Ghibli Fest, showing classic Studio Ghibli films in theaters around the US during 2017! 

Studio Ghibli is known for their children's fairy tale/ fantasy films that do, indeed, fit our genre very well. The storytelling is different to Western fairy tales, of course, but is still very accessible to kids of all ages and highly recommended.

You may think: "But I've seen all these, more than once. What's the point?" The answer is that the experience is entirely different on the big screen  - an opportunity that comes along quite rarely - and worth the price of entry.

The showings take place over two days: the first day with English dubbing and the second day with Japanese audio and English subtitles. (We recommend viewing with the original audio and subtitles! It makes a huge difference and both kids who can read and those who can't love the original audio versions too.)

We took the Fairy Tale News Room Little League to go watch 'My Neighbor Totoro' (in Japanese with English subtitles), at the end of June, and are more convinced than ever that this should be considered a fairy tale film and a must-see for children the globe over. All the kids knew the movie so well they thought they'd be bored seeing 'this little kids movie', but came out proclaiming this movie "the best ever!" and back on top of their favorites list ("...the Japanese version!").

Other films coming up are: 

Kiki's Delivery Service - July 23, 24

(If you haven't seen this lovely, magical film, do yourself and kids you know a favor and go see it)

Castle in the Sky - August 27, 28

(A robot in a fairy tale? Yep. Expect to fall in love with him...)

Nausicaä of the Valley of the Wind - September 24, 25

(a wonderful eco-sci-fi-fairy tale kids love)

Spirited Away - October 29, 30

(perfect for uplifting Halloween viewing!)

Howl's Moving Castle - November 26, 27

(with Miyazaki's version of Baba Yaga's hut - sort of.)

See you at the movies!

'Mary and The Witch's Flower' Opens in Japan to Great Acclaim & Thumbs Up by Miyazaki

You may not have heard of this new film that has a serious Studio Ghibli vibe, but take a look at why you want this one on your radar!

We've included the three trailers so you can see a range of the goodies awaiting - all three are worth watching for a different perspective on the film:

'Mary and The Witch's Flower' is based on the 1971 English children's novel by Mary Stewart (yes, that Mary Stewart!), 'The Little Broomstick' and is considered a simple 'proto-Harry Potter' type of story. The movie itself shows a lot of Ghibli-like magic, style and Miyazaki-ish imagination, even as it pays close attention to it's source material.

The story is based off a very short novel. The greatest strength of the original story was its vivid and lyrical descriptions, making the world it takes place in feel very tangible despite the brevity of its plot. This same quality is on display in the film, too, which succeeds more because of its attention to detail than anything else. Even brief asides in the novel like “The little broomstick gave a leap, a violent twist, a kick like the kick of a pony” are faithfully recreated in visual form. (Animenewsnetwork)

Here's a brief introduction to the novel, taken from a non-spoilery review:

‘Nothing, thought Mary, nothing could ever happen here’ ‘Everywhere was damp, and decay, and the end of summer’; but then a small black green-eyed cat appears, and adventure and magic begin.
The cat leads Mary to a clump of unusual purple flowers that she shows to Zebedee the gardener at Red Manor, who names both the cat (Tib) and the blooms (fly-by-night). Zebedee also tells Mary of the folklore surrounding the flower , including: ‘And ’tis said that in the olden days the witches sought her [the flower] from the corners of the Black Mountains, and from the place where the old city was and there’s now naught but a pool o’ water’. 

...While sweeping up leaves with a small broom, Mary accidentally smears the broom in the juice of a fly-by-night flower. Immediately, ‘the little broomstick gave a leap, a violent twist, a kick like the kick of a pony’ and Mary and Tib are transported by flying broomstick to Endor College, school of witchcraft. Endor is no Hogwarts: Madam Mumblechook believes that Mary has come to enrol at the school to learn skills such as ‘Turning milk sour, blighting turnips, making the cows go dry’. The ill-wishing of the spells is underlined by the sourness of the rhymes used in the spells: nursery-rhymes that ‘slipped somehow, so that the result was not ordinary, or even nice at all.’ But then Mary makes a sinister discovery about animals that have been ‘transformed’ and begins to wonder if she will be allowed to leave Endor. She does manage to return to Red Manor, only to find that the cat Tib has been kept captive at the College. 

True to the spirit of a Mary Stewart heroine, Mary decides to go back to rescue Tib, which leads to further adventure and dangers as Mary releases all of the animals, breaks the transformation spell and flees Endor College. (extracted from a review at MaryStewartReading)

We recommend reading the whole review for a good overview of the book and it's themes in context of today. What Studio Ponoc does with those themes and ideas, we've yet to see, of course, but it's intriguing to have this as background.

The new studio producing 'Mary and The Witch's Flower', Studio Ponoc, is being considered "the new Studio Ghibli" - or, more accurately "Studio Ghibli 2.0". 

As Miyazaki slips out of retirement (for the sixth?? time) to finish another short film, 'Boro the Caterpillar' for the exclusive Ghibli Museum theater presentations, it's clear that even with blessed longevity, he can't keep un-retiring forever, and speculation mounts as to 'who will be the new Miyazaki?'. (Answer: no one!)

Director of 'Mary and The Witch's Flower', Hiromasa Yonebayashi (director of 'Arriety' and 'When Marnie Was There') is considered a protegé of Miyazaki with this being his third feature film (and his first since leaving Studio Ghibli). Miyazaki - a notoriously critical director - has officially given it his thumbs-up, which is a huge deal. While no one will ever 'do Miyazaki like Miyazaki', Yonebayashi is certain to do his legacy proud at the very least and we can look forward to more of this unique type of storytelling and animation magic in the future.

Distribution update from Crunchyroll on July 13, 2017:

After a modest opening in theaters in Japan on July 08, 2017, Mary and the Witch's Flower will be casting its spell with an expanded theatrical release that will include some 155 territories worldwide, including the United States, England, France, Australia, China, and South Korea. The film will also see distribution in South America, Africa, and the Middle East.

Yes! We are doubly-excited now!

If Picasso & Other Modernist Painters Retold Red Riding Hood

Jean Ache, (born Jean Huet 1923-1985) was greatly admired in France (and beyond) for his wide ranging cartoonist and animation work, as well as his 'one off' cartoons, published in the periodical Pilote. While generally realist in his comic style some of these 'one-offs' took unusual and unexpected forms.

One of these was Huet's wonderful Little Red Riding Hood series, created in 1974. It included seven re-imaginings of the tale, in the style of seven modernist painters.

It's best just to look, appreciate and enjoy. We suspect you're familiar enough with the tale that the few untranslated French words won't be a problem...

Click on the images to view them full size.

After Georgio de Chirico:

After Joan Miró:

After Henri Rousseau:

After Pablo Picasso:

After Bernard Buffet:

After Fernand Léger:

After Piet Mondrian:

What a brilliant way to combine tale telling, narrative form, art elements and art history and to inspire a new generation of artists and storytellers!

Sources: Lambick Comiclopedia, ExistYesterday, Dangerous Minds 

Google Translate Sings 'Aesthetic & the Animals' (aka B&tB) aka the importance of good translation!

Ah Google Translate! Where would researchers and far flung friends and colleagues be without you? Performer Malinda Kathleen Reese gave us a glimpse of what non-English speaking folks, trying to translate tales and lyrics via Google Translate, might be 'hearing' instead...

This is a bit of (very well done) fun, of course, but it illustrates wonderfully why, when studying tales translated to English from other languages, you should be aware of the translator and how accurate they're considered to be, or (if you're lucky and have their notes) why they chose to use certain words and phrases instead of the more obvious ones... for instance the ones the Google Translate might suggest. ;)
             
One of the difficulties in translating to English is that it's a very imprecise language and definitions are constantly evolving, because social and popular meaning changes. And that's only half of the equation. The other is the original language and its quirks. If you've ever dabbled in languages with even minor translation endeavors, you quickly learned that there is rarely a 'correct' way to translate  - except that the guaranteed 'wrong way' is to try the word-for-word method - and that it's more of an art form than a science of substituting equal meanings.

You have to take into account:

• the words and what they specifically mean (and their equivalent in the language you're translating too)
• what the words also imply (the subtext of using that specific word instead of similar ones), which is influenced by...
• the context at the time - and place - of writing
• all of which usually has a 'tone' and style

(A very small selection of recommended books of translated tales with lots of great notes!)

And that doesn't include:

• storytelling style - which is very important in translating tales
• cultural expressions, idioms, similes and metaphors
• those words that have no English equivalent

(And there are more factors too that a qualified folklorist or professional translator could discuss at length, but you get the idea.)

When you take these into account, even retelling old tales originally written in English can prove tricky..!

Speaking of untranslatable words, can you imagine a retelling of Rapunzel, in which these words - wonderfully illustrated  by Marija Tiurina - are used? (Click on the images to see full size.)

And what about this one for Riquet of the Tuft?

You can find a lovely bunch of many more 'untranslatable words', that have been wonderfully illustrated HERE.

It's a pretty fascinating subject and we're a little in awe of people who translate tales and other creative and social works (not to mention those who facilitate United Nations negotiations!). Be prepared for a fun ride down a rabbit hole if you decide to look into this subject further!

(Note: our suggestion, if you don't want a world of instant-overwhelm, would be to start with annotated tales, and tale collections in which the translators include their notes on the story origins, collection and translation process, sometimes summarized in a foreword on each of the stories. Be prepared to never read anything quite the same way again!)

And just because these are a lot of fun, here's Malinda's latest Google Translate Sings video with a compilation of Mary Poppins songs. Enjoy!

Want more? Malinda has a bunch of princess songs too, in which she sings the original and has a 'sing-off' with the google translate version. Funny stuff!

Multiple Studios Vying for New 'Swan Lake' Movie with 'Rogue One's Felicity Jones Attached

It's Hollywood's 'hot pitch' of the (very hot, Fourth of July) week, and, even at this very early stage has multiple studios, including Universal, Paramount and TriStar among other known names, vying for the chance to be the ones to make it happen. The movie is said to be inspired by the classic ballet fairy tale Swan Lake but won't be a ballet or dance movie. This will be a story (dare we say fairy tale?) movie - and Felicity Jones is attached (the Star Wars film franchise's most recent star in Rogue One).

From The Hollywood Reporter:

The pitch, from Kristina Lauren Anderson (who wrote 'Catherine the Great'), is inspired by the classic ballet story Swan Lake. 

The project has Jones attached to star and 'Call Me by Your Name' helmer Luca Guadagnino attached to direct. 

Swan Lake, composed by Pyotr Ilyich Tchaikovsky, is one of the most popular ballets of all time. The story follows Odette, a princess that is turned into a swan by an evil sorcerer's curse. Darren Aronofsky's 2010 thriller Black Swan used the play as inspiration for its story, but did not follow the storyline of the classic ballet. This new retelling would not be a ballet but would be a tentpole film based on the story told in the ballet. (Ed: emphasis in bold is by OUABlog.)

FYI the term 'tentpole' is Hollywood-speak for 'expensive to make' and 'expect lots of merchandise to be made for this film'.

We are very interested in this!

In the meantime, we can see Felicity Jones as SNL's Cursed Princess from February 2017 (mild adult humor):

Timeless Tales Magazine: Arthurian Legends LIVE!

Greetings, fairy tale fans! This is Tahlia, editor of Timeless Tales Magazine, letting you know that our latest issue is ready for your eyeballs' gentle caress 😉. It is chock full of surprising and inspiring retellings of Arthurian Legends. 

We've really tried to capture both the drama and the absurdities of life in King Arthur's court. We promise that you've never seen Camelot like this before! 

• What if the Sword in the Stone took place among the Aztecs?

• What if Lancelot met Guinevere in a Starbucks?

• What if Sir Galahad was actually a woman?

• What if Merlin was an outlaw in the Wild West? 

• What if Morgan Le Fay never died, but was reborn over the centuries?

Plus, this issue has two poignant poems written by award-winning author Jane Yolen. You do not want to miss them! Read the entire collection here: www.timelesstalesmagazine.com/arthurian-legends 

Here's an excerpt from "Galahad & the Trickster" by Andy Scott:

“Hail,” Galahad called. “P-pardon me, good sir. Pray, tell me, is this still the North Road?”

“This?” the man crooned. He turned and stretched like a cat, his lithe body lounging perilously on the old rickety post. The sign's letters danced and transformed into letters, but were still gibberish.

Galahad gasped. “Demon! B-Be gone, wr-wretch of the infernal abyss.” His voice echoed into the empty forest.

The man leaned back and closed his eyes. “Wuddifahcud, pup … buddahcan’t. All-Father, in his one-eyed wisdom told me I couldn’t leave this hole until the prophecy was fulfilled.”

“Wh-what prophecy, demon? And speak true!” Galahad almost believed his own courage.

The man sighed.

“Odin’s prophecy, dolt. Can’t get around that.” Swinging his legs he sang, “Never shall you see Asgard again, Loki, until a virgin ploughs Yggdrasil’s key from his consummated bed.”

Loki? Galahad’s insides squirmed. He had heard of the ‘gods’ of the North Men. Cruel, pagan demons with brutal rites. He whispered a prayer under his breath, sword still trembling towards at Loki’s neck.

“Y-you said ‘consummated’” Galahad croaked, “but if the bed was consummated the giver couldn’t be a virgin?” 

“You said it, kid.”

“That’s nonsense.”

“That’s gods, for you.”...

READ THE REST OF THE STORY AT TIMELESSTALESMAGAZINE.COM