Release Day: Schönwerth's "The Turnip Princess and Other Newly Discovered Fairy Tales"

There are two books I have been extremely excited about the last few months. 

One of them is Jack Zipes' recent translation (and commentary) of The Original Folk and Fairy Tales of the Brothers Grimm, that is, the first edition they ever put together, in English, so we can finally read it in total for the first time (I'm using the present tense with regard to my excitement because I am still reading it and very much enjoying it). I plan on doing a special post just for that book when I'm done but I can tell you without doubt that if you're really interested in fairy tales, how they are told, recorded and the influence of the Grimms, then you need this book. Yes. Need.

The second is the one being released today: Franz Xaver Von Schönwerth's newly-translated-into-English collection, The Turnip Princess and Other Newly Discovered Fairy Tales. We've heard a lot about how "raw and unsanitized" they are, and how devoid of editing the transcription of these tales was in general but unless you've read a lot of old tales (and even if you have), you're probably in for more than a few surprises.

Thanks to an interview with Maria Tatar, care of Salon.com, I can give you an idea of what you'll be in for if you join me in adding it to your library (Thank you Kate for posting the link). I'm including just a few short excerpts, despite that the whole article is fascinating:

Tatar: What we have here are stories that are less mediated than most of the more familiar fairy tales and folktales. There’s a primary process of storytelling going on. They’re less heavily edited and they’re uncensored. The Grimms took great liberties with the stories they collected. The genius of the Grimms was to create this compact, standardized form of the fairy tale. They almost invented the genre of tale that is part of an oral storytelling tradition but also in the literary culture. Schönwerth, on the other hand, was not interested in readership as much as in just capturing the tales as they were told to him.

(Edit FTNH: Re the underlined portion above - which is my emphasis - I just wanted to mention here that I am a HUGE fan of the Grimm's work. Although I don't always agree with the details they left out and those they added or altered, they effectively popularized tales that were rapidly going the way of the dinosaur and difficult to find intact in people's memories - even those who practiced storytelling. Schönwerth's collections won't ever replace the Grimm's, nor should they, but they can add a lot to our understanding of tales - and of people and our own history too.)

One example in this book is a version of the well-known story of “The Valiant Little Tailor,” the guy who kills seven flies with one blow. The Grimms’ version has the flies hovering over a sandwich that the fellow has made. In Schönwerth, the flies are hovering over a dung heap. So that gives you a sense of the raw energy of the stories and the way that Schönwerth decided he was going to tell it straight up, tell it like it was. 

King Golden Hair

Salon: ... You mean that he’s interested in recording these as accurately as possible, not in creating a bestselling book, like (the Grimms)?Tatar: Or (creating) a standardized form for the fairy tale itself. I think you have it exactly right, that is, it’s more of an anthropological, folkloristic model. Schönwerth just refuses to homogenize the stories, and so you find that there’s a lot more gender bending in Schönwerth. There isn’t that strict division of gendered labor that you find in the Grimms. The Grimms don’t have a male Snow White, for example, whereas Schönwerth does. Schönwerth has a male Cinderella. He has a boy who wears out iron shoes while searching for the woman he loves, a figure who is a girl in “East of the Sun, West of the Moon.” He has a prince who gets under the bedcovers with a frog so she can be turned into a beautiful princess. You just don’t find that in the Grimms at all. 

And in summary regarding fairy tales in general, Tatar says:

What I really love about fairy tales is that they get us talking about matters that are just so vital to us. I think about the story of Little Red Riding Hood and how originally it was about the predator-prey relationship, and then it becomes a story about innocence and seduction for us. We use that story again and again to work out these very tough issues that we have to face. My hope is that this volume will get people talking about not just the stories and the plot but the underlying issues.

There is so much more in this article I'd love to point out and discuss - you can read the whole of it HERE -  but for now, let's just get our copies and read it first. Discuss later!

Prince Dung Beetle

There is also another Schönwerth  book recently printed I wanted to draw your attention to as well and I'll include it with a recent relevant comment left by Jungian Analyst, Lara Newton, since it hasn't had much attention at all:

For the past several months I have been working on interpretations of some tales from another translation of some of Schönwerth's collection. This volume is translated by M. Charlotte Wolf (Dover publication 2014) and is titled, "Original Bavarian Folktales: A Schönwerth Selection." There are 150 tales in this dual-language edition. In the recent hoopla about the translation coming out by Maria Tatar, this volume published last year seems to never be mentioned. I am happy to see that Tatar is translating more of the tales, and I do love reading and working with the stories from Schönwerth's collection, but I just want to say that the translations of Wolf are really finely done and deserve attention! In her introduction, she gives a very thorough account of the manuscripts ("thousands of handwritten pages in 30 ungainly boxes"), their discovery in 2010, the publication of "Prince Dung Beetle," etc. The volume is worth looking at, for those of you who want to have the whole story!
As for the rawness, I do find Schönwerth's collections to be very raw and exciting to work with. As a psychological interpreter, I find the archetypal images to be amazingly close to the bone, so to speak, and I have been gaining so much from the work I am doing with these tales! 

You can read her whole comment HERE.

Note: For additional reference, HERE is the link to an earlier article from The Guardian, focusing on Erika Eichenseer, (pictured below), who is largely responsible for the revival the Schönwerth collection. It's a good read too.

There's also the New Yorker article from 2012 HERE, focusing on the "rediscovery" of those lost "Cinderfellas" that's worth a re-read as well.

Erika Eichenseer, a retired teacher who has dedicated herself to exploring Franz Xaver von Schonwerth’s work since the 1990s, on fairytale trail in woodland outside Regensburg, in Bavaria (source: The Guardian)

Fairy tale bonus of the day:

I have been unsuccessfully attempting to track down information online, on the newly opened (September 2014) Schönwerth Fairytale Road (yes, Fairytale is apparently one word - perhaps because it's translated from German Märchen which only needs the single word?), in which contemporary artists have created works based on his collected tales. 

Here are some excerpts from the Schönwerth Society website, explaining the objectives and implementation of the Fairytale Road project (autotranslation used):

The Dwarf King

The largest project of our relatively young organization is the "localization" by Franz Xaver von Schönwerth in a "Schönwerth fairytale path"...  

In Schönwerth fairytale path... seven Schönwerth tales are presented on forests, nature and environmental focus. Here visitors will primarily come to rest and feel the forest as a place of silence, meditation, relaxation, inspiration and motivation, as well as teaching values ​​and philosophy of life, enjoy, experience, comprehend with all their senses. 

Playful, are given an insight into the myth of "Upper Palatinate fairy tales and legends" children and adults. The imagination should be encouraged, and still carry on emotional-mental recognizing, understanding, interpreting to own creative work, ie for self-telling yourself writing, DIY Painting, DIY-crafts, games etc. The practical application of from fairy tales won lessons to their own lives are more overarching objectives. Ultimately, should be expanded by Schönwerth Wonderland path of awareness and appreciation of Schönwerth and his work in the general population and sustainable deepened. 

One of Schoenberg Werth's most beautiful fairy tale prince Roßzwifl (dung beetle, Scarabaeus sacer, scarab). Since this beetle with his egg-ball also lives in the forest experience center, he stands at the entrance to the monumental tale path. The ball is security, home, Ward, safety, but also maturation, transformation, which wants to convey the Schönwerth Society with this device as well. Local artists exhibit the above tale is symbolic and artistic value, to improve the motivation to think and put the imagination of the individual no limits.

The Singing Tree

Sounds interesting doesn't it? And I'm curious about the children's aspect... we've been given reason to believe these tales are anything but child friendly (but that doesn't mean children can't be told them in the correct context, in a suitable manner). Perhaps it's because I don't read German well enough to be able to find the right links or perhaps there just isn't record of it and I need to contact The Schönwerth Society directly to find out more, but I'm especially curious about this: What do the works look like in context? What inspired the artists? How will it practically serve to help keep these "newly discovered" tales in people's consciousness?

In case you're as curious as I was, below is a summary of the installations, the tales they reference and the artists who created them.

Clicking on the tale titles will take you to a transcription of the tale, along with photos of the artist at work on the installations:

The artists of the objects for the eight forest fairy tales are:

	Prince Roßzwifl	Korbinian Huber, Duggendorf
	Devil and Besenbinder	Florian Zeitler, Teublitz
	The dwarf king   crystal dome on the dwarf Palace	Engelbert Sweet, Pfreimd
	Wild Hunt	Korbinian Huber, Duggendorf
	The Höydl	(Installation)
	Schönwerth and his work	(Text table) audio file of Franz Xaver Schönwerth
	The stupid woman (The cracking way) (The bare birch) (The floating bed)	Renate Christin, Sinzing Herta Wimmer-Knorr Helmut Wolf, Regensburg
	The Singing Tree	Heribert Schneider, Nittenau Jakob Zeitler, Teublitz

Prince Dung Beetle

JC Penney Debuts Cinderella Ad During Oscars

This glass slipper is made of ice... has anyone told THAT story yet?

I told you it would be hard to escape! JC Penney has joined forces with Disney to bring (yet another) line of Cinderella fashion and merchandise and debuted their ad during the Oscar coverage last night.

Not the most creative of ads but it was sweet nonetheless.

Here 'tis:

Fairy tale bonus of the day:

JC Penney also held design contest for ten fashion school graduates to design a gown for that #CinderellaMoment, something which must have felt like spinning magic out of paper and pencils for those designers (complete with the sweat and hard work) and a royal-like party to celebrate the effort:

(Ten) talented graduate students in the Fashion School of Kent State University (had) under two hours to conjure up a glam outfit-inspired by this wondrous Cinderella ballgown-that was straight off the live-action film's set (eta March 2015)---in homage of the store's collaboration with this modern day take on the timeless tale.

You can see photos from the event and the designs HERE.

Fairy Tale & Folklore Oscar Watch 2015 (Summary)

The three biggies this year were all in the Best Animated Feature category:

The Tale of the Princess Kaguya - the oldest recorded Japanese fairy tale

Song of the Sea - selkie tale based on Celtic folklore

The Boxtrolls - Jungle Book related tale of a boy raised by 'monsters' finding his way (based on Here Be Monsters)

These three were up against industry giants Big Hero 6 (Disney) and How To Train Your Dragon 2 (Dreamworks).

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BIG HERO 6 won for Best Animated Feature

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Nominated in other categories:

Into The Woods - Best Supporting Actress (Meryl Streep lost to Patricia Arquette for Boyhood)
                           - Best Production Design (lost to The Grand Budapest Hotel)
                           - Best Costume Design (lost to The Grand Budapest Hotel)

Maleficent          - Best Costume Design (lost to The Grand Budapest Hotel)

The Lego Movie - Best Song "Everything Is Awesome" (lost to Selma's "Glory")

It should also be noted, mythic storyteller and master animator Hayao Miyazaki, known for My Neighbor Totoro, The Tale Of Princess Mononoke and the Oscar winning Spirited Away, was also awarded an Honorary Lifetime Achievement Award (finally!).

I'm completely tickled that the audience were hanging onto their Lego Oscar statues as a tribute to The Lego Movie which deserved to be nominated but wasn't. (That's the Jack-like story, complete with giants of many kinds, that I think is more fairy tale than most people realize.)

Ask Baba Yaga: What Do People See In My Boredom?

by Alice Dieudonne

Hm. Being bored is one of the problems I don't usually have... unless I'm being forced to sit in a place I don't want to be for a long time, so maybe I can find a useful nugget in this one too.

Today's timely question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):

(Originally posted at The Hairpin HERE)

Oof. Well that's a wake-up call. I'm going to give that some serious consideration next time I stuck in a chair at some meeting or other. I do not like the idea of stagnating, brain-rot, zombie-fication... not even a little bit!

I'm also beginning to think my 'random illustration choice' for the day isn't so random. I put it in the post before I read the letter... 

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?

You can!

There's now an email address where you can send your questions

directly to Baba Yaga herself.

AskBabaYaga AT gmail DOT com

To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).

* Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

"The Robber Bridegroom" Bluegrass Musical Returns

Greensboro College Theatre poster for current production - note the silhouettes in the design
Illustrations either side by Barry Moser for the 1987 edition of Eudora Welty's book

"... A charming bridegroom by day and a suave robber by night. Rosamund is the poor little rich girl who loves him. Salome is the wicked stepmother who tries, and largely fails, to throw a wrench (and even a poisoned apple) into the works... If this sounds like the makings of a fairy tale, that’s because it is: a Grimm fairy tale, no less, adapted into a Southern Gothic classic by Eudora Welty before being turned into a manic bluegrass musical comedy...  Greensboro College is staging the rarely-performed musical adaptation of "The Robber Bridegroom..."

I'm going to squeak notice of this show onto the blog late today, even though tomorrow (Sunday, February 22) is the last day it's showing, because just the fact that this exists and is back in performance circulation is good fairy tale news! (And you can keep an eye out for it in future too.)

Yes. The musical is based on the Bluebeard-related fairy tale The Robber Bridegroom (more specifically, on Eudora Weltey's Southern Gothic novel, which was based on the fairy tale - text is HERE), and is comic, a little bawdy and full of bluegrass music. In other words, it's probably not quite would you would expect if you're familiar with the tale. (I've included a number of different posters for the musical, along with the current one, to give you a better idea of the tone.)

In case you've never heard of the musical version you should know this is considered quite a unique, though oft-forgotten, masterful work, among musical theater folk. It helped launch the careers of Kevin Kline, Patty LuPone and Barry Bostwick (the latter earning a Tony that season for Leading Actor in a musical).

From some older productions here's a cobbling together of some different summaries to give you an idea of the show:

Set in eighteenth-century Mississippi, the show follows Jamie Lockhart, a rascally robber of the woods, as he courts Rosamund, the only daughter of the richest planter in the country. The proceedings go awry, however, thanks to a case of double-mistaken identity. Throw in an evil stepmother intent on Rosamund's demise, her pea-brained henchman, and a hostile talking head-in-a-trunk, and you have a rollicking country romp.It has one foot in the Southern Gothic tradition, the other in a fairy tale, and an arm gleefully waving about in comedy. 

The music is one of the only genuine bluegrass scores ever heard in a Broadway musical: challenging fiddle melodies that twist, turn, and gather velocity like a hare escaping a panther, only to slide back down into the warmth of a quiet Southern night. With its distinct sound, colorful cast, and unique form of storytelling, "The Robber Bridegroom" is a hidden gem!

In case you have this evening free and are in the area, here's the information on the tickets:you can get more information on the times and tickets HERE. 

From the Greensboro Theatre press release: 

"The Robber Bridegroom"'s book and lyrics were written by Alfred Uhury, the Pulitzer Prize-winning author of "Driving Miss Daisy," and were based on a 1942 novella by Eudora Welty. Music is by Robert Waldman. Opening on Broadway in 1975, this rousing, bawdy Southern fairytale has gone on to become a regional favorite. As Broadway historian Peter Filichia puts it, "This is a favorite show of many people who hate musicals, because it eschews the more obvious conventions and has no trouble being its unpretentious self."

The Robber Bridegroom, small illustration by Walter Crane from Household Stories by The Brothers Grimm

Sources: HERE, HERE & HERE.

Fairy Tale Bonus of the Day:

Here's a link to the full background and analysis of the musical The Robber Bridegroom, by Scott Miller. It's quite lengthy but very readable and extremely fascinating, asking all sorts of great questions about men and women, relationships and how we view sex. With regard to current pop culture fascinations, specifically, 50 Shades of Grey, and Bluebeard tendencies to continuously rear their head, no matter how modernized, liberated and equal opportunity we believe ourselves to be, this is a good article to reference. Why? Because this is exactly what the musical is all about. The manner of the telling, with a large dose of tongue in cheek and folklore flavor, actually makes the material easier to consider and discuss. So if you're interested in Bluebeard, check out the article. You won't be disappointed. 

You can click HERE to read it.

Historically (Closer To) Accurate Disney Princesses

A neat little diversion that popped up today: people making an effort to have some of the Disney Princesses more accurately reflect the time period Disney (seems to have) their version of the story in, with regard to their outfits.

Disney creates fictional worlds for their princesses to live in, drawing on historical and mythical inspiration to create beautiful fairy tales. We wondered what the princesses would’ve looked like if they’d existed in the real world, so we used context clues from the films to determine, as specifically as possible, the time and location of each Disney princess’s story.
*based on the Disney films, not the original source material.

Take a look at the video:

You can find the whole post over at Buzzfeed HERE, which outlines the "context clues" that helped the costume people decide which way to dress each character. The comments are particularly interesting below as well, "discussing" the various time periods, what culture did what etc It's worth a look.

A Thank You To "Tales Of Faerie"

A little note sent via bluebird direct to TOF earlier this evening after our enchanting visit

If you missed any of the stops on the special five year anniversary of Tale Of Faerie Tour, you can find them linked below in order, starting with Kristin's interview here (very) early this morning.




[1] Interview at OUABlog  - An Invitation to TOF

[2] The Parlor

[3] The Grounds

[4] The Library

[5] A Letter (link to be added when the TOF post goes live)

Happily Ever After Is Not All That It Seems... (A Handy Infographic)

Just sent to me today as part of a promotion for a book any fairy tale student (or regular reader) should have, is this great infographic, created by the Norton Critical Editions team. We see a lot of infographics floating around these days but one of the best things about this one is I know the team will have done their research properly to create it, so you can trust this summary and use it confidently for reference.

I love the artwork too - very nice, yet easy to quickly reference all the information. Look at that neat list of referenced fairy tales at the bottom to. It's a very neat resource to have on hand. (Can we get a poster please?)

Here's a link to the Norton Critical Edition of The Classic Fairy Tales, edited by Maria Tartar, if you don't already have a copy, or need another to give to a friend.

In case it's not already clear, this book is highly recommended for any fairy tale study library, from the casual student to those more inclined to serious scholarship.

Here's the summary:

Fairy tales shape our cultures and enrich our imaginations; their narrative stability and cultural durability are incontestable. 

This Norton Critical Edition collects forty-four fairy tales, from the fifth century to the present. The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde. 

"Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities. 

A Selected Bibliography is included.

Interview: A Visit From "Tales Of Faerie" [1]

"Pardon me, noble sir. I'm truly grateful to you for your hospitality, which was so magnificent that I couldn't imagine that you would be offended by my taking such a little thing as a rose."
(Madame de Villeneuve)

Today I have a treat for you. Knowing that fellow fairy tale blogger, Kristin, of the lovely, thought provoking, Tales Of Faerie, was fast approaching her fifth anniversary since beginning her blog, I asked her a couple of weeks ago if she would mind being interviewed so we could get a little of a behind-the-scenes view of Tales Of Faerie. She graciously said yes, so, knowing her favorite tale is Beauty and the Beast and in anticipation for her visit I've decorated today's space with a few things I hope will make her feel at home on her special day: February 19, 2015. Today!

*hears knock at the door*

I think that's her now...

FTNH: *opens door* Welcome Kristin! And a very Happy Fifth Blog-a-versary to you! *grabs a little potted rosebush, hands it to Kristin* These are for you, for your garden. 

K: Why, thank you! I know it's a little cliche, but roses are indeed my favorite flower, and it's all because of Beauty and the Beast I'm sure...

FTNH:  *ushers her in toward a table for two spread with freshly-made coffee, a fruit platter with clawed feet and mini breakfast cupcakes, topped with little sugar roses* Thank you for the visit - especially on today of all days.

K: This looks amazing! I'm happy to stop by. Tales of Faerie wouldn't be anything like what it is today if it weren't for you and the other fabulous fairy tale bloggers and readers who take the time to share their thoughts!

FTNH:   I know it's early, so let's grab some coffee while we chat. *pours coffee into two demitasse coffee cups * I know you've written a little here and there about TOF but going waaaay back, do you remember the initial inspiration that started you blogging about fairy tales and their study? *adds plate with cupcake on it, next to Kristin's coffee*

K: Well, it all started when Disney's Beauty and the Beast came out. I was pretty young still but I think I was just at the right stage to hook on to a Disney Princess as "my favorite." For years I was obsessed with Belle and it really became part of my identity. As I grew older and started to think about it more I was still proud of the message of the movie overall-from having a Princess who loves to read and spurns unwanted suitors, to the whole aspect of loving someone for who they are on the inside. Eventually I became curious as to the history of the story and did a little digging online, which eventually led me to the SurLaLune site. The more I read the more I wanted to find out!

FTNH: Ah! Another research addict. *raises coffee cup in toast* Do you remember what it was that transitioned you from enjoying fairy tales to dabbling in scholarship?

K: First of all, discovering that there is actually a whole section of the library dedicated to fairy tales and their history was huge for me! I always thought of the nonfiction section as a place you only went to when you had to do research for school, and never something I would do for fun! Once I started reading more about the history of Beauty and the Beast, both in books and online, I discovered the existence of an older tale, by Madame de Villeneuve. I tried getting my hands on it, or at least finding a decent summary, but at the time it was really hard to find details on it. The few people that wrote about it seemed to have contradictory opinions on it. The curiosity to find out more about the elusive Villeneuve version really prompted me to research more. And my search into Beauty and the Beast naturally dovetailed into learning about other fairy tales, which I had always liked, if not quite as obsessively :)

FTNH:  Ah - curiosity! Always takes you down paths you could never have imagined..! I totally approve. *grins* It's one of the reasons I love Tales Of Faerie: you're not only asking questions but always looking to find out more. *serves Kristin another cupcake* Do you have a process for blogging, or studying then blogging?

K: If I have no specific topic or idea in mind, I might just go over to my bookshelf and pull down a book and start flipping through! Usually, though, through following other fairy tale blogs, or through reading I'm already doing, I'll find something that interests me and I think would interest readers. Although at times when I can't seem to think of anything to post about, I've been known to type things into google like "what should I blog about?" Inspiration can come in waves, there are days I just don't want to stop blogging and am so excited about what I learn, and other days when I just want to put more energy into other aspects of my life.

FTNH:  I'm all too familiar with those "wish I could clone myself" days when there seems to be a thousand things to report or write about. I'm just so glad you write as often as you do. As much as I believe in the importance of reporting on news with regard to fairy tales, I do wish I had more time to ponder and discuss ideas I have while I'm information gathering! Tales Of Faerie, gives me the chance to do that - and often! - so I really appreciate your posts giving me that outlet, more than you know as a result (though you may have figured I don't get to discuss the things on my mind too often from often lengthy comments I'll leave every now and then! Sorry about that...) *winces, notices angle of sun* Oh my goodness, the morning is already waning and I'm sure your Beast, er, Prince is missing you. Thank you so much for your visit. I wish we had longer to chat! There are so many things I'd love to ask you...

K: Of course! I'll show you around and we can chat some more. Why don't we meet over at Tales of Faerie at 11 for a tour? We can start with The Parlor Room.

FTNH: Oh my goodness! I'd be honored! Will we be able to see the grounds?  Could I bring some friends too? *to self* What should I wear?

K: Of course! I'll show you around and we can chat some more.

FTNH:  Wonderful! I'll see you at your blog at 11am today!

K:  I should go get things ready then! See you in a bit!

*waves goodbye to Kristin as she gallops off on her horse and goes back inside*

An invitation to Tales Of Faerie! I have to get ready...

If you'd like to join us on this special tour of TOF today, meet us over at Kristin's enchanted blog at 11am today. I'll bring this banner so you can easily follow along:

See you there! *exits in a rush to rifle through closet*

Note: All illustrations used, unless otherwise indicated, are from Kristin's favorite picture book version of Beauty and the Beast, written by Max Eilenberg, Illustrated by the amazing Angela Barrett (2006).

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Next stop: TALES OF FAERIE: Parlor Room (Click -Parlor Room- to go straight there...)

CW's Beauty & the Beast Renewed for Season 4 (Before Season 3 Airs!)

I know I'm not the only one scratching my head regarding how this show manages to stay afloat, but it's been announced that Beauty and the Beast will not only return with a full Season Three but has been renewed for a Fourth as well. And all this well before Episode One of the coming season has aired or premiered anywhere!

The fan base, though not immense compared to other popular series shows, is both extremely loyal and very active so that's helped a lot.

In fact, although fans haven't had any new B&tB content for a while now they've been busy raising awareness for the Juvenile Diabetes Research Foundation, in honor of one of the main actors of the show having type 1 diabetes. They're working on a book of diabetic-friendly recipes called Beauty & the Feast - something I find fascinating since fairy tale fans will instantly recall how key the meal time is in the literary versions of Beauty and the Beast. (I wonder if the fans are aware of this too?)

It also helps that the big boss at CW reportedly has a personal soft spot for the show as well (it was the main concept he aimed to reboot and return to TV prime time as soon as he "took the CW's reins"). I guess that combination is enough to keep the ball rolling, and will happily employ a lot of good people too.

I admit I lost track of the show last season for a few reasons but I'm curious to see if the current focus on the old fairy tale, as well as Disney's coming remake, has any impact on the writing of the show and the issues it deals with.

If you're a fan and curious about what will happen in Season Three, there have been teasers put out there, many of which you can read about in detail HERE.

Beauty and the Beast returns to the CW on May 21st, 2015 for their third - and definitely not final - season.