Here's a reminder of the synopsis:










In case you missed it on the SurLaLune Blog, here's a behind-the-scenes featurette recently released by Disney on creating Tangled.
Sources for poster HERE and development artwork HERE.
Cassel comes from a family of curse workers -- people who have the power to change your emotions, your memories, your luck, by the slightest touch of their hands. And since curse work is illegal, they're all mobsters, or con artists. Except for Cassel. He hasn't got the magic touch, so he's an outsider, the straight kid in a crooked family. You just have to ignore one small detail -- he killed his best friend, Lila, three years ago.
Ever since, Cassel has carefully built up a façade of normalcy, blending into the crowd. But his façade starts crumbling when he starts sleepwalking, propelled into the night by terrifying dreams about a white cat that wants to tell him something. He's noticing other disturbing things, too, including the strange behavior of his two brothers. They are keeping secrets from him, caught up in a mysterious plot. As Cassel begins to suspect he's part of a huge con game, he also wonders what really happened to Lila. Could she still be alive? To find that out, Cassel will have to out-con the conmen.There's an excerpt available to read HERE while we're waiting and also a new book trailer to introduce the story and the series, called "Curse Workers".
“There’s circus arts, and there’s burlesque and cabaret and all kinds of really fun alternative things going on in the city but people don’t really know about it — it’s all in segmented places,” Slavick explains. “And I want the Performance LAB to be a bridge between the mainstream arts community and the mainstream audience, and the fringe, experimental community in Boston. ”
From somewhere between Paris, Berlin and the bowels of the Bowery comes Le Cabaret Grimm, a punk cabaret tale of loss, longing, and desire - with a healthy dose of irony. We've got sexy girls and boys, conjoined twins, demons, and talking chickens. We'll take you on a journey drawn from the Tales of the Brothers Grimm, with music, mask, dance, and spectacle, led by the great chanteuse Veronique du Blahblahblah.
Each night we are joined by special guest performers. We bring you music, burlesque, circus, drag and more, hosted by the extraordinary Johnny Blazes.
Welcome to Le Cabaret Grimm!
I can't find any information on the use of the fairy tales or even which ones are being used except for this quote which reads: "We’re using these fun, contemporary styles to draw in the audience” says Slavick, “but we’re combining them with classic tales that have a universal quality and resonate deeply.” (source: StageSource) I'm very curious as to which tales are incorporated and the few photos available don't give many clues but it's interesting to think of any fairy tales being presented this way. I wish the 'LAB' every success.
If you're interested and can get to Boston in time, the show runs through April 24th, 2010.
After a while, Oscar (having transformed into a tiger) knew he lost the rabbit, and sat down on the rough ground. Confusion and uncertainty mingled in his mind, and slowly, his memory returned and his own actions horrified him. Tears filled his eyes, and he hid his huge head between his paws, shaking with sorrow and shame. "It's all right, my friend" the rabbit's small voice reached him from a niche in the wall, where it was well protected from the tiger's rage, should it rise again. "This is what Old Man Winter does to people when they come here to save Spring. He turns them into animals and they forget their humanity."You can read the whole story, beautifully told with rich imagery, HERE.
Google has made an institution out of swapping out its company logo for a special nod to great minds of the past. Today, it celebrated the 205th birthday of Hans Christian Andersen, the Danish author of "The Little Mermaid," "The Emperor's New Clothes," and "The Ugly Duckling."
But rather than stick to a single novelty image, Google chose five.Google's tribute to Hans Christian Andersen riffs off his story of "Thumbelina." The tale revolves around a tiny girl that was born from a flower and sleeps in a walnut cradle. But to capture the twists and turns of Thumbelina's adventure, Google created a five-part image gallery, which users can advance by clicking the on the logo. It begins with itty-bitty Thumbelina amid her family's knitting tools. Next, we see the frog and mole that each try to marry her. Once she escapes the frog that kidnapped her, she must hide from a harsh winter, depicted in the third slide. Then, after gliding on the back of a bird (image four), she finds a miniature prince (the final picture).
The pair lives happily ever after, but what is Google's next move? This flipbook style is new to Google doodles. It's a clever yet understated way of honoring a story that's more about the wild journey than any individual scene.How cool is that? Plus, new Thumbelina illustrations, yay!
Young Ivan, always deemed a fool by his elder brothers, managed to catch a golden-mane mare, depicted on the second Matryoshka nesting doll, and when the Tsar ordered him to bring a wonderful firebird, Ivan after numerous adventures, was able to fulfill the command, bringing not only the bird, bur also a lovely maiden to the court. The young girl, portrayed on the third Matryoshka nesting doll, refused to be the Tsar’s wife, and the fairy-tale ends with the happy marriage of Ivan and the charming tsar-maiden.There are many more close-ups at the link. The site also features a Cinderella nesting egg set HERE.
One of the things I adore about fairy tales is their malleability. The wonder and frisson you get from someone playing with and reinventing well-known tales is a truly unique, very special feeling (when it’s done well, that is…). And yet, we often assume that this reinvention is purely the prerogative of modern writers. Not so, I cry! We have been playing around with fairy tales, bending their archetypes to our will, for their entire written history (and there’s no reason to think the oral pre-history would be any different).
When you take a look at this visual history,(edit FTNH: of how illustrators over the years have portrayed fairy tale archetypes and classic story scenes) that malleability I mentioned—of themes, characters, atmosphere—becomes quickly and deliciously apparent. Especially in stories where what’s described is something ambiguous and variable, something that changes over time, something embedded into much of our communication and latter-day stories. Something like beauty, or beastliness.The whole article (and all the links) are very interesting, whether you read, write or study fairy tales and worth your time to check out. You can read the whole article HERE. And don't forget to check out the illustrations he's chosen for his article. They're a variety of Beauty & the Beast illustrations - all of the story beat where Beauty's father meets the Beast.Apart from being integral to the discussion they're also quite a different collection from the usual. An extra treat!