Silhouette MasterpieceTheater

Silhouette Masterpiece Theater is a delightfully fresh and funny collection of old fashioned, hand-cut silhouettes.

The wonderfully eccentric artist, Wilhelm Staehle (you'll know what I mean if you read his tweets), places his paper-cuts over traditional, painted landscapes - giving the viewer a different perspective - then tops off his scene by adding a little phrase, just to give your thinking a bit of a jolt.

Here are some fairy tale themed ones.I just love these!

There's much more at his website, including these below - yes, I couldn't resist, even though they're not exactly fairy tale related... :From his Twitter bio:

Wilhelm is a horribly disfigured gentleman who often frightens small children when passing. In his free time he hand-cuts silhouettes.

You can see his gallery HERE and follow him on TWITTER. He'll also be at Comic Con this year, which I hope means we'll be seeing a lot more from this creative artist very soon. Good luck at Comic Con Wilhelm!

"The Frog Prince's Daughters" - new eBook

Australian author Wendy Palmer has just written and published (through a small e-books publisher*) a fairy tale novel, based on, you guessed it, "The Frog Prince". It's currently available in multiple eBook formats for $1 until August 14th through distributor 'eBooks Just Published' (when the price goes to $3.99).

It will also be available at that time in print through Amazon.com.*

The lovely cover is by artist Andreas Reh (cover design by Karen Leabo*. Unfortunately, I'm unable to find a website for her.

Summary of "The Frog Prince's Daughters", from the author's website:

Anura is a fairytale princess whose prince won’t come. When a wizard shows up instead and tries to kill her, her stubborn cousin Rana decides it’s time to make the tardy prince show up, any way she can. With Anura and her stepmother, Amaryths, Rana sets out on a fairytale quest. But the wizard hasn’t given up…

It's received some good reviews including the one below:

Author Wendy Palmer has fun playing with the structure and internal rules of the fairy tale, while introducing clever plot twists, developing a growing romance between Rana and the wizard, and delivering a solid adventure. The fairy tale is a well-established source of inspiration for fantasy authors, and Wendy Palmer definitely rivals the very best of them. Highly entertaining.

You can read the Prologue HERE.

We need more authors making their fairy tales so available to us!

CORRECTIONS ADDED 7-31-09: This book is NOT self-published as I originally understood. She published with a small e-books publisher 'Books for a Buck' instead.

The cover DESIGN is by Karen Leabo but the artist is Andreas Reh (www.andreasreh.com.de was the URL given but the address does not seem correct)

Thank you to Ms. Palmer for clarifying these points in her comment!

"Once Upon A Mattress" Comes to Utah

The Empress Theater in Magna, Utah is just about to start performances of the much loved musical comedy "Once Upon A Mattress" (an hilarious retelling of "The Princess and the Pea").

They're even offering a 'Queen's Feast' (chicken dinner) before the show on the Friday and Saturday.

The lovely little poster, shown here, was illustrated by the very talented Manelle Oliphant - an artist who's blog, HERE, is worth revisiting often to see her latest creations.

For those lucky enough to be able to see the show, hurry and get your tickets! The show starts July 31st. You can get more details by visiting the theater website HERE.

If you haven't seen the musical "Once Upon A Mattress" yet and can't get to this (or any other) show - because nothing beats a good live performance - the next best thing is watching Carol Burnett and Tracey Ullman in the 2005 production, available HERE.

The Magical Sculptures of David Goode

I recently discovered this amazing bronze sculpture artist, David Goode.

From his site bio:

The inspiration for David’s work stretches back to a childhood fascination with myths and folklore, and a love of the writings of Tolkein.

All the pieces are cast in bronze, using the ‘lost wax’ process, a method developed by the ancient Egyptians, whereby a new ceramic shell mould is both made and destroyed for each individual piece cast. This is one of the most costly methods of casting but its worth is that the nuance and detail of the original work is preserved in every successive casting.

As you can see from the small selection posted here, there is a magical whimsical quality to his work in addition to an awesome technical expertise. I recommend visiting his website to see many more.

Eva Soula's "Fairytale" Comic

Russian artist Eva Soula is taking a different look at the characters of Red Riding Hood and their 'archetypical' roles.
From her artist's group website LAMP:

I’ve always liked folk and fairytales – not the tame sugary-sweet stories like the ones retold by Charles Perrault, but the original ones, which are often crueler, yet more truthful. “Little Red Riding Hood” is one of those fairytales that I nearly despised as a child – it seemed so fake and senseless to me – but grew to love at an older age, when I read the original French version and realized what the secret was. :) However my story doesn’t follow any known retelling. If you’re curious to see what else the archetypes of “Little Red Riding Hood” are capable of, this story is for you as well.

Here are three pages from her comic.

You can click on the images for a closer look & read (highly recommended):

PAGE 1 PAGE 2 PAGE 5:

More is available to see -of both the comic and her designs- HERE, though not, unfortunately the rest of this grorgeous comic (note: on her pages, the 'next' button is at the bottom of the image in faint grey). Her other personal comic project "Owls"- described as a series of stories set in the same world os a scientific mystery - appears to have magical elements too and is worth a look, even though it's only available to view in Russian at present.

She's also created other work on fairy tale themes such as "Wonderland" & "Alice and the Mad Hatter" )also known by the more sinister title "Come to Daddy") shown below:

I sincerely hope a publisher picks "Fairytale" up. I'd really like to know how she handled the characters. Her artwork is lovely too. this is one I'd be more than happy to add to my shelf. (hint, hint publishers!)

In addition to the LAMP artist's group she can also be found at the CG Society, deviantArt and LiveJournal

Old "Rapunzel" Title Teaser

I meant to add this to the previous post but forgot, so instead you get TWO posts on Disney's "Rapunzel" today!

This was released some time ago and, considering the changes made since then, is unlikely to be seen in the promos for the new movie.

It's essentially the title with long animating hair but works beautifully as a tease to make you want to see more. Maybe they'll add it on the 'making of' portion of the DVD...

Here 'tis:

Disney's "Rapunzel" - Still "Unbraided"?

OK - a confession. Unlike most of my posts you may find a teensy bit of an opinion being expressed in this post today... :D

In case you don't already know, Disney has another fairy tale scheduled for a late 2010 release: "Rapunzel" (sometimes referred to as "Rapunzel: Unbraided") and a little blog just told me they very recently (like, last week) had their production kick-off party. That means they're just starting the serious animation production phase 'now'! I feel for that crew. That's a very tight schedule to be working on, whether or not they've completed rigging and layout.

UPDATED AT 11:56AM:
2 OF THE DRAWINGS BELOW ARE NOT FROM DISNEY'S PRODUCTION BUT ARE 'FAN ART' BY TALENTED FRENCH ARTIST DAVID GILSON (who use to work for Disney). RATHER THAN REMOVE THE DRAWINGS I HAVE ADDED HIS CREDIT ABOVE THEM. You can see more of his 'fan art' (many of which are often mistaken for real Disney production images) in a previous post HERE and at his WEBSITE. Thank you to the anonymous commenter who pointed out my mistake this morning. :)

UPDATE 11:56AM:
The image below is not a production image but fan-art by DAVID GILSON

UPDATE AT 11:56AM:
The image below is not a production image but fan-art by DAVID GILSON

This particular feature film has a bit of a troubled history having been batted around in development for nearly ten years (at least since they announced it publicly) in story-hell, changing producers, directors and even approaches (you can see some of the old vs new artwork in this post). It was supposed to be the big 'all-CG-fairy-tale" film for Disney, proving they could do hand drawn and CG just as well. Now it's got even more pressure being the big number '50' full-length feature for Disney animation.By now, those of us who follow such things are feeling a little skeptical about it all, wondering if they can pull it together in time to meet the announced release. My guess is, if things are going well we'll see a sneak peek during the trailers shown before "Princess and the Frog". Still, just like everyone else, we can't help but be drawn to what they're doing.Apart from the whole "think of what we could do with all that hair! - and in CG!" angle being pitched to the execs, it started off with the interesting idea of basing the artwork on the famous painting 'The Swing" by French Rococo artist, Jean-Honoré Fragonard. Then we heard it was all about a modern girl who got switched with the real Rapunzel (who got turned into a squirrel) and... yikes! But all reports are that it's on a much better track now - more classic and true to the original (all you fairy tale scholars out there must be thinking that's a ballsy thing to do but what they mean by this remains to be seen).

From Wikipedia:

Doeri Welch-Greiner, the production manager for the movie, says that "The original version was that a girl got pulled from the modern world and replaced Rapunzel (Kristin Chenoweth), and Rapunzel got turned into a squirrel. But we’re on a clearer, more classic fairy-tale sort of track right now with Dean Wellins as co-director; he was one of the story guys on Iron Giant and a Disney animator for a long time. It really plays on the mystery of the girl in the tower, and I think it’s really going to be great with Dean’s story sense and sense of staging, and the artistry that Glen brings to it, we hope we can bring the artistry of the movie to a different place."

Keane also promises that he’s going back to Rapunzel’s literary origins to do a traditional, character-driven fairy tale that speaks to a modern audience. “It’s a story of the need for each person to become who they are supposed to be and for a parent to set them free so they can become that. It will be a musical and a comedy and have a lot of heart and sincerity. I think that’s what Disney needs to do right now. No one else can do it. We should not be embarrassed or make excuses for doing a fairy tale."

Of course, this was added to Wikipedia before Mr. Keane was removed from the project but John Lassiter (who is determined to return Feature Animation to its glory days of good films and great returns) assures us (via press releases) that Rapunzel is now a solid movie and one worth making (deletes comment about ridiculous numbers of dollars already spent and keeps blogging).

But there's hope. Here's an uncredited source (because the person who visited the studios and blogged about it, just quoted an artist and didn't mention their name):

"Rapunzel has really, really come together. Before it was a series of really nice moments, some really funny sequences. But now it has a real epic sweep to it. To me it has the feel of those early Disney features from the forties..."

Despite all this we'll be watching keenly and closely to see just what happens with this. We'll also be rooting for it to suceed (as a film, as well as at the box office), because, quite frankly, we want more fairy tales! Here's the most recent artwork I've scrounged from around the web which shows a little development art and one scene but doesn't give away a whole lot. You can be sure if I find anything else, I'll post it!