Wednesday, April 22, 2015

And the WINNER of "The Silver Witch" Giveaway Is...

Many thanks to all our elves for sorting through the entries and verifying each individually (yes - they checked each one!). All the verified correct entries were entered into a (virtual) hat from which was pulled... Jillian Leigh, with her Pinterest entry link! 
CONGRATULATIONS JILLIAN!
Please email me at fairytalenews AT gmail DOT com with your mailing address (if you are in the US, or your preferred email address to be sent the winning e-book), and we will have Paula Brackston's newest book sent to you ASAP.
Note: You have till Friday noon - April 24th - to claim your prize. If unclaimed we will put all the entries back in the hat to draw another winner.

Fairy Tale Hidden Treasures Blog Hop: "The Heart's Door" - A Finnish Fairy Tale

The Fairy Tale Hidden Treasures Blog-Hop, is the brainchild of Adam Hoffman over at Fairy Tale Fandom. Always up for sharing obscure fairy tales we love, Once Upon A Blog immediately signed up to be part of the fun. We are supposed to share a favorite obscure fairy tale (that very likely will NOT end up on OUAT), tell you a little about it, give you an idea of the main story, let you know where it came from and why we love it so, then tag the next treasure hunter... 

For those keeping track, yes, I did switch places with Tales Of Faerie for 'reasons'... (you'll find out why at the end).

So far the revealed tales have been:

[By the way - if you have a blog and would like to get in on the action (it doesn't need to be a fairy tale blog or storytelling blog in particular -you just need to love obscure fairy tales) then please contact Adam Hoffman HERE for details and to see if you can be included in this round.]

On to my tale treasure!
When I heard about the 'hop, I immediately knew I wanted to share a Finnish fairy tale called The Heart's Door. I also knew it would be tricky. While I have three versions in my personal library, know one else seems to know anything about this one. It's not online ANYWHERE (and boy have I hunted!) and, just to make it extra tricky, one of the books I have was reprinted in 2009 so the copyright on that version of the tale (which is the closest to 'original' that we can find in both English and Finnish) is back in force and I'm not able to transcribe it for the web without express permission.

I personally discovered this fairy tale in Neil Philip's wonderful DK book, The Illustrated Book of Fairy Tales, back in the late '90's. It took me a very long time to realize he'd re-titled this tale from Severi and Vappu, which had been sitting in my Scandinavian Folk & Fairy Tales book (edited by Claire Booss) for years. (Titles with just list names, I tend to mentally file under "epics and sagas"  - in this case, that was a big mistake and I missed out on what came to be a favorite fairy tale of mine, for years!) When I finally did realize what I'd been sitting on (and read the much longer version) I agreed with Mr. Philip: The Heart's Door is a perfect title for this fairy tale and I will always think of it that way.

Why do I love it? I'm a sucker for fairy tales with transformations. They're my favorite kind of 'wonder' in tales but The Heart's Door does it a little differently. You may recall Heidi at SurLaLune mentioning the 2009 reprint of a book called Tales from a Finnish Tupa, some time ago (a tupa is a Finnish peasant hut, complete with the all-important fireside for storytelling). To highlight what is unique about Finnish fairy tales from other European ones, she included an excerpt from the Notes on Finnish Folklore in the back of the book and I will do the same:
The heart of Finnish folk lore is magic. As Lafcadio Hearnhas so well said:
“The magic is not like anything else known by that name in European literature. The magic is entirely the magic of words. These ancient people believed in the existence of words, by the utterance of which anything might be accomplished. Instead of buying wood and hiring carpenters, you might build a house by uttering certain magical words. If you had no horse, and wanted to travel rapidly, you would make a horse for yourself out of bits of bark and old sticks by uttering over them certain magical words. But this was not all. Beings of intellect, men and women, whole armies of men, in fact, might be created in a moment by the utterance of these magical words.”
The magical words in this story allow the main character to hide inside... things - things you wouldn't normally be able to hide inside (no barrels or wash-baskets etc). It's a special sort of hiding and a special sort of transformation and I love the idea of the way this character is hidden. Most hiding in tales is to stay safe or get away from danger by diversion of camouflage, but, again, this is different. This tale also has other things I like: it has a little mystery, has motifs in common with other tales that are used very differently, but most of all it's about choices and dealing with consequences.

Because there is no text online for you to read, I've done my best to retell the story in short form. I've expanded beyond the points included in the DK version and put the emphasis back on the use of words and word-magic, but it's still much shorter than either of the other printings I have as well. I left out a lot of descriptive detail and got right to the parts that I love the most. As with all storytellers, it has my 'print' and emphasis on it, but I believe that is a storyteller's prerogative. ;)

And I've done something else: because this is all about 'hidden treasures' and my tale is also about 'hidden treasures' I have hidden another treasure within this tale for you to find... 
[For you 'pop-culturalists', think Easter egg. I did NOT make it easy... but it's definitely there... ]
Photographer & artist unknown - any information appreciated so can properly credit
[Found on fototalisman.livejournal.com]
Now, without further ado, I present to you:
The Heart’s Door
A Finnish Fairy Tale
(also known as “Severi and Vappu”)
A retelling by Gypsy Thornton

Once there was a boy named Severi who announced one spring morning that it was high time he had adventures and seek his fortune.
“What are you seeking?” people asked.
”I do not know yet,” Severi replied, “But when I find it, I’ll know then,’ he said, and waved goodbye.

He walked over bright meadows and through dark woods, sailed over great seas and survived ocean storms. He climbed up a great black cliff and down a long stone stairway, until eventually, at what he thought must be the very heart of the earth itself, he found a golden door.

He lifted his hand to knock and it swung open for him, so he stepped through. Inside was a magical world of green hills with fragrant flowers and shiny plumed birds sang among lush trees, all laden with golden fruit. In the distance, turrets of a copper castle rose into the air, shining like red gold in the sunlight. Immediately Severi set out straight toward it. There he met a strange old man with glittering white hair and very young cheeks, who asked him who he was and where he was going.

“My name is Severi,” he replied, and told him of his journey so far. “And now I am here. I do not know yet where I am going to, but when I get there, I’ll know then.”

Ka!” said the white-haired man, “Since you’ve come such a long way, why don’t you stay here with me awhile? I live in the copper castle, just beyond.”

So Severi went with the old man to live in the copper castle. When he’d been given all the good food he could eat, the old man held up a heavy ring full of keys. “Here are the keys to the castle: twenty four keys for twenty four rooms. Feel free to go into any, except for the last. If you open that twenty-fourth door, you do so at your own risk. I am not to blame for whatever may happen.”

“I understand,” said Severi, accepting the keys, but already he was quite curious.

Before long the old man set out on a journey that would take him far away and the instant Severi was alone, he began to explore.

Each door held a room of wonders, the next even better than the last: one seemed on fire, it dazzled with so much copper, while the next glittered with so much gold it hurt his eyes. Another was all ebony, another, blue sapphire, yet with each door he grew sadder and sadder until he stopped in the middle of the twenty-third room, too sad, even, to touch anything.

“Now I have seen it all. My adventures are over and done. I might as well just go back to my tupa.” He sighed, lay down right where he was, and fell asleep.


When he awoke he found the key to the twenty-fourth door clasped in his hand.

“The old man said I could enter at my own risk, “ he thought, turning it over curiously. “I will open it and find out what happens,” and he bravely turned the key in the twenty-fourth lock, then pushed open the heavy door.

Inside, sitting on a very high throne, was the loveliest girl in all the world.
“Who are you?” asked Severi.
“My name is Vappu,” said the girl. “I’ve been waiting for you a very long time.” Severi held out his hand and she put hers in his then climbed down to him.

The golden days that followed were like a dream as the two lived together in the copper castle. For a whole month, they sat by the silver stream and feasted on golden fruit with not a care in the world. One day Vappu led Severi into a deep orchard. Cool winds caressed the trees and their faces and at the center blossomed the Tree of Life. They sat beneath it, ate its fruit and drank from the sparkling brook nearby. Completely content, Severi fell into a deep sleep under the Tree. When he awoke, Vappu was gone.

“Vappu!” he called. “Vappu! Vappu!” and his calling turned to cries and his cries turned to tears, for she was nowhere within and nowhere without.

When the old man returned home he found Severi in deep misery.
“Please help me find her”, Severi begged. “I cannot live without her.”

The old man chuckled. “That’s the way it always happens when you do what you should have left undone. I warned you about that twenty-fourth door,” he said.

“I am a grown man,” Severi replied. “I make my own choices. And you did not tell me I must not enter, only that to do so, would be my own risk. ”

“That is fair,” the old man said, gently. “But have your choices made you wiser?”

“My sorrow has made me older – but yes, wiser too. Please help me find my Vappu - that is all I ask.”

The old man muttered some words of magic and there stood Vappu, radiant as a sunbeam.

“Did you miss me Severi?” she asked.

“All my happiness disappeared with you!” Severi said to her. “Please, never leave me again.”

“I will promise,” said Vapu, “But on one condition: you must hide from me where I cannot find you. Then, and then only, will I always be with you. You have three chances.”

Severi did not understand what she meant, but the old man whispered a magic charm in his ear and promised he would help.

Severi did not want to hide but knew he must try if he wanted to win her, so the first day he snuck away over the hills and whispered his charm to a rabbit running by. It stopped, let him hide inside its thumping heart then ran on, even faster than before. But Vappu quickly tracked him down.
“You are not very good at hide-and-seek Severi,” she said. “Try again.”

The next day Severi stole away into the dark heart of the forest and whispered his charm to a bear ferociously guarding its den. It stopped, let him hide inside its warm heart then growled, more ferociously than ever before. But Vappu still, somehow, tracked him down.
“I have found you Severi! You cannot hide from me. You have one last try.”

Sadly, Severi walked back to the castle. He could not think how to hide from clever Vappu.

The next day, at a hint and a wink from the old man, Severi finally decided to hide in Vappu’s own heart. He drew close to her and softly whispered his charm:

“Three times I knock at your door, dear heart, 
Let me in, heart’s jewel, let me in!”
And he vanished right before Vappu’s eyes.

Try as she might, Vappu could not find him anywhere. 

When she had looked and looked and looked some more, Severi called to her:
“Can you not find me, Golden One?”
“I cannot - where are you?” asked Vappu.
“Here in your heart,” answered Severi.
“Who led you here?”

“You, Vappu. You led me here.”
“Then my heart is yours,” said Vappu.


Severi came out of his hiding place and she held him as close as he held her.
“And now,” said Severi, “I’ve found you.”
And they lived in peace, ever after, in their copper castle, beside the silver stream, beneath the golden trees.

…………………«§ The End §»…………………


Did you find the hidden treasure in the tale? 
If you like spelunking for information and digging for gems of knowledge, then you will like this: there's a hidden page I've linked to in which I have put 
an annotated version
(And if you looked but didn't find it yet - go back and check the text carefully. It's a teeny tiny link, hidden within the text of the tale - and yes - I checked - it's there and it's working.)
When I wasn't able to find an e-text of the original for you to read, and I wasn't able to reprint the original on the blog due to copyright reasons, (I have contacted the publishers - plural - to ask for special permission but these things take time to sort out. I am still pursuing permissions as of this posting, so no e-text yet), I decided to use the opportunity to give you more information about the tale than I should sensibly put in a blog post, and send you on a treasure hunt instead. Turns out, these things take a good amount of work to put together, (!) hence the place swap. (Thanks for being understanding Adam!)
In the annotated version, you can find out more about the original form of the story, learn more Finnish words, the original wording of key phrases, tidbits on Finnish culture and mythology, and uncover links between motifs to other fairy tales around the world - some of which you know very well! 

Happy hunting!

And next up in the Fairy Tale Hidden Treasures Blog Hop is: Megan Hicks at Life, the Universe and Everything! (Hey Megan: TAG - you're it!)

Credits for images within the tale: 
1. Secret Door by Georgina Gibson
2. Fantasy Castle Wallpaper - artist unknown
3. Antique keys - photographer unknown
4. Antique door knob - photographer unknown
5. The Golden Apple Tree and Nine Peahens by Arthur Rackham
6.  From "The Princess in the Underground Kingdom" by Pavel Tatarnikov
7. A Golden Dream by Thomas Cooper Gotch
8.  Searching by Amanda Clark
9.  Bearskin Falling by Ellen Li
10. The Lover's World by Eleanor Fortescue-Brickdale 
11. Detail of Brunnhilde and Siegfried...from Rhinegold and Valkyries series by Arthur Rackham from an opera Siegfried by Richard Wagner

Tuesday, April 21, 2015

Surprise Casting Addition to Disney's Live Action "Beauty and the Beast": Stanley Tucci as "Cadenza"

Just announced via Variety:
Stanley Tucci has closed a deal to join the cast of Disney’s live-action retelling of “Beauty and the Beast” starring Emma Watson and Dan Stevens. 
Tucci will be playing Cadenza the grand piano, a new character to the realm who is described as a neurotic maestro.
Hm - "NEW character to the realm." Well this will be interesting.

They already had a Maestro Forte in Beauty and the Beast: The Enchanted Christmas. (See pic at right.) He wasn't a good guy. I'd be very surprised if he was playing him (though, it would be interesting to have one of the enchanted objects not be on Belle and the Beast's side for the main story, wouldn't it?)

Well, I wasn't expecting that! Quite the star-studded cast, isn't it?

Ewan McGregro is still in negotiations to play Lumiere but the buzz is, it's pretty likely all will fall into place there.

But we still need a Chip!

Casting Update for Disney's Live Action "Beauty and the Beast": Ewan McGregor in Talks to Play Lumiere

Just announced via Variety - Ewan McGregor is confirmed as being "in talks" to play Lumiere but has yet to sign that important piece of contract paper... (Of course, that may have changed between posting the news and you reading it - lots of updates from the B&tB film at the moment!)

(Not a choice that was on my radar, I must admit.)

Still no word on Chip, who is pretty key to the story events as per Disney's version, but the gang is almost complete.

TODAY is the LAST DAY to Enter Our GIVEAWAY for "The Silver Witch" by Paula Brackston

Our elves will be verifying entries starting today and tallying and sorting once midnight has come and gone. We will be announcing sometime during the day tomorrow (WEDNESDAY). It's easy to enter (and you can enter multiple times for more chances!) - details are in the pinned post at the top if the blog, though it will only be there one more day....

SurLaLune's "Grateful Dead" Are Coming!

Awesome news from Heidi and SurLaLune this week! (So very excited, my fingers are tripping over themselves as I type!)

From the SurLaLune blog:
The Grateful Dead Tales From Around the World--the 10th SurLaLune Fairy Tale Series release!-- will be officially released on 5/4/15.  
...The book is 828 pages and stuffed full with Grateful Dead tales, discussions, and other miscellanea.
You can find more about the book HERE.

And the table of contents is HERE.

The links to Amazon don't work yet for pre-ordering but should soon.

And Heidi will be sharing on Grateful Dead folklore and tales in the lead-up!

And if you don't know this already because you're not a SurLaLune subscriber/regular, then I strongly recommend you go and check into everything SurLaLune has done because we would not be the same without her efforts and excellence.

I am buying this. I need it. I even have a gap on my bookshelf waiting for it. Why? Go check in with Heidi's upcoming posts about the tales and you'll see why this is a completely fascinating tale type.

GIVEAWAY! -- "The Silver Witch" by Paula Brackston -- ENDS APRIL 21st!

To be entered into the drawing for a lovely hardback copy of The Silver Witch,
you can do one of two things - or do more than one and get multiple entries!
Note: This giveaway is open to all countries! However, due to shipping issues, hard copies can only be mailed to US, UK & Canadian readers. E-books will be sent to winners living anywhere else.
1) You can link to the interview posted on Tuesday April 14th (HERE) at Once Upon A Blog via a Tweet, Pinterest, Tumblr, Facebook or use any other social media (make it public so we can see please) and put the link in the comments below there OR in the comments of this 'pinned' GIVEAWAY post that will (hopefully) remain at the head of the blog for the week. Our elves will check each link - and each verified one = one entry (yes - that means you could eg. Tweet and Facebook and get 2 entries!). One link only per comment please! (No limit on comments. Duplicates of your own links don't count.)

2) You may instead (or also) put the title of any UK fairy or folk tale in the comments below or in the original interview post HERE (that includes English, Scottish, Welsh AND Irish fairy & folk tales for this purpose!). Each verified UK tale = one entry. One title per comment please! (No limit on comments. Duplicates of your own tale titles don't count.) 

Our GIVEAWAY ends MIDNIGHT April 21st, 2015!
Winner announced Wednesday, April 22nd, (after our elves do their number-crunching & calculating...)
Pob lwc! (That's "good luck" in Welsh)

BBC's "Jonathan Strange & Mr. Norrell" Coming to Blu-ray August 2015

Did I completely miss this when it aired? I don't know about the UK but it was supposed to air on BBC America later in 2015...  And doing a quick check, that's still what they're saying, so I'm not really sure how this works. Whatever the case, the seven part mini-series Jonathan Strange & Mr. Norrell, based on the best selling book of the same name, is coming to Blu-ray and DVD this August. (There are a lot of details still left up in the air it would seem.)

The Blu-ray date, however, has been announced as August 11th, this year.

From Blu-ray News:
Based on the bestselling, award-winning novel by Susanna Clarke, Jonathan Strange & Mr. Norrell takes viewers on a journey through alternate history during 19th century England. Magic, a lost art which has lain dormant for centuries, is showing signs of returning. At the center of this renaissance are two men who are destined to become the greatest magicians that England—and possibly the world—have ever seen. 
The reclusive Mr. Norrell (Marsan) of Hurtfew Abbey stuns the city of York when he causes the statues of York Cathedral to speak and move. With a little persuasion and help from his man of business Childermass (Cilenti), he goes to London to help the government in the war against Napoleon. It is there Norrell summons a fairy (Warren) to bring Lady Pole (Englert) back from the dead, opening a whole can of worms. Not only do Norrell and Jonathan Strange (Carvel) have to deal with all the trappings of Georgian society, the Napoleonic wars, and the whims of the supernatural, they have to contend with their own egos and, most of all, an uncomfortable realization that there may not be enough room in the world for one magician, never mind two.  
Tech specs and special features have yet to be revealed for BBC Home Entertainment's Blu-ray release.
I have to admit, I am very curious. Will they include all those folklorish things I loved or did they focus on the politics of it all? Whatever the case, it would seem the Other-world will make for a strong presence throughout the series and won't be mistaken for another costume drama, so yes, I want to see this.

Here's a very short trailer:
There's also an 'exclusive clip' HERE but you don't really learn a lot more from it. Methinks we'll get some better footage when they figure out exactly how this is going to air/be released. 

Oh yeah - and if you're interested and haven't read the book yet, go read it now.

Monday, April 20, 2015

Monthly Discussion: "From the Forest" with Tales Of Faerie - April

Kristin & Gypsy discuss
12 MONTHS - 12 FORESTS - 12 TALES
UK Title: “Gossip from the Forest: The Tangled Roots of Our Forests and Fairytales”


APRIL:  Saltridge Wood & a retelling of The White Snake
(see the 2nd part of the discussion at Tales Of Faerie  HERE)
************************************
Links to chats so far:

Note: Kristin and I agree the book would really benefit from some lush color photographs because despite the lovely descriptions it’s hard to picture, even when we’re familiar with the trees she’s talking about. without having a ‘sense of forest’ to begin with we both tend to wonder when the relevance to fairy tales kicks in, and then sometimes have to go back and re-read for context once it does.
Birches in morning shadow - photographer unknown
Gypsy: Took me a while to settle in to this chapter, it seemed to meander but I eventually found myself flipping back pages to re-read things she’d mentioned before when I started linking the walk to considering fairy tales.  Eventually I realized this is the chapter where Ms. Maitland starts getting seriously into fairy tale roots - what are they, where are they, would we even recognize them?
European Beech tree

Walking through Saltridge wood discussing beech trees and how pretty they are, but also ‘false forest’ they are, had me recalling “fairytale” (perfect/ideal state of bliss) vs “fairy tale” (wonder tales - ordinary stories with an element of wonder). The idea that beeches are the recognizable “quintessential” or ideal tree that people identify with, versus the fact that they’re not really that useful other than for their looks - and haven’t been considered so, either in history or in tales. Apparently beeches are the trees people plant for that ‘wow factor’ on estates, down long driveways and in cultivating a ‘beautiful woods” feel (as opposed to a real woods feel which is not always beautiful at all). It’s very much like the American use of the word “fairytale” today - like a dream wedding, a perfect romance. To achieve such a thing it’s (usually) extremely contrived, planned, thought out in detail, managed to the nth degree and contained. But it’s not a real state. (To confuse the metaphor, beech trees are actual trees that grow and have a cycle.) The important thing with regard to the woods and places we see them (beech trees) now is that they’re not naturally occurring in those places, even though it may seem that way.


Kristin: That’s one of my biggest pet peeves, is people using “fairytale” as a negative term for something that is an unrealistically perfect ideal, when it completely contradicts the actual facts of fairy tales!

I did find it interesting that the word “book” may have been derived from “beech,” and some of the earliest European books were likely printed on thin slices of beech wood.

Beech trees UK
Gypsy: I’m not certain why she begins talking about birch trees in contrast here, unless it’s because beech are now considered the queens of the forest, whereas the title used to belong to birch, but these trees are like a perfect metaphor for real tales (as opposed to Disney-version/ marketing-contrived ones).


p42 - “Despite their fragile appearance and relatively short life span (seldom more than 80 years) individual birch trees are immensely tough - Rackham (EDIT: Oliver Rackham, not the artist Arthur Rackham) reports specimens that have fallen over collapsing cliff edges, tumbled to the bottom and then simply re-rooted and carried on growing.”


Holy moley - that exactly like fairy tales!
Birch tree close-up


It goes on to say (p42 cont - ) “Recently, birch has been earning the respect of commercial foresters for this reason: it will plant itself, saving time and energy…”


Back at the top of the page it also mentions how “birch pollen is produced in abundance and carries widely on the wind, so birch can appear anywhere - and does.”

Then she gets to the ‘birch in folklore’ part and I’m totally glued to the page wondering what she’ll talk about next.


p43 - “Curiously, beech trees are almost entirely absent from folklore...virtually nothing in the way of associated customs or proverbs. Birches, on the other hand, are magical trees… Birch trees, together with fish, are among the very few items from the natural world that cross over, with their positive magical attributes intact..” (edit: I have to look into fish more now too)


Then she gets into: “the dissemination of fairy stories is at least as complicated as the dissemination of tree species.” which brings me back to what I was thinking about before - how birch trees with their hardy self-planting, growing everywhere and re-rooting capabilities are just like fairy tales.
Birch forest

Kristin: What a cool picture of how tales evolve and spread-reminds me of the charts I’ve seen in Alan Dundes’ “Cinderella: A Casebook” mapping Cinderella variants found all over the world in an attempt to find the tale’s source, much like biologists might map various specimens as they study evolution.

Gypsy: Then there is the sobering point that because of how trees disseminate (along with how they’re interfered with by people) we can’t truly know what the “wildwood” (the original wild and natural forests) really looked like at all.


p44 - I believe the same is true of fairy stories. By the very nature of oral ‘text’ you can only know how it was this time, the time you heard it.
And then this next observation I think is key in understanding what’s happening with fairy tales today too: p44 cont - Field anthropologists have become sensitive to the fact that asking someone in an oral culture to tell you a traditional story will distort the story; the teller will mould the story to the listener’s expectations - at least as far as such expectations are understood. This is not deliberate deceit or secrecy; it is the job of a storyteller to do so.


Then I put this sentence on the next page in a giant box, underlining it twice:
p45 - Many historians believe that memory itself has changed with the shift to literacy - that we learn and remember things in a different way today from how we did in the past.

With the topic of a visual culture currently on my mind, I think this is true. We used to be better at remembering words, phrases, rhymes, charms, blessings and, of course, stories. Now we think in images and advertising, in special effects. People record their days in selfies, Facebook comments and likes and discuss viral memes.
Birch Forest - photographer unknown
Kristin: Yes, I found that part about memory fascinating as well. I’ve read both that fairy tales had to vary widely each time they were told, to the idea that I believe was propagated partially by the Grimms in their inclusion of their female narrator (Dorothea Viehmann) and how she would tell the story word for word each time. People have been suspicious of this and brushed it off, but it actually confirms what I’ve read elsewhere about human memory hundreds of years ago-in native American culture, Powhatan’s messengers could listen to him talk for three hours and later deliver the message, reciting what he said word for word. Memory is a skill that can be practiced (as actors who have to learn lines quickly will attest), and it makes sense that literacy would cause a loss of this skill. And perhaps even more frightening, what does our shift into social and visual media mean about our memories? Will we forget even more and more, losing memories of ideas and concepts and anything that isn’t an image?


Beech forest
Gypsy: I think this is where libraries are really important - a way to hold knowledge in different forms of media, no matter what the current form of remembering. But the great thing about visuals is that they hold a LOT of information. The difficult thing is accessing all the information it holds… *conundrum creases in forehead*


I digressed there for a bit but the author returns to the idea that literary stories have fed back into oral ones as well as the opposite - like trees being “inserted into existing woods”, “altering them in ways we don’t fully understand”.


p47 - “One problem, which bring our fairy stories at least back within the shades of the woods, is that we have no ‘virgin stories’, or true fairy wildwood.”
Ancient beech forest in Germany

This feeds into the idea of fairy tales as palimpsests*: I see this concept come up a bit but it’s the first time relating it to earth and forests for me. (*NOTE: Palimpsest def: a manuscript or piece of writing material on which the original writing has been effaced to make room for later writing but of which traces remain./ something reused or altered but still bearing visible traces of its earlier form.) I think this may be somewhat true but I think the fact of re-rooting and a birch seeding itself in many places may be closer to how fairy tales behave. Rather than just getting written over again and again, with our understanding relying on the latest “writer”/teller/map, I think stories only spread when some of their “story DNA” remains intact.

It’s a good thing the “DNA” of fairy tales is tough! It doesn’t go away easily, even when advertising, pop culture and giant companies change them to be almost unrecognizable. There’s more to a fairy tale than the visible ‘bloom’ - the roots really are extraordinary. No matter what you do to Red riding Hood, she insists on coming back. (And if you removed her teeth she seems to come back with triple sets!) And it’s yet another reason I love fairy tales. there’s something earthy, vital and tough about them.
Birch forest wallpaper - photographer unknown
Random piece of trivia: the wallpaper in the "Evil Queen's" office on ABC's Once Upon A Time is birch forest. It was chosen for it's black and white, that is, opposites, contrast, with the theme of the space representing good and evil, hero and villain.

We’ll leave the discussion there for you to think about. Tomorrow Kristin will post our discussion on Sara Maitland’s retelling of The White Snake over on Tales Of Faerie.

Be sure to watch out for next month’s discussion in which  we’ll discuss the chapter for May and the author’s walk through The New Forest, as well as  the author’s  retelling of Rumpelstiltskin.