Saturday, April 18, 2015

"Splintered": Review by Kelly Komm

"Splintered"

Review by Kelly Komm

Editor's Note: The Splintered series is now complete (with three novels and two novellas -the last, Untamed, to be published in January 2016). They all came out in fairly quick succession from January 2013 on, and have been very popular to the point of almost a cult following. Fans post art, write fan fic, hold Splintered parties and events and, of course, cosplay. Once Upon A Blog was asked to review back in 2014 when it was clear the series was a hit, but for multiple reasons I wasn't able to do it. With our new review posse coming together, we decided to revisit the Splintered series and to begin at the beginning, in case you're unfamiliar with it. You've likely seen the gorgeous cover, but there's much more to these books than 'the pretty'. Take it away Kelly!

Jacket description: 

Alyssa Gardner hears the whispers of bugs and flowers—precisely the affliction that landed her mother in a mental hospital years before. This family curse stretches back to her ancestor Alice Liddell, the real-life inspiration for Lewis Carroll’s Alice’s Adventures in Wonderland. Alyssa might be crazy, but she manages to keep it together. For now. 
When her mother’s mental health takes a turn for the worse, Alyssa learns that what she thought was fiction is based in terrifying reality. The real Wonderland is a place far darker and more twisted than Lewis Carroll ever let on. There, Alyssa must pass a series of tests, including draining an ocean of Alice’s tears, waking the slumbering tea party, and subduing a vicious bandersnatch, to fix Alice’s mistakes and save her family. She must also decide whom to trust: Jeb, her gorgeous best friend and secret crush, or the sexy but suspicious Morpheus, her guide through Wonderland, who may have dark motives of his own.
Splintered is the first in A.G. Howard’s dark YA fantasy series, featuring a modern, macabre take on Wonderland. While the controversy on whether or not Alice in Wonderland is a fairy tale continues to rage on, it is always worth discussing — as are excellent novels that pay homage to it. 

In this first installment of the Splintered series, we meet skater Alyssa Gardner and her punk-artist BFF/love interest Jeb. Alyssa is a descendant of Alice Liddell, the inspiration for Carroll’s famous story. The women in Alyssa’s family have been cursed since her ancestor began the Wonderland adventures almost one hundred and fifty years earlier. Her mother has been in an asylum for years and Alyssa herself has heard insects and flowers speaking to her since puberty hit. As Alyssa faces a pivotal decision in her mother’s treatment, the reality of Wonderland is revealed to her, plunging her into a world both foreign and familiar. She must face the deceits that have led to her family’s curse and she is forced to choose between those who matter most. 

Splintered pays tribute to Alice by continuously referencing the original and inserting various “Carrollisms”. However, the author is always careful to remind the reader that this isn’t only a story about Wonderland. Just as the reader snuggles into recognizable Wonderland territory, Howard reveals the latest emotional dilemma for transparent Alyssa. This isn’t just a girl going down a rabbit hole story—this is the girl finding the rabbit hole inside her. Alice is told through the eyes of a little girl, whereas Splintered is through the eyes of a girl on the verge of womanhood. 

There are plenty of fairy tale tropes in Splintered for those who are keen of eye—there’s a list of impossible tasks, a terrible family curse, and a Changeling. Characters’ names having meaning (the Greek origin of Alyssa is loosely “not-insane”). Old friends realize they’ve always loved each other and there’s even a Happily Ever After ending. Splintered ultimately gives readers a neon rendition of Wonderland—complete with nightmarish creatures like the skeletal Rabid White (White Rabbit) and the carnivorous Octobenus (Alice’s Walrus). It balances these otherworldly creatures with predictably heroic protagonists and leaves the reader somewhere between Victorian, Carroll-esque familiarity, and post-Twilight teenage rom-angst. Had little Alice grown up in this time, perhaps she would wear blue hair pieces, thick eyeliner, and black taffeta as well. ;)
Disclosure: A complimentary copy of the book was offered in exchange for an honest review, however the reviewer used her own, previously bought, copy.

Kelly Komm is a Canadian fantasy writer. She continues to question her sanity as she holds a day job and a night job, in addition to her life as a busy mom of two. You can follow her occasional ravings online at kellykomm.blogspot.ca/

Friday, April 17, 2015

Fairy Tale Plot Machine


Something fun to start off the weekend for you, especially if you'd like a writing prompt. Do you like combining different fairy tale tropes, without ending up with the Red Riding Hood-meets-Goldilocks in the woods, scenario yet again? Direct from Cicada Magazine, meet the Fairy Tale Slot, er Plot Machine!

There's even a slot machine handle animation and spinning with sparkles, to encourage you to hold your breath and wish for just the right combination... so much fun!

Here are some jackpots I hit:
 
I wish I could embed it so you can try it straight away but the link HERE will take you straight there.

If you give it a go, why don't you share your jackpot sentences in the comments below? If you don't like what you were given, you can always play again. And again. And again... ;)

A note from Cicada Magazine for the on-the-go-tech people: (Tablet & smartphone pals: for a device-friendly version of the Fairy Tale Plot Machine, download the Cicada Magazine app at the Google Play or iTunes store.)

Introducing "Tiny Donkey" and the Brief Fairy Tale Essay

A donkey prince learns to play the flute and find happiness in “The Little Donkey.” by the amazing Andrea Dezsö

There's a new fairy tale journal in town! Fairy Tale Review - the respected literary fairy tale journal that publishes yearly - is supporting the launch of this new undergraduate journal, which invites people from all over to contribute.

From Fairy Tale Review:
Tiny Donkey: Brief Essays from FairylandWe are thrilled to announce the launch of Tiny Donkey, an undergraduate journal of short-form fairy tale nonfiction. The journal is the result of collaboration between Fairy Tale Review editorial assistant Wren Awry,Fairy Tale Review founder Kate Bernheimer, and Fairy Tale ReviewManaging Editor Joel Hans. 
Tiny Donkey will publish short essays (up to 400 words in length) that explore fairy tales through scholarly, personal and cultural lenses. 
We are incredibly excited to give undergraduate writers the opportunity to explore their love of fairy tales in a unique form. Through Tiny Donkey, we hope foster the next generation of fairy-tale writers, scholars, and educators—the very same kinds of people who have made Fairy Tale Review what it is today, and will continue to manipulate the contemporary fairy tale into wildly innovative forms.
And from Tiny Donkey itself, there is this information:
Donkey Prince by Paul Hey
You can write Tiny Donkey essays from a lot of different angles (our first three posts include a piece that analyzes a film in relation to Bluebeard, one that ties in wolf re-introduction in New Mexico to wolf tropes in fairy tales, and a personal essay about hollow mountains, Jack Tales and the coal industry in Appalachia). You might come up with an entirely new idea, or turn a class paper in to a polished micro-essay. We’re open to challenging and unique form and content, just get in touch!
Sounds pretty wonderful, doesn't it? I look forward to seeing future fairy tale essay innovations.

And if you're asking "why Tiny Donkey?" I can tell you that Tiny Donkey is an official off-shoot of Fairy Tale Review, which may give well read fairy tale readers a clue... (The particular donkey I believe they are referring to is a prince who is yet to come into his own.)

No matter what "skin" you are currently in, this journal gives you the opportunity to see what's really inside.

If you're looking for inspiration, checking out the Fairy Tale Review's mini-blog feature, Fairy Tale Files, which bring eclectic fairy tale related ideas together on a theme. They're like the written version of mini mind maps and are great for getting your creative juices pumping.

Good luck fairy tale writers!
Note: Did you know Angela Carter wrote a version of Tiny Donkey for children? It's a little illustrated book (now out of print of course).

"Desperately Ever After" Double Sale Starts TODAY

Starting TODAY, author Laura Kenyon is having a "double ebook sale" on her popular Desperately Ever After novel and its sequel,  Damsels in Distress.

New York Times bestselling author Stephanie Evanovich says: “Laura Kenyon makes happily ever after desperately delicious!"
Adds Elizabeth Blackwell, author of While Beauty Slept:
"At times laugh-out-loud funny, and at times very touching, Desperately Ever After is the debut of a real talent.”
If you're not familiar with Laura Kenyon's series, just think:
Sex and the City + Desperate Housewives + Brothers Grimm = Desperately Ever After. 
Book One was named a 2014 National Indie Excellence Awards chick-lit finalist. In October, the e-book skyrocketed to the top of Amazon’s charts, hitting #49 and becoming the #1 Best Seller in each of its three categories: Women’s Humorous Fiction, Women’s Fantasy Fiction, and Paranormal Fantasy.
Laura explained more about what inspired her to write the series on her blog, some of which I thought I'd share, in case these books are new for you. (Excerpted from a two-part post):
Like so many women today, I grew up on Disney movies and fairy tales. 
Then… shocker… I grew up. I got to know the real world. I experienced heartbreak and cursed the very notion of “true love” as a bunch of poison we were all force fed as a generation. I took a second look at the tales I used to love and  wondered how each princess would have really felt in her situation. What would they have said if they had the freedom to do so? If their choices weren’t marriage, poverty or spinsterhood? If they had the luxury of deciding between the story’s chosen hero, someone else, or self-sufficient independence...
You can read more about the issues she explores in the rest of the post HERE, but for now, here's a good little summary. ;)
The sale details for the books, by country, are below:
In the US (Amazon.com -- ebook only):
• The price of Desperately Ever After drops to 99 cents on Friday, April 17, and steadily climbs back up until the sale ends at midnight (PST) April 24. Link: http://amzn.to/1zamP3j
• Damsels in Distress will be 99 cents from April 17 through April 23. Link: http://amzn.to/1DbMjkL

In the UK (Amazon.co.uk -- ebook only)
• Desperately Ever After will be 0.99 GBP from 8 a.m. (GMT) April 17 through April 23. Link: http://amzn.to/1ykox7c
• The price of Damsels in Distress drops to 0.99 GBP at 8 a.m. (GMT) April 17, and steadily climbs back up until the sale ends at midnight April 24. Link: http://amzn.to/1aKc9md
For more about the books, please visit http://laurakenyon.com/the-desperately-ever-after-series or see Laura's many links below:

Website: laurakenyon.com
Twitter: @laura_kenyon
Facebook: laurakenyonwrites
Goodreads: Laura Kenyon

Thursday, April 16, 2015

Free Online Course on Hans Christian Andersen's Fairy Tales for Late 2015 - Registration Open Now!



Note:this is a Repost of an Announcement (Additional images are by Helen Stratton)

Hans Christian Andersen's Fairy Tales

Explore the fairy tale world of H.C. Andersen - the inspiration behind The Little Mermaid and Frozen - with this free online course.

ABOUT THE COURSE




This free online course will introduce you to some of Hans Christian Andersen’s most popular fairy tales, share the story of the writer himself, and discuss his cross-cultural importance today, as the inspiration behind many popular books and movies.

Interpret Hans Christian Andersen’s fairy tales with experts from his birthplace

You will learn with experts from the HC Andersen Center at the University of Southern Denmark – an internationally renowned research institution located in the writer’s birthplace, Odense.
Each week, these experts will guide a discussion, analysis and interpretation of one of Hans Christian Andersen’s fairy tales, including:
  • The Tinderbox
  • The Travelling Companion
  • The Little Mermaid
  • The Snow Queen (the inspiration for Disney’s Frozen)
  • The Story of a Mother
  • The Red Shoes
You will explore the themes of each story, and investigate how they both conform with and digress from the fairy tale. This genre became very popular in the period of literary history to which Hans Christian Andersen belongs, Romanticism, when childhood was discovered as an age that is important in its own right.
But what Hans Christian Andersen did with this genre is absolutely unique - there are no other writers of fairy tales like him.

Explore Hans Christian Andersen’s enduring, universal appeal

The majority of Hans Christian Andersen’s 157 fairy tales have been translated into at least 150 languages. They not only create a fantasy world for children, but also explore universal, sinister and more adult themes such as death, grief and loss.
Through this course, you will discover why his stories have such an enduring and universal appeal - for both children and adults.

Understand the writer’s life - from humble beginnings to global fame

Hans Christian Andersen often described himself as a “bog plant” - his roots were deeply anchored in mire and mud, but he constantly stretched up for the light of the sun.
Through the course, you will understand this analogy, reflecting on how the writer grew from humble beginnings, to achieve fame and acknowledgement as an artist in both Europe and America while he was in his prime. After his death, he became famous in Asia and all other parts of the world.

REQUIREMENTS


You will need a basic ability to read and understand Hans Christian Andersen’s fairy tales in English. Otherwise, a curiosity about and a love for the fairy tale genre is the sole prerequisite for the course.

Disney's "Moana" Begins Casting with The Rock

IMPORTANT NOTE:  Before you get too excited about the art included below, they are the PERSONAL WORK of Brittney Lee from a few years ago. Although Brittney is (now) a Disney artist, she did NOT create these as part of the Moana concept and development process. The reason they keep making the rounds on the internet in conjunction with Moana news is because they are beautifully rendered, animation-style examples of nature gods and goddesses, like we can expect to see appear in the film. Expect the Disney versions to be completely different though - and epic. We've been told to expect EPIC. 
The image above and at the end of the post ARE, however, official Moana images from Disney.
Now that the record is straight, enjoy. :)

I completely missed getting this up a couple of weeks ago, and the news has been (somewhat sadly) eclipsed by all the Beauty and the Beast news everywhere, however, Disney's Polynesian-based animated feature Moana has begun casting.

Dwayne Johnson (aka "The Rock") will play a "benevolent demi-god named Maui" who joins the heroine on her cross-Pacific adventure. And he'll be singing too.
Moana (2018) - The main character will be Moana Waialiki, a sea voyaging enthusiast, and the only daughter of a chief in a long line of navigators. When her family needs her help, she sets off on an epic journey. The film will also include demi-gods and spirits taken from real mythology.
(Oh my - look at all those contract papers..!)

There seems to be a good effort happening with regard to being both diverse and authentic in both casting and research (in January 2015, some Maui native teens were being auditioned for roles as well - no decisions have been officially announced).

Excerpted from a much longer article in the Huffington Post, near the end of last year (emphasis in bold is mine):
Personal work by Brittney Lee (NOT created for Moana concept art)
"I grew up reading the novels of Melville and Conrad. And the South Seas, the exotic world that a lot of their stories are set in, was extremely intriguing to me. Just looking at the art which comes out that corner of the globe -- the carvings, the statuary, the sculpture -- I thought that it all begged for this bigger-than-life treatment that you can only get with animation," John (Musker) remembered. "So to expand on that idea, I then began reading up on the mythology of this area. Which is when I came across these incredible tales about Maui, who's one of the great cultural heroes of the South Pacific." 
Personal work by Brittney Lee (NOT created for Moana concept art)
..."So Ron and I developed this very simple storyline. And John (Lassiter) being John, he said 'I love this arena. I love the bare bones of the story you've got. But this really begs for research. On the ground research.' So we were forced, as it were, " Musker said jokingly, "to go to the South Seas two years ago. We've gone twice now. Two big research trips. And those trips have been revelatory and kind of life-changing in a way. In that it made us take our very simple outline and rework the whole thing." 
"When we visited those islands, John and I were especially interested in meeting people who lived on islands where they had grown up surrounded by an ocean. We wondered how that might effect your point-of-view. And we learned a lot. We learned all kinds of things that we didn't know. We learned how the sea and the land are one and the same. How these people think of the ocean as something that unites the islands, not something that separates them," Clements recalled. "And then we learned about the great migration and how the people of the Islands take great pride in the fact that their ancient ancestors invented this way of navigation called dead reckoning which involved studying the stars and the currents. And way before the European explorers or the Vikings, these people had this very, very incredibly advanced techniques of navigation." 
Personal work by Brittney Lee (NOT created for Moana concept art)
"So many of these ideas in terms of respect for nature, respect for the ocean and the elements -- all of these things -- really had a huge influence on us and then began to make their way into this film's story," Ron continued. "Which is why Moana is now the most ambitious thing that John and I have ever attempted. There's definitely an epic aspect to this story. ...as it is with any of these things, you just hope that -- in the end -- you can get it right." 
...much of Moana (is) taking place in the open ocean and with this film's title character encountering enormous sea creatures and mythic figures ... We've got this story that's set 2000 years ago which we're building around a 14 year-old heroine.
With such awareness and emphasis on authentic diversity being needed for this film, it should be a good boost for Disney's image overall, and especially for the princess line. No doubt we will be hearing much more about Moana very soon...

Sources: HERE, HERE, Twitter & Instagram

Wednesday, April 15, 2015

Enchanting Behind-the-Scenes Report by Ian McKellen of 1st "Beauty and the Beast" Table Read

So.. wow. We already know Sir Ian McKellen has a way with words but unless this is all in his imagination, it would appear Disney is not skimping in putting the "Fairytale" in their live action fairy tale production, Beauty and the Beast!

Take a read at his beautifully descriptive report of the first table read, posted on Twitter this morning:
Personally, I'm so touched to see how much McKellen is enjoying it all. as a veteran you'd be forgiven to treat it 'professionally' (ie like any other job) but clearly, he loves doing what he does - even after all this time.

There's mention of an actor we haven't heard about yet - Hattie Morahan - and I have no doubt reporters are all over this, nutting out whom she will be.

I can't imagine them doing a table read without Lumiere so unless Hattie is now Lumiere (or whatever the female version of that would be), then this is still a 'to be revealed' secret they're holding back to keep fans in suspense.

And this 'first cast photo' from Josh Gad's Instagram account went up yesterday too:
No doubt they will all look VERY different when we see them in character.
This & the image at the head of the post are from the Be Our Guest' restaurant (as is 'the grey stuff')

"The White Snake" Illustrated by Megan Kelchner

In prepping to chat later in the month about The White Snake with Tales Of Faerie, I found this set of illustrations done by Megan Kelchner. Megan is currently studying for her BFA in Communications Design, focusing on Illustration. The point of the project was to take a fairy tale and change both the time period and geographic location.

Megan chose the Grimm's lesser known tale of The White Snake and set her series in the Yuan Dynasty in Tibet.

Her summary of The White Snake:
"...this story, (is) about a servant who eats a magical snake that allows him to speak to animals, (the ability of) which he uses to show kindness to them, and as a result is rewarded (later).
While I really like the design details and swirls in the clouds, the sun in the shape of the snake is inspired. Eating the snake, opens the man's eyes - well, ears, actually - to see the world differently, and his path changes as a result. Heading in the direction of the sun/snake, mirrored by the golden apple (which is in the story as 'a golden apple', although picked by ravens instead) is a nice visual statement too.

Pretty neat, right?

It's not too easy to find a variation of illustrations for this tale to begin with and is possibly the only interpretation I've seen that mixes things up a little in terms of the cultural emphasis and time. The story is actually pretty positive and bright (especially compared to a lot of Grimm's fairy tales, so it's even more surprising that most of the work you see based on it, is serious, sombre in mood and dark in color. I love that these are so very colorful. Its' a colorful story with lots of talking creatures and recognizable fairy tale motifs so it fits well.

If you're not familiar with the tale and find yourself intrigued, you'll be happy to know you're going to hear a lot more about it near the end of the month! (Probably closer to a week or so away, now.) It may not be set in such an exotic location but it's very magical nonetheless.

You can find more of Megan Kelchner's work at her website HERE.

Tuesday, April 14, 2015

"The Silver Witch" Virtual Book Tour - Interview with author Paula Brackston & Giveaway!

Today we have a double treat for you: author Paula Brackston has graciously agreed to stop by and answer some of our questions about her latest book, The Silver Witch, (see Tahlia's review yesterday HERE), and we also have a GIVEAWAY!

In case you missed it, here's the description for The Silver Witch:
A year after her husband’s sudden death, ceramic artist Tilda Fordwells finally moves into the secluded Welsh cottage that was to be their new home. She hopes that the tranquil surroundings will help ease her grief, and lessen her disturbing visions of Mat’s death. Instead, the lake in the valley below her cottage seems to spark something dormant in her – a sensitivity, and a power of some sort. Animals are drawn to her, electricity shorts out when she’s near, and strangest of all, she sees a new vision; a boatful of ancient people approaching her across the water. 
On this same lake in Celtic times lived Seren, a witch and shaman. She was respected but feared, kept separate from the community for her strange looks. When a vision came to her of the Prince amid a nest of vipers she warned of betrayal from one of his own. Prince Brynach both loved and revered her, but could not believe someone close to him wished him harm, even as the danger grew. 
In her own time, Tilda’s grief begins to fade beside her newfound powers and a fresh love. When she explores the lake’s ancient magic and her own she discovers Seren, the woman in her vision of the boat. Their two lives strangely mirror each others, suggesting a strong connection between the women. As Tilda comes under threat from a dark power, one reminiscent of Seren’s prophecy, she must rely on Seren and ancient magic if death and disaster are not to shatter her life once more.
And some info about our visiting author:
Paula Brackston (aka PJ Brackston) is the New York Times bestselling author of The Witch's Daughter, The Winter Witch, and The Midnight Witch(2014).  
Paula has an MA in Creative Writing from Lancaster University, and is a Visiting Lecturer for the University of Wales, Newport. In 2007 Paula was short listed in the Creme de la Crime search for new writers. In 2010 her book 'Nutters' (writing as PJ Davy) was short listed for the Mind Book Award, and she was selected by the BBC under their New Welsh Writers scheme. 
Paula lives in Wales with her partner and their two children.
What better way to research your setting than to actually live there! Now that we've gotten you up to speed, it's time to welcome our guest.
Hi Paula, and welcome to Once Upon A Blog!

Congratulations on your new book! The Silver Witch has quite a bit for folklore lovers to delve into. Thank you for taking the time to drop by and answer some of our questions today. We are certainly intrigued...

Gypsy: To start with, what was your initial inspiration for The Silver Witch? How did you arrive at the dual/connected story?

Paula: The lake itself was my main inspiration. I live just over the hill from Llangors, and have always found it a wonderfully atmospheric place to visit. I knew I would want to set one of my stories there one day.

My second inspiration was the singular appearance of the characters (which I don't want to go into here for fear of spoiling), and that gave me the theme of visions. I knew then that one of my witches would be a shaman.

I wanted to use two main characters and two time settings so that I could highlight the timelessness of the lake and the surrounding area. Of course Tilda's life is very different from Seren's but the power of the lake, its mystical qualities, its secrets, remain hugely important in both their lives.

Gypsy: How did you go about researching the book? Were there any specific texts of legends you referred to?

Paula: I spent a fair amount of time walking by the lake or just sitting by it. One side has a campsite and boat house, but development has been kept to a minimum.  The greater part of it remains unchanged after hundreds of years. 

Also, the crannog, on which the prince had his palace built on top of the lake, is still there. I was lucky to be able to attend a lecture given on the construction of this little man-made island. It's such an ancient and unusual place, it can't help but fire a writer's imagination. 

The main text I drew upon was the Mabinogion, which is a book of Welsh folklore and legends known to every Welsh person or child schooled here. It is full of fabulous stories which clearly demonstrate the poetic nature of the Welsh soul. 

And the crannog and the prince are mentioned in the Anglo-Saxon Chronicles! That was a wonderful primary source to have.

Gypsy: What's the significance of Tilda (the modern day woman) being a ceramic artist? Was there anything unusual about working with clay (or clay superstitions or stories) you discovered you weren't able to use in the book?

Paula: I wanted a visual art for Tilda, and the ceramics also gave her creations that nice grounding, being, as you say, made from clay. I toyed with the idea of having her use clay from the lake shore to work with, but the soil is not really the right type, and it was winter, which would have made it difficult. I also felt that clay pots are something Seren would have had, and that the Celtic art used to decorate them could be incorporated meaningfully into Tilda's designs.

Gypsy: The Welsh people I've met have a great awareness of "mythic touchstones" in their day to day. Sometimes it manifests as superstitions, other times it appears in daily folklore rituals and habits. The synopsis mentions Tilda discovering certain powers after her move to the lake but was she one those types of people before then (did she show signs of latent abilities we should watch for)? How does the Welsh mentality show in Tilda's modern day to day before and after her move?

Paula: Tilda's new senses and powers only properly reveal themselves once she comes to live by the lake. Don't forget, she isn't actually Welsh.

Gypsy: I see you have an Afanc in the book. That's a fairly obscure Welsh mythological creature and only the second use I'm aware of in a novel! (*Seanan McGuire's October Daye series has one too - though her creature is quite different of course). Can you tell us more about this creature? What drew you to it in particular? 

Paula: Who doesn't love a water-horse?! There is a well-established legend regarding this mythical beast, which predates written stories, and so relied on the tradition of storytelling to be handed down orally through the generations. It is now affectionally known as Gorsie (in the way that the Loch Ness 'monster' is known as Nessie). In most versions of its story it was tamed by a brave maiden who lived by the lake. She variously sang to it, or spoke softly to it as it slumbered with its great head in her lap.

Scientists tend to scoff at the notion that there might be a real creature like this in the lake. There are some frighteningly large pike in there, and lots of eels, but nothing has been found to suggest anything more 'dinosaur' like. Of course, mythical beasts are famous for being able to evade scientific detection.

Gypsy: Between the facts that Seren (the historical woman) is a shaman, Tilda (the modern woman) discovers powers that connect her with animals and dreams that contain symbolic creatures such as vipers, the manifestation of animals seems to play an important role in the book. Should we be taking a closer look at the types of animals that appear for clues about these women and their states of mind or where they are in their journeys?

Paula: The animals in the book are certainly significant. In Celtic stories, witches are often represented by hares, or sometimes dogs. They were believed to be able to shapeshift into these creatures. And of course snakes were seen as possessing strong powers, whether for good or evil. It is significant that the vipers in this story are always bad, as they were also linked to fertility, and this is an issue that leads to some of the most important conflicts in the story.

Gypsy: In mythology the Afanc is connected with King Arthur (or at least Merlin and Percival, one of the Knight of the Round Table). Are the Arthur, Merlin and Round Table legends important to this book? Are the legends referenced in other ways as well that readers should look for?

Paula: The setting of my story, and the sources I have drawn on, pre-date the main versions of the Arthurian legends. Whether or not the actual king on which they were supposedly based existed, or if he did would have been known to all the Cymru in the early tenth century is debatable. 

I do use the character of Merlin in my book Lamp Black, Wolf Gray, which is out in August. The setting for this story is the thirteenth century.

Gypsy: Is there anything else people who love fairy tales and folklore should keep an eye out for in The Silver Witch?
Paula: I hope the book will appeal both to folklore buffs and those who take the story on without any prior in-depth knowledge. If readers would like to know more about the legends and myths that have inspired me, I recommend taking a look at the gorgeous stories in the Mabinigion.

Gypsy: Thank you so much for answering our questions today! We wish you every success with the book and look forward to seeing more mythology and obscure folklore brought to life in the future.

Paula: Thank your for your interesting questions!

Ladies and gentlemen, Paula Brackston! *much cheering and applause*

Note: All photos were taken by Paula Brackston near Llangors Lake & Brecon Beach in Wales, except for the last photo, which is also of Llangors Lake (the setting of The Silver Witch) at sunset, taken by Karen James.
If you want to hear more about The Silver Witch and Paula's writing and research process, along with her many inspirations, you can follow along on her Virtual Blog Tour. Details are listed below.
The Silver Witch will be available for purchase on April 21, 2015, and is available for pre-order now. You can also purchase other 'witchy' books she's written (all are stand-alones).

And now for the GIVEAWAY we promised!

To be entered into the drawing for a lovely hardback copy of The Silver Witch,
you can do one of two things - or do more than one and get multiple entries!


Note: We have confirmed we can open the giveaway to all countries! However, due to shipping issues, hard copies can only be mailed to US, UK & Canadian readers. E-books will be sent to winners living anywhere else.

1) You can link to this interview here at Once Upon A Blog via a Tweet, Pinterest, Tumblr, Facebook or use any other social media (make it public so we can see please) and put the link in the comments either below OR in the comments of the 'pinned' GIVEAWAY post that will (hopefully) remain at the head of the blog for the week. Our elves will check each link - and each verified one = one entry (yes - that means you could eg. Tweet and Facebook and get 2 entries!). One link only per comment please! (No limit on comments. Duplicates of your own links don't count.)

2) You may instead (or also) put the title of any UK fairy or folk tale in the comments below or in the 'pinned' GIVEAWAY post (that includes English, Scottish, Welsh AND Irish fairy & folk tales for this purpose!). Each verified UK tale = one entry. One title per comment please! (No limit on comments. Duplicates of your own tale titles don't count.)

The giveaway will run until a week from today, finishing on Tuesday April 21st, 2015, at Midnight (PT), with the winner being announced on Wednesday, April 22nd, (after our elves do their number-crunching and calculating...)
(That's "good luck" in Welsh)