Do you know which story these garments are inspired by? It's "Peau d'Ane" or "Donkeyskin".
And one clever designer, Valerie Lamontagne, has not only created three dresses inspired by the fairy tale but she's created them in such a way that they capture the essence of sky, sun and moon - literally. She calls them 'climate-reactive' dresses.
Each garment responds, in real time, to a particular aspect of the weather, thanks to a little tech-couture.
Lamontagne gamely rises to the princess’s challenge*. Her floaty “Sky Dress,” made of pocketed parachute fabric, contains 14 tiny fans that are linked to a weather station. The packets of air expand and contract in response to variations in wind speed and direction.
The “Moon Dress,” designed to reflect the “lyrical intensity of the moon,” according to Lamontagne, features 14 glowing flowers that change color according to the phase of the moon.
And for the princess’s third task, to create a dress as radiant as the sun, Lamontagne interlaces fabric with conductive threads that pipe electricity through a series of circuits. Reacting to fluctuations in ultraviolet and solar radiation, the 128 LEDs on the “Sun Dress” flicker on and off, mimicking the shifting intensity of the sun.
How cool is that?
You can find out more about the materials and tech at Ms. Lamontagne's website HERE.
* In order to stave off her father's advances and delay nuptial plans, the princess asks for three impossible-to-make dresses. Unfortunately he also 'rises to the challenge'. It's then that the familiar donkeyskin is asked for, provided then used as a means to enable escape.
This post was set to go live on Sunday before the Oscars but I didn't have time to finish it. I'm completing and posting it late anyway because this movie is worth watching (doubly so if you're interested in Celtic tales and myths) and is continuing to have incredible impact, including selling out to audiences in New York this week and breaking records for an Indie release.
The official website is HERE and includes resources for schools, wonderful music and much more (including even more images than are shown here).Now that Oscar nominated film "The Secret of Kells" (titled "Brendan and the Secret of Kells" in the UK and Europe) is opening in theaters in the US, a whole lot of people are being wowed by the visuals and story telling of this Celtic story, that's already received multiple awards and continues to garner critical acclaim. All the designs, including the characters, are based on the actual Book of Kells, making for a stunning and very different family animated film.Today, collected for your enjoyment from all over the web, I'm posting a variety of scenes from the movie.And if you don't know anything about the movie, here's a synopsis from Andrew O'Hehir of Salon.com:
A haunting blend of history, fairy tale and pure invention, Moore's film follows a young student monk named Brendan, who has spent his whole life inside the fortified walls of the Abbey of Kells, whose forbidding abbot (voiced by Brendan Gleeson) has built it as a sanctuary against the Viking raiders who are pillaging and burning Irish villages at will. (It's somewhere around the year 800 A.D., give or take.) Into Brendan's cloistered life comes a playful monastic wanderer named Aidan (Mick Lally), who apparently studied with the legendary St. Colum Cille (aka St. Columba) on the Scottish isle of Iona, and carries with him perhaps the single greatest treasure of medieval Ireland.
That treasure is neither gold nor jewels but a book -- a lavish illustrated manuscript version of the Gospels that in centuries to come will be known as the Book of Kells. (Today it is considered Ireland's most important single cultural artifact, and can be seen under glass in the Old Library at Trinity College in Dublin.) Brendan's yearning to help Aidan complete the manuscript, and safeguard it from Scandinavian marauders, leads him outside the walls of Kells into the magical forest around it -- and also out of the then-new Christian world into the pagan past.
Borrowing a wide range of illustrations and motifs from the Book of Kells and numerous other medieval and indigenous sources, Moore and his team of Irish, Belgian and French animators send Brendan on a mystical voyage. He is aided by an irrepressible forest sprite named Aisling ("ASH-ling"), but must go alone to face the terrifying Crom Cruach, an ancient and perhaps demonic Celtic deity who -- at least in some legends -- required the sacrifice of first-born children to ensure the harvest.
Want to see more? There's a blog HERE which has chronicled the production since it began and is refreshingly personal and positive (as opposed to a selection of marketing releases). And here's the new trailer for the current US release:
And here, at a glance, you can see how it all works together. Just gorgeous! There's a special film story book released too, in which they've made an effort to capture the sense of style of the film, rather than just show images from the movie with text.Here are just a few of the pages (not in order): You can find that book HERE. (Note: Amazon is currently selling this book for over $100 but you can find it in non-US stores, who ship to the US, for much, much less.)
Moving art full of myths and tales. This film is enough to make me consider going back into animation. I hope there are lots of extras included on the DVD and I can't wait to see how the next feature "Song of the Sea" turns out (think selkies and Irish folklore - see development pic and conceptual trailer below)!
Felicia Day is no stranger to werewolves, thanks to her "Buffy the Vampire Slayer" history (she played potential-slayer, Vi, in the final season) and in Sy Fy's fairy tale remake "Red", she gets to play a werewolf hunting descendant of our famous Little Red Riding Hood.
Day, a Twitter powerhouse more recently known for her web video series "The Guild," (has signed on for) the Syfy project, dubbed simply, "Red." The movie is set to bow in 2011 and is part of the network's new series of fairy tale reboots, announced last month.
From the Syfy release:
In the action-packed Red, Red (Day) brings her fiancé home, where he meets the family and learns about their business – hunting werewolves. He’s skeptical until bitten by a werewolf. When her family insists he must be killed, Red tries saving him. Red also stars Kavan Smith (Stargate Atlantis) and Stephen McHattie (Watchmen). Red is produced by Angela Mancuso and Vesuvius Productions in association with Chesler Perlmutter Productions.
Felicia Day from her very funny music video from her web series The Guild, titled "Do You Want To Date My Avatar?"
If you missed "Beauty & the Beast: A Dark Tale" last weekend, it's typical Sy Fy - things tend toward the bloody and gory. The difference is that the (very) happy ending. Certainly not in everyone's taste and "Red" should provide even more opportunity for random arterial spray BUT it does show you what people are aiming for in their entertainment right now: gritty monster fighting (a great metaphor for the difficulties many are facing right now) and Hope (ie. a happy ending). No matter what the interpretation is like, it's a wonderful thing to see people, including adults (these movies are NOT for kids), turning to fairy tales.
Once Upon Blog wishes Granny O'Grimm much luck and fun tomorrow at the Oscars - "Brad Clooney" and all. Knock 'em dead Granny! (Well, er, not literally...)
Here's Granny's "Once upon an Oscar" tale (I hope she gets to say a few words during the show, with or without a golden statue):
With all-things-Rapunzel hotting up as Disney's "Tangled" barrels toward its release date late in the year, I'm not surprised to see quite a few new Rapunzel drawings appearing on the web. This is always the interesting time - right before a big movie version of an old story is released - for seeing what parts of a story people are tapping into.
(Side note: As someone who has very long hair - currently to my waist - I'm always curious about how women with long hair manage sleeping. This is one of those day-to-day headaches [sometimes literally] I don't really see mentioned in stories or dealt with in illustrations.)
The images of a pregnant Rapunzel aren't as many as one would think (just like images of Sleeping Beauty with twins is rare) so it always catches my attention when I do. Yuko Michishita has a lovely blog and website for her illustration and today she posted three interesting Rapunzel images. While she obviously loves hair, especially braided hair, (see this interview HERE to read more about her) - and so Rapunzel is an obvious subject for illustration and study - she's focused on some different aspects of the story (have a look at those scissors! Interesting symbols there with the flowers, their open cross-shape and the patterns...) Ms. Michishita's blog says her original idea has been so enjoyable and expanded so much already she's working on a type now too. Her work reminds me of old fashioned end papers, mandalas and the work of Bev Doolittle (minus the camouflage aspect) combined in a whole new way, with a formal graphic design balance. See more of Ms. Michishita's work HERE and HERE. I recommend clicking on her Faceless Women Trilogy at her website. Unusual, lovely and somehow mythical.
Do you know which story these garments are inspired by? It's "Peau d'Ane" or "Donkeyskin".
Here's a description of each from ecouterre.com:
