Into the New Year By Way Of "The Woods" (Movie Review!)

I was given a very generous gift on New Year's Day: the chance to see Into The Woods on the big screen, when I thought I'd most certainly have to wait for the home viewing release.

I'll admit, the more promos and trailers I've seen, the more excited I became about the movie, despite my initial reaction to the concept being less-than-positive. (Although, I completely agree that I, too, would jump at the chance of having my work be seen by a much-wider-than-usual audience, even if it mean inevitable compromises.) Take a look at these two featurette-trailers and perhaps you'll see what I mean.

But before I share my two cents on the movie, let me give you a little background, first, so you understand where my review (or should it be reflection?) is coming from. (And I will gif-t you with these lovely, subtle-y alive, character posters as you read.)

New Year's Day I decided it had been far too long since seeing the show (and my last viewing was not of the legendary original Broadway cast either), so I dusted off my DVD and managed to watch the entire play over the course of the day. It was a pretty great way to pass a day.

At this point, you need to know that I'm not a huge fan of fairy tale mash-ups in general and Into the Woods has never been one of those favorite fairy tale things of mine. I don't like characters from one fairy tale running into characters from another. To me it flattens them, makes them caricatures of what is the very spare character outline fairy tales generally use - and need - in order to be effective fairy tales. When you caricature them, however, to me it makes them less relatable and the power of the story drains away. I know this isn't everyone's experience, it's mine, but it has affected my view of Into the Woods over the years. My main problem with the play has always been that the division in ideas between the two acts is so extreme, (almost all light versus almost all dark) and that unless you already had an appreciation of fairy tales and understood much of the subtext, most people I knew who saw it completely missed the point of Act II and just wished it had finished at intermission, missing the entire point of seeing it in the first place.

My eventual thoughts on there being a Disney movie (underline the "Disney" part there) was that these two disparate parts would likely be more interwoven, (especially seeing as the movie making business doesn't tend to give a whole lot of credit to modern audiences to pick up on subtleties). The result would (likely) be that the core idea of the play "be careful what you wish for", which has been the key phrase of the marketing campaign, by the way, would be far more clear, as would the key themes of maturation and cycles. Despite the inevitable Disneyfication of some aspects, if they were doing it with Sondheim and Lapine, surely even a watered-down version would be worth making.

So my DVD viewing, which was a far more enjoyable (and hilarious) experience than I ever remember it being before (apart from seeing it in person, which can't be beat, in my opinion), had me very much looking forward to seeing the movie.

And then I was given the opportunity to do exactly that.

So what did I think?

Is it worth seeing on the big screen? 
Short answer: yes.
Long answer: there are definitely some parts of the movie which make the price of the ticket completely worth it, as they used the *very different* media of film extremely well, rather than having it play second fiddle to an excellent live play experience.

Did I like it overall?
Short answer: yes...?
Long answer: some parts almost glowed, they were so wonderful, while many other parts, including the end, felt disjointed. It should have been more consistently funny but wasn't allowed to carry this through as the primary tone. The times the film shone, was when the storytelling was clear or when the "funny" was given center stage. They should have done this more. A lot more. Overall I was left feeling frustrated and a little let down because it felt so uneven.

Will I get the DVD when it comes out?
Short answer: yes!
Long answer: There's a lot I'd love to see again, things I'd like to revisit and other things I'd like to puzzle out, try to understand why on earth they did it "that way". And anything behind-the-scenes will be gold.

Was it "faithful" to the Tony Award winning play?
Short answer: yes, absolutely.
Long answer: But not in all the ways I think mattered most. (See the above long answer to "did I like it" and, below, the long answers to pretty much every other question!) If I had to choose, it would be the play, hands-down, as the sheer fun of the story and the way it's told make all the difference, but I'm very glad they both exist.

What about the music?
Short answer: Excellent.
Long answer: I'm considering investing in the soundtrack. The orchestration is amazing and the best I've ever heard. The singing from everyone is top notch and then absolutely stellar by some who managed both the technicality and the acting-via-song.

What about the music changes?
Short answer: generally fine.
Long answer: Knowing there would be key differences, I tried very hard to let the movie stand on it's own music and songs, rather than looking for what was added or missing. The songs themselves were OK, though I do think the uneven placement of the numbers, including the way they stopped and started, was a detriment at times (eg the movie opened, and continued, with mostly songs telling the stories, with little dialog, which worked pretty well. When they stopped singing for a while and the orchestra's "stings" weren't accenting the lines, it was as if the focus changed and became a different movie, to the point where someone starting to sing would jolt you a bit.)

Visual style - what did I think?
Short answer: Good, almost great.
Long answer: Colleen Atwood's costume design (and the reasons and research behind each) doesn't disappoint (she even made Johnny Depp's personal preference less obnoxious than it might have been, though clearly she had to defer in that case). The overall visual style was a little uneven - sometimes clearly theatrical, sometimes faux-real. Overall the entire film was very blue, (as in literally had a blue cast over everything) which I think was a poor choice. Although colors popped here and there, the whole atmosphere seemed the same and too stagey for a film, especially with regard to the wood. I think they could have served the story and themes better with a lighter, brighter color palette (and this is from someone who loves blue and moody things by the way!)

What about the Disney-factor?
Short answer: both good and bad.
Long answer: The good was that this anti-ever-after fairy tale made it through the Disney machine, keeping it's main thrust intact without sugar-coating everything - or turning into typical Disney - to be seen by a huge audience. That's almost a form of magic in itself! The big budget was a plus for costume, cinematography and casting too. The bad is that almost all the innuendo and subtext present in the play that makes it SO much fun and so layered simply was not there. At. All. It was actually really bizarre in places that people were saying what they were because, without innuendo, there was no reason for them to be talking about that at all! I think this affected the performances as a result and it definitely affected the reason the story took the path it did (that is, the plot points appeared arbitrary as opposed to cause and effect, part of a cycle, part of a larger set of principles in motion).

So what about the (main) cast?
Short answer: better than expected.
Long answer: Although they were all very good in their parts, some were amazing while others were just "good".
I'll break it down by the mains:
Meryl Streep as the Witch: holy crap she can sing - and act while singing! It's hard to review her performance because she's "always excellent" and she was. I did feel her performance was rather neutered, not being allowed to be at all suggestive, but the mother/daughter push-and-pull within her character was clear and heart wrenching. Unfortunately, despite how good she was, many of her scenes felt uneven. [QUASI-SPOILER: The callback to her own mother at the end, was well done and a good way for her to 'exit'.]
Emily Blunt as the Baker's Wife: She was pretty much perfect. Wonderful voice, lovely layered acting, theatrical enough in her portrayal to pay homage to history. Her tone was a perfect match for the best parts of the movie and she was consistent in it throughout. If everyone has been of the same tone, it would have been a far better movie.
James Corden as The Baker: Very good. Honestly, he was mostly flawless but he was put in some odd scenes/staging that detracted. His singing was good, not perfect, but it didn't bother me in any either. In the end, the omission of some key resolution points with regard to fatherhood, left him seemingly lost. I felt sorry for him, because it felt like he wasn't allowed to travel his full arc through the woods.

Anna Kendrick as Cinderella: Very good. Her singing was excellent. I don't think she matched the best tones of the movie though. It's hard to put my finger on why I didn't love her in it, because she was REALLY good, but I think it was a tonal thing.
Johnny Depp as The Wolf: Good, generally. His performance would have been perfect for stage but he didn't match, or play well off Red Riding Hood. Not entirely his fault, I don't think. It's hard to tell. There was a lot of imbalance in his and Red's scenes together. His costume though seemed a little out of place, from a different story (thank goodness it didn't have the traditional "wolf tackle" though!).
Lilla Crawford: Good. Solid performance but too flat, one note and too "American". (Her accent was garish against everyone else's who used a more affected, traditional tale-style of speech and emphasis. She felt modern.) The fact that she really was a young girl (12 years?) and not a woman playing a young girl, just didn't work. I do think this was because of her performance though, (see notes on Jack below) and I'm fairly certain it was directed to be this way - that she was completely unaware of any layering, let alone innuendo (and she never, ever used any). She came across as brusque, flat and fairly unemotional with no sense of maturation happening through the film. Given that Little Red is one of my favorite characters because you can do so very much with her in the play, I was seriously disappointed they didn't capture even a shadow of the traditional Red.
Daniel Huttlestone as Jack: Overall he was fantastic! After the first few scenes he WAS Jack. And he grew up during the film while still managing to remain a child. His tone was perfect.
Mackenzie Mauzy as Rapunzel: Good and better than expected. She was very good opposite Streep in her Mother/Witch role. My one complaint is there was no lightness/crazy to her role at all. She was just serious and if it had been a straight movie this would have been fine, but being *this* musical, she needed to be "more" to meet the required tone.

Chris Pine as The Prince (Cinderella's): Wow. This was the greatest, most wonderful surprise of the entire movie. Where did he come from?! I had zero expectations for him and expected him to be there for eye-candy only (which usually, in my mind, requires suffering through). I barely know who he is. I'd heard ravings about his performance in this and I can tell you they are all true. He is pitch perfect! His tone is perfect for the movie and play and he walks that line of theatrical-realism to a "t". His delivery and timing are hilarious, yet touching and oh boy can he sing (thank goodness). The standout scene of the whole movie is "Agony" with the two princes. And I kept being surprised that every single scene he was in he was spot on - not too dramatic, not too smart or too smarmy, just "charming'. We rarely see Oscar noms for comedy and certainly not for musicals but I would not be surprised if he was on the list - he really is that good. If everyone else had matched his delivery, tone and performance, this movie would have been leagues better (and it's already not bad).
Billy Magnussen as The Other Prince (Rapunzel's): His performance was good. He was definitely a good foil for The Prince and should be given credit for being a key part of the best part of the movie (ie. Agony), but wasn't quite as good with comedy on his own. His scenes with Rapunzel were a bit on the dramatic side but I noticed that was also helped by how they were staged and filmed (a bit soap-like). Unfortunately, since the innuendo and subtext are largely absent, his character doesn't have a whole lot of reason for being there.

Tracey Ullman as Jack's Mother: Excellent. I think she was perfectly cast in this supporting role and hit almost all the right notes. The interaction between her and Jack at the beginning was a little odd at first but it felt directed to be so - a little rushed through.
Christine Baranski as Cinderella's Stepmother: I didn't like this casting at all. The tone was wrong, too hammy and felt cardboard.
Lucy Punch as Lucinda: She matched Baranski's performance but as a result, not the rest of the movie. (Once blinded, though, she was just the right amount of funny.)
Tammy Blanchard as Florinda: She was great. Just the right amount of everything. Her tone worked.
Note: I don't understand what was going on with all three stepmother/sister's wigs/hairstyles though - bizarre stylistic choices stood out in a distracting way in every scene.

Favorite thing/s about the movie?
Short answer: That an a-typical representation of fairy tales is doing REALLY WELL in the mainstream and the wonderful surprise that was Chris Pine.
Long answer: There are lots of little things in addition to the above. Seeing some of the magic be 'real' was fantastic (not all, by the way - some felt like filmic conceit as well). Costume details that illuminated characters (I want Emily Blunt's main 'woods' costume! Kind of Snow White-like, which sort of fit with her character arc), seeing known actors 'perform' and do it well, Milky White (what a lovely cow - I hope she was/is well cared for), the orchestration - wonderfully large and perfect for the film, that they were so faithful in the ways that they were. Extra points for keeping the Grimm's Cinderella aspects intact (mother's grave, the three nights, the pitch on the stairs, blood in the shoe - however ridiculously teeny, the sister's punishment etc)... there are so many good things.

Least favorite things?
Short answer: I think it's mostly been said above.
Long answer: it suffered from lack of innuendo, subtext and was no longer TRULY funny, in the best way that makes you laugh at yourself for doing so many of those same things/mistakes, as those characters. Most of the "magic" was too effect-y, which I expected. The one exception was that  there was NOT a profusion of glitter, for which I am ridiculously grateful (glitter has become a Disney plague!). By the time we made it to the wedding, it suddenly felt like a really long movie and the shift from happily-ever-after to "this isn't quite what I thought it would be like" was almost missing, complete with a timeline that made less and less sense, so it felt like the characters had switched movies all of a sudden. The end was just... uncomfortable, like they couldn't figure out how to resolve it properly. (What the heck happened James Lapine?!) It felt forced and, despite obvious devices inserted to make it more positive, finished on a downer.

Despite all the negative points, it was worth seeing and am glad I saw it on the big screen. I want to see it again and I'm actually looking forward to seeing it again from an enjoyment point of view and not just a pick-it-to-pieces point of view. I would have been exceptionally proud to be on this production if I were in the crew and overall am glad this movie was made.

French poster for Into The Woods

I'm going to notch it up as a good things for fairy tales in general!

Into The Woods Bonus of the Day:

Here's a brand new Into The Woods featurette, just released today (January 2nd), discussing the designing of the Woods, as well as what The Woods mean in fairy tales and to each character. It's a really neat one, worth watching!

Fairy Tale Extra of the Day:

While at the theater I saw TWO very different, fairy tale trailers:

1) Disney's live action Cinderella by Kenneth Branagh and

2) A completely revamped Jupiter Ascending trailer, which is, essentially, a sci-fi retelling of Snow White.

Re Cinderella, I hated it. Yes. That's right. I thought it was awful! Everything except Cate Blanchett, whose stepmother is EVERYTHING you want that stepmother to be. She alone may make it worth seeing. The mice are a (very) distant second pro and Cinderella is my reason NOT to see it. Yes, it's just a trailer, but it's the first time I've seen it in total (and so large). It looks more Disney than the animated movie does! (And I don't mean that in a good way.) I'm hoping this is just the marketing tactic, following the current revived perfect-princess-trend but... My skeptic hat is firmly on my head regarding this remake now (and I had such hopes).

Jupiter Ascending's new marketing approach (and greatly delayed release from July LAST year to the end of February) doesn't show much of the Snow White tale at all. But it looks like a better film than we were originally expecting. The big question is, if it holds as much of Snow White as it used to.
I'll guess we'll find out...

Hello New Year, Hello New Cinderella Trailer

Well, whaddayaknow? Midnight does change everything.

Happy NewYear!

Wishing you a tale-filled year
(all of which have happily ever afters)
bringing joy, wonder
and magic of the very best kind.

Pause for effect... (Or is that the champagne? Ahem.)

And now the news:

I don't know about you, but I didn't have a hope of catching the new Cinderella #midnight sneak peek that aired last night. But Disney have been kind enough to upload the new trailer today as a little New Year's gift to of all us in that predicament (#guessingmostpeople) and here it is:

*Aside: Isn't it great to be starting the year with fairy tale news that's, well, in the news? I'm going to take that as a very good sign for a fairy tale-filled year.*

Hopefully most of my readers have been better able to keep up with fairy tale news and happenings the past five months or so than I have, but for those who've had normal life get in the way (and are very behind, like me), I thought I'd add these new-ish posters for the upcoming movie as a little New Years Day bonus.

 

What do you think? They're a little too staged and self-aware for my preference but most everything else about this direct-from-animation-adaptation is looking fairly promising to me. 

As far as I can tell, public reaction is extremely positive and the overall sense is excited anticipation for this movie. And that's a good thing for fairy tale folk.

New Year?

Check.

Happy?

Check.

Let the magic continue!

Almost Midnight... And A Sneak Peek of Things To Come

A sneak peek at the "eleventh hour" of 2014...

...but not just at the upcoming live-action Cinderella. (Although I'd be remiss if I didn't post this:)

Today's last-post-of-2014 is really to let you know that the cogs of Once Upon A Blog are turning again and that, despite more than a bit of rust (here and on your Fairy Tale News Hound) that you WILL be getting daily* fairy tale news again very shortly...

Just like this, from Stitch Kingdom today:

Walt Disney Studios has announced via a teaser video (embedded below) that shortly before midnight ET on New Year’s Eve 2014, it will be sharing a brand new exclusive look at its upcoming film Cinderella (March 13, 2015), the live-action adaptation of the classic Disney animated film. The sneak peek will air during ‘Dick Clark’s Rockin’ New Year’s Eve’ on the ABC television network.

Here's the official "Countdown to #Midnight" teaser just released:

The fairy tale continues in 2015 and Once Upon A Blog will be with you as it does. #insertwildcheering

And we will continue to bring news from many other fairy tales and fairy tale happenings around the globe, just like we always have. #missionstatement

For tonight, watch for magic and have a very

HAPPY NEW YEAR!

* Or as close to it as possible - 2014 has not been kind and we are still living with it's wake. Your support as we do our best in this is greatly appreciated!

"Glass Cages" - Lisa Stock Takes An Adventurous Look at Beauty & the Beast

"Glass Cages" by Lisa Stock
InBytheEye

Mythic filmmaker, Lisa Stock, of InByTheEye, just released a lovely new image, once again taking us on a mythic journey. (I strongly recommend seeing it large HERE, where it's far more luminous!) This one, though, isn't from the realm of the mystical and otherwordly but is far more at home in a cityscape (at least, the concept is, even if the players themselves are not..).

Although not driven to creation by the fairy tale of Beauty and the Beast, this easily falls into the category for contemplating that parallel, just as its inspiration, King Kong, has, since it first hit the silver screen.

Those fairy tale folk who love Beauty and the Beast will have seen King Kong discussed in the context of this fairy tale many times before, so I won't re-hash any of that. What I do want to draw your attention to, however, is how Lisa has framed her musings (literally!) on the connection between the two.

On her blog HERE, she discusses her image, the inspiration and the concept of adventure, not primarily (although it can include) the safari-type. She's talking about The Great Adventure: the grand quest of Life (to find one's own true form, true reason for being and all that means) and also of Love (in all it's forms).

From Lisa's blog:

[“King Kong” (1933)] ...opens with an Arabic proverb, “And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead.“

This is a story about one’s changing nature, and the impetus that causes it. In relation to Kong, they put that responsibility on Anne Darrow (“Twas Beauty killed the Beast”).  In relation to the other characters, it starts with the ship’s adventure, daring to go into the unknown and then having to deal with what you find.

It was beauty killed the beast: Esther Hannaford in King Kong (stage show - Australia 2013)

The lovely thing about Kong and Anne's story in relation to the Beauty and the Beast fairy tale is that there are so many different ways to look at it. Though the juxtaposition of their sizes (and their species) means a true happy ending (or any form of marriage) is not possible in this version, it does, by this distortion, bring into focus some of those issues which the fairy tale holds.*

In true mythic form, this talented filmmaker says it all in one image.

To read her whole post on creating Glass Cages, click HERE.

*Lisa's note, about dream-casting Andy Serkis, points out a missed opportunity that would have been perfect... You'll have to read what she says, to see what I mean.

Ask Baba Yaga: I'm Hiding in Whiskey, Where Has My Spine Gone?

Baba Yaga's Garden by Naomi Johanna Nowak

So the title says "whiskey" but this could be just as true a concern - and advice - for anyone indulging themselves in what they know to be an unhealthy manner, (and that includes cookie dough overdosing, shopping addiction, doormatting, Netflix bingeing, as well as any booze, sex or drug related habits), wishing they would just get it together but wondering where their will  - or their old self - has gone...

As someone who constantly struggles with finding her creative self through many mediums, with a tendency of giving everything else priority (not always bad but it's also a habit so...), I REALLY like what Baba Yaga says in reply.

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):

(Originally posted at The Hairpin HERE)

Excellent. Still requires a double dose of will power but they do say often the first step is the hardest, don't they? (I guess this is the "lash it to you" bit!) 

I sincerely love the idea of myself as "brash and fiendly" though. What a powerful, liberating image!

And if I just remember those skulls lighting up the Baba's fence, that should be a good incentive for the needed follow-through...

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?

You can!

There's now an email address where you can send your questions

directly to Baba Yaga herself.

AskBabaYaga AT gmail DOT com

To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).

* Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

"Into The Woods": New Movie Poster, New Website & Random Thoughts on How We (& the Media) View Fairy Tales

And one more bit of Into The Woods news for Thursday:

Today also saw the launch of the official website (although there's not a whole lot there apart from the trailer, cast list and the photos you've already seen) and new promo poster variations (see above and below).

The Facebook page is finally becoming active too.

The important thing this confirms is that they're still releasing on Christmas Day in theaters in the US. I can see the Winter merchandise and decorations now... although they're mixing up with Narnia a bit in my head at the moment, which I wouldn't mind too much since so much of the first Narnia movie merchandise at the time of the release was just stunning.  I'm going to do my best to be optimistic about this.

One note does concern me though: we're a little tired of fairy tale stories backstabbing us, or the media doing their level best to "shock" the public by uncovering their dark sides via these "OMG did you know..!" lists. Adam over at Fairy Tale Fandom has a great and timely post on this very subject.

One thing my forced downtime made me do, since I couldn't handle computer screens, was to do a lot more reading. While I plan to get to the various books in more detail in the coming weeks, I have to admit my favorites were not the novels but the collections, specifically Jack Zipes' recent wonderful book, The Golden Age of Folk & Fairy Tales from The Brothers Grimm to Andrew Lang and to a lesser extent, though still great to read, Philip Pullman's Fairy Tales from the Brothers Grimm (with the English version and the German version side by side so I could look at Shaun Tan's sculptures while reading).

Why? Because they were just "as is" - no emphasis on the happily ever after or the magic but also no emphasis on the dark, gruesome, grimness either. They were just tales in which something out of the ordinary happened and people had to choose how to respond and what, if anything, they should do about it.

When I started getting a lot better and could watch TV again, I also spent some time showing my kid some more of Miyazaki's movies and discussing extraordinary, ordinary things (if you follow me) and it struck me just how similar the sensibilities are - which is probably why I love the movies so much. While the fantasy creatures and impossible things were notable, it was clear that many of these things could have been either frightening or wondrous, depending on the context they were seen in and particularly how the child (usually it was a child) at the center of the story saw it. We weren't told "this is beautiful" or "this is scary", we had to hold our breath and see what the kid thought.

Here is an excerpt from a wonderful set of images, illustrating Miyazaki's philosophy in storytelling. It's something I sincerely wish more filmmakers, especially regarding family films, in English speaking countries would adopt:

The excerpt above is slightly out of context so you can see the full five illustrated page summary HERE.

Anyway - these are my random musings as I watch fairy tales being presented to the public once again. I'm actually hopeful that Into The Woods will work in favor of balancing some of the glitter vs gruesome polarization we currently see when the public contemplates fairy tales.

1st Official Trailer: "Into The Woods"

Ta da! And here it is:

My first thoughts are mostly positive, especially considering my (and many others') fears. Glad to see they're continuing the trend of customizing the view of the Disney castle for the film. 

How about you?

At Long Last, the Journey "Into The Woods" Begins

Over the last couple of days we've been treated to a bunch of stills (care of People Magazine) and a sneak peek of some footage, care of Entertainment Tonight (see below, with apologies for the quality) for Disney's, much anticipated/feared live action version of the award winning musical, Into the Woods. 

It was originally set for theatrical release this Winter (December 25, 2014), but there's a chance that may be moved... TBC.

Although it would seem they're currently doing some reshoots, the marketing machine appears to have finally chugged into gear. Rumor has it that we'll be seeing a proper trailer either August 1st or August 2nd.

In the meantime, here's the ET segment (cut off). Note: the first version I saw was removed so see this ASAP in case this goes too! (, no doubt we'll get a better look very soon):

Hm. Interesting. It actually looks quite... theatrical, though there will no doubt be more effects than we have currently seen. For fans of the Broadway musical, this is still going to be a tough sell but unless it's been completely "Disney-fied" and much glitter added where we have yet to see it, there appears to be a chance of a traditional live action musical here. (Gasp!)

(We've seen the images below before but I thought I'd add them for context.)

Emily Blunt and James Cordon look great, as do many of the cast but I'm going to have to see quite a bit more before I'm completely sold on the Witch, Cinderella and especially the Wolf... (Johnny Depp in a hat. Why are we not surprised?)

What do you think so far?

PS Personal note: I am finally - mostly! - recovered from my 'broken crown', it's unlikely I will be able to blog every day for a short while yet, but I will do my best to manage to bring you news as often as I can. While it turns out it's completely true that a good whack on the head does have you seeing bright lights and stars (but no tweety birds) just like a cartoon, recovery from said stars can actually take (a very inconvenient, painful and frustrating period of) weeks and weeks (very UNlike a cartoon!). Please take care of your heads!

Of Vinegar and Brown Paper...

Broken Crown by Vu Mai (from his Sims Medieval renders)

My apologies for the lack of fairy tale news. I'm working on repairing my crown, which is taking a little longer than expected. I've been advised to take still another week for recovery but hopefully I will be back to blogging by the second week in July.

Keep an eye out for rogue uses of fairy tales while I'm away, would you?

Happy Solstice!

Puck from A Midsummer Night's Dream retold by Bruce Coville & illustrated by Dennis Nolan

Summer in the North, Winter in the South.

A season's change for us all.

May it be joyous.