My Fairy Tale Survival Kit For Cancer (& Other Real Life Crises) - By Gypsy Thornton

"Silence will carry your voice like the nest that holds the sleeping birds"
Text by Rabindranath Tagore, illustration from the Stray Birds series by Kuri Huang
(Artist's social media & contact details at end of post)

2018 will forever be the year in which I was diagnosed with bilateral breast cancer. Having now had a double mastectomy, and continuing ongoing treatment, I can now officially say I am a breast cancer survivor.

I wish I could say I am feeling strong and confident and I have a new zest for life. Maybe that will come, if I'm lucky, but I'm certainly not there yet. I am clear, however, on one thing: fairy tales remain integral to my life; and by "life" I mean living beyond "surviving". 

Everyone's experience with cancer (and other life-threatening issues) is different but there are commonalities too, so to that end, here's my home-spun, Fairy Tale Survival Kit. I hope you find it useful.

(Note: I've included books and resources that were touchstones for me for each point. I suggest substituting resources that speak personally to you.)

My Fairy Tale Survival Kit for Cancer

(& Other Real Life Crises)

1. Be the one who learns what Fear is
      (and face it)

Fairy tale resource: Outfoxing Fear: Folktales From Around the World by Kathleen Ragan

    This book, written in direct response to the 9/11 attack in the US, and its aftermath, was especially helpful in exploring different cultural attitudes to fear and death. The tales really did have the effect of making me feel less trapped in my too-many thoughts, and eventually became a great way to talk about those specific fears with my son in a less direct way. Reading these fairy tales, especially, "grim-with-humor" stories to - and with - my son, gave us a way to talk (and think) about our very real fears without directing addressing my cancer. Seeing the way different cultures deal with various fears made us feel less isolated and encouraged us to think differently about facing our own very specific ones. Reading these tales also encouraged the first real laughter I had after my diagnosis and surgery - something vitally important to "living life beyond surviving".

2. Ask Baba Yaga to tell you her stories

       (and listen to her advice)

Fairy tale resources: Baba Yaga - The Wild Witch of the East in Russian Fairy Tales - Introduction and translations by Sibelan Forrester, with contributions by Helena Goscilo and Martin Skoro and a foreword by Jack Zipes; Ask Baba Yaga: Otherworldy Advice For Everyday Troubles by Taisia Kitaiskaia

    As regular readers here know, Baba Yaga has been a favorite of mine for many, many years, largely in part because of her primal aspect as well as her dual nature. Discussing the beautifully illustrated yet harsh stories in The Wild Witch of the East, gave my son and I something of substance to talk about that didn't feel like like a waste of suddenly-very-precious time together. They gave us a much-needed break from talking about cancer, pain, illness, doctors, hospitals, fears, and death. It was also an avenue to feel other emotions without guilt; to be shocked, disgusted and delighted, to laugh and to be real together without creating more exhaustion or focusing on very real fears. The raw yet lyrical advice to mundane and heartfelt questions in Ask Baba Yaga was another source of relief for me. The Baba's mythic (and sometimes feral) replies can be applied to an array of human experience and I found I was able to think about things I needed to in a fresh way. That different lens helped me see beyond my self-focus and not get so overwhelmed. Fairy tales tell resonant truths and offer hope for the journey. Baba Yaga makes sure you pay attention to those truths and illuminates the path with flaming skulls. It's exactly what I, and my family, needed.

3. Learn to use sleep as a weapon

       (avoiding poison apples isn't as easy as you'd think)

Fairy tale resources: Snow White variations & articles (papers, books, movies, novels & some deep thinking - Link 1 - history & Jung, Link 2 - Zipes & Tatar on the tale, Link 3 - a writer/psychologist explores problem resolving as a married Snow White, Link 4 - Novel: 'White As Snow' by Tanith Lee, Link 5 - Movie: Blancanieves (released Blu-ray/DVD 2012) directed by Pablo Berger, Link 6 - Picture Book: by Benjamin Lacombe, Link 7 - The Other Sleeping Beauty by WillowWeb)

    I quickly found there is this incredible pressure to "be an inspiring role model" when having "brave and radical surgery" (apparently a common pressure for breast cancer patients). But though I might have looked brave going into it all, I didn't feel brave. It isn't thrilling to "avoid death", it's exhausting. I couldn't do basic physical things and my brain had trouble putting the most elementary sentences together. (For a writer-reader this is very distressing!) I couldn't manage calls or visits; reading was hard; emails, news and social media were best avoided. The last thing I felt able to do was support and cheer others on, let alone write posts or a book (yes, I was asked) to "chronicle my inspiring journey". My stress was massively increased - the exact opposite situation my long-term survival is dependent on. Having also had to move house just days before the surgery, I had purposely unpacked my Snow White book collection where I could see them when I came home from hospital, to have them comfort and inspire me, to remind me to believe in new beginnings, to aim for survival despite the odds, and to have grace through it all. But I found myself returning to the image Snow Drop's death-like sleep and her lack of choice about it until that apple piece was dislodged. I knew I wouldn't be fully recovered until the cancer - and its poisonous effects - were completely gone from my body. Prior to diagnosis I was very fit and ultra-healthy (according to doctors). I had even maintained an excellent "anti-cancer" diet for many years, yet I still fell victim to the disease. Given that my chronic sleep issues and long-term stress likely had a big influence on my getting cancer in the first place, I knew I needed to fix that as a priority. Right then I gave myself permission to side step all of the pressure, build a cocoon of social silence and let myself sleep instead. Being able to think of this process as my season of hibernation and healing, so I could eventually bloom again, has truly helped change my thinking, and made it easier to get something my life depends on right now: lots of good quality, healing sleep. It's going to take a good long while, so if I don't get back to you, assume I'm sleeping... zzzz...

Note: A quick shoutout to those beyond my close family who have continued to send encouragement in many forms without pressuring me to respond over the weeks and months, especially Lisa, Louisa, Tahlia, Jack and Gina - a sincere THANK YOU to you very special people! It means more than I can say to have you be steadfast in your support despite the silence from my end. ❦

4. Know that your tale matters

       (you don't need to be a 7th son of a 7th son)

Fairy tale resource: Folk by Zoe Gilbert

     This book is in my top three of 2018. Though I'm certain I would have loved this book at any time, reading it at this crisis point was extremely helpful, and resonated right when I needed it. It reminded me that hardship doesn't mean an absence of magic and wonder. While the cycle of stories in Folk that take a generation to unfold, have as many happy endings as not, wonder infuses every mundane life and, to me, that felt both accessible and oddly reassuring. Unlike many modern reworkings of fairy tales and folklore, Folk does not continuously focus on a single person; there is no 'hero' or 'destined one'. Any one  - every one - of the community is touched by wonder - be it horrific or fantastic, no matter how long or short the life, no matter how stupid or smart, no matter how well or unwell, no matter how gifted or talented - or not. Where many retellings and collections focus on 'the special' for fairy tale and folklore to make a difference, this book focuses on ordinary people. With so much of my life having been changed and taken away, this made it feel like fairy tales were still accessible to me and that wonder is always close by.

5. Be your own fairy godmother

       (don't wait for magic to come to you)

Fairy tale resources: The Old Magic of Christmas: Yuletide Traditions for the Darkest Days of the Year by Linda Raedisch; The Halloween Tree by Ray Bradbury; #FolkloreThursday

   Time becomes uber-precious when Death leaves a calling card; it shifts your perspective. Getting my kid clean every day is suddenly nowhere near as important as helping him mark occasions and nurturing a 'habit of Wonder'*. I realized that paying attention to our place in the world via seasonal traditions, lore, rituals and story, helps us feel part of it. It lifts our lives out of the mediocre and shows us how we can make a difference - something I really want my son to understand. Doing this gives our story more, well, magic. But it's tough to commit to. Making magic is hard. It takes a lot of time and effort, and feels twenty-times harder when you are sick. Despite the wisdom of 'give yourself a pass this year' (advice which has great merit) I did my best to make magic this Samhain/Halloween and Christmas/Yule season for my little boy. It made me realize that even the most mundane of us, in the most undesirable situation, can work magic, if we try. While we may not be up to creating coaches out of pumpkins, just a touch of homemade enchantment can transform the world around us. It just doesn't come free. Not even the gifted get off doing magic for no price. As with most things worth doing, magic is 90% (or more) hard work. But despite the limited strength and energy dealing with cancer dishes you, it truly is worth it. My mundane 'efforts-by-human' look and feel like REAL magic, to my son but also, surprisingly, to me. Turns out, those endorphins that flood my system when I see shiny eyes taking in wonder, have a magic of their own: they're one of the best cancer fighters on the planet.

6. Look for breadcrumbs when you're lost

       (they're everywhere!)

Fairy tale resources: Firebird by Mercedes Lackey; Elemental Masters series by Mercedes Lackey (an ongoing historical-fantasy, fairy tale-based series)

    When I got my diagnosis, I found I had to make a lot of life-altering decisions (for me and my family) very quickly. To my dismay, I learned that if I didn't ask the right questions, certain things were never explained and yet it was my responsibility to figure all this out. I have spent  weeks worth of hours studying medical papers and texts, trying to understand current cancer research and my options so I can make the best decisions, but there are no right answers - or guaranteed treatment. This weighty research is hard enough pre-surgery but afterward, when treatment can get very complicated, and you have to discuss and decide while in pain, with a brain that is in an awful fog, feeling like your survival depends upon your decisions, it can drown you. I needed a brain break. At first I tried my usual route - fairy tale study and research - something I have always greatly enjoyed but instead I felt suddenly stupid, unable to concentrate and it only resulted in exacerbating my stress - I couldn't even do what I loved anymore! Disillusioned, I picked up an old fairy tale novel I had never gotten around to reading, wondering if I should donate it to a thrift store. It was an Elemental Masters novel, a series I'd always considered a light read for a younger audience, but flipping through the first few pages, something caught my eye. I was able to read and enjoy it and - surprise! - there was enough fairy tale 'meat' for me to chew on when I needed it. Even on the 'good' days, when my neurons were firing more normally, I found myself inspired to pursue plenty of research crumbs. It actually brought tears of relief to my eyes and I proceeded to hunt down others in the series and carried a book with me to every doctor's appointment so I could escape the stressy-go-round my brain would spiral into there. I would go so far as to say these books helped me find my way back to myself and my 'tell-a-tale' heart... (Heh.) Once there was a girl who never went anywhere without a book of stories in her hand. Wherever she went, she always had with her somewhere she wanted to be...***

7. Know that a leftover wing doesn't have to be a curse

       (neither do scars)

Fairy tale resource: A Wild Swan And Other Tales by Michael Cunningham, Illustrated by Yuko Shimizu

     While a double mastectomy is about more than losing body parts, what I didn't know is that it can also make you feel like an "unwoman". I never expected this. I thought the physical challenge would be the hardest part. Despite feeling very different from most folks my whole life, this was the first time I truly felt less than human. Reconstruction (a ridiculously painful, debilitating and still!-onging process of many months), seems - to me - only to underscore the fact. I finally started to find my feet again (so to speak) when I considered the little mermaid and the prince left with the wild swan's wing (note: a wild swan's wing). In Michael Cunningham's tales the characters tend toward self-indulgent victims of curses or magic; they are sad, lonely and often unable (or unwilling) to change their circumstance. The more I read, the more I found myself annoyed that the aspect of wonder each character lived with, was unappreciated, even hated. It wasn't until I came to the line in the title story of the wing curling itself on the sad prince's form that I realized I was guilty of heading down the same path.** Different may mean "something wrong" to most people, but it doesn't have to. It's taken a while but I've finally realized, with a different (to "normal") silhouette and extensive scars (outside and in) comes new opportunities - if I do something about it. I can't be the "old me". There's no going back. But the "new me" doesn't have to be tragic and feel cursed. I find I now have more realistic expectations of myself and others, but also appreciate those moments of wonder and magic much more. Maybe I'm a little distorted in form - I'm not used to it yet - but I can more easily see the wild in me now.

~ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ~

My journey through these particular woods has a long way to go but I'm grateful for every step forward. Clearly my tale isn't quite done yet...

Have fairy tales ever been helpful to you in a real life crisis?

 

Note: I must include a very heartfelt "thank you" to my fairy tale friend and OUABlog's partner Tahlia Merrill, Editor-in-Chief of Timeless Tales Magazine, for keeping the blog alive the past few months. She coordinated and posted book reviews, especially of books she knew I wished to have signal-boosted, and pointed readers toward fresh fairy tale goodness in Timeless Tales Magazine and on social media so I could ignore the online world and just pay attention to my immediate one. She will continue to do so as she can manage, as I cannot guarantee any consistency of posting from my end for the quite some time, so we thank you for your patience with the random timing of posts and reviews.

All artwork in this post by Kuri Huang's Andersen's Tales for Guomai & her Stray Birds series, based on verse by Indian poet Tagore. From top to bottom including the header: 1. Stray Birds series, 2. Steadfast Tin Soldier, 3. Stray Birds series, 4. Snow Queen (1), 5. The Iron Pig, 6. Snow Queen (2), 7. The Tinderbox, 8. The Wild Swans, 9. The Little Mermaid, 10. Thumbelina

Kuri Huang - Freelance Illustrator

Official website / Behance / Tumblr / Twitter / Facebook / Instagram

Available for commissions - Contact her at kurihuang3344@gmail.com

~ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ∘ ✾ ~

Covers of books (and movie) mentioned:

*A 'habit of Wonder' is the best term I could think of to describe having a constant awareness of the potential of Wonder in a situation and nurturing it.                                                        ** A comment on the New York Times' printing of the title story from A Wild Swan and Other Tales (Cunningham) caught my attention and gave me excellent food for thought on this subject. I have included the relevant section below. Story at this link for context:                                 I believe the story's ending is profound: the wing has developed an autonomous nature as any unintegrated archetypal complex is prone to do. This mysterious condition is often populated with (usually hidden) evolutionary vestiges that become symbolic at best, but more commonly just uncomfortable, when, in the modern era, their significance is rendered banal by confusion and ignorance. (Excerpt from comment by BC_ OR from Portland Oregon in Oct, 2015)                                                                                                                              *** This is a paraphrase of a JK Rowling quote. Also see these other great reasons for always carrying a book.

Review: "Book of One Hundred Riddles of the Fairy Bellaria" by Charles Leland

"The Book of One Hundred Riddles of the Fairy Bellaria features the Scheherazade-like fairy goddess Bellaria: powerful and mysterious, courageous and clever, goddess of spring, flowers, love, fate, and death. In this story, Bellaria engages in a duel of wits with an evil king, a deathmatch of one hundred riddles. Each riddle is spoken as a rhyme and illustrated by an original engraving in the arts and crafts style. This book is a beautiful reintroduction to Leland and his pioneering design. " 

[From the book blurb]

Charles Godfrey Leland, 1853

Review by: Laura Lavelle

You probably don’t recognize the name of Charles Godfrey Leland. He was a moderately popular American writer in the 19th century who is finally getting some recognition for his devotion to preserving the Other. His life’s passion was studying the tales, rituals, and religions of underrepresented peoples. He started his career writing books on gypsies and Native Americans but spent his final days in Italy learning about Etruscan myths and lore. The Book of One Hundred Riddles came from his time spent with the Italian witch/fortune teller Maddalena.

Though it is not a strict retelling of any one particular story, the entire book pulls together familiar elements of fairy tales and mythology. Bellaria herself is modeled after an obscure Etruscan goddess known as Alpan, who is an unusual sort of Venus/Persephone hybrid. She is both a protector of graves and also associated with fertility and springtime. The images we can find of Alpan often depict her with wings, no clothing, and carrying a bouquet. By the nineteenth century, this goddess had become known in Tuscany as the fairy La Bellaria — or, “Beautiful One of the Air.”

Depiction of Alpan

Although Leland’s Bellaria is clearly presented as a wise fairy queen, she is largely a mysterious figure whose nature and past aren’t directly spelled out. The main plot centers on the evil King Ruggero challenging her to a duel to the death. But the King’s duel is a battle of wits, not weapons.  As a supporter of women’s rights, it’s no surprise that Leland would write his fairy queen as an empowering woman who earns the King’s rage as she continues answering each of his tricky riddles with ease. She is like an Italian Scheherazade, from One Thousand and One Nights (an undoubtedly intentional parallel considering the similarity of the books’ titles). As events progress, Leland takes every opportunity to weave pieces of Bellaria’s backstory throughout the narrative. In classic fairy tale fashion, there are several prophecies that do not come to fruition until the end.

Overall, The Book of One Hundred Riddles of the Fairy Bellaria is a masterpiece of poetry and prose, accompanied by drawings by the author himself.  Though elements have been pulled from several texts, it reads as an authentic fairy tale from start to finish.  This book was a breath of fresh air for any reader — a light story about a brilliant woman and her battle of wits against a tyrant.  And though we may never know why the author chose to end the book the way he did (sorry, but we won’t spoil it!), it certainly brought the text around in full circle and closed it off with a nice flourish.

More info about The Book of One Hundred Riddles of the Fairy Bellaria can be found at the University of Minnesota Press site HERE. (https://www.upress.umn.edu/book-division/books/the-book-of-one-hundred-riddles-of-the-fairy)

*** *** ***

Laura Lavelle is a writer from Queens, New York, working in the genres of fantasy, horror, and science fiction with young and new adult themes.  She studied English at Queens College where she won a Silverstein-Peiser award in Fiction before graduating with her bachelor’s degree. However, when she’s not writing she can be found curled up with a book and a cat, hoping that something magical will happen. https://lauralsbookblog.blogspot.com/

Happy New Year 2019!

Photo by the delightful creative team of photographer Per Breiehagen,
writer Lori Evert and their daughter (and model) Anja,
of the gorgeous and lovely fairy tale-ish Wish Books (purchase HERE)

Wishing all our readers a wonderful New Year, with many new opportunites, as well as lots of new (and old) tales to share. 

We are pleased to confirm that new posts and, of course, more fairy tale news, should be coming your way more regularly starting this month!

Happy New Year fairy tale folk!

(Here is the magical trailer for The Christmas Wish, though we also love The Tiny Wish and recommend the whole series.)

Armando Gutierrez's "Little Mermaid" Movie is Now on Netflix

We've been keeping an eye on this movie since 2016, and were naturally very excited to see it pop up on our Netflix feed this weekend. From the trailer, we knew to expect a circus theme, set in Mississippi, but beyond that, many questions swarmed our mind. The biggest unknown was how strong the film's connection would be to Andersen's tale. It clearly wasn't trying to be a straightforward adaptation, but would it merely use the title for name recognition?


Here's the trailer for those who haven't seen it yet:

The movie's villain, played by Gutierrez himself

The movie starts with an animated short to provide the movie's backstory. A mermaid rescues a man  from a shipwreck and falls in love with him. She becomes human in order to be with him, but her love is not reciprocated. So far, pretty close to Andersen's version (there are also other little details directly pulled from the fairy tale). However, the goal of Andersen's mermaid is to gain a soul by winning the heart of the human prince. Here, mermaids already have souls, and this one (whose name is Elizabeth) bargains it away. When her human does not fall in love with her, the evil wizard gets to keep her soul forever.

While this is a significant difference, I think the change makes a lot of sense for the movie. After all, this is less of a retelling and more of a sequel to the original. Andersen's story has a definitive endings, leaving no reason to revisit the characters again. Gutierrez tweaks the circumstances around to give the plot a reason to continue.

Did you catch the bit about the evil wizard? Yep, this movie follows Disney's lead and adds a clear villain for our characters to battle. Sometimes it's hard to remember that there's nothing truly diabolical about Andersen's sea witch, who doesn't seem to have any agenda, unlike Disney's Ursula. Andersen's conflict stems from the Little Mermaid's circumstances. She is her worse enemy, in many ways, since the choices she make set her up for disaster. But for a 90 minute movie, it's harder to anchor the audience if you don't have a clear opponent for your heroes to fight against. So we get an evil wizard who steals Elizabeth's soul in order to grow his own power. It's a bit simplistic, but it's not a horrible choice.

So what did I think? Honestly, I found the whole package pleasant, but rather forgettable. The actors are solid, the plot doesn't have too many holes, and it's rare for me to gush about beautiful CGI, but the mermaid's tail was truly flawless and believable. I'd say it's one step above what I'd imagine a Hallmark mermaid movie to be like, but most of that step is in the production quality. 

We could be done with this review here. But there is a part of me that started analyze this Little Mermaid from a more critical angle. As a feminist, I can't stop myself from thinking about how mermaids are often objectified, treated as a symbol for male desire and fantasy. Even the darker more dangerous Sirens still embody male temptation. This movie doesn't challenge the mermaid stereotype, although one could argue that Elizabeth is more like a chaste princess in a tower rather than an unattainable temptation. Elizabeth is sweet and beautiful. She longs for freedom and love, but there's not much else to her character. In fact, the younger female protagonist, Elle (human), has more complexity to her character, but that's probably because she's too young to have a romantic plotline.  

Sidenote: Is this why Shape of Water was so revolutionary? Is is because it gender swapped the traditional roles of human and mermaid? 

Now, don't get me wrong, there is something irresistible and timeless about the whole land/sea love story. I can't deny that there's something inherently electric about characters longing for the seemingly impossible relationships. But can mermaids exist outside of this construct? I'd be curious if anyone knows of any mermaid books that really break the mold on this. Please let me know!

Vote for Timeless Tales' Next Theme

In case you haven't heard, voting is currently open for choosing Timeless Tales Magazine's next theme. While they often feature fairy tale themes, this time they are returning to their other love: Greek mythology.

Since opening up the poll a few months ago, Persephone has taken an early lead, but there's still time to give a boost to the other contenders. Visit their website to cast your vote now!

Here's how things currently stand:

Review: Jack Zipes' New Book: Fearless Ivan & Double-Hump

Reviewed by Patricia Ash

 

It is always an absolute delight to find a fairy tale I’ve never heard of before. While the story of Fearless Ivan is well-known in Russia, it is almost unknown here in the United States. That needs to change, because this story deserves a place among the greats.

Pyotr Pavlovich Yershov was something of a Russian Hans Christian Andersen, writing his own original fairy tales instead of collecting and compiling preexisting folk tales. He wrote The Little Humpbacked Horse in 1834 as a poem and when it was published as Fearless Ivan And His Faithful Horse Double-Hump, it became an instant classic. At the time, the inclusion of a villainous tsar was considered subversive, but despite (or perhaps because) the authorities tried to ban the book, it was wildly successful. 

Portrait of Pyotr Pavlovich Yershov

Readers familiar with Russian culture will quickly pick up on two iconic elements of the nation’s folklore that appear in this book: A hero named Ivan and a firebird. Ivan is the Russian Everyman. Westerners might call him Jack. Firebirds appear repeatedly in Russian folklore as objects of quests or benevolent demigods. They sometimes symbolize Russia itself. 


Our hero’s chief attributes are his foolishness and his love of sleeping (I can relate). Ivan is the youngest of three sons, and his father is a farmer. One day, something starts destroying the crops. The older brothers guard the field on successive nights, but chicken out and lie about it. Ivan doesn’t give into his fear and manages to catch the crop-destroyer. It’s a magical mystery mare who can fly. He grabs her by the tail and goes on an adventure. Before disappearing forever, she rewards him with a pair of gorgeous stallions and a goofy-looking talking horse with two humps and giant ears.
 
The next morning, Ivan’s brothers find the stallions and steal them, but the weird little horse (the titular Double-Hump), tells Ivan what happened. Ivan catches up to his brothers on the road to the city. When he spots a firebird, he picks up one of its feathers, even though Double-Hump warns that it will lead to trouble. Ivan sells the stallions to the tsar for far less than they’re worth, and winds up with a job in the tsar’s stables because the stallions won’t let anyone else touch them.

Soviet stamp (1988) based on the 1975 animated film

Being an unreasonable sort of person, once the tsar learns about Ivan’s firebird feather, he gives Ivan a few days to find him a firebird...or else. After saying, “I told you so,” Double-Hump explains exactly how to do it. One firebird later, the tsar now sends Ivan to kidnap the Heavenly Princess (the daughter of the moon) or else be skinned alive. Double-Hump also explains how to do this too, and luckily, the one thing Ivan is good at is following directions (well, except for that one time with the feather).


One kidnapped demigod later, the tsar wants to marry the princess. The princess wants to put him through a test involving a cauldron of boiling water, a cauldron of boiling milk, and a cauldron of freezing water. The tsar is scared to do this himself, and makes Ivan do it first. Fortunately, Double-Hump helps out and Ivan springs out of the boiling cauldron looking gorgeous and with perfect hair. Seeing this, the tsar leaps into the cauldrons and promptly gets boiled to death. Ivan marries the princess and they inherit the tsar’s kingdom for some reason. I’m pretty sure Double-Hump makes all the decisions for that kingdom now.


This book is a slim little thing and no two illustrations share the same style. Each piece of art is by a different Russian artist, all originally printed on postcards. You might think the lack of continuity between the styles would be jarring, but I found it fascinating. It really reflects the evolution of a fairy tale’s shape that happen over the years. Think about Little Red Riding Hood. Sometimes everybody dies, but other times everybody lives except the wolf. It’s really neat to see so many different interpretations of the characters in this story. No matter what the illustration, though, Double-Hump is the most adorable creature you’ve ever seen.

This is definitely a book that bridges the gap between children and adults. With all the pictures and a relatively short length, it could easily be read aloud to the youngest set. Adult fans of folklore will appreciate the touch of the venerable fairy tale scholar Jack Zipes.

I personally adored the character of Double-Hump. Ivan is a sweet fool, but he would be dead by the end of part one without Double-Hump. Every idiot hero in a fairy tale needs a wise advisor to guide them. It’s even better when the advice-giver is an adorable talking animal. I would give this horse so many sugar lumps (or whatever his favorite treat is) and then ask him for relationship advice.
 


For more information, visit the book's page on the University of Minnesota Press' website HERE. 






NOTE: A complimentary copy of this book was provided to the reviewer in exchange for a fair and honest review.

Arabian Nights Series Part 2: Burton Vs Lyons Translation Throwdown

(Written by Timeless Tales Magazine Editor Tahlia Merrill Kirk)

This is Part 2 of a series about reading Tales of 1001 Nights. To start at the beginning of the series, click HERE.


Your Arabian Nights Quote of the Day:

I asked an old man walking with his beard down to his knees: “Why are you so bent?” He waved his hands at me. “My youth was lost on the ground,” he said, “And I am bending down to look for it.

- Malcolm C. Lyons. The Arabian Nights: Tales of 1,001 Nights: Volume 1. Penguin Books Ltd. Kindle Edition.

Lyons' 2008 Translation

Since the complete unabridged Arabian Nights is around 2,600 pages (the notoriously long War and Peace is only around 1,225 pages), the circle of people who have read the entire thing is relatively small. But there’s always one question that pops ups first when you meet the rare member of this club: What translation are you reading?


For a long time, there was only one option if you wanted a complete unabridged translation. There are dozens of partial or abridged compilations, many heavily edited to take out the sexual content and insert Christian morals. The first to successfully tackle the entire collection was Sir Richard Francis Burton. His 1885 edition stood alone in this category for over a hundred years until Malcolm C. and Ursula Lyons published their Penguin Classic edition in 2008. Considering how long it takes to simply read the full collection, can you imagine being the person who painstakingly converts each page from Arabic to English? The thought blows my mind.

Photograph by Rischgitz/Getty Images

Burton’s version is beloved for its grandiose language and extensive footnotes that provide insight into Middle Eastern culture. He deliberately crafted his writing style to evoke epic literature by Medieval and Elizabethan writers like Chaucer and Shakespeare. But perhaps what Burton fans admire most about his work is its authenticity. All those footnotes came about during his many years living in the Middle East, so much of his research stems from firsthand accounts.
It’s impossible not to indulge in a small detour about the colorful character of Burton himself. His thirst for adventure led him into plenty of dangerous situations. He infamously disguised himself as a Muslim to make a pilgrimage to Mecca, going so far as to become circumcised to avoid discovery. He was once on an expedition that got attacked by Somali warriors and survived being impaled by a javelin through both cheeks. He immersed himself in every culture he visited and mastered over 26 languages. This larger than life legacy undoubtedly contributes to the continuing popularity of his books. There’s something extra exciting about reading a version of Arabian Nights knowing that the author was a real life Indiana Jones.
And after all that buildup, I will now break the news that Ron did not read Burton’s translation. He read the newer Lyons’ version. Sure, Malcolm and Ursula don’t have any stories on their Wikipedia page about being chased out of town on horseback by 300 soldiers--wait, let's give them the benefit of the doubt--I'll fact check that before I make such a broad generalization…
Guys, neither Ursula nor Malcolm have a Wikipedia page. This is tragic! And makes for boring blogging! Their Goodreads pages lead me to believe that The Arabian Nights is probably their lives’ magnum opus. I'll just imagine some amazing romance that brought this couple together in their joint quest to rebirth this great epic book…


Okay, joking aside, the Lyons version of Arabian Nights actually has a lot going for it. Think of Burton’s version as the King James Version of the Bible and the Lyons’ translation as NIV. Lots of people love KJV for its beautiful evocative language that is steeped in tradition and history. But others prefer NIV for being straightforward and easier to understand. It’s the same with Arabian Nights. Burton has a tendency towards rambling and flowery language, using “thee”s and “thou”s to evoke an archaic tone. He deliberately chooses obscure words, using Latin whenever the chance arises. My incredibly well read friend Adam enthused about how many new words he learned from Burton’s text. Constantly googling words is fun for some, but cumbersome for others. The Lyons, on the other hand, take a more grounded approach. They aim for clarity and a smooth effortless reading experience. You’ll never lose the train of thought or get exhausted after reading one tale. Some might argue that the Lyons version lacks pizzazz, but others would say that they allow the words to speak for themselves. 

If you want a more detailed comparison The Guardian wrote this amazing post about the two editions. It even has two side-by-side examples of how drastically different they are. 

If anyone knows how to get in touch with the Lyons, I would love to interview them about the translation process and what their goals were in creating this new edition. 


For those who are interested, here's a link to the Penguin Classics Volume 1-3 that Ron read: https://www.amazon.com/Arabian-Nights-Tales-Penguin-Classics/dp/0140449388


Next up in this blog series: Is Arabian Nights Super Sexist? Stay tuned!

Review of "The Hawkman", a Retelling of Grimm's "Bearskin"

“In France and Germany, the protagonist is a veteran, starving for lack of work after the war; in Italy, he is a woodsman, wounded by an accident inherent in his profession.  In Spain, he is a pirate, shipwrecked after a poorly deliberated decision. In all places, he is a man who has lost his faith in God, and makes no secret of his apostasy.”

– Miss Eva Williams, “The Hawkman.”

After finishing Jane Rosenberg LaForge’s The Hawkman, I find myself still enamored by her lyrical prose, sifting through words to determine if what I read had really been written. Surely an ending so powerful could not exist?  Of course, it does.

As a retelling of the lesser known Grimm story Bearskin, here’s a quick summary of the fairy tale for those not already familiar: A desperate man makes a pact with the devil. If he can avoid bathing or praying for seven years and sleeps in a bearskin, then the devil will give him limitless wealth. Instead of the disaster you’d expect from such a bargain, the man’s kindness and generosity ultimately win him a bride and, once the seven years are up, they live happily ever after...except for the bride’s two sisters. Since they originally shunned our hero, they are later so full of regret that they kill themselves, netting the devil two souls and making him feel like the winner of the arrangement. Basically, it’s a monstrous bridegroom story, but steps away from tradition by using the man’s perspective instead of the woman’s.  

LaForge’s novel sets this fairy tale during World War I. Michael is an Irish prisoner of war who has been held in German work camps for years. He is finally coming out the other side, but is a broken shell of a man. He falls into himself, withdrawing from a society that shuns him, until he builds the persona of the Hawkman around himself.  When he first meets Miss Eva Williams, he is more beast than human. She brings him back to her cottage in Bridgetonne, England in hopes of helping him heal. Eva is a professor, an American, a writer, and a believer in the fantastical. Much like the bride from the fairy tale, when she sees the Hawkman, she is able to see the man beneath the creature.

What draws you in - aside from the lyricism of the writing itself - is the idea that this story starts with a death. Though, when you think about it, aren’t the greatest love stories those that are actually tragedies in disguise? Whether it be the lovers themselves, or the villain, or even a friend, we find that love and death are often inextricably entwined. This story’s death forces the reader to backpedal and unpack while gripping our seat the entire time. We hope that maybe things will change or that all is not what it seems.  But, of course, it is.

As the story progresses, its layers are slowly peeled back. The town of Bridgetonne takes on a life of its own, as described by the Hawkman’s first encounter with it:

“Bridgetonne was not without other misfits: old maids who, in an earlier time, might have been mistaken for witches, and bachelors who, likewise, would have been called out as warlocks.  But by no means was the village haunted.”

It soon becomes clear that there is more than one transformation in this novel. The town itself shifts from loathing the Hawkman and fearing his presence--even writing him off as a degenerate due to his heritage and situation--to respecting him and taking him in so that he will always have a home. Of course, as the original fairy tale suggests, the devil does indeed take two souls for himself.  For, even though each person the Hawkman touches is changed, there is always one who will be against him. And as he changes into something more man than not, it is as if his transformation causes a change within Miss Williams. She slowly shifts from caretaker, to friend, to lover, and finally to something more in the end.

This novel is a story of love and of overcoming social norms. It is a story of magical realism, of hope and loss, and a story of overcoming trauma. All this is wrapped tightly into a ball and leveled out into a complete journey filled with pain and joy. But, most importantly, it is a story about two people from different backgrounds finding themselves being pieced together until they fit like perfectly aligned puzzle pieces. And when you zoom out to see how these two pieces connect with the other interlocking elements inside the novel, you’ll see how they form a work of art. Much like a painting, this novel rewards those who take the time to contemplate its brush strokes and hold onto its memory even when you walk away.

For fans of beautifully written fairy tales where the language bleeds magic onto the pages like Naomi Novik’s Uprooted and those who enjoy a heartbreaking story about war and the consequences it has on the human soul, The Hawkman will be sure to capture and enrapture, and, when it is done, leave you craving more.

Laura Lavelle is a writer from Queens, New York, working in the genres of fantasy, horror, and science fiction with young and new adult themes.  She studied English at Queens College where she won a Silverstein-Peiser award in Fiction before graduating with her bachelor’s degree. However, when she’s not writing she can be found curled up with a book and a cat, hoping that something magical will happen.

https://lauralsbookblog.blogspot.com/

First Impressions of 1001 Tales of Arabian Nights

(Written by Tahlia Merrill Kirk, editor of Timeless Tales Magazine)

A few years ago, my husband Ron delighted me with the news that he had started reading Tales of 1,001 Nights (aka Arabian Nights) on his Kindle.

“This is great!” I squeed. “I’ve never read it, so you can tell me all about it as you go!”

I suppose I should be at least a tad embarrassed that I have zero desire to read the entirety of Arabian Nights, but have you seen the SIZE of it?! There are three volumes. All combined, they add up to a staggering 2600 pages. There isn’t even a Sparknotes available for it, that’s how big it is. So I ignore the mournful wails of my English degree--secondhand reading is good enough for me on this one.


It took him almost 5 years to get through it all (taking breaks to read other books, of course), but this week, he finally finished. Since I immediately knew that I wanted to turn this experience into a blog post, I made sure that Ron filled me in about all the interesting parts of the stories. I even had him send me relevant/funny quotes as he went.


I started writing this as one post, but there is too much to say, so we’re going to make a whole series out of it! Here are a few topics I want to cover (Let me know if there's something you really want me to discuss):

1. Which Translation Did Ron Read? (I promise it won't be as boring as it sounds)

2. Is Arabian Nights Sexist? 

3. Is Arabian Nights Sexy? 

4. How Does Aladdin Fit Into Arabian Nights?

5. Djinn and Their Kind (or not-so-kind...hehe)

6. Religion in Arabian Nights

7. The Arabian Nights Board Game

8. Doughnuts (Nope, won’t explain. Saving the best for last)


In the meantime, here’s a funny mini-tale to give you a taste of how great these stories are:

My master the sultan, here is my most remarkable experience during my time in office. I had ten thieves hanged, each on a gibbet of his own, and I told the guards to watch to see that nobody removed any of the corpses. The next day, when I came to look at them, I found two corpses hanging from the same gibbet.

‘Who has done this,’ I asked the guards, ‘and where is the gibbet belonging to this second corpse?’

They disclaimed any knowledge of the affair, but when I was about to have them flogged, they said: ‘We fell asleep last night, emir, and when we woke up we found that one of the corpses, together with its gibbet, had been stolen. We were afraid, and when we saw a passing peasant coming up towards us with his donkey, we seized him, killed him and hanged him on this gibbet in place of the corpse that had been removed.’

I was taken by surprise and asked them what the peasant had had with him. They told me that he had had a saddlebag on his donkey, and when I asked what was in it they said that they didn’t know.

‘Bring it to me,’ I told them, and when they did, I ordered them to open it. There inside it was the body of a murdered man cut into pieces. I was astonished at this sight and said to myself: ‘Glory be to God. The reason that this peasant was hanged was that he was guilty of murder, and God does not treat His servants unjustly.’

Malcolm C. Lyons. The Arabian Nights: Tales of 1,001 Nights: Volume 2 (The Arabian Nights or Tales from 1001 Nights) (pp. 107-108). Penguin Books Ltd. Kindle Edition.

Timeless Tales Releases Snow White Story Collection

The wait is over! Timeless Tales Magazine is proud to present eleven transformative twists on Snow White. From darkly haunting to funny and fluffy, there's something for everyone in this issue. Read the entire collection HERE. 

Something new we're trying out this time is the inclusion of a custom Spotify playlist to accompany your reading experience. Think of it as a mixtape of music inspired by all the stories and poems. I'd really love feedback on whether our readers love this feature or are indifferent because it's something we could incorporate into future collections if it's popular enough. 

Here are a few highlights showcasing how our writers reinvented this famous fairy tale:

• "The Mirrors and the Poison" - A mystery based on actual historical events. Readers are transported to the court of Versailles in 17th Century France. Did the Sun King’s mistress poison her younger rival at court?

• “Blanche” - In this modernization, a struggling single mom loves her daughter fiercely, but the rest of the world can only see her mistakes. 

• "The Fairest" - After years of suffering her stepmother's abuse, there's a new fairest in the land. Snow is determined to protect him (yes, him!), but how far will she go to keep him safe?

• "The Mug & Spoon" - Every year, dozens of nobles try to awaken the sleeping princess at remote Mug & Spoon tavern. Little do they know that the entire town is involved in an elaborate scheme to marry the local girls off to rich husbands. 

And MANY more delightful stories await you in this issue. In case you need more incentive to check it out, here's a sneak peek at some of the covers:

Well, what are you waiting for? Snow White awaits! Let us know which is your favorite!