Friday, January 26, 2018

"I Kill Giants" Gives Us Much More Than (Just) A Female Version Of Jack the Giant Slayer

“Barbara Thorson is your new hero. A quick-witted, sharp- tongued middle-schooler who isn’t afraid of anything. As the only girl in school carrying an ancient Norse warhammer in her purse and killing giants for a living, why wouldn’t she be? I Kill Giants is the sweeping, bittersweet story of a young girl struggling to conquer monsters both real and imagined as her world crumbles at the feet of giants bigger than any one child can handle.”
Anywhere you have a child, or young person, dealing with giants, the comparison to Jack (of giant slayer and beanstalk fame), is inevitable, and with this film, and it's graphic novel source, there is some sense to that. Despite the lack of enchanted, cloud-reaching plants to climb, this world of the bunny-ear-wearing 5th-grader heroine, Barbara Thorson, is filled with all the magic and peril of Jack's, and the metaphors work too, with or without the, er, flora. And with the trailer showing the lines between reality and fantasy being more than a little blurred, the echo of "Jack themes" is stronger than ever.

Take a look at the newly-released trailer. (Note: it's followed by a pre-released scene, with Barbara showing her new friend one of her "Giant traps".):



In Joe Kelly and J.M. Ken Niimura’s comic book, I Kill Giants, it’s unclear just how much of young Barbara’s giant-slaying adventures are real and how much are part of an elaborate fantasy world she’s created in her mind to escape from the emotional stresses of her actual life. The new trailer for the film adaptation does a good job of getting that point across. (iO9)
The graphic novel*, and the movie, take the nerdy outcast type and, unlike making her silent and withdrawn as is typical (especially for female characters), Barbara is outspoken, witty and takes no prisoners with her speech and humor, very much like the typical Jack of the various Jack tales (from beanstalks to giant slayings and much, much more). 

Although she's just as brash and energetic (and imaginative), it's clear that, unlike most versions of "Jack" we've seen, she is dealing with a lot of pain. Uniquely, this loner type is a character whom you can't simply pity, despite her situation and life-troubles; she requires the audience's respect as well. It's great to see and, from what we can tell, strikes a fairly rare balance in drawing a girl who is very different from, and still very like, any regular kid, and it's clear that this emotional balance has made loyal fans and readers out of many different people.

Here's a description of Barbara and the graphic novel premise by Joe Kelly, the writer & creator of the comics, and screenwriter for the movie adaptation, from an interview with CBR.com:
“The story follows Barbara Thorson, a troubled but resilient fifth grader who’s a bit of an outcast — Dungeons & Dragons, fantasy and general mopery are her hobbies. But it looks like she’s taking the fantasy thing a little too far. She’s always talking about giants, reading books on giants, setting traps for giants, getting ready to kill a giant. Almost the entire story is told from her point-of-view, so we see what she sees: pixies, critters, and a monster that lives upstairs in her house, so terrifying that Barbara only sleeps in the basement. So is she crazy, or does she know something that we don’t? Does she have an active imagination, or does she see another world? The story kicks off as this fantasy world begins to crack because of some outside forces–a bully, the school psychologist, and her first real friend.” (Joe Kelly, from an interview with CBR.com)

I Kill Giants deals with issues similar to those in A Monster Calls** (highly recommended by the way), of sickness and family concerns, as well as bullying, loneliness and friendship, anger, the very real pain children can have, and a different "coming-of-age", but it also has it's own mark to make, and, might be even more in touch with present societal concerns. In other words, Barbara may just be the heroine many people - girls in particular - are looking for right now.

Does Barbara bring to mind another modern fairy tale-type heroine as well? How about Fionna, (of Fionna and Cake) in the animated TV series Adventure Time? And it's not just the bunny ears. In the Adventure Time universe, Fionna is the hero of the time, and this version of the 'universe' in which she appears, is deliberately gender-swapped. Not only is she not Finn, (of Finn and Jake), she's not a boy. Boys are typically the loners who "go out and save the world" and have tales created around their adventures - their angst, their journey to maturation and their eventual triumphs. In the gender-swapped universe of Adventure Time, it's Fionna who fills this role, much to the delight of audiences*** and fans who loved seeing a weird-but-strong female character saving princes who needed saving, and in I Kill Giants, it's Barabara Thorson who takes it upon herself to save the town and school from impending destruction by giants. It should be noted that the town and school typically view her with either derision or concern and unlike most heroes, she's not given a pass for her quirks, let alone respect. In this respect, a female hero is often more alone than a male hero. At least boys, who are derided for their crazy ideas, are still ultimately respected for 'wanting to be a hero'. In a girl, this quality and the various manifestations of that, is just seen as "cray-cray".

It's great to see this addressed and these issue being given the respect they deserve. Using the lens of a fairy tale is playing a major part in this, and that's no coincidence. Nothing tells us the truth, quite like a fairy tale.

I Kill Giants, directed by Anders Walter and also starring Zoe Saldana and Imogen Poots, hits theaters March 23, 2018.

*The graphic novel has been nominated for a lot of different awards, including an Eisner, and received the International Manga Award in 2012.
**I Kill Giants was apparently pitched and began development around the same as A Monster Calls, but the latter, made with a bigger budget, ended up making it to the screen a year earlier.
*** The debut airing of the Fionna and Cake saw "a dramatic increase in all boy demographics" and "marked a 42% increase in viewers compared to a year earlier". (Source)

Wednesday, January 24, 2018

Acclaimed Animated Feature 'The Girl Without Hands' Comes to Blu-ray/DVD combo on Feb 20


If you're a regular reader of the blog, chances are high you saw posts on this fairy tale-based film, as it was doing the world circuit and winning awards and acclaim. (Rather than repeat most of the information you can find posts HERE and HERE, the second of which specifically discusses sharing this movie with kids.) For those unable to get to a screening/showing, it will be released in the US and Canada on February 20th, 2018. More technical details are available HERE, as well as information on the cast and crew.

It is worth noting that this is not considered an 'adult film' by the creators. In fact, it was made with the intention of having children view it. That doesn't mean audiences in the US and Canada will subscribe to this idea, but it is worth noting from a retelling perspective as well as being created through the lens of a (primarily) non-English-speaking-cultural perspective.

Bonus features include:
  • The Making of The Girl Without Hands 
  • Interview with Sébastien Laudenbach
  • Short films by Sébastien Laudenbach
  • Theatrical trailer
A captivating tale of survival, The Girl Without Hands tells the story of a young woman who is sold to the devil in return for a river of gold. She is so pure of heart that she is able to elude him, but not before losing her hands. So begins her long journey towards the light … but in spite of her resilience and the new protection of a handsome prince’s estate, the devil devises a plan of his own. (Animation World Network)
Here's some lavish praise for the film from various places:
BREATHTAKINGLY BEAUTIFUL!
A fascinating graphic dream... a work that continues to reinvent itself before our eyes!
-Telerama 
EXQUISITE!
A haunting minimalist fairytale for all ages!
-The Hollywood Reporter

MARVELOUS! BEAUTIFUL!
Condenses all of life’s cruelty and sublime grandeur into a striking hand-drawn vision!"
-Le Monde
And here's the trailer again, in case you missed it:

Monday, January 22, 2018

Facebook to Film Ten-Part Series 'Sacred Lies', Based on The Handless Maiden

Maiden Without Hands Blythe Doll by Kat Caro
Note: The Blythe Doll art photos shown throughout are by Kat Caro and the various poses show aspects of her story. We thought it was a good time to show this tragic and touching art that we've been saving to share at the right time.

Sacred Lies is partly based on The Sacred Lies of Minnow Bly, a novel by Stephanie Oakes, and partly on Grimm's 'The Handless Maiden'.
(Sacred Lies is about a) handless teen who escapes from a cult and finds herself in juvenile detention, suspected of knowing who killed her cult leader. Casting is currently underway. (Deadline)

The ten-part series, is set to start production sometime between March and May this year (2018) will be screened on the new SVOD* platform Facebook Watch, which was set up last year. Facebook is partnering with Blumhouse Productions, who are known for specializing in "converting low-budget horror stories into major international hits" (eg. the Insidious franchises, the Paranormal Activity movies and the acclaimed Get Out.)
“Sacred Lies is an inventive twist on a time honored fairytale which we believe will surprise and stir the Facebook Watch audience and we’re excited to be the studio producing this provocative series.” (Marci Wiseman and Jeremy Gold, co-presidents, Blumhouse Television) 
“This a young female protagonist we’ve never seen on screen before,” said (showrunner Raelle) Tucker**. “She’s complex, brave, funny…and sometimes dangerous. And she has no hands. But she refuses to let that, or her bizarre, brutal past define her or limit her. That’s the message of our series: no matter what life throws at you – ultimately only you have the power to decide what you believe and what you become. I’m beyond excited and honored to bring this unique, inspiring, badass character to life. “
                                  
                       
             
   
Facebook Watch will be taking quite a departure from their current fare. Facebook Watch is currently known for it's "gimmicky reality shows and clips from popular internet creators" (to quote The Verge) and will be taking quite a departure for, Sacred Lies, Facebook Watch's first scripted drama, the first of many projects the social network giant is planning on, with a projected budget of $1bn on contact (yes, billion - which is still modest compared to Hulu, Amazon and Netflix for 2018), something which has intrigued filmmakers and property holders because of the "stated intent".
                     
Translation - filmmakers: time to pitch your series and movie ideas! This is a great time for fairy tales. People are finding expression, solace, hope, a new perspective - as well as escape - in old tales and in retelling old tales in new (and needed) ways rat present, and, wonderfully, lesser known ones are coming back into popular circulation. 'The Handless Maiden' is one example of this. 'Baba Yaga', in her various complex iterations, along with 'Vasilisa', is another, as well as 'Snow White and Rose Red', and it's worth also mentioning that Krampus is once again a known figure among pop culture geeks and beyond.

As a side note, it's nice to see fairy tale protagonists who deal with disability as well. It's representation that's been lacking, apart from various mermaid explorations, but mermaids are more seen to represent previously marginalized groups such as LGBT folk. Acknowledged physical disability, whether by birth, accident or other, could use some hero representation and hopeful fairy tale retellings.


* Streaming Video On Demand
** Raellee Tucker was formerly Executive Producer on the popular HBO series, True Blood

Sources: KFTV, Deadline.com, The Verge


Kat Caro's Blythe Doll art was created for and shown in the Fairies & Folklore Once Upon A Blyth International Doll Exhibition in 2015

About her art doll, Kat Caro says: "The Maiden without Hands - My submission for the Fairies and Folklore show at Auguste Clown Gallery in Melbourne, Australia in 2015. She was inspired by Grimm's fairy tale, The Maiden without Hands, which I have always been fascinated by. She specifically reenacts the moment she is told to flee the kingdom with the newborn prince to escape the devil's false message that she be executed. She has removable sterling silver hands, as given to her by the king, but she still carries her chopped off hands on her back and the prince in a sling."

Friday, January 19, 2018

'Cunning & Cleverness': AFTS' First Short Story Competition Is Now Open For Submissions

Calling all new, clever, sly and tricksy stories for a new year.

Yes, there will be prizes (see the full image below) and yes entry is free for members. Otherwise you can pay $25 to become a member for a full year and not only receive entry rights, but other perks (including discounts for events) by way of the AFTS as well. You do not have to be Australian or living in Australia to be a member; just supportive of the society and their mission.

They will consider flash-fiction of 100 words through to stories up to 1500 words, as long as they are on theme. Submission guidelines and other details can be found at the official website for the AFTS HERE. Any further questions, please contact the AFTS directly via one of their social media sites or their official web page.

Good luck to all our adventurous and tricksy writers!

Note: This short story competition announcement from The Australian Fairy Tale Society is reproduced in full from their social media.
Hello dear fairy tale spinners! 
Bold heroes and heroines, tricksters, thieves and animal helpers. The Ezine is launching a short story fairy tale competition. 
Theme: 'Cunning & Cleverness' 
Word limit: 100 - 1500 words
Closing date: 17th April 2018 
It's time to let your imagine swirl into the realm of fairy tales. Re-construct your favourite fairy tale or spin us a new yarn. There are prizes to be won and the three winning entries will be published in the winter edition of the Ezine. Our external judges are Monique Mulligan, Sophie Masson and Nike Sulway. 
For more information regarding our submission guidelines please click on the link below. 
Happy writing! 
Enchanted regards,
The AFTS Ezine Editorial Troupe

Tuesday, January 16, 2018

Happy New Year of the Dog!

Hans Tegner, from Fairy tales and stories, by Hans Christian Andersen, New York, 1900
(We know we have posted this before as a header, but it's probably our favorite illustration from this tale. We think it has quite the Gustav Doré feel about it.)
Now that kids are back to school and people have returned from their various 'vacationings' (and those who hold on to the Yuletide season until it's uconsidered seemly have finally given in to 'de-Christmas-sy-ing' their houses #guiltybutnotsorry), we are popping in to say:

May this New Year bring change for the better,
as well as joy, comfort, love, health and,
dare I say it, prosperity
(especially by way of friendly saucer-eyed dogs!)

There is a variant of the Tinderbox called The Soldier and the Candle, described as "The Aladdin of the Basque Country". (A condensed text can be found HERE, though you may need the help of Google translate to read it.) It's an interesting way to look at the tale and opens up the edges away from the politic-heavy subtext Andersen deliberately wove into his fairy tale. It would be interesting to see some retellings taking this slant for a spin on a storytellers wheel, especially with some new takes on the sleeping princess issue. (A hint to all fairy tale writers for the year!)

Some more images from this favorite tale filled with delightful, dish-eyed dogs below. All of these are by Hans Tegner as well.

All images above and below are by Hans Tegner,
from Fairy tales and stories, by Hans Christian Andersen, New York, 1900
A quick reminder that much fairy tale news is being tweeted - and retweeted - via our account over on Twitter HERE, along with other folks we have recommended, if you're needing a daily fix of fairy tales (and who isn't?).

A very Happy New Year 2018 to all our readers!

Monday, December 11, 2017

Timeless Tales Modernizes Rumpelstiltskin


Hi, fairy tale fans! This is Tahlia from Timeless Tales Magazine. In case you haven't heard yet, we have just released our Rumpelstiltskin issue. It's full of foolish choices, unforeseen consequences, and battles of wits. 

Here are a few highlights showcasing how our authors transformed a goofy little trickster tale into modern narratives:

  • "Tears Seal the Deal" is a retelling set in the Syrian Refugee Crisis
  • "Void" draws a connection between Rumpel's desire for a child and the frustrations of  infertility.
  • "The Early Years" explores how Rumpel learned to spin straw into gold.
  • "The Deal" allows the Miller's Daughter to find some loopholes in Rumpelstiltskin's bargain and shows what happens when she attempts to outwit him.
Here's a look at some of the covers:

https://www.timelesstalesmagazine.com/rumpelstiltskin




These are just a few of the adventures awaiting you inside our latest issue. Enjoy the read at https://www.timelesstalesmagazine.com/rumpelstiltskin

 

Wednesday, November 29, 2017

The Transformation of FLOTUS: A Dark Fairy Tale for the Season

In April of 2017, writer Kate Imbach wrote a reflection on Melania Trump, the then-new FLOTUS, as considered through the lens of Melania's personal photos, titled Fairytale Prisoner by Choice: The Photographic Eye of Melania Trump. The article was prompted by the odd issue that the new first lady was so very absent, compared to most other FLOTUS'  of the past.
Imbach wrote:
Why won’t the first lady show up for her job? Why? I became obsessed with this question and eventually looked to Melania’s Twitter history for answers. I noticed that in the three-year period between June 3, 2012 and June 11, 2015 she tweeted 470 photos which she appeared to have taken herself. I examined these photographs as though they were a body of work. 
Everyone has an eye, whether or not we see ourselves as photographers. What we choose to photograph and how we frame subjects always reveals a little about how we perceive the world. For someone like Melania, media-trained, controlled and cloistered, her collection of Twitter photography provides an otherwise unavailable view into the reality of her existence. Nowhere else — certainly not in interviews or public appearances — is her guard so far down. 
What is that reality? She is Rapunzel with no prince and no hair, locked in a tower of her own volition, and delighted with the predictability and repetition of her own captivity.
Written during the time when Melania declined moving to the White House and opted to stay in Trump Tower, it's an interesting assessment, and although sympathy from readers varies, the consensus seems to be that loneliness is, indeed an ongoing factor in this woman's life. The photos from high up - an actual tower - with the same landscape and differing only in weather and time of day, do give the viewer pause.

Just as interesting is the interpretation of Melania's photos of the interior of Trump Tower:

 We can all picture the gilded monstrosity of the Trump home from publicity photos (chandeliers, sad boy astride a stuffed lion, golden pillars), but it is a different place through Melania’s eyes. She takes photographs inside her house at weird, skewed angles. It is a strange effect when the half-obscured objects, chairs and ceilings, are all so golden. It looks like what a terrified little girl held captive in a ogre’s fairytale castle might see when she dares to sneak a peek through her fingers. (source: Kate Imbach)


If you haven't seen this essay finding the parallels between Rapunzel and Melania, pre and post FLOTUS status, it's worth a read. While the writer is clearly critical of Melania's 'fitness' to be a first lady, its' nevertheless a very different look at Melania Trump as a person. You can find the whole article, with Melania's photos throughout, HERE.

FAST FORWARD TO DECEMBER 2017:

Melania is now at the White House and chose to take an active - and apparently personal - role in decorating her new(ish) home, for the season. It's safe to say the public reaction to photos has been, less than warm...

A tweet from Donald Haase:


My retweet & comment:

And back to the growing list of folklore and fairy tale references mentioned (note: I have screen-captured the tweets referred to and inserted them after my tweets so readers can easily see what's being referred to, but the links in the embedded tweets also send you to the original tweet for the sources):



   

   


Note how the feet appear in the photo - enlarged below (it's obviously a lighting issue but it's still an interesting connection):





This comment (screen-capped below) expanded the supernatural narrative. Meant to entertain, it's also an interesting place to go:

A reply to one of the earlier tweets, pointing out the use of folklore:

And the tweet that prompted me to put it all in one place:

As an interesting callback to the original article about Melania in her tower, I thought I'd finish with the final sentence by Imbach, which has more resonance than ever:
 She’s living inside a dark fairytale, and in fairytales the women trapped in towers never save anyone but themselves.