Review: 'The Sorcerer's Apprentice - An Anthology of Magical Tales' aka Harry Potter Tales for Fairy Tale Folk & Fairy Tales for Harry Potter Folk

Fairy tale lovers will delight in these spellbinding tales, where young heroes comply with or rebel against teachers with magical powers. 

One of the lights of our Fairy Tale News Hound's childhood was her father's record collection, particularly the classical LPs* and the tales the music told her. Dukas' score for The Sorcerer's Apprentice, in particular, didn't need narration. It created images of magic and peril in her head long before it became associated with Disney. By the time she got to see Mickey overrun by legions of brooms she already knew the story, as well as that learning magic is a hard thing; that magic doesn't really create shortcuts but comes with complications of its own, and learning - and teaching - magic guarantees a life filled with hard work and frustration, where things (and people) often won't behave as they ought, but also that the possibilities for wonder and adventure are endless. That tale, and it's lesson, have been a touchstone ever since.

Harry Potter & Dumbledore by Jim Kay

Is it any wonder Rowling's Harry Potter books appeared on the scene and stole so many hearts with her relatable series? Now we have a fairy tale collection that not only pays homage to the popularity of Rowling's creations but collects Potter's many 'ancestors' from around the world.

Yes - you read it correctly: we finally have a book of Harry Potter stories for fairy tale folk and a book of fairy tales for Harry Potter folk! 

Edited and introduced by esteemed fairy tale expert Jack Zipes this collection isn't just a handy volume of tales of this type, but also presents some good and chewy food for thought on why this type of tale - the magical learner, the wizard assistant, the sorcerer's apprentice - is more popular than ever.

"The Sorcerer's Apprentice"
poem by Goethe, artist unknown

Here's an excerpt from a paper Zipes' wrote on the Sorcerer's Apprentice tale a couple of years ago (note: the weird sentence formatting is ours, to help pace the reader as if we were saying it aloud, so you can 'hear' the emphasis and relevance for today): 

To know who we are, where we are, and where we are going, we need... storytellers who are consciousness raisers and stories that are consciousness raising.

Otherwise, living in the world is but an illusion and delusion.

Otherwise, we are controlled by self-serving masters who are not aware of how blind they are and try to lead us blindly along paths of destruction and self-destruction.

Otherwise, we will be controlled by authoritarian magicians who cast spells with words of deception and self-aggrandizement that celebrate nothing but their powers to dominate, if not mutilate and annihilate, other human beings. 

Bearing this in mind, I continue to ponder why J. K. Rowling's Harry Potter novels (and all the similar and imitative narratives)... have achieved such astounding popularity.

(from The Master Slave Dialectic in The Sorcerer's Apprentice by Jack Zipes. Academic Journal Article in Storytelling, Self, Society Vol 11, No. 1, April 2015)

by Robin Muller

It's not difficult to imagine such tales have intriguing people centuries ago. Life was hard - really hard - and magic would have been a great shortcut to happiness, or at least getting a little needed shut-eye. Interestingly, while this is undoubtedly the initial appeal, the tale content is often the opposite, as in "magic isn't for idiots" and "you think life is hard work? Add some magic and make it worse!". Now, however, in an age of invisible technology, when science daily achieves the unimaginable, and there appears to be no corner left for Wonder to be discovered, the yearning to have 'a touch of magic' in our lives is, if anything, stronger again, as testified to by the popularity of Harry Potter and his magical education.

Rowling, fortunately for generations of readers, found the 'sweet spot' of telling fantasy to show truth - something the author is passionate about in all her storytelling and in her personal projects and causes. Her stories of magical apprenticeship, of balancing the non-magical (muggle) life with the magical, don't shy away from ll the complications contained in the two types of tales we find in Zipes' collection: both 'The Humiliated Apprentice' who is a bumbler and encourages deference to teachers with more experience, as well as 'The Rebellious Apprentice' who follows their own path to self-empowerment and new discovery. Both types of stories continue to resonate with people around the world but it could be the combination of the two into one 'era of learning' at Hogwarts, that has infused the genre with new life. Even so, they are not new, but the tales of our generation/s, created in a long tradition of these types of stories, and this new volume both tracks and pays homage to that history of disobedient enchanted objects, magical inexperience and mishap and in taking back power that is rightfully ours to wield... when we've learned how.

Here's the press release:

Disney's Mickey as The Sorcerer's Apprentice from Fantasia

"The Sorcerer's Apprentice" might conjure up images of Mickey Mouse from the Disney film Fantasia, or of Harry Potter. As this anthology reveals, however, "sorcerer's apprentice" tales—in which a young person rebels against, or complies with, an authority who holds the keys to magical powers—have been told through the centuries, in many languages and cultures, from classical times to today. This unique and beautifully illustrated book brings together more than fifty sorcerer's apprentice stories by a plethora of writers, including Ovid, Sir Walter Scott, and the Brothers Grimm. From Goethe's "The Pupil in Magic" to A. K. Ramanujan's "The Guru and His Disciple," this expansive collection presents variations of a classic passed down through countries and eras.

A female apprentice retelling by Nancy Willard

Readers enter worlds where household objects are brought to life and shape-shifting occurs from human to animal and back again. We meet two types of apprentice: "The Humiliated Apprentice," a foolish bumbler who wields magic ineffectively and promotes obedience to authority; and "The Rebellious Apprentice" who, through ambition and transformative skills, promotes empowerment and self-awareness. In an extensive introduction, esteemed fairy-tale scholar Jack Zipes discusses the significance and meaning of the apprentice stories, the contradictions in popular retellings, and the importance of magic as a tool of resistance against figures who abuse their authority. Twenty specially commissioned black-and-white illustrations by noted artist Natalie Frank bring the stories to visual life.
The Sorcerer's Apprentice enlightens and entertains readers with enduring, spellbinding tales of sorcery that have been with us through the ages.

As mentioned in the blurb above, a bonus in the volume is the introductory chapter - which is more of an extended work and 'mini-thesis' in its own right - titled The Sorcerer's Apprentice, Harry Potter and Why Magic Matters. We're listing the sub-headings to show you why this is a volume you should really consider adding to your collection as, it turns out that The Sorcerer's Apprentice tale truly is "a story whose ‘story' needs to be told." (whether or not the apprentice's name is Harry - or Hermione):

One of the twenty paintings for

The Sorcerer's Apprentice Anthology of Magical Tales

illustrated by Natalie Frank

• The Harry Potter Novels As Fairy Tale (with lots of useful ATU discussion and references in the mix)
• The Humiliated Apprentice (curiosity killed the cat kids!)
• The Rebellious Apprentice (take back the night!)
• Hegel's Master-Slave Dialectic (don't be put off by the title - it discusses the push and pull of both the above tale forms and how systems of thought in different cultures have been attracted to both, making them popular)
• Memes, "Magicity", and Cultural Memory (basically how kids, and their love of Grumpy Cat fit into the mix, along with stuff that used to be categorized as magic and patterns of magic in tales and more - you'll have to look up 'magicity' for yourself! [No, Grumpy Cat is not specifically named but she is represented. Yes, Grumpy Cat is female.])
• Krabat, the Rebellious Apprentice in Lusatia and Central Europe (basically commenting on the last, largest Harry Potter craze before our current one and the theories of 'why' behind it)
• The Curious Cinematic Struggle Over the "True " Sorcerer's Apprentice (discussing how fairy tales, films, fantasy and politics have all held hands in films telling stories of these tale types, as well as how this struggle was magically and visually represented [think iconic and 'unforgettable sequences'] - and also - why have we not heard of, let alone seen, Sidney Levee's stop motion, 10 minute, black and white film 'The Wizard's Apprentice' of 1930, that predates 'Fantasia'?!)
• Overcoming Abuse in the Novels and Stories About Apprentices (what it says - but also discussing the wide divide between children's picture books that take the didactic route of 'curiosity killed the cat', versus the next level - teen and YA novels that feature 'humiliation and rebellion', and developing beyond that to novels like 'Jonathan Strange & Mr. Norrell' who must come to terms with magic and eventually restore it to the world.)

As a book of tales for 'now' in this political and social climate, there is much wry smiling to be had as we find parallels in the tales to the commentaries of today's media. Indeed, contemporary American artist, Natalie Frank's specially commissioned black and white paintings for the book, printed throughout, certainly echo the types of illustrations one sees in political satire and commentaries of such publications as The New Yorker, and that's not a coincidence.

As a result, you should not be surprised that this book qualifies for our Recommended Resistance Reads. #RRR

Cover spread - click to view full size

Endorsements:

"Jack Zipes has always been a kind of sorcerer himself, skilled in discovering, transforming, translating, and understanding the old tales of magic that appear in different but similar forms all over the world. This is a wonderful collection."—Alison Lurie, author of Don't Tell the Grown-Ups: The Subversive Power of Children's Literature 

"In this rich and wonderful anthology, Zipes makes a powerful case for the salience and enduring timelessness of the sorcerer tales, not only historically in light of the vastness of the variants that have come down to us but also because of the social, psychological, liberationist, and subversive relevance of the tales even today. This is a story whose ‘story' needs to be told."—Donald Beecher, Carleton University 

"Zipes's outstanding and important book presents a compelling look at the traditional tale ‘The Magician and His Pupil,' and the copious international, intercultural variations of this story. Readers will find trenchant insights and may be surprised to learn that a tale they thought they knew has much greater complexity than they imagined."—Pauline Greenhill, coeditor of Fairy-Tale Films Beyond Disney

Note: We'd love to further entice you with a list of tales but it's a decent collection and makes for a big list, so you can look those up for yourself right HERE. And true to Zipes-form, it includes a fantastic bibliography of both works referenced and cited, but also of where each of the tales can be found. (Seriously - doing some 'fairy tales that came before Harry Potter and similar novels' research? This is your go-to list, right here.)

* Truth be told it was also the source of her getting her hide quite severely tanned, when at age three she imagined the music of each disc playing in her head as she practiced skating smoothly across the floor on their shiny black surfaces... but that's another tale.

'The Handmaid's Tale' Proves More & More Relevant As Trailer Released & Air Date Approaches

The Handmaid's Tale will be premiering on Hulu this month and a lot of people are very excited for it. Or perhaps 'excited' is the wrong word. Since November 9, 2016 (and again January 20th 2017), The Handmaid's Tale has once again become a best-seller. The timing of this is perfect for the new series, though even the Atwood (who wrote the award winning book) and the Producers, aren't thrilled about the circumstances that make it so.

During the recent convention SXSW (South By South West) in Austin, Texas, dozens of 'handmaidens' walking around the city in costume made for very effective series promotion, perhaps with even more impact than was originally intended. Some called it 'effective street theater'. Some call it an eerie glimpse into an 'all-too-possible future'. (Even the 1990 film adaptation didn't have the same impact this series is already having, due to the current political and social climate in the US.) See some pics below:

The Handmaid's Tale deals with a lot of issues, the most obvious of which are the contemporary possibilities and parallels with real life current affairs and political news. But this is not a new thing and, this being a fairy tale blog, you may have been clued into the fact that it's firmly connected to fairy tales as well. The Handmaid's Tale is today's Red Riding Hood and Rapunzel, albeit in a form most wouldn't recognize, though Atwood inserts some lines in her narrative to make it clear the parallel is intentional. (The red clothing probably gave you the biggest clue.)

• In chapter 2 Offred sees herself as ‘some fairytale figure in a red cloak, descending towards a moment of carelessness that is the same as danger.'
• In chapter 17 she imagines herself as a figure, ‘In the wood at midnight,' seeking, ‘a magic flower'. (Garden tales and legends are regularly referenced.)
• In chapter 8 Offred comments on the barren wife she's assigned to as, ‘She's like my own reflection, in a mirror from which I am moving away.' (The fairy tale doppelganger.)
• And the red and blue comparison between the fertile and barren women, have always reminded us of Bluebeard, which doesn't feel like too much of a stretch!

What this means,of course, is that this (essential situation) is not a new problem. We will be telling our newer variations of these fairy tales now, even as we try to find our way through to surviving these old ones.

Here's the official new trailer. Be warned, although it's not explicit, it certainly hits close to home. Previous trailers have shown the barren versus fertile women and the form of control. With the emphasis in the new trailer on the changing state of the world (pre to mid tale) we have to wonder if it was created specifically to reflect the possibilities of the western world in 2017. It's certainly effective. Take a look:

The series not only has Atwood's seal of approval as the originator (and yes, she is also Consulting Producer) but her enthusiasm and praise, something you don't often hear, whether they hold a credit or not.

In a Reddit AMA*, Atwood had high praise for the first three episodes of the TV adaptation, the only ones she’s seen so far. “Based on what I’ve seen it’s a 10. My criteria: puddle of goo on the floor [by the] end of Episode 3. Gasp. Shriek. It goes farther than I did in the book…” (FTNH Edit: YIKES!) Personally, this has me even more excited for the premiere. 

Atwood herself will have a cameo in the show, as she revealed in a piece for The New York Times. In that same piece, she also reflected on all the historical events she drew inspiration from, her mindset when writing the book, and the way Offred’s narration work as a “literature of witness.” 

“Having been born in 1939 and come to consciousness during World War II, I knew that established orders could vanish overnight,” wrote Atwood, reflecting on the novel’s inception. “Change could also be as fast as lightning. ‘It can’t happen here’ could not be depended on: Anything could happen anywhere, given the circumstances.” (TheMarySue) *AMA is Ask Me Anything

One of the 'redeeming factors' of this show - that is, considering the current circumstances in which watching such possibilities brought to life are not only deeply disturbing but have the danger of pushing folks to real despair - is that the show's overall emphasis isn't on losing hope but about keeping it, despite what may come.

"It's unquestionably a dark world, says executive producer Bruce Miller, "but it's not a dark show. The show is about perspective and not losing the hope of getting your life back."

The show is, as The Mary Sue reminds us "an example of how powerful art has served as not only comfort but as a manual for resistance. In a new featurette, the team and cast of the Hulu adaptation talk about how the show is ultimately one that wants to foster hope." Take a look behind the scenes to see how the cast and crew are viewing the show, and how they see this as an effort to remind us we are never without choices.

The Handmaid’s Tale premieres on Hulu on April 26, 2017.

For those feeling the need for a morale boost, here's an excellent article on how not to lose hope, and how to resist when you feel it's hopeless and you're exhausted. How, even if you're small and quiet, you can still effectively resist. Click HERE.

#RRR

Live Action Fairy Tale Musical 'The Twelve Dancing Princesses' In the Works (& They Just Added Some Broadway Girl Power to the Team)

Yes, it's true - there is a live action Twelve Dancing Princesses movie in the works!

We've been watching the development of this film via Twitter, Facebook and the official website for quite a few months now but things really seem to be ramping up for Prinroc Ltd's fairy tale film, and it's high time we shared its existence with fairy tale folk everywhere!

Here's the official synopsis from the website:

A great mystery shrouds the castle in the Brothers Grimm’s classic fairytale, The Twelve Dancing Princesses.  Every night the king locks his twelve daughters securely in their chamber, but come morning, their shoes are in tatters and it’s clear they have been up to more than just sleeping in the night! 

At his daughters’ refusal to explain, the king issues a proclamation inviting all the princes from realms far and near to come and unravel the princesses’ secret.  The prize for solving the mystery of the tattered shoes?  The winner may take the princess of his choice in marriage and half the kingdom.  But every prince who comes to test his wits against the clever princesses fails in his quest and is put to death. 

One day, a simple soldier appears on the castle steps and begs permission to take up the challenge and win the hand of a princess.  The king allows it, but this soldier is different from all who have come before him in more than just rank.  He has in his possession a magical cloak, the wise words of a good fairy, and quickly wins the heart of the fairest princess of them all.  Will he succeed in uncovering the twelve sisters closely guarded secret where all others have failed?

Intrigued? Take a look at their trailers - although they're at least a year old, you can see they've put a lot of work into the concept and it's only grown more impressive since then:

"The Twelve Dancing Princesses, will feature 12 young women in major roles," said Coady. "We are looking for diversity among our leads, representing young women of all ethnicities, shapes, and sizes," Coady continues, "This film will be a celebration of strong, supportive women on and off screen." In addition to featuring women in lead roles, producer, Ann Marie Lizzi, and executive producer, Michalina Scorzelli, add to the girl power behind the camera. 

Rachel Resheff

Broadway sweetheart, Rachel Resheff, joins the cast of live action fairy tale musical, THE TWELVE DANCING PRINCESSES! With the recent box office success of Beauty and the Beast, and the trend of girl power fairy tale films breaking box office records, Prinroc Ltd's, THE TWELVE DANCING PRINCESSES is a romantic musical romp with a feminist edge. (BW)

With this impressive team bringing a wealth of filmmaking (and Hollywood) experience to the project between them, we know we're in for something special.  (Take a look at the bios HERE - we guarantee you'll be impressed!)

We applaud the approach, the emphasis on diversity and in empowering women everywhere - both for the audience as represented via the story and film, as well as the team in front of, and behind, the camera.

As news - and the movie - develops, we'll let you know. This is definitely one film to keep tabs on!

'Wicked' the Movie Finally Gets a Release Date (Get Out Your 5 Year Planners Folks, It's a Way Off)

Wicked is about to defy whatever force has kept it bound in development for so long and is getting set to 'fly'. Universal has just confirmed the release date of a movie version of the phenomenally popular Broadway musical. It is, however, a LONG way off, as in years. December 20, 2019 to be exact.

(Note: that date is also booked by Disney for a 'yet-to-be-revealed' live action fairy tale', so development on this, and whatever Disney decides fills their slot will be interesting.)

Though it won't be the animated movie fans have been holding out for, for many years now, the movie does promise to bring all the best aspects of the musical to the big screen.

The Broadway musical was based on Gregory Maguire's book of the same name, which was a revisionist version of The Wizard of Oz, told from the point of view of Elphaba, the Wicked Witch of the West. The tone of the book is, however, completely different from the stage play and apart from the themes, has captured people's hearts with the wonderful music and lyrics.

The new movie version will include four, yes, four, new songs, (so yes, it's a musical - how could it not be?) and seeks to cash in on the popularity of a show that's been a hit for fifteen years running, had over five thousand performances around the world, and was the first Broadway show ever to hit the $Billion mark at the box office a couple of years ago.

The film will be directed by Stephen Daldry (Billy Elliot, The Hours) and produced by Marc Platt. The screenplay is to be written by the musical's book writer, Winnie Holzman and composer-lyricist, Stephen Schwartz. Both the musical and the film are adapted from Gregory Maguire's best-selling novel Wicked: The Life and Times of the Wicked Witch of the West. (Variety)

There's no news on the cast as yet, and although fans will be rooting for Kristin Chenoweth and Idina Menzel to reprise their original roles of Glinda and Elphaba respectively, with the story being a coming of age tale, the Producers will almost certainly be (very particularly) choosing younger stars - who can really sing - to bring the roles of twenty-somethings Elphaba and Glinda to life on film.

The movie has a tall order to fill with such high popularity stakes, but, having actually been in the works since 2015, they should have plenty of time to sort out their approach and hit all the right notes, especially as it includes key players from the musical that have kept it so popular.

Folkloric Oscar Nom'd Short 'Blind Vaysha' Now Available Online in Full

Blind Vaysha, a short film with all the earmarks of a folktale, though it is based on a relatively new story, was nominated for the 2017 Academy Award® for Best Animated Short Film. It was recently made available for everyone to watch online in it's entirety and, as intriguing as the trailer was, when the whole is viewed, it's easy to see why this nabbed a nomination. 

If you haven't seen it, it's worth taking the 8-ish minutes to watch. It's very folkloric in feel and form, though, in true modern style, doesn't wrap a neat bow for the listener at the end. It's wonderfully done and feels quite unforgettable...

This short film tells the story of Vaysha, a young girl born with one green eye and one brown eye. But colour isn’t the only thing that’s different about Vaysha’s gaze. While her left eye sees only the past; her right sees only the future. Like a terrible curse, Vaysha’s split vision prevents her from inhabiting the present. Blinded by what was and tormented by what will be, she remains trapped between two irreconcilable temporalities. “Blind Vaysha,” they called her. (Official summary)

In this metaphoric tale of timeless wisdom and beauty based on the eponymous short story by Georgi Gospodinov, filmmaker Theodore Ushev reminds us of the importance of keeping our sights on the present moment.

From Rotoscopers.com:

Using the linocut style, a printmaking variant of woodcut that he has specialized in since age 12, Ushev animated the entire short himself, creating somewhere between 12k-13k drawings. With a unique algorithm at hand, Ushev completed Blind Vaysha in a record six months. 

“You don’t animate characters – you animate the colors,” Ushev said. After separately animating each color and digitally printing, his algorithm superimposed the layers, creating a distinct, hand-printed look. As it kept the colors moving constantly, the algorithm made each frame a unique work of art. The style feels and looks like classic European folk tales, achieving an aesthetic that is both familiar and unusual. In cooperation with what could be considered a dark theme for an animated film, the short mirrors much of the anxiety we feel in today’s world and grants the audience a chance to really interpret the film themselves with a sort of interactive ending.

Canadian actress, Caroline Dhavernas (Wonderfalls, Dr. Alana Bloom in Hannibal) narrates the tale beautifully (both in the French and English versions), as if telling the tale to children, which is the perfect tone, ultimately leaving the viewer with questions - as intended. 

This little film will likely come up again in the near future however: it's rumored that it's now being developed and adapted into a virtual reality (VR) work. We can only imagine how much of an impression this tale will make in that medium!

'Tangled' The Series Revisits Mother Gothel

Nice to see the series dealing with the (some of) the reality that you can't wish away your previous life and bad care givers (understatement!). We know it's been a huge wish of folks who've identified with Rapunzel, to see that her experience of being raised by Gothel, wouldn't get conveniently swept under the rug. Getting you 'happily ever after' doesn't erase the trauma of a horrible upbringing and at some point, it has to be dealt with - more than likely continuously over a lifetime.

While we don't know how this is ultimately handled, or if this is an issue that will recur/be touched on over time, we're glad to see there is an attempt at addressing this enormous issue in the first place.

See the official clip, with proper resolution on YouTube HERE.

We particularly like how there's indication of a headache and mental strain, that is, turmoil from inside Rapunzel (as opposed to her getting zapped from the outside, as if your bad-parent is only an external problem), not to mention the physically manifest messy aftermath of this encounter. We know there are more than a few folks who will appreciate the not-so-subtle symbolism and will feel validated that even though that problem-person is (possibly) in the past, it doesn't mean you've completely escaped your internal prisons.

The episode aired last week (March 24th we believe) so there's a good chance it will repeat again this week for those wanting to catch up.

Kudos to the Tangled: The Series team for addressing this important issue!

Note: For some reason, the embedding function has been disabled on the original clip, which is unusual so the one above is (obviously) someone's at-home recording of the sequence. If you can't see the one embedded above, you can watch the official clip on YouTube HERE.

Theater: 'Mufaro's Beautiful Daughters' (A Zimbabwe Cinderella Story) Currently On Tour

Back by popular demand, this acclaimed production by Dallas Children's Theater is touring the US until May 2017, as well as  a couple of shows back in Dallas in July. Lively, colorful and wonderfully entertaining this 'Zimbabwe Cinderella Story', originally a Caldecott winning book, (made even more popular through Reading Rainbow) and adapted for the stage a few years ago, continues to get enthusiastic reviews.

We wish we had the opportunity to go to this!

Press Release:

John Steptoe’s

MUFARO’S BEAUTIFUL DAUGHTERS: AN AFRICAN TALE 

Adapted for the stage by Karen Abbott Music & Lyrics by S-Ankh Rasa 

After phenomenally successful tours in the 2008-09 & 2011-12 seasons that visited well over 60 cities, Dallas Children’s Theater proudly presents its original musical adaptation of John Steptoe’s, MUFARO’S BEAUTIFUL DAUGHTERS ~ AN AFRICAN TALE. This gorgeous Caldecott Award winning Cinderella tale will be touring coast-to-coast throughout the United States from September 2016 through May 2017. 

A favorite among children and adults, this African story from Zimbabwe was inspired by a folktale collected by G.M. Theal, and published in 1895 in his book, “Kaffir Folktales”. Award winning children’s author/illustrator John Steptoe had always focused on the African American experience in his work, but MUFARO’S BEAUTIFUL DAUGHTERS required him to research African history and culture for the first time. His book was published in 1987, and was acknowledged by reviewers and critics as a breakthrough because it inspires African American children to respect their ancestral origins. Mr. Steptoe hoped that his books would help all young people to take pride in who they are.
Every culture has its rendition of the Cinderella story, but this one’s notion of “beauty” is more than skin deep. Mufaro’s pride and joy, two daughters named Nyasha and Manyara, have very different dispositions. The names of the characters are from the Shona language: Mufaro (moo- FAR-oh) means “happy man”, Nyasha (nee-AH-sha) means “mercy” and Manyara (mahn-YARah) means “ashamed”. Nyasha, the Cinderella character, is beautiful on the inside and out. 

With energy and color the story is told through clear narration, African dance, drumming and song, as well as a splash of audience participation. Playwright Karen Abbot Mufaro, a dignified and caring African villager, has two beautiful daughters. When he leaves for the hunt and the sisters are alone, Manyara is always angry, while Nyasha is positive and kind. Chenzira, a messenger, brings word that the Great King is inviting all of the “Most Worthy and Beautiful Daughters in the Land to appear before him” so that he might choose his Queen. Mufaro is very pleased that both of his daughters should be selected and agrees to accompany them at sunrise. That night, Manyara, believing herself better and prettier than her sister, sets out alone so that she can be presented to the king first. What will happen to each girl as she responds to hooting owls, enchanted trees laughing and the other strange beings she encounters along the way? 

 

DCT’s Executive Artistic Director and director of the play, Robyn Flatt reunites the same dynamic artistic team to once again bring the enchanting folktale to vibrant life. Scenic Designer Randel Wright re-imagines an abstract African terrain where sculpted spirit poles glide across the stage to transform the setting from an open space to a lush forest. Barbara Cox continues as Costume Designer adding new flare to the already colorful African garb. Combining authentic African drums and Kora (harp), S-Ankh Rasa’s compelling original score, lifts the story to exhilarating musical heights. Pulling all the artistic elements together with majesty and grace is the classic yet modern choreography by Michelle Gibson. 

Don’t miss the splendor and energy of the stunning Zimbabwe region. With traditional African song, dance and drumming, come celebrate a rich and colorful culture along with goodness, generosity and love! 

Most enjoyed by ages five through adult or grades K through six.

Here's a promotional video from the 2011 season, to give you a taste of the show. It looks wonderful!

Check HERE to get more information on which cities they're visiting and when.

'Pupa', An Irish Pinocchio Inspired Tale with a Relevant Difference

We didn't get to promote this in time for its run, which ended on Saturday March 25th, but wanted to quickly highlight it anyway to put it on your radar for the future.

Created by Limerick puppeteer Emma Fisher, who also writes and designs, as well as performs with the puppets, this show is definitely a more adult inclined take on Pinocchio, which sounds like it has parallels with The Girl Without Hands as well. (Emma's previous show, 'Spun', considered 'notable' and 'impressive', was kid and family friendly.) Shown at the Lime Tree Theater, by Beyond the Bark, in Ireland this past week., we hope there will be future opportunities for folks to catch this one.

From the press kit:

Pupa 

The freakish metamorphic tale of us. 

A puppet girl struggling with her disabled part splits herself in two, casts off her disabled part and banishes it to the room of forgotten limbs. A puppet boy falls from normality, breaking and reforming. They both go on separate quests to find a sense of wholeness. As they navigate a dark world they encounter many characters on their way- a wise bug, fragmented and broken bodies, singing mouths in jars, and silence. 

Pupa is inspired by the fairy-tale Pinocchio. Transforming and metamorphosing from abled to disabled, such as when he burns his legs of at the fire, along the way Pinocchio is helped by many characters who share their stories with him and make him who he is. 

Pupa derives from the Latin for puppet meaning girl or doll, and is also used to describe the middle stage of an insect’s metamorphosis before it re-emergens as a new creature. This is a metaphor for the transition from able to disabled within the play. 

By mixing puppetry, mask, ceramics, song and film, we will tell the freakish metamorphic tale of us. Audiences will be lead through a multi-sensory, interactive, Kafkaesque, telling of Pinocchio as never seen before.
In a land where we are all different, we question what normal even means, looking at how people with disabilities think society sees them. We are telling stories of coming out/identifying as disabled and navigating the grey area between disabled and abled.

A cool tie-in to note, Beyond the Bark hosted a special puppet-making workshop during the preparation for this show with world renowned puppet and prosthetic hand maker, Ivan Owen, along with creator and Artistic Director Emma Fisher.

A little more about the names behind the creation of the puppets for the show:

IVAN OWEN:Makerspace Lab Manager at the University of Washington, Bothell & an interdisciplinary artist exploring a wide range of topics. Co-inventor of the first open-source 3D printable hand prosthesis & a volunteer for the e-NABLE open prosthetics community. His past work has included musical composition, metal casting, jewelry, recreations of medieval armor and costume and prop making for stage and screen including Modern Family and Outrageous Acts of Science. His most recent project has been working with Emma Fischer to create a functional, wearable mechanical artistic creation & with her exploring ways in which digital fabrication can be utilized in puppetry.
Examples of some of his past & current work can be seen here:

• youtu.be/SHX2DIpQr6I - large wooden mechanical puppet hands

• youtube.com/channel/UCd8D_QoTmynRkAd_hGTkgBQ - youtube channel

EMMA FISHER:Artistic director of Beyond the Bark inclusive puppet and installation theatre, puppeteer/puppet maker, writer and set designer. She is an Irish Times theatre award nominated designer. She has taught puppetry at The London School of Puppetry, Mary Immaculate College and schools, hospitals and community centers across Ireland and the UK. She is constantly pursuing new techniques in puppetry and is delighted to be working with and learning from Ivan Owens on a Travel and Training funded by the Arts Council. www.beyondthebark.ie and http://emmacfisher.wixsite.com/emmafisherdesign

Keep an eye out for these folks and their work! We have a feeling we'll see more adapted fairy tales in the future from these people.

How Did Gaston and Le Fou Meet? (Disney Enlists Kids To Create Stories Inspired by BatB, and Turns Them Into Short Films!)

Possibly our favorite things about the gigantic release and popularity of Disney live action Beauty and the Beast, is the creativity boom in so many areas as a result, a large focus of which is on reading and storytelling. (Yay!)

Disney themselves are participating in encouraging this as well, which makes it even better. Some of their publications are focused on 'what you can read' if you want to read like Belle, or mining the earliest written forms of Beauty and the Beast (Villeneuve and Beamont) and republishing in various ways, not to mention emphasizing storytelling and eco-conscious creation through fashion and foot ware. The best of the initiatives we've seen to date, however, is likely a writing and filmmaking collaboration with non-profit group, Young Storytellers, who aim to give a voice to low-income students by helping them write their own stories, through a one-on-one mentorship, and see them brought to life on stage and screen.

Partnering with Young Storytellers* and Tongal**, Disney enlisted the creativity of kids by giving them a pre-release showing of the movie on the Disney lot, then asking them to come up with stories, or 'spin-offs', based on their favorite characters. (* Young Storytellers is a non-profit organization in Los Angeles. "Every child has a story worth telling." **Tongal is an independent creative network with a global community of more than 120,000 writers, directors and animators) 

The title of the project was 'Beyond the Castle: Stories Inspired by Disney's Beauty and the Beast'.

(T)hey were paired with their mentors to write scripts inspired by their favorite characters from the film. Tongal* then matched these Young Storytellers'** scripts with its network of creators who turned them into live-action and animated short films...The Young Storytellers got the added surprise of seeing their projects come to life on the big screen with a premiere at the El Capitan Theatre in Hollywood. After the screening, they were surprised by a video greeting with actors from the film, Luke Evans (Gaston) and Josh Gad (Le Fou). (Hollywood Reporter)

Four talented young people were chosen to have their stories made into short films. Here are three of them (we can't find Acacia's story and film, Cooking Catastrophe but have no doubt it's just as wonderful as the others and hope it will be available on the Young Storytellers' YouTube Channel to see soon!).

This one is by 12 year old, Robert Nelson, who imagined how Gaston and LeFou might have met.

“LeFouston” from “Beyond the Castle: Stories Inspired by Disney’s ‘Beauty and the Beast’"

The video was created in stop motion by Tongal creator Kevin Ulrich, with music by Trevor Gomes.

"Pug in a Cup" from “Beyond the Castle: Stories Inspired by Disney's Beauty and the Beast"

Written by Hana Morshedi (age unknown) and directed by Tucker Barrie.

“Beauty and the Curse” from “Beyond the Castle: Stories Inspired by Disney’s ‘Beauty and the Beast’"

Written by Tamara Sims (based on her short story “Changing Ways”, age unknown) and directed by Maya Rudolph.

Many congrats to Tamara, Robert, Acacia, and Hana!

Here's a peek behind-the-scenes of these young people's storytelling adventure:

A brilliant and successful collaboration thanks in large part to the ongoing amazing work by Young Storytellers, along with Tongal and Disney. We only wish more kids got an opportunity like this, or are being encouraged to do this themselves with their own resources.

You can find out more about Young Storytellers and how to help with wonderful programs like this, by clicking the link HERE.

It's Almost Time to Bid Farewell to NBC's 'Grimm'

We knew it had to happen eventually but feel it's worth mentioning and yes, celebrating, as it goes into its final couple of episodes this week and next.

This dark fantasy procedural was a landmark show in bringing fairy tales and folklore back to the mainstream public and has been doing so for six seasons* (though props should also go to Supernatural, who have been maintaining their following and are currently in their twelfth season, albeit it to a less mainstream audience).

Original poster for season 1

NBC's Grimm began the dark fairy tale-meets-procedural with a 'monster of the week' type approach, in October of 2011. There was effort right from the pilot to show fairy tales in a different light and use the tropes in different ways, with a lot of folklore mixed in. That eventually evolved into its own show, hastily evolving past the teething troubles where it had a tendency to have damsels in distress to being more empowering for everyone, surprising more than a few executives and critics, earning it the title of 'the little show that could'.

One of the most fun aspects for folklore and fairy tale folk has been the use of quotes from tales and classic texts which, when followed (and the source figured out), provide huge clues as to the themes and underlying details included in that week's episode. More than a few lesser known tales were mined for quotes as well as some quite obscure ones, which was wonderfully refreshing to see too.

Some episodes have been more successful than others but when the show began to truly build its own mythology, and 'Scooby gang', working in tales and folklore along the way, that the series built a strong and loyal following. (Click HERE for a list of characters, including Wesen types, that have been introduced throughout the series to date - scroll down for the creature list and their episodes.) The show is currently in it's sixth, and last, season and though it can be recognized as being the same show, the season arcs have changed the feel of the show quite substantially so episodic stories aren't used as often, so much as exploring how a piece of folklore (or creature) might be at home in this universe where people are often more than they seem.

Humans live and work alongside 'Wesen', or people who are part human and part creature (often from myth or tales). The lead character, Nick Burkhardt, is both a police detective and, as he discovers in the first few episodes, a 'Grimm', a human of supernatural abilities who are traditionally 'reapers of Wesen' (read, hunters and exterminators). Our Grimm, however, seeks to find common ground between Wesen and humans and the series follows his journey as he does this (and investigates weird, and largely Wesen crimes), with varying amounts of success. His 'Scooby gang' expands along the way with at least half of them being Wesen and the viewer, along with Nick, discovers the history, traditions and 'real' folklore along the way. The more the seasons went on, the bigger and more involved this world got, along with ambitions, conspiracies and much more, all having a lot of fun with history, urban legends, fairy tales and lore along the way. More creatures are discovered with cultural traditions and rituals (all with interesting names that drive etymologists crazy in their inaccurate use of German and Latin!) showing the viewers how similar to humans all of them are.

The show's themes and statements on inclusivity, as well as the need for cultural understanding and respect have been timely throughout the years, addressing equality (and the current remaining lack of it in surprising places), no matter the nationality or socio-economic status, as well asking the same for interracial marriages, their offspring, orientation and preferences. It's been one of the aspects that's endeared fans to the show, with the unwavering stance on acceptance and the need to build bridges when we have the power to do so, even if it's personally difficult.

Not at all coincidentally, many of these same things are what attract us to fairy tales: in reading a wide variety of tales from around the world you begin to see they show both the sameness of humans across the world, while at the same time celebrating their unique cultural identities. It's not difficult to see why fairy tales fit with these themes so well.


Though faithful fans have been running campaigns to get the show picked up on another network or by Netflix or Amazon to give it a new and longer life, the writers, knowing the show would be finishing, wrote this final season with a view to finish the stories. Interestingly, the episodes, rather than focusing on an apocalyptic scenario (though that potential is there), the emphasis seems to have been more on the 'intimate' aspects of the show for most of the season; the characters relationships to each other, to the town and to Wesen integration as part of normal society. The writing has been solid and satisfying, while not too flashy, making it look more stable than ever, as ratings would attest to. While you want a show to finish on solid ground and go out looking good, it's also bittersweet. Fairy tales aren't as obviously an inspiration in this last season (though they're in there if you know where to look), but specific folklore from around the world most definitely is. The stories, however, are told in a way that make them more about Portland and its citizens, as well as the personal journeys of the beloved Scoobies, and, in a move that's created a sophisticated departure from the original, and sometimes dismissible, 'monster-of-the-week' shows, it's only making viewers love Grimm more.

               

Some pretty neat fan art... 

... created in the style of Ivan Bilibin
by alex_jd_black

Many of this season's episodes can actually be seen to be a metaphor for the show itself as it finishes, which will make for interesting re-viewings once the whole story has been told, while the tag line for these last couple of weeks is that the show is "going back to the beginning". It was at the beginning that the use of fairy tales was the most obvious (some would say heavy handed), so we're interested to see how they bookend Grimm with its developed mythology and popular characters. We presume that 'end' aspect will become more evident in the second last episode (airing this evening), as all cast and crew have confirmed that the finale of this series is clearly an 'end', and one they're reportedly happy with.



Grimm certainly isn't for everyone. The horror/gore aspect is sometimes a challenge for sensitive folk and there is very little of the fairytale-typical fantasy and happily-ever-after vibe, that keeps viewers watching other shows, but there is humor, wonderful characters (especially in the Scooby circle - shout outs to #monrosalee, #drewwu, #hexenschade, #dianahoneybadger and #meisner), fun locations (the trailer, the spice shop, monroe's house, the cabin in the woods, the Portland forests) romance, tons of fairy tale 'Easter eggs', wonderful one-liners, mystery and overall a lot of fun playing with tropes, history and folklore, not to mention every now and then it hits you with something very important. We're going to miss checking in to see what's been developing in the Grimm universe and we'll make it a point to be watching as it says goodnight.

PS Here's some adorably-wonderful advice to baby Kelly, (Nick and Adalind's half-Grimm-half-Wesen son) on the need to step up as the show closes.

Recommended reading - we wrote a detailed review HERE

* For comparison, Buffy the Vampire Slayer ran seven season, with a break after the sixth when it finished, then was renewed on another network, giving it one unexpected last season to wrap the multiple story lines. ABC's Once Upon A Time, which began around the same time as Grimm, and is also in its sixth season, has rumors about this being the last one as well, though that is unconfirmed.