Sunday, April 6, 2014

Ask Baba Yaga: I Am a Practical Adult Who Can No Longer Feel Wonder

Vasalisa by Mia Araujo
Is it possible to squee like a fan girl about Baba Yaga? Because she's talking about FAIRY TALES today!

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

Oh boy - I am SO glad this came up! 

This is something I used to worry about, big time, especially when I was a child. I looked at the bored, unhappy and unfulfilled grownups around me and worried I, too, would dry up into a husk of adulthood and lose the wonder that kept me curious and creating, not to mention my will to keep trying. If I woke up one day and that "power up" I found in fantasy and fairy tales was gone, how would I bring back the magic? 

This is a problem I see adults struggle with. All. The. Time. And I get asked about it a lot too, being so obviously fairy tale inclined. Unfortunately I rarely have a good answer, other than "nurture the wonder...' But I think Baba Yaga has illuminated an important point.

Ironically, it may very well have been my fear that kept me plugged in and in pursuit of the wonder, because now that I'm not only a certified adult but well into the "is that a gray hair?!" crowd, I'm certain I will always be one of those people who says (in a hushed Sixth Sense voice): "I see fairy tales..."**

But you're not here to read my thoughts on this - you get that pretty much every day. 

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.
** Actually, it's only gotten worse as I've gotten older. Baba's right - wonder is always mixed with fear. It doesn't have to be fear of the 'thing', it can just be fear of yourself (and I have plenty of that). It's one of the reasons I'm not so averse to this " dark fairy tales" trend, or of delving into the shadier sides of the stories. When you've been surrounded for a long time (as we have) by bubblegum and glitter tales, they lose their strength and ability to bite when you need them to. I like my stories to be strong and my fairy tales to have teeth...

Friday, April 4, 2014

Theater: "The King Stag" (A New Production with Puppets from the Creators of "War Horse")

There's a new production of The King Stag being staged by the University Theater of West Michigan (WMU) and this one has been created under the mentoring of some world class puppeteers (rehearsal photos  - as well as those figuring out the puppet designs - are shown throughout the post).
This is an 18th century Italian Shakespearean-esque fairy tale of love and sorcery being retold with very playful sense of humor in a Commedia dell-Arte** play (albeit with some key differences due to the large scale, multiple-performer controlled puppets). It has "entrapped wizards, talking birds, enchanted busts and magical spells that cause the souls of the characters to switch bodies"*- all while the audience watches with comedic delight.
The classic comedy by Carlo Gozzi is having a revival, of sorts, in theatrical circles in the past few years (very possibly being helped along by the rise in popularity of deer people - and people enchanted as deer - tales from the Celtic to the Native American) and usually, the young man, enchanted in the form of a stag, among the other animal-like characters of the court, is played by humans.  This production is handling the story a little differently:
King Stag is a magically funny fable in which men transform into creatures and creatures transform into men. Through a sophisticated blend of live actors and puppets created and directed by guest artists from the Puppet Kitchen in NYC and Handspring (creators of War Horse) in South Africa,King Stag will challenge the boundaries of imagination and contemporary creativity. Lose yourself in a world of powerful magicians, heart-sick lovers, whimsical servants, and a giant bear—all in pursuit of true love.
The play is intended for people of all ages (barring the very young - the suggested age is 10 and above), and promises to be a lot of fun, especially with the likes of Handspring involved!
Here are one of the University's promotional videos, showing behind-the-scenes of the puppet-building and their performance challenges as a result.
Here's a blurb about the play by Carlo Gozzi from an earlier production. The University Theater production follows the same story, of course. They just tell it a bit differently.
Carlo Gozzi's magical tale brings to life King Deramo, the faithful Angela who loves him, his treacherous prime minister Tartaglia, several hare-brained members of his court, a magician, a parrot, magical stags, and a giant bear.It's a fairy tale for all ages, a story of love and betrayal, intrigue and mirth, magic spells and pageantry.It is a fantastical and at times satirical look at the destructive vices of ambition, jealousy, and lust, and the power of true love to transform and transcend them all.And like all good fairy tales, "The King Stag" is not only about enchantment. It's also enchanting.
If you love Commedia Dell-Arte, this is one play you will want to keep your eye out for. Every production I've seen mentioned dives deeply into the Italian street theater tradition and really, just looks like a lot of fun. You can see some performance photos by The Curtain Theater in California HERE. They have one stag puppet and make wonderful use of masks and stage their play as if it were being performed in an Italian street.

There's also a completely different and modern take on The King Stag, though still using Commedia Dell'Arte, by the Shanghai Academy HERE, and it should be mentioned that Julie Taymor also designed a production of The King Stag early in her theater career as well. You can see some photos from that HERE.
The performance premiered yesterday on April 3rd (Thursday) and will run through the 13th. You can find more details on times and about tickets HERE.

*Quote about the play elements from a different production HERE.
** Commedia Dell’Arte is a Rennaisance Italian Street Theater Form which is known for broad comic situations featuring stock characters (many of which are recognizable today), physical comedy, improvisation and clowning.

Thursday, April 3, 2014

Dancing Ghosts and Haunted Shoes in Fairy Tales (+ The Most Adorable Little Short!)

A little ghost Singin' in the Rain (fan art) by Cellsai
Are there ghosts in fairy tales?

The answer isn't as straightforward as you might think. The dead - and symbols of someone dead (especially beloved dead) are fairly common in fairy tales (eg the help Cinderella receives from birds in the Grimm version are symbolic of her mother watching over her) but actual ghosts, not so much. Unless you're talking Irish fairy tales. Or Japanese. But then these are more often "spirits" than the ghost of someone people/the characters knew passed on.

There is a whole category of folktale categorized as The Grateful Dead (and Heidi of SurLaLune is busy working on a collection of these! I can't wait!) but usually these aren't classic ghost stories in the usual sense either.
Enchanted - or haunted - objects appear every so often as well but not usually in the modern sense of the word haunted. I often wonder, though, what on earth happened to those red shoes, once they were cut off Karen's feet? Did they continue dancing through the ages? Did they change form and haunt other people who had to dance or they felt they would die?

OK, I admit it. I don't have a well researched and deep article on this topic for you. It's really an excuse to bring you this completely delightful little animation I saw for the first time today. It will at first puzzle you, then make you smile wider and wider the longer you watch. Full disclosure: I had to watch it over again immediately when I first saw it, so consider yourself warned. ;)

Lovers of musicals, prepare to fall in love again:
Seeing a short like the one above makes me wonder: what if one of the Twelve Dancing Princesses was caught in that limbo or underworld land because she loved dancing so much and was doomed to wander and dance alone for the rest of her days? What if that princess found her way to the abandoned stage of a musical?

Or, what if the spirit of Karen (the girl from The Red Shoes by HCA) was forced to walk, er float, upon the earth (considering her feet were cut off). I would think that perhaps the saddest thing for her would be not necessarily that she was dead, but that she couldn't dance. And what if she found some shoes that continued to dance by themselves, long after their owners stopped? What would her response be?
I should go look up that Ferragamo exhibit o shoes again (The Amazing Shoemaker - Fairy Tales and Legends About Shoes and Shoemakers), which JUST GOT EXTENDED THROUGH TO MAY 18, 2014! No doubt the topic of ghosts or shoe haunting will be addressed there in some form...

{Aaaand this is how my hooked-on-fairy-tales brain works, much of the day... be glad you don't live inside my head. }

As always, feel free to add your own crazy thoughts and/or studied insights in the comments below. The whole topic is pretty fascinating and I'm sort of surprised there isn't more literature available on it regarding fairy tales in particular. Folktales however, I'll bet some of you have entire shelves just devoted to those, and we'd love to hear about it.

Now, I'm going to go watch the short again...

Note: I'm sorry I don't have much information on the animator. All I know is that they're Japanese and I can't access the websites they appear on without an account. Your best shot is to go to the Vimeo address and leave a message, or follow up via that way. Good luck!

"Maleficent" Banner Released Today Shows Us Sleeping Beauty's World (& What Kind Of Movie This Really Is)

The new banner poster for Maleficent - click to see much larger image
We saw a blurry three quarter view from a pic taken at CinemaCon but here's the full image of the World of Sleeping Beauty and Maleficent (original source). Best of all, it makes it clear what kind of movie this really is: an epic family fantasy adventure blockbuster movie, on the scale of Legend.

You must admit, Disney are really good at these 'world of' teaser banners. They definitely call to mind the epic fantasy paintings from series book covers like The Belgariad (remember those?) and similar. Both the US Alice in Wonderland and the Oz the Great and Powerful banners are gorgeous looking, no matter what you eventually thought of the movies. (You can click on the posters below to view them a bit larger but you get the idea: world = magical). I just hope Maleficent proves to be much better than either, and is better at capturing the imagination - like Labyrinth, Legend and ET were, way back when.

I also really, REALLY hope it's good, because there has been a decided lack of family fantasy movies in general* for the last 30-ish years (other than animation or talking animal movies) and although my son has just reached that wonderful age where I can show him some of the classics (there has been some serious pleading to get a "My other ride is Falkor" license plate for our car), I'd love to have him experience the currently-in-theaters, en-masse-social-excitement for a new fantasy or fairy tale film that I had when I was his age. Not to mention, if Maleficent does well and hits the magical, substantial yet not TOO dark, target for families, we'll get more fairy tale family movies in the near future - that's just about guaranteed.

Seeing fairy tales in the theater when you are still at that age where Santa, The Easter Bunny (and in our house, Baba Yaga's Monster Chicken) comes to visit you every year makes a huge impact on a person and not just as an escape or piece of entertainment. I dearly hope Maleficent is something I can take him to see. And it means we'll get help raising a generation of people who love and are aware of fairy tales again.

For something to compare the foreign fairy tale marketing, here's the Italian poster, which has the added subtitle "The Secret of Sleeping Beauty". What are your thoughts on the different approaches? And does the "world reveal" of the top poster make you look forward to the movie or worry that we're about to be treated to another disOZster?

*Yes, we've had the Harry Potter film franchise but honestly, I can't really show more than the first two to my kid yet. They get darker and darker with every sequel too, so, true family films, notsomuch. We had Narnia (The Lion, the Witch and the Wardrobe) and the sequels but only the first one really made any sort of social impact. The Golden Compass was epic but rather high concept and difficult for the under-tens to understand and enjoy and Stardust just wasn't little-kid-friendly conceptually (and check the dates on all these movies too - they were quite far apart). There have been smaller films (and a number of more recent foreign films) that have been excellent but not many people seem to know them. Sadly, most of the really big fantasy films have been for teen and older audiences: Pan's Labyrinth, Lord of the Rings, The Hobbit,  Red Riding HoodSnow White and the Huntsman, Jack the Giant Slayer etc or they've been so effects-dependent with subpar writing, eg Oz the Great and Powerful, that the magic and possibility of jump-starting kids' imaginations has been sucked right out. While I adore grown-up fantasy movies, I'd really love my kid to grow up loving fantasy and fairy tales being buzzed about in popular culture as well. It feels a bit like everyone who grew up watching The Neverending Story, ET, The Princess Bride, Jumanji, Legend etc went on to make Lord of the Rings or Doctor Who and forgot to make good quality fantasy their kids could participate in viewing and loving as well. It's about time it came back around to an epic but family friendly fantasy. Hopefully this will fan the flame of good family fantasy and fairy tale movies and perhaps spawn some TV series in the same vein as well. (More Storyteller please!)

Wednesday, April 2, 2014

I'm Over at Tales of Faerie Today! (Where You Can Learn All My Secrets...)

My thanks to the lovely and talented Kristin for having me on her blog for an interview!

Kristin's blog, Tales of Faerie, can be found HERE, as well as regularly at the top of the Other Fairy Tale News Sources in the column on the right of OUABlog page.


She is one of these people who writes on fairy tales the way I wish I could. Her posts are fascinating, well researched, thought provoking and honestly, I kind of wish she was posting for me here.

We are lucky to have her as our fairy tale friend and blogger, who shows with every post why fairy tales are both fascinating and important.

Curious about the strange brain behind this blog, Kristin asked me a few why's and wherefore's you may be interested in.

You can find the interview HERE

(And you'll then understand why I've posted these pictures of a retelling of the Cupid & Psyche story as well...) 

I love the illustration Kristin uses in her banner for her blog (the double page is shown below). It's by Angela Barrett for Beauty and the Beast and reflects Kristin's blogging style really well: clearly fairy tales, good quality content and detailed research as well as thought provoking topics. It's one of my favorite places to visit and should be on your fairy tale must-reads list as well.
Beauty & the Beast by Angela Barrett
*Till We Have Faces by CS Lewis, vintage book covers by Time Life

Burton's Poppins Movie Rumor A Viral Publicity Stunt (April Fools!)

Is anyone really surprised, despite that it happened a couple of days early? (You can read about the reason behind the stunt HERE.)

t certainly confirms the trend of people wanting backstory-stories though, not to mention the odd-mother thing. Maleficent is certainly not your average fairy godmother, is she? And Helena Bonham Carter is giving Bibbidi-Bobbidi-Boo a new flavor too. Even if the enormous response/buzz hasn't swayed Disney toward something else Burtonesque, I have no doubt the response will help the company solidify some decisions on their Descendants movie and possibly other projects in the potential pipeline as well.

In the meantime, please return to your regularly scheduled Poppins. ;)

Happy Birthday HCA!

Hans Christian Andersen by David Levine
Today - April 2nd - is the birthday of beloved literary fairy tale writer, Hans Christian Andersen. Born in 1805, he would have been 209 this year.

I saw this drawing by well known political and newspaper cartoonist David Levine and thought it went very well with one of Andersen's famous sayings, taken out of his autobiographical fairy tale, The Ugly Duckling:
"Being born in a duck yard does not matter, 
as long as you are hatched from a swan's egg!"
Speculation suggests that Andersen was the illegitimate son of prince Christian Frederik (later King Christian VIII of Denmark), and found this out some time before he wrote the book, and then that being a swan in the story was a metaphor not just for inner beauty and talent but also for secret royal lineage. (Edit FTNH: Theories still persist that Andersen was the bastard son of King Christian VII of Denmark.)
Bruno Bettelheim observes in The Uses of Enchantment that the Ugly Duckling is not confronted with the tasks, tests, or trials of the typical fairy tale hero. “No need to accomplish anything is expressed in “The Ugly Duckling”. Things are simply fated and unfold accordingly, whether or not the hero takes some action.” In conjunction with Bettelheim’s assessment, Maria Tatar notes in ’’The Annotated Hans Christian Andersen’’ that Andersen suggests the Ugly Duckling‘s superiority resides in the fact that he is of a breed different from the barnyard rabble, and that dignity and worth, moral and aesthetic superiority are determined by nature rather than accomplishment. (Source: Wikipedia)
Of course, that didn't stop Andersen from trying to accomplish as much as he could manage, to continually improve on his achievements and forever seek out recognition and acceptance. At the time of his death, however, he was already considered a National Treasure. And now, over 200 years later, he is even more beloved all over the world.

Tuesday, April 1, 2014

All Fool's Day (aka The Day We Remember Not To Believe Everything We Read On the Internet)

Update: My apologies for this late addition! Apparently I closed the post after saving but without publishing, so it didn't post when it should have.
Ah yes - I should just schedule this day as a day off from the news. In fact, I'm not even going to bother checking headlines until tomorrow because, well, you know... :)



April 1st is a day we can't even believe Google (and should be very wary about the 24 hours before as well) but it's a good reminder at how any one of us can be fooled - and by anyone.
Ivan the Fool is a staple character in Russian fairy tales, very much like the English Jack and the German Hans. The difference is that Ivan is not just an everyman but simple (sometimes simple-minded too), likable and especially lucky.



While I tend to like most Russian tales for one reason or another, I'm just as drawn to Ivan as I am to the English Jack but for slightly different reasons.



Wikipedia puts it well:
Unlike typical heroes, it is Ivan's simplicity and lack of guile that turn out to help him in his adventures. For example he listens to his heart, rather than his mind, he easily forgets offence and endeavours to help others even at his own expense. His naivety, kindness and daring help him fight villains, make friends, win princesses' hearts and ultimately he is rewarded with half a kingdom or some similar accomplishment. 
The moral of these stories is that Ivan The Fool is rarely the fool, he is merely perceived as such by others owing to his simple nature and joviality.


I recently found these lovely illustrations by another incredible Russian illustrator, Igor Oleynikov, who was recently nominated for the 2014 Han Christian Andersen Award, and have been keeping them for an appropriate post. It occurred to me that today is perfect for them. Unfortunately I can't read Russian and the images don't make translating very easy. All I really know, apart from Mr. Oleynikov being the illustrator, is that the title of the book is Ivan the Fool and that it's an adaptation of Leo Tolstoy's literary fairy tale*, Ivan the Fool, retold by the loved and respected Russian children's poet, Andrei Usachev (published 2008). The fairy tale is also titled The Old Devil and the Three Small Devils or A Lost Opportunity.


Just from the illustrations it looks a lot like a few fairy tales I'm vaguely familiar with, combined into one, though the green bearded goblin-looking creature is actually supposed to be the/a devil in this story (who is defeated, of course).

A little fairy tale bonus for the day:
HERE's an online English translation of Tolstoy's fairy tale, thanks to the University of Adelaide in Australia.

Ivan the Fool

* It's Tolstoy so yes, expect a political agenda in this tale.

Monday, March 31, 2014

Breaking News/ Rumor Mill: A Tim Burton Poppins?!

Note: Before the purists roll their eyes at my posting on Mary Poppins, please note: Poppins is a magical caretaker/late revealed otherworldly godparent/magical meddler - a type of character which is common in fairy tales, so it's not too much of a stretch to be discussing her type and iterations of her in a fairy tale news blog.  But yes, I agree: Mary Poppins doesn't fit the base definition of fairy tale.
All it took was a single tweet, a fan made poster and vague memories of Disney talking to Burton about something like this and the social media networks set to buzzing like crazed insects this past weekend.

The poster (yes, it's fan made - not from Disney) is at the head of the post. And here's the tweet that sparked the crazy:
And the article* that followed it:
Today, (March 29) Tim Burton announced on his Facebook page that he will be teaming up with Disney to create ‘Poppins’. It will continue the story of Mary Poppins.
The poster looks like we should be expecting a different side of the Mary Poppins universe, a much darker side.
It should be hitting theaters November 2016. We’ll keep you updated!
Whatever the case of true or not, the response has been interestingly polar. Comments are basically "cool", "aw YISS!" and "perfect fit!" then jump to the other end of the spectrum which reads "no, no, NO" and "Burton, step AWAY FROM THE POPPINS!"

Interestingly, I scanned a variety of social media, looking for key words rather than fans for or against,and the scales are definitely tipping toward the "we like this idea" end.

Problem is, I'm fairly certain (in the 80 to 90% range of certain) that this is pure rumor and speculation. At this point anyway. I DO think, however, that there's a good chance this rumor was gently encouraged to spread to see what the response would be, prior to approaching the idea for real. (Call me cynical - it wouldn't be the first time, nor the last.) Considering we've just had Saving Mr. Banks, I'm a little surprised at how much credence this is being given, but then people are quite aware there's nothing like milking a franchise either. Perhaps it was the addition of Winona Ryder's name being added to the possible-Mary's list..? The internet definitely has it's own version of Chinese Whispers.

A reason someone could put any stock in the possibility at all, is because of some not-too-ancient-history sort of information being dug up and quoted like this (from two Italian papers in the last couple of days, for some odd reason - also, translation is auto, not mine):
A Jolly Nightmare by Brianna Garcia

Johnny Depp  and  Helena Bonham Carter  will star Poppins , the new film by Tim Burton made ​​in Disney announced for 2016.  
It 'a few years ago that Disney thinks of a remake of Mary Poppins. In 2011, it was reported on the decision to entrust the direction of the brilliant and unpredictable Tim Burton, and then, though, he's talked more. But what it means to have been abandoned. In fact, things have gone pretty far. And now here come interesting news. The film's release has been announced for the end of 2016, the protagonists are two actors quite dear to Burton Johnny Depp in the role of Chimney Sweeps and Helena Bonham Carter (who is also his wife) in the title role. 
Based on the series of novels written by Pamela Lyndon Travers, the first version of Mary Poppins in 1964 and was directed by Robert Stevenson, the main character was given to Julie Andrews (who won an Oscar), while it had the Chimney Sweep appearance of Dick Van Dyke.Before Burton, Disney and Rob Marshall had thought he had mentioned the name of Nicole Kidman for the main part. Then, however, have changed the cards on the table. 
The screenplay was written by Linda Woolverton ( Alice in Wonderland ), which kept the London setting of '900 and has focused mainly on the mysterious origins of Mary Poppins adding those dark elements so dear to Burton. 
We're really excited  - he said some time ago the president of Disney's Rich Ross -  of this new collaboration with Tim Burton. The competence and vision put into play with Alice in Wonderland made ​​us understand that it is the right person to bring this great story to the movies with the help of latest technology. It will be a spectacular film. And Helena Bonham Carter is just perfect in the multi-faceted role of Mary Poppins . " 
The film will be shot in  native 3D  with a budget of $ 150 million, and will result in a large deployment of special effects not only to rebuild the London of 1910, but also to recreate the magical world where Mary Poppins leads the young protagonists, and that in the original film had been created in 2D animation, with one of the first successful mix of animation and live action.Mary Poppins  will then become the next Tim Burton film after  Dark Shadows , which starts shooting this month. All other projects in which the director was working on, including The Addams Family  and the retelling of  Sleeping Beauty  by Disney produced their own (named  Maleficent ), will then be postponed. 
(Source HERE)

Mary Poppins by Matt Howorth
There seems to be a bit of mixed information here, some old, some adjusted for new information (did they mean Dark Shadows 2?  - which I haven't heard about - Or did they mean the original Burton Dark Shadows and that's the context for some of this?) and some sort of magical speculation for the rest. Where that Disney quote came from (and who said it) remains a mystery. We'll just have to see if Disney have anything at all to say about the hype this past weekend caused.

Depending on how long you've been a reader of this blog you are, or how consistently you catch up on the posts you may (or may not) know that Mary Poppins is one of those movies (and characters) that always creeped me out as a kid. As an adult it didn't get any better. P.L. Travers' books don't give me the same heebejeebies but the Disney film? Nightmarish. When the Scary Mary recut trailer appeared I felt vindicated that someone had finally seen my point of view.

Here's a post I wrote in an old blog (Remember Live Journal? Yeah, that old!), from 2008:
A character that's always bugged me is Mary Poppins. From the first time I saw that Disney film I was disturbed by this apparently perfect, almost emotionless, amazingly powerful woman with an agenda that's never revealed. She seemed alien to me and not at all comforting. if she'd been my nanny I would have had nightmares. As it is I just find her disturbing. Even with all that singing and dancing I was always aware of the ice in her eyes and the strangely perfect precision of all her movements and actions. I felt like Bert was under a spell, and not a good one. Oddly enough her arrival in the sky with the umbrella was like a black cloud appearing and it didn't go away until she blew away too. Despite this, umbrellas - and their potential to fly you away to distant places - are a wonderful image for me, as are dancing on chimneys and sidewalk paintings you can jump into, but my enjoyment of these is greatly disturbed by the shadowy, threatening presence of Miss Poppins. It's the cold perfection that I find completely inhuman and ultimately dangerous. I'll have to read the books to see if I can get a different sense of her but I always felt that she was really a personification of the Snow Queen and that the film was only ever Act I of the story. Act II, in which her sinister plan is revealed, was never completed and I was quite happy that we never saw her again.
So there's my Mary admission.
Although, I will also admit, I would LOVE to see a steampunk version of Mary Poppins and Tim Burton would be high on my consideration of directors for that sort of a take. (Steam-powered umbrella transports and talking umbrellas for the win!)

Regarding this Burton-to-make-Poppins rumor, however, I have to admit it has me wanting to take out my red pen and put question marks and suspicious circles around a whole lot of the 'legit' info. Unless Disney are sending out social media lures to test the waters, I can't see there being anything more substantial to it than that. For now. ;)**

What's your response? Fistpump, headdesk or eyeroll?

*First of all: I couldn't find ANY Facebook announcement from any Burton source saying this. Secondly: this is not a pro poster but a fan made one. Thirdly: there is no hint on IMDB or any other "in production" website that mentions this project in development in any form so a release date - even a tentative one, can't be quoted. It doesn't mean it won't happen but it means the article above is full of crap unsubstantiated comments.
** If something DOES happen, I'm going to guess the umbrella will have more than one line...

Sunday, March 30, 2014

Ask Baba Yaga: I Feel Like I'm Underwater When I Try to Socialize

Baba Yaga's Hut with a War of the Worlds Martian tripod feel by Myke Amend
Baba Yaga looks to have been in a wistful mood when answering this week's question. Maybe the emergence of Spring put her in a generous frame of mind. Which is awesome, since social swimming isn't something all of us navigate so easily...

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

Yes!!! This is brilliant. And I agree with everyone else in the original comments. I would DEFINITELY buy a book full of Baba Yaga's gut wrenching, twisting and healing advice. 

Did you notice, though, that despite the encouraging advice, she doesn't just say "drown" but instead "drown deeper" as in, die faster? Impending death, bones and gristle are never far away, even when the Baba is being benevolent...

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.