Art: The Snow Queen by Cho Yong-Joon

I had a number of Snow Queen themed art posts in mind for December and I love seeing all this art so much I have to share them despite that we're now into January (yikes!).

This set of illustrations is from prolific Korean artist Cho Yong-Joon. It's difficult to find much information about his work but it appears to be digital and the finished images usually have a lovely watercolor feel to them. It's no wonder he seems to work mainly in children's illustration as it's perfect for stories and fairy tales.

Since I sadly can't give you much more information other than to direct you to his Korean blog HERE, (I don't even know if there's a book available, although I originally found the art through a children's illustrator site!) so I'll just show you the rest of the images I found for his interpretation of The Snow Queen.

Aren't they beautiful?

You can find a lot more at his blog, including some other fairy tale themed pieces, HERE.

A Word About The New Year

We all know names have power in fairy tales but specific words or phrases do as well. Sometimes it's a curse, sometimes it's just the words "I promise". Fairies are known to both tell the truth but also be very devious with the exact words they use so that the meanings can be hidden or layered. Sometimes simply the word "yes", sets off a chain of events. Either way, articulating a thought, an agreement or giving something a name or form has power in fairy tales, sometimes accidentally; even to the point of making something real. As such it alerts us to the power of our own words, both in speaking with others and in how we talk about ourselves.

Being on a Snow Queen kick at the moment, due to both the season and all the ruminating on Snow Queen characters in general at present*, I was reminded that there is a single word Kai is trying to form out of ice shards: "Eternity".

I was reminded of this as I saw people summing up either their New Year's Resolutions in a single word, or perhaps more accurately, their one-word description of how they intended to approach their coming year. While I didn't see anybody use ETERNITY (because wow, that would be harsh!), common words were ENJOY, LIVE, IMPROVE, FIT while more unique words were WORDS, PROTECT and FABRIC. It quickly became clear that one word can mean so many different things!

If I had to make a one word resolution for my 2014, the first one to mind is:

BETTER

What would yours be?

(No explanation necessary.)

Note: The beautiful photos are by Christian Aare on deviantArt HERE and show little peeks of Christian Birmingham's lovely, lovely Snow Queen illustrations within the settings.

* My review on Frozen is coming soon - I just need to cut it down to about half its current size because apparently I have a lot to complain, er, say about it, but it doesn't mean you'll want to read it all!

"Magic Hoofbeats" & "The Little Humpbacked Horse" (1947)

Russian laquer box painting - artist unknown

2014 is "The Year of the Horse" so it's high time we pulled out all the equus-centric tales we rarely hear about. While horses are an animal commonly appearing in fairy tales, having one as the subject or at the center of a fairy tale is somewhat unusual.

There's one collection I'm aware of, a lovely book called Magic Hoofbeats - Fantastic Horse Tales, and the eight tales from various places around the world are a nice addition to any fairy tale collection (especially for this new year).

The stories, which are preceded by information on horses from around the world and their history, are:

• Lone Boy and the Old Dun Horse (North America)
• Terror (North India)
• The White are (Basque Country)
• The Little Humpbacked Horse (Russia)
• Petit Jean and the White Horse (French Canada)
• The Boy Who Rode to the Land of the Dead (Albania)
• The Colt Qeytas (Iran)
• The Taltos Horse (Hungary)

One is better known than most and that's the Russian tale of The Little Humpbacked Horse. Not surprisingly, one Russian animation company produced an imaginative and lovely, almost hour long film in 1947. (It was restored from a damaged reel, remade, made longer by 15 minutes and translated into English as The Magic Pony in 1975-77. It's now available on DVD.)

This story features the typical Russian good-hearted fool, Ivan, a firebird and, of course, a magical little horse, among other equines (handled and stylized quite beautifully in the visuals). A little note: because this film was based on the poem by, Pyotr Pavlovich Yershov, everyone speaks in rhymes. You can find Yershov's poem with the original illustrations HERE (if you have google it should offer auto-translate so you can see it with the illustrations, otherwise you can read an English translation HERE.)

Here (and at the head of the post) are some different illustrations based on the fairy tale:

Little Humpbacked Horse by azzai (check the humps & wing-like ears)

Little Humpbacked Horse by Leroks (the humps aren't evident in this illustration, however)

Russian laquer box painting - artist unknown

Chudo-yudo (The FishIsland) from The Little Humpbacked Horse by Igor-Grechany-Ostrov"...Where, with giant head and tail,
Lies the Monster-Marvel Whale..."
(Yershov. "The Little Humpbacked Horse")

Little Humpbacked Horse by SapphireGamgee

Vintage Russian postcard by V. Grishin

Original title illustration for Yershov's poem of The Little Humpbacked Horse (artist unknown)

For a little New Years treat, I'm embedding the Russian film below (yes there are subtitles). Enjoy!

The Little Humpbacked Horse 1947 konek Gorbunov... by eus347

Happy 2014.. and to a New Year Filled With Possibilities

Happy New Year fairy tale folk!

Here's to a whole new set of possibilities

and the special magic of the fairy tales we love so much,

enriching our lives every day.

Cheers!

*clinks glasses*

The following video is from a fun little fashion shoot I found this week, with a dose of fairy tale thrown in for good measure, and a lovely little song about possibilities, something I wish for us all this new year.

Happy new year. Forest fairy tale from Elena Pronina on Vimeo.

PS Since this is now officially the Year of the Horse I thought I'd start with some horse fairy tales as I get back into the swing of posting. Look for a new post around midday today... ;)

Thank You

Roses for Beauty by Robert Gould

Just a quick post to say thank you so much for each and every kind expression of sympathy regarding our loss. I have passed on your care, love and comforting words, and each was very much appreciated. Thank you for your support at this difficult time.

I will be returning to daily posts shortly.

Sincerely,

Gypsy Thornton

Note: Apologies for the incorrect title of Mr. Gould's illustration. I can't find any reference to it anymore. My memory is that it was inspired by the Beast waiting for Beauty to return.

Ask Baba Yaga: Last Year I Met the Love of My Life During Harrowing Circumstances

Baba Yaga - Artist unknown

I imagine Baba Yaga gets sent a lot of questions about love and loss. Her answer: tough love.

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):

(Originally posted at The Hairpin HERE)

Not so many comments on Baba Yaga's words this time, so much as sharing stories of similar woe and heartache. But there was this, that I felt apt:

• "Where would you put it?" Indeed, Baba. Indeed. (stonefruit)

I'm getting images of tornadoes, whirling, whirling, collateral damage and in the end, a swath of devastation overlaid with too much quiet; heartbroken people standing stunned in the middle, love plastered to them as inconveniently as duct tape that got stuck to itself. Yet she says, "waiting  you must not do... nothing is coming for you..." O.o

Like wading through a mess of duct tape,this love stuff, is tough!

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?

You can!

There's now an email address where you can send your questions

directly to Baba Yaga herself.

AskBabaYaga AT gmail DOT com

To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).

* Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

In Memorium

Our family suffered a great loss this week: our beloved brother passed away early this Thursday morning.

Please send thoughts and prayers for his dear wife and two wonderful boys, in particular.

As a fire fighter he saved many, many lives and will be dearly missed, not only by his regular family, but by his extended fire-fighter-family and local community as well.

Though we had some short notice and were able to tell him how much he meant to us and to say goodbye, (he was diagnosed with pancreatic cancer just 3 months ago), at only 48 he is gone far too soon.

We miss you John.

[Note: Posting may continue to be erratic for a little while but I will continue to bring you fairy tale news as I can.

Thank you for your understanding. And tell the people dearest to you that you love them, every chance you get.]

Improbable Theatre's "Beauty and the Beast" - A Taboo-Busting Love Story of a Natural Born Freak & An American Beauty Queen (& A Very Unique Fairy Tale Retelling)

Someone should applaud what this theater company are doing - and I don't just mean the audience, who clearly have no trouble doing that. Improbable Theatre decided to explore the dark side of the heart of the fairy tale, Beauty and the Beast, and to look at the naked truth of love and what it means to be human, metaphorically but also literally. I think it's an interpretation Angela Carter - and Greta Garbo - would applaud as well. (There is a wonderful image that is a perfect representation of the production at the end of the post... but I'll get to that in a bit.)

This is the true love story of a natural born freak and an American beauty queen who got married. 

Internationally acclaimed and award-winning duo Mat Fraser, British disabled actor/writer and Julie Atlas Muz, American burlesque star/Miss Coney Island, bring you an adult fairytale like no other. 

Created with Phelim McDermott, artistic director of Improbable, Beauty and the Beast explores the naked truths and half-truths told in the name of love. (from the official blurb)

Improbable Theater's lead and Beast for the show, is Mat Fraser, a well renowned disabled performing artist who was born with phocomelia as a result of his mother taking Thalidomide while pregnant to counter morning sickness. His Beauty, and real life wife, is Julie Atlas Muz, aka the queen of neo-Burlesque, former Miss Coney Island and Miss Exotic World. Together they conceived the show, the themes being very close to their hearts, and brought the fairy tale to the stage to ask hard questions about love, marriage and sex, especially with regard to disabled peoples - with a good dollop of humor and honesty, both!

He has foreshortened arms and no thumbs; later in the show, Fraser will point out that it is the human thumb, some say, that separates us from the beast. (The Guardian) 

Disability arts remain something of a ghettoised scene in Britain. When they breach the mainstream, such works are often celebratory, concerned with understanding, even making disability palatable. (“Heart of gold charity orgies,” Fraser calls them.) When, for example, theatre company Told By An Idiot staged the same fairytale in 2007, Beauty was played by Lisa Hammond, an actor of restricted growth. 

Fraser and Muz take the opposite approach, confronting the perceived “beastliness” of disability and sex head-on. It’s the combination that pushes taboos. As Improbable Theatre director Phelim McDermott asks: “Sex and disability is a big issue. Can you show it on stage? Can you even talk about it?” 

McDermott has also pushed the couple to entwine personal material with the enacted fairytale. Sometimes, he says, you can’t differentiate between Beauty, Beast, Muz and Fraser. “What’s beast and what’s beauty?” he asks. “They’re all parts of ourselves. There’s a part of me that’s beautiful – somewhere. There’s a part of me that’s beastly.” That gives added weight to Fraser and Muz’s determination to change the fairytale’s ending. The original ends with a transformation, which Fraser likens to sanitised Victorian versions of King Lear. “I feel we’ve all been peddled this fake happy ending and what we’re doing is finding the original: she falls in love with the beast, dammit.” (excerpted for length from Financial Times)

I highly recommend reading the whole Financial Times article on Beauty and the Beast and disabilities in The Arts HERE. Seriously, it's an excellent article and gives you a good perspective on how non-inclusive we still are in this age of "equal rights", and how good we are at avoiding our most basic drives: the need for love and sex.

Here's a trailer in which the creators and cast take you behind-the-scenes of the show and discuss their approach (don't worry, no nudity or suggestive scenes included):

Yes - the show does carry an X-rating but from all reviews and reports*, it's for good reason (that is, it's not due to shock-value nudity and explicit scenes). Unlike a previous attempt to tell this (and their) story, in which the results came across as freakish and the nudity gratuitous, this production has been meticulously re-written and designed to put the spotlight where it should be: looking at our preconceived ideas of love. humanness and wholeness.

And here's a special fairy tale folk piece of trivia I think you'll like as much as I do: apparently, in order to do this (get the right balance in the tale and production), they needed to get back to the fairy tale-ness of the story. Without the fairy tale bones, the true meaning got lost and the nakedness of the actors on stage, rather than exposing the truth and themes as they originally intended, instead covered up the real meaning. (Ironic, yes?) Putting the fairy tale core back in, however, it made it clear what the focus is and why this is an important story to tell. (This is why fairy tales are so special and this production is a good example of why we need them.)

There's an interview with Julie Atlas Muz HERE which explains the initial concepts and production attempts in more detail, as well as how the show eventually got to where it is now. (Bettelheim's Uses of Enchantment was apparently a key influence.) Along with the Financial Times article, it also gives additional background on Muz and Fraser's relationship, which directly impacted the show concept in the first place.

As far as the production goes, of which you can see some lovely pics here (I omitted the adult shots, of course, but you can see some more in the gallery HERE - no gratuitous nudity included, though there is one shot in which one of the characters has been body-painted and you can see painted breasts - nothing your art classics haven't already shown you in more detail)...

There are nods to Jean Cocteau and Disney in Phelim McDermott's production, which cleverly entwines appealing, homemade animation and puppetry (fine work from Jess Mabel Jones and Jonny Dixon) to create a show that both celebrates great gothic romance and also strips away all the artifice to reveal the workings underneath. The show lures you in with dreaminess and then gets all beady-eyed and goaty. 

The moment of transformation here is not when the Beast is suddenly revealed as a prince, but on a New York street in broad daylight when Fraser and Muz realise they simply can't wait to get into bed with each other. Even so, it's not plain sailing for the former Beauty Queen (Miss Coney Island) and the man who realises the career-advancing possibilities of prosthetic arms: Fraser uses them to perform an erotic strip. Muz's mother enquires of her daughter: "Are you sure you want to marry a cripple?" The answer is a resounding yes in a show that takes disability out of the theatrical ghetto and presents it full frontal. (excerpt from a review in The Guardian)

This "adult fairy tale" not only contains full female and male nudity, it has some explicit scenes as well. The actors themselves will remind you that despite it's name and how fairy tale the production is, it's not a family show and is recommended for audiences 18+ only. Beauty and the Beast will be playing at the Young Vic in London until December 21st. You can find more information and tickets HERE.

PS Now that you've read what the show is about, how great a pic is this? Though I'm in no hurry to see people naked together this image blatantly says so much about both the fairy tale and the show's themes. It's actually perfect for the production and, as I wrote above, I wanted to use it at the head of the post but was concerned it would turn people off reading about it. Even if you don't opt to see the show, should it play locally to you, I think this is an important production to be aware of - and not just for fairy tale folk either. If anyone sees a play transcript floating about, I'd love to read it!

*Note: just because the nudity and explicit scenes aren't your average adult show titillations, doesn't mean it's for every adult either. It should just be clear that these aspects are used for a specific reason in this show, and that, in this case, it works.