Tuesday, November 24, 2009

"Beastly" Movie Teaser Trailer

You probably already know about the book "Beastly" by Alex Flinn, which is a modern retelling of Beauty and the Beast, and that there's a movie coming to us in 2010. (SurLaLune posted on the movie announcement a while back HERE).

Today I have a not-so-new sneak-peek of behind-the-scenes of the film, shown by ET and, finally, the long-awaited trailer.First, the behind-the-scenes look, since that came out a while ago:


And now, the teaser (i.e. short) trailer:


Here's an excerpt from an article about transforming the handsome young actor into something more 'beastly':

Alex Pettyfer in prosthetics as the beast. The makeup includes 67 pieces, and 60 tattoos and individual scars in his whole body. It took 6 hours to apply the full makeup.

Alex Pettyfer once said in an interview that he only looks like his normal self in the film for a few minutes. For the rest of his time frame, he will be wearing a specially designed “grotesque” prop as the beast.Pettyfer’s appearance in the film mostly featured him with his beast prosthetics. As described in the novel, it was supposed to be “hairy” and “gross”, but the film makers did some slight revisions. Pettyfer was delighted with the revision and stated:

I was very happy to know I wasn’t going to be furry. Question is, were you happy I wasn’t furry? Well, I think the audience will be happy. This beast make-up is phenomenal. You’re talking to someone who is a fanatic about it [prosthetics and movie make-up] and I’ve never seen anything that looks remotely similar to this.

Pettyfer’s beast makeup was composed of 67 pieces. There are 7 pieces to be put on his head and other 60 tattoos and individual scars applied when he had the full body make up on. To put up the makeup, it took the artists 6 hours to finish. Pettyfer commented on his ‘transformation’:

It really affected me because as soon as I shaved my head it kind of put me in this weird place, the same place [Kyle is in after his transformation] which really helped me with the role a lot. But at the same time, it kind of is a challenge because you are fighting personally with your own problems off set, but then onset you have a great resource to go to.

You can read the rest of the article which has lots more about the film HERE.

I'm hearing good things about the book (it's in my to-read pile but I've yet to get to it) and hope the film will prove to be as well liked.

A Steampunk Sleeping Beauty (Animation Short)

This steampunk Sleeping Beauty animation is from the CG Society's contest for Steampunk Myths & Legends which finished earlier this year (and which produced some of the gorgeous steampunk fairy tale illustrations I've shown you in the last).

There were a few Beauties and I've shown you one beautiful illustration by Antonio Caparo that I thought was particularly well done HERE. Though the piece I'm showing today doesn't have quite the same impact as the illustration for me, I love seeing the different ways our girl has been kept in suspended animation (pun intended) and I'm a sucker for the opening of a story book at the beginning, I must admit.When the contest ran, you could only view it on the site HERE (which I can't seem to get to stream reliably, but that may just be on my end) but I recently found the animation presented as a short (without the 'making of' sections you can see at the CG Society website) so can finally show you the piece here.

I'm including some screen grabs to give you a heads up on what you'll be looking at as I missed seeing Beauty asleep, the first time she appeared until I viewed the trailer the second time around. (Can you see the figure below?)A little hint: let the trailer load (i.e. hit pause until it's loaded) before you watch it and it will play much more smoothly. And there's a little more story shown after the titles near the end, so watch it all the way through:


Although it's presented as a movie that will be coming soon, I can't find any confirmation that this was done beyond the concept and in the form of a trailer.

You can see the steps in construction as part of the trailer HERE at the CG Society website.The animation was entered under Olivier Selliez. There is very little information in either the progress entries or on his blog to confirm this but it appears he was the team leader for the project, which included seven other people, all of who worked on the project during the month of January this year to enter it for the contest (you can see their details at the CG Society site for this piece HERE). Mr. Selliez's website is HERE (I've used a translated link so I hope it works) and the company he works with, Backlight Studio, is HERE (which posted the work in the blog so I presume the other team members for the project also work at Backlight Studio).

If I ever hear of any more being done on this animation I'll be sure to let you know.

Monday, November 23, 2009

The Wizard of Oz Steampunk Style - V of V

For my last foray into steampunk Wizard of Oz entries (at least for now) there's a Wizard of Oz 2007 TV mini-series done with a steampunk aesthetic you may have missed: Tin Man, from the then-Sci-Fi-now-Sy-Fy Channel. It won a primetime Emmy and nine other awards (as well as seventeen other nominations) yet it does have mixed reviews.This article HERE gives a good overview. Here's an excerpt, explaining the story:

Sci Fi’s Tin Man is a sumptuous, modern take on a classic that has us rethinking our ban on remakes. Zooey Deschanel stars as DG (recall Dorothy’s last name is Gale), a wide-eyed Kansas girl whose trip to Oz isn’t courtesy of an ill-fated attempt to run away, but rather a leap into the swirling cone of a tornado to escape the evil, leather-clad militaristic forces who’ve invaded her family’s home. These troops, we learn, are Azkadellia’s, née Wicked Witch’s, minions, who obey the evil sorceress’s every command.

Of course, the tornado carries DG to Oz, only here it’s “the O.Z.,” as in “Outer Zone,” and she isn’t greeted by the mayor of Munchkinland; she’s surrounded by diminutive warriors angrily pointing spears at her and speaking in clumsy rhymes... DG teams up with Glitch (Alan Cummings), a lobotomized former genius with a zipper that keeps his head closed; Wyatt Cain (Neal McDonough), a torture victim DG and Glitch discover inside an ancient metal diving suit; and Raw (Raoul Trujillo), a psychic but petrified anthropomorphic feline. No singing, no dancing.

I saw some of it when it was on and found things that definitely appealed and some things that really didn't. I would like to see it all one day. It's an interesting mix and an unusual take but worth at least reading up on if you like The Wizard of Oz and are interested in a grown-up approach (if you think Return to Oz was dark, this is much darker and not meant for children).I've read it was inspired by ZoomQuilt and ZoomQuilt 2 - a collaborative art/optical illusions that wowed the web a few years ago (note: both take a while to load but do work. Also, the second is kinda dark...). It turns out Sy-Fy do indeed have a flash animation site that's a collaborative artist work called Infinite Oz, which you can see HERE (it takes a while to load but is completely worth the wait). This one is beautifully done. Worth looking at, even if you don't like the idea of the film (see below for some screen examples).It's available on DVD HERE in a two-disc special edition with lots of behind-the-scenes extras.

The Wild Swans in Vogue Korea's December 2009 Issue

Not only did Vogue Korea interpret the fairy tale The Wild Swans with Korean celebrities for the December 2009 issue, but there are other tales interpreted with high fashion too.

Today I'll only show you The Wild Swans, as there's plenty to look at from just that shoot. This is one of my favorite fairy tales, so I'm pleased to see any mention of it. Being styled for a fashion magazine is completely unexpected. They've done a light and lovely approach which makes it even better (just ignore the straw - among other things - on their heads/sticking out of their clothes if it bothers you - it's a fantasy after all...)

I'm guessing at the order of the photos. My 'google translate' and 'babelfish' can't seem to translate more than a few words per page on the Vogue Korea site.I think I may have to find myself a copy of this international Vogue issue as this is just one of the articles using fairy tales.

You can learn more about the shoot HERE at Vogue Korea or HERE.

Stay tuned for more fairy tales in high fashion from Vogue Korea over the coming week...

Sunday, November 22, 2009

The Wizard of Oz Steampunk Style - IV of V

I love these two paintings by illustrator/artist/animator Justin Gerard.

For those interested, Justin has posted the 'in progress' steps for the pieces on his blog HERE, including sketches, underpainting and color comps. Lovely stuff!I suggest reading the entry on the underpainting for the poppyfield painting. It tells of part of the inspiration for this piece from his experience in an abandoned factory and the toxic giant fungi, around which the air was dangerous to breathe...

Be sure to check out his Reluctant Dragon painting on his blog HERE too.

You can see more of his work and animation at his website HERE (the 'gallery' link doesn't seem to work but the others do - tons of gorgeous paintings to find. You can also get to the gallery with interpretations of Beowulf and The Hobbit through his blog.). He is part of Portland Studios Inc., a team of very talented artists, illustrators and animators including Corey Godbey (who I've featured a couple of times before - click on his tag below or in the sidebar to see his gorgeous fairy tale work ).You can find their website HERE.

"Granny O'Grimm's Sleeping Beauty" Makes List For 2009 Oscar Contenders

Fairy tales might be going to the Oscars again - at least in short form.

In the "Animated Short Films" category, Brown Bag Film's "Granny O'Grimm's Sleeping Beauty" made the list of ten from which the official five Academy Award Nominees will be chosen.

You can see the list of contenders and see some excerpts HERE and HERE.

Here's a description from the website:
We all know the Grimm fairytales. Granny's are grimmer... once upon a time there was a granny who dreamed of being the best granny in the world. Unfortunately, this granny was tormented by a lifetime of rage against the world and everyone in it. Luckily, nobody noticed what an angry old woman she had become because they took no notice of her one way or another. But there's only so much an anger an old woman can repress before it BURSTS OUT FROM THE DEPTHS OF HER SOUL IN A SCREAMING FIREBALL OF BITTERNESS AND RESENTMENT!
... or a bedtime story, as Granny herself likes to call it.
Granny O'Grimm is a 26 x 11 min animated series. Each episode features Granny O'Grimm's desperate attempts to be the perfect granny to her three grandchildren, before the fairytales unleash her demons. Produced by Brown Bad Films and directed by Nicky Phelan, the series will be created in 3D and 2D computer animation.
The website, with lots of great little behind-the-scenes and 'Granny comments', is HERE (a hint: click on the red fairy tale book next to the TV to see some of Granny's versions of fairy tales and nursery rhymes).

The SurLaLune Blog posted a great entry on the short film HERE so I won't repeat all the information except to show you a trailer:

You can see a little more of the story at the website HERE.

I love this little film for so many reasons, not the least of which it shows an amusing example of how, in the oral tradition of telling fairy tales to children, our own prejudices can get in the way.The Nominees who will actually be 'walking' that red carpet to the Oscars will be announced on February 2, 2010. I wish Brown Bag Films all the best. There's some fierce competition but I have a feeling Granny will do a good job of holding her own.

In the meantime Granny has a lot to say via Twitter HERE and Facebook HERE (along with an Agony Granny column both on Facebook, in 'tweets' and at the official website). From her 'advice' I'd say she's the lovably cantankerous sort. Not to be missed.

Saturday, November 21, 2009

The Wizard of Oz Steampunk Style - III of V

A steampunk Wizard of Oz done 'movie-poster-style' by Dawna and Daniel Davis, creators of Steam Crow and Monster Commute. The poster is available for purchase HERE.From the website about the poster:

Lee Van Cleef inspired the axe-slinging Tinman, while the Scarecrow has clearly spent some serious time at the carnival. The Cowardly Lion is a Victorian gentlebeast, while Toto is a large, Cerebus hound.

Dorothy is a mechanic, just as one might expect.

If you like the poster the Monster Commute webcomic (first page HERE) may interest you too:

It’s our latest project. It’s a comic that is like 1984 meets the Wizard of OZ, on a steampunk highway. It’s a bit fantasy, a bit 1930’s dieselpunk, and it’s inspired by our real life commute in Phoenix, Arizona. It follows the adventures of Chadworth (robot), Beastio (daemon) and Kip (Halloween golem), through their adventures in MONSTRU. (The monster world.)

The Monster Commute website has all sorts of cool things (generally not fairy tale related, though there are some very interesting monsters...) as well as a fun web comic that will appeal to anyone who likes graphic design as well as those who like the lighter side of life (and monsters), so go browse if you get a chance.

"Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio" Exhibit at NOMA

A while back I mentioned (HERE) there was a Disney Fairy Tale Art Exhibit making its way to New Orleans.

The exhibition is up and running (it opened on November 15, 2009) and will continue to show until March 14, 2010 at NOMA (The New Orleans Museum of Art).Here's an excerpt from the exhibit description by the museum:
Dreams Come True showcases original artwork from legendary Disney animated films, including Snow White, Cinderella, Sleeping Beauty, The Little Mermaid and Beauty and the Beast, and will feature a children's section celebrating Disney's connections with jazz music and the Crescent City. The artworks, on loan from the Walt Disney Studio Animation Research Library, will be accompanied by film clips to demonstrate how individual sketches and paintings lead to a finished celluloid masterpiece. Organized by the Walt Disney Animation Research Library and the New Orleans Museum of Art, this once-in-a-lifetime exhibition, which cannot be seen anywhere else in North America is set to coincide with the premier of Disney's upcoming animated feature, The Princess and the Frog, set in New Orleans during the 1920s Jazz Age.

And from the dedicated page:

The New Orleans Museum of Art will present Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio, a major exhibition featuring more than 600 original artworks that shaped legendary animated features including Snow White and the Seven Dwarfs, Cinderella, Sleeping Beauty, The Little Mermaid and Beauty and the Beast. (Ed FTNH: as well as artwork from the December 2009 movie release The Princess and the Frog.)
... Visitors to the exhibition will encounter themed rooms showcasing artwork related to specific animated features. Arranged chronologically by year of release, the rooms will feature, in order: Silly Symphonies, Snow White and the Seven Dwarfs, Cinderella, Sleeping Beauty, The Little Mermaid, Beauty and the Beast and The Princess and the Frog. Film clips will accompany the artwork to demonstrate how individual sketches and paintings lead to a finished celluloid masterpiece. An adjacent Education Area will highlight Disney's long association with music and also will serve as a mini library for animation research and storytelling programs.
You can read the rest of the description HERE.and there's a brief but interesting article about Lella Smith hosting a preview tour of the exhibit HERE. (Lella Smith is Creative Director of Disney's Animation Research Library. I posted excerpts from an interview with her HERE as well as links if you're interested in finding out more about her.).

There's no mention of Pinocchio, Alice in Wonderland, Peter Pan, The Black Cauldron, Aladdin, Mulan or any of the shorter fairy tale related works in either of the Fantasia films or the separate shorts like Little Match Girl, so I'm guessing they're sticking with full-length feature films based on Grimm's and Perrault's work only.

There is a very interesting looking catalog of the exhibition available for purchase online HERE, by Lella Smith.Here's the blurb:
Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio
by Lella Smith
This beautifully illustrated catalogue presents familiar fairy tales and the adaptations made by the Walt Disney Studio for the movies. The films span 80 years- from the early Silly Symphony shorts to the 2009 release of The Princess and the Frog.
The comparative tales would be very interesting and this is likely to be a collector's item in the future. Even if you can't make it to the exhibition before mid-March next year, this may be a nice thing to think about buying.

NOTE: All the Sleeping Beauty art shown is by legendary Disney artist Eyvind Earle. You can read more about him and his work HERE.

Friday, November 20, 2009

The Wizard of Oz Steampunk Style - II of V

A lovely and somewhat sinister Oz piece from talented and many times published illustrator of children's books, Jennifer L. Meyer.
Unfortunately, it seems to be the only one she's done for this story, which is a shame. It really feels like there should be more in this series. (In reading her profile it seems she loves graphic novels - I think that's evident in this piece.)

You can see more of her work HERE.

The Tsarina's Slippers: A Comic Fairy Tale Opera for Christmas

A Russian fairy tale suitable for the Christmas season!

It seems rather difficult to find 'Christmas fairy tales' but this one, based on the tale "Christmas Eve" by Nikolay Gogol is an operatic adaptation by Tchaikovsky. Gogol was/is a celebrated Russian writer who wrote magic realism, and is also credited with the story behind the piece "Night on Bare/Bald Mountain" which was animated by Disney for Fantasia. Gogol's stories are widely known and loved by many generations of Russians and his tales are also said to have had a profound influence on the celebrated literary writers Nabakov and Dostoevsky.

It's the first time this particular opera is being performed in London
Here's the write-up from the Royal Opera House in London, where it's to be performed from November 20th to December 8th, 2009:

Many of Tchaikovsky’s stage works are unjustly neglected outside Russia. Now one of the most charming of all, Cherevichki (The Tsarina’s Slippers*), comes to London for the first time, under the baton of Alexander Polianichko and with an almost entirely Russian cast. Based on a Christmas tale by Gogol that mixes realistic village comedy with fairytale fantasy, the plot describes how Vakula the blacksmith flies on the Devil’s back to St Petersburg to request a pair of little leather slippers worn by the Tsarina herself in order to win the hand of his beloved Oxana.

Apparently the more accurate meaning of the Russian word translated as 'slippers' is actually closer to 'dressy boots'. A criticism of the English presentation is that it's far too genteel. That and the fact that it's a comic opera that will be sung entirely in Russian with English subtitles - how to kill the timing! The French billed the opera as Les Caprices d'Oksana, which apparently sets a more appropriate and comedic tone, as the whims of the lady in question do indeed set things into comic motion.

Here's a wonderful promotional animated trailer for the new production:

You can read all about the story 'Christmas Eve' HERE on Wikipedia or HERE at the Royal Opera House's website and you can find more information about the performances HERE, also at the Royal Opera House's website.

LATE ADDITION: I just saw an article on the production which talks about how magical and delightful this comic opera is. You can read it HERE.