[1] Interview at OUABlog - An Invitation to TOF
[2] The Parlor
[3] The Grounds
[4] The Library
[5] A Letter (link to be added when the TOF post goes live)
New & much improved EAH Cerise Hood EXCLUSIVE for SDCC* 2014 (Available after SDCC from mattycollector.com - very limited supply - obviously) |
Heckedy Peg (illustrated) by Don Wood |
We know Cinderella as having a fairy god mother, but the earliest known version of the story features a ten foot long fish who grants her food, jewellery and fancy clothes.
Rapunzel has a saucy past says University of Melbourne's Dr Michelle Smith - a parsley sauce, to be precise.
The 'Beauty and the Beast' comes from a long European history of animal bridegroom stories where girls are wedded to bears, dogs, wolves, pigs, hedgehogs, snakes, frogs and sheep.
Including both translations felt important, so I gave up 121 pages in Beauty and the Beast Tales From Around the World to them, 15% of the book. So now they are in one place for comparison and contrast. I even added footnotes to help cross reference the transformation scene in both which is significantly different as I described in my intro.
Traditions of folklore and fairy tale inspired the earliest of filmmakers and it didn’t take them long to discover how to visualize the miraculous via trick photography and special effects.
Yet who could have predicted just how “special” those effects would eventually become in the present day, when CGI-engorged new versions of old favorites like Snow White emerge yearly? Fairy tale-derived titles do, however, stray from the well-beaten commercial path and the best delight and terrify with their quirky imaginative breadth...
"Choosing films for this particular "Journey" was especially easy because fairy tales surface in many types of film that Fandor offers, particularly silent cinema and animation.
Dennis Harvey - Film critic for Variety & SF Bay Guardian
Some of the later films in this "Journey" tap Fandor's sizable collection of camp and exploitation movies. "Cinderella 2000" is one of many erotic films from the 1970s that send up (and sexed up) childhood fables, while the completely nuts Hong Kong kung-fu fantasy "Deadly Snail vs. Kung Fu Killer" draws on their Chinese equivalents.
The most recent films in the series illustrate the popular trend in recent years of taking legendary tales and figures (not least 20th-century ones like Batman and Superman) into "darker," more adult directions. The 2008 Korean "Hansel and Gretel" plumbs the macabre and disturbing qualities of a "children's story" the way Angela Carter or Gregory Maguire have in the literary realm. Then there's "Sita Sings the Blues," which puts a very modern and playful spin on primary piece of epic Indian mythology."
It's online, accessible to everyone (even without a Fandor "online cinema subscription") and just very cool to look at and move around in (no special skills required).- Dennis Harvey (on curating Fandor's Journey Into Film - Fairy Tales collection)
Today (May 30, 2013), Fandor.com — the streaming source for indie film — launched a new series called Journey Into Film. Each Journey Into Film theme is curated by a respected film critic or Fandor film buff, and offers viewers a behind-the-scenes look at specific films and genres through interactive visuals and expert insight.
...This collection of folklore and fairytale favorites utilizes trick photography and special effects to bring fantasy to reality.OK - no more online time here. Instead, go to Fandor's Fairy Tale Journey and check it out. I hope the collection stays available in the long term but even if it doesn't, they have lots of fairy tale (and fairy tale influenced) films to browse through - especially if you're a real film buff.
Fairest Issue #3 cover art by Adam Hughes for April 2012 (just released) |
New York Times best-selling, award-winning creator Bill Willingham presents a new series starring the female FABLES. Balancing horror, humor and adventure, FAIREST explores the secret histories of Sleeping Beauty, Rapunzel, Cinderella, The Snow Queen, Thumbelina, Snow White, Rose Red and others.
The first 6-issue arc follows the misadventures of Briar Rose after she is stolen away by the goblin army in FABLES #107. Fan-favorite artist Phil Jimenez (WONDER WOMAN, THE INVISIBLES) returns to Vertigo to pencil the opening storyline. Award-winning cover artist Adam Hughes (WONDER WOMAN, BATGIRL) provides covers, starting with a wraparound cover on issue #1.
Future arcs will be written by 2011 Arthur C. Clarke winner Lauren Beukes with art by Inaki Miranda, and iZOMBIE scribe Chris Roberson with art by Shawn McManus! And remember: They may be beautiful, but there will be blood.
story by BILL WILLINGHAM
art by PHIL JIMENEZ
cover by ADAM HUGHES
PRICE: $2.99
IN STORES: March 7, 2012
Fairest Issue #1 wrap-around cover art by Adam Hughes for March 2012 |
Let's understand that the tone and the diversity will come from the writers themselves because we're not assigning them stories. We're not saying, "Here, do a Cinderella story and have this, this, and this happen to her." It's more, "Do you have a Cinderella story?" Of course with Chris and Shawn, not only were able to answer yes to one of those, they were able to answer yes to many of those. That's the same template with the others. Lauren Beukes had a very particular Japanese mythology-based, folklore-based Rapunzel story in mind, which answers the question, "Where does the wishing well come from?" and it answers it nicely with a very sound folkloric base. We said, "Yes, of course that has to be what that story is!" These are different characters; we want them to be considered wildly different. We don't want a bunch of cookie-cutter beautiful female leads, we want vastly different ones, so having different writers is obviously the way to do that.
...Why did you want to tell the story of Sleeping Beauty in this very first arc rather than, say, Spratt or any of the other characters?
Well, interestingly enough I didn't think about Sleeping Beauty -- if I was to be one of the regular returning people in this rotation I was going to go with Thumbelina. The idea of a tiny character in a very big world appealed to me and I think there's a lot you can do with that that hasn't been explored yet. But Thumbelina couldn't really be the first arc in this because one thing we discussed is, if we are going to do this we've left poor Briar Rose sleeping away for years if not forever. So the very first thing we have to do with "Fairest" is get her awake and back in action, and we thought it was politic to kick off the series with me doing the first arc. So that's why those two combined together. We have a very specific place where all three of those characters -- Ali Baba, Briar Rose the Sleeping Beauty and the Snow Queen -- are going to be left in at the end of this arc. But they're places where other writers can pick them up and run with them if that turns out to be the case. My job is to kind of get these characters in the right place to be part of the whole "Fairest" rotation, the whole "Fables" rotation again, and hopefully tell a good story in the process of doing that.
Fairest #1 variant cover by Phil Jimenez with color by Romulo Fajardo Jr. |
...What is it about fairytales that originally captivated you as a storyteller?
Several things. One of the, I don't know if you'd call it faults, but one of the aspects of the way I write stories that I don't think is as strong with me as it is with other writers is I don't feel I introduce characters well. It takes me a while to get to know them. With using characters that have already been established, everybody's read and knows a little bit of, "Well of course I know Snow White, at least I know this much about her." That kind of awkward, ice-breaking introductory moment at the beginning of this kind of storytelling is bypassed. We can move right beyond that into the meat of it. Sure there are some introductory aspects in that, sure this isn't the Snow White you thought you knew and this is what's happened to her lately. But that's not quite the same, because that builds more intrigue. The reader interest is already written into the equation. You don't have to romance the reader into liking that character. That's one aspect of it.
The other aspect of it is just the idea that these are folktales in every sense of that. They're not just public domain characters that anyone can use because of vast collective ownership. If everyone owned every 100% piece of this character in some kind of multiple universe overlap kind of way, everyone who wants to can come along and do their own Snow White. That kind of just absolute freedom -- it's like the universe of a million previous authors and writers and story-spinners has left this to you in their will. Why not make use of these treasures that have been handed down to you? Interestingly enough they left it to everyone else too, but that's OK! It's having a treasure trove where you can play any kind of game you want. How could I resist that?
Fairest Issue #2 cover art by Adam Hughes for April 2012 |
Starting this weekend in the Guardian and the Observer, Great fairytales brings you the finest stories of morality, justice, triumph and enchantment from around the world, collected in seven themes: Wicked parents, Rags to riches, Love, Quests and riddles, Wisdom and folly, Justice and punishment and Beastly tales.
The stories are all nominated by a panel of critics, writers and experts on children's literature: Anthony Browne, AS Byatt, Abdulrazak Gurnah, Robert Irwin, Alison Lurie, Adam Phillips, Philip Pullman, Salman Rushdie and Marina Warner.
Each collection is beautifully illustrated and includes an afterword from a range of leading writers exploring each theme.
This is such a treat! And I love the discussions on theme, meaning and fairy tales in comparison to history which you don't see often outside of academic works. For those of us unable to go buy the paper (and that includes any readers outside the UK) we can:
1) read the series online for free every day (START HERE - the link should have ALL the Guardian's fairy tale related posts for you to browse - this particular series starts October 10th, 2009 & consists of one essay and approximately three tales with illustrations - in separate posts - per day)
2) buy the booklets online HERE (shown at bottom of post).
Heidi of SurLaLune has included a brief excerpt of the first essay as well as other interesting tidbits and you can see some more of the lovely silhouette work by Laura Barrett, all of which you can find HERE.
Claire Massey of The Fairy Tale Cupboard has done a wonderful job of taking us through the first two supplements, complete with excellent links. I highly recommend reading her write-ups this week as she looks at the writers, the tales and the artists involved with each part of the series. To go straight to The Fairy Tale Cupboard click HERE.