Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Monday, January 5, 2015

Congratulations To Our New Fairy Tale Knights: Dame Marina Warner & Dame Carol Ann Duffy

The New Year has recognized TWO female champions of fairy tale research and writing, including poetry by awarding them knighthoods. (Dames are the female Knight equivalent).

Among those made Dames for the 2015 New Years Honors:
- Marina Warner, professor of English and creative writing at Birkbeck, University of London, for services to higher education and literary scholarship. 
- Carol Ann Duffy, professor of contemporary poetry at Manchester Metropolitan University, for services to poetry. (source)
Congratulations to both!

We are so glad your work has become so widely recognized. I know I'm not alone when I say your ongoing work has been personally life changing.

Cheers! *raises goblets & clinks*

Wednesday, April 30, 2014

Dear Ursula (Women of the World Poetry Slam 2014)

The Little Mermaid (The Sea Witch) by Nadezhda Illarionova

In the Hans Christian Andersen tale the Sea Witch does, indeed, advise the Little Mermaid how to enchant the prince. Although the mermaid is beautiful and good hearted, she is naive in the ways of love and language. It's the Witch who tells her what to do when she cannot use her voice.

When the Little Mermaid visited the Sea Witch and was given advice, there was definitely an "ah ha!" moment for me as a girl. Although Princes culture wasn't as pervasive then as it is now, I still somehow had this idea of what an attractive fairy tale girl was like, and I knew I wasn't it. Of course, I loved Clever Kate, the princess who served her father Meat Without Salt and Tatterhood but I always felt unless I was being actively witty or daringly brave, there wasn't much going for me. The following passage opened my eyes to the fact that those weren't my only options:

“But if you take away my voice,” said the little mermaid, “what is left for me?”
“Your beautiful form, your graceful walk, and your expressive eyes; surely with these you can enchain a man’s heart. Well, have you lost your courage? Put out your little tongue that I may cut it off as my payment; then you shall have the powerful draught.”
“It shall be,” said the little mermaid.

You know what? It DOES take courage to put yourself out there this way. When you're not exactly princess-y, being confident in a culture of pretty-and-petite-rules is intimidating (seriously - I'm a size 2 to 3 and I feel like an overweight lump in LA! How ridiculous is that?). And this is one of the big things the Little Mermaid needed to learn. She had to mature and take charge of her whole self, and not rely on nature-given gifts.

When this descriptive scene from Andersen's story (see HERE to read the many details) was put on screen by Disney with a larger-than-life Ursula, shaking her, um, "head" at the naivety of the little Ariel, ("...BODY LANGUAGE! HA!") is it any wonder that Ursula resonated with so many? As I watched the movie, as a still-not-small-enough-or-pretty-enough girl, it was one of those moments that brought home to me, the fact that it wasn't ALL about beauty, perfect hair and a gorgeous (especially singing) voice. Ariel had a lot to learn, as do many pretty girls who have gotten by only on their looks (something we all have to contend with one way or another as we get older, looks or no looks).

Not only was she worldly-wise but she was confident and knew how to use her full body in all it's glory. I could easily see how such a character would illicit a cheer from full-figured girls. In Ursula's song, Poor Unfortunate Soul, she vividly demonstrates just how to use curves and wiles, while using her forceful presence to intimidate Ariel into doing exactly what she wants her to do right there and then.

When the Disney Dream Portraits series featured Queen Latifah as Ursula there was a strong rumble of approval from the internet and beyond, as the Sea Witch got even even higher notch on her sexy-icon status.

But then, a redesign:

In 2012 Ursula (Ursula!) got a princess-ish makeover and lost half her curves for the Disney Villains Designer collection doll line. (!!!)

I wasn't surprised to see outrage on the internet. I was right there with everyone. (See HERE, HERE and HERE for starters.) The redesign trend onDisney dolls and marketing images outrage, continues from character to character for various reasons (Merida, Mulan and even Snow White) but while Disney has responded (albeit, cagily) to the outrage over Merida (which, it should be noted, has people riled for similar reasons), I haven't found any response to the Ursula madness. That doesn't mean it's gone away though.

One poet, Melissa May, who always saw Ursula as somewhat of a personal hero, decided it was high time to air her outrage at the Women of the World Poetry Slam this year (2014) and it's one performance I think is worth seeing and listening to, despite a small amount a strong language. (FYI she placed 7th.)

Highlighted recently on UpWorthy, a website that is dedicated to bringing uplifting things to their readers and making the world a little bit of a better place, here's what they had to say about this:
Ursula (the sea witch from "The Little Mermaid") has always been considered a villain, but after listening to this, I'm thinking she's kiiiiiiind of a hero. To more people than you'd think. 
"Sure, Ariel had her itty-bitty seashell bikini, but Ursula "made back fat f*cking sexy." 
And we need more of that kind of bravery in pop culture, if you ask me.
*LANGUAGE ADVISORY*
(Transcript below*)
And it should be noted, Ursula herself would probably have something to say about this too, as in, speak up about things that matter to you, like this... because you can.

*In 2012, Disney released a line of villain dolls depicting Ursula, the classically full-figured Sea Witch from The Little Mermaid as a designer, couture, size zero.
From one rolling midsection and tameless will to another, my sweet Ursula — I cannot imagine the sick flip of your stomach, to see your image dissected, chins shaved waist cinched, your silhouette robbed of every ounce of delicious curve.
To find after two decades of existence that your evil was more worthy of preservation than the iconic body that held you, you — big lady, were the only Disney character who ever looked like me.

And while you may not have had the waist-line of a princess I'll be goddamned if you didn't have the swagger of a Queen.

The way you sashayed around your lair in full makeup black flamenco number cut so low in the back that your every twist and shimmy displayed the gorgeous tuck of your rolls.
You made back-fat look f*cking sexy.
You made living in this body a little less like a curse.
I wonder how they told you, did they sit you down over tea, delicately frosted cakes lining your chipped porcelain? Explain it as a marketing technique, a vehicle to make you more palatable to a culture that demands perfection?
I hope you crushed the f*cking teapot in the clench of your fist.
I hope you grew a thousand feet tall and drowned them in the whirlpool of your rage.
I wish I could have watched you suck the voices from their tiny, breakable throats.
But I know you wept, I know you licked the icing from each and every cake, I know you broke, like a slow burn.
Wasn't it enough that they made you a witch? That you were already beyond the bounds of their franchise royalty? They expected little girls to recoil from the wicked inside your laugh, when instead, they worshiped your honesty.
Ursula, I don't want you cut down into bite-sized pieces.
You weren't easy to swallow for a reason.
I want you larger than life, flaming red lips, black flamenco dress — I want the thick of your tentacles, your conjurer's hands, the jiggle of your ample bust. I want you dressed to the nines on a runway, I want every little girl to see a heroine in a size 24.
Ursula, Queen of the Ocean, you were never just a witch to me. You were perfect — every pound, every inch, every swell, perfect.
And I pity the poor, unfortunate soul who would dare paint you as anything less.

Friday, April 25, 2014

William Butler Yeats, Briar Rose & Maleficent

From the new official Tumblr page, this is just fascinating. An extract from Yeat's famous "The Stolen Child" poem is posted, along with the above gentle gif. Here's the poem, under the heading "Magical World":

Magical World - Briar Rose

Come away, O human child!
To the waters and the wild
with a faery, hand in hand,
for the world’s more full of
weeping than you can understand.

~William Butler Yeats
Now, I will never quite read that poem the same way again...

There's a lot to explore in the new Tumblr already, including things like this:
Magical World - Earth Tones
Heed the wild call of the faerie folk with rustic, animal-inspired accessories.
I'm really enjoying the layering of these reveals, showing the thought process behind the movie and behind the final impressions they wish you to have. It would appear the movie has more substance to it than first appears. *cheers*

Fairy tale bonus of the day:
Have you noticed who the writing credits for Maleficent are being credited to? Both The Grimm Brothers and Perrault are credited, along with a few others... It's pretty interesting.
Here:
If you go to the Maleficent IMDB page, you can click on each of the writers credited for more detail.

Tuesday, March 18, 2014

Goblin Fruit ~ Winter 2014 Issue Is Live

Header/border by Zarina Liew
Renowned fantastic poetry journal, Goblin Fruit, has just released their latest quarterly collection of new fairy tale work and it's a truly lovely collection.

Here's an excerpt from the introduction by the Editors:

"...into the chattering season's teeth we throw this small morsel to sate it once and for all: here are songs of love and death, poems of winter's beauties but also of their banishment, of confrontation and change. Against the pale brilliance of glass, diamonds and cold stars are set colours all the brighter for striking against white — rose petals, apples, the feathers of hunting birds. This is an issue of women grasping their stories by the shoulders and shaking them into difference, tattering gowns into more comfortable wear; impossible as it seems, dear readers, Winter will break itself against a blossom growing out of a shoe."
So lovely and inspiring! That should make you want to drop everything else you're doing for the next little while and go grab yourself some fruit.

Here are this issue's contents:
The Cat on Love by Catt Kingsgrave 
Godfather Drosselmeyer by Sonya Taaffe 
The Vow of Frozen Time by Alexandra Seidel 
Through the Heron Door by Jack H. Marr 
The Right of It by Seanan McGuire 
Dear Prince by Kristina McDonald 
Said Rapunzel to the Wolf by Sally Rosen Kindred 
Spelling for Worse by Peg Duthie 
After the End by Kellelynne H. Riley
My favorites are The Right Of It by Seanan McGuire and Dear Prince by Kristina McDonald. I found these two in particular both inspiring and liberating. (Thank you Ms. McGuire, Ms. McDonald and Goblin Fruit!)

You can read the new works from Goblin Fruit HERE.

You should also be aware that Goblin Fruit is looking for patrons (your choice of amount you pledge per issue) to help expand more of what they do. When patronage builds to $100 per issue they'll be able to produce a podcast for each issue. At twice that they'll be able to triple the (almost token) amount paid to the truly excellent writers/contributors for each issue and ultimately they hope to be able to produce more print and e-book chapbook collections of each issue. Here's the summary from the patron pledge site:
Since April of 2006 Goblin Fruit has been publishing some of the best fantastical poetry out there, by new and established authors alike, putting out four issues a year without fail, for free and without ads. We've been fortunate enough to showcase these poems alongside the work of tremendously talented artists such as Oliver HunterGalen Dara, Betsie WitheyElisabeth HellerPaula Friedlander, and many more.   
For its first five years Goblin Fruit was a labour of love paid out of pocket by its editors; we opened up to donations with our Fifth Anniversary issue and have operated on that basis since 2011. With Patreon we hope to reach out to new readers, enable our current readers to support us more easily and with reward options, and bank towards running a podcast by April 2014 as well as produce more print and e-book chapbook collections.
And here's the promotional video for the journal: 

A promotional video for Goblin Fruit (http://www.goblinfruit.net) - the internet's coolest online fantasy poetry zine, published quarterly. Music is "The Night Journey," words by Terri Windling, vocals and instrumentals by Oliver Hunter.
You can contribute any amount from $1 up, HERE.

In the meantime, go read (and listen to) the issue. Be inspired.* It won't take very long, but it will stay with you, in the best way, for a long time to come.
* This issue is so deeply gorgeous, I would love to see what artists might create in response to these! Even if you don't consider yourself "an artist" and only create in private and for yourself, go read. This issue is like a creative well to dip into.

Wednesday, October 30, 2013

Carol Ann Duffy & BalletLORENT Create a Spellbinding Rapunzel

I mentioned this contemporary ballet production briefly on Facebook a while back but it keeps appearing in the news - with good reason, so it's about time I wrote a proper post.

More and more positive critical response is appearing as people see BalletLORENT's new full-length work, Rapunzel (currently on tour in the UK). They're also taking note of the star-studded creative team aboard this project as well (finally!).

There was a considerable period of research time spent during the creation of Rapunzel, in conjunction with the world-famous Sadlers Wells Ballet Company and the project attracted some diverse world class talent as a result. BalletLORENT has a very good reputation in contemporary dance circles but beyond that the production boasts the talents of:

  • Carol Ann Duffy  - multi-award winning poet, writer and playwright as well as having been appointed British poet laureate in 2009 (and whom should be known specifically to regular blog readers here for her work with fairy tales)
  • Murray Gold - composer for Doctor Who
  • Michele Clapton - costume designer for Game of Thrones
  • Lesley Sharp - award winning British actress for film and TV (she is Narrator for the ballet)
  • Phil Eddolls -  Commonwealth and Olympic Games set designer
And many more..! (You can see the full creative contributors HERE.)
Take a look at the promo video. It's beautiful, unusual and interesting.
✒ ✒ ✒  ✒ (click the "Read more" link below this line) ✒ ✒ ✒ ✒ ✒ 

Tuesday, October 15, 2013

Ask Baba Yaga: I Seek Comfort From Others Because I Am Uncomfortable With Myself

A rare image of Baba Yaga being comforted by a Leshy (Artist sadly unknown)
Although not everyone can, perhaps, relate to the question, Baba's answer however is AMAZINGLY insightful and very useful for those of us who think too much!

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

The consensus readers and commenters have had on reading this is basically PLEASE PUT THESE IN A BOOK! WE NEEDS THIS ON OUR BEDSIDE TABLES! (yes - needs with an 's'!) I couldn't agree more:
  • (If) you ever published all of these as a book, it would live on my nightstand and I'd read it every night (Lady Humungus)
  • @Lady Humungus Oh yes indeed. I'd buy lots of copies, too, and I'd just hand them out, without explanation. (stonefruit)
  • Still in love with Baba Yaga. Reminds me of being in India age 4 and climbing into a strange older person's lap who I knew to be vaguely related to me and getting kisses on the crown of my head and strange hard to follow stories involving vegetables, animals and minerals. We'll done! I'll buy the book and hand it out without explanation too.
     MinisterofPretty(MP) 
I, uh... *speechless and hugs screen* My skull-nest is fully twiggled by this wonderful, wonderful chicken-legged form of a hair ruffling. *pats skull to make sure it remained intact after Baba's fingers touched it, surprised to find it is* 

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Saturday, October 12, 2013

Ask Baba Yaga: How Do I Deal With My Boyfriend's Past Partners Gracefully?

by Francesco Francavilla
History. Luggage. Almost every partner you find these days has some. Meeting that luggage in person, however, has it's own special kind of challenge and Baba Yaga has some pretty "tasty" opinions on what to do.

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

Lots of people re-reading the advice on this one. Here are some comment highlights:
  • Slathered in man syrup? :slowly pushes lunch away with one finger: (JessicaLovejoy)
  • Hell yes staying away from that syrup. (wanderluster)
  • The fastest way to get rid of an ex-anybody is to be nice to them.
    Always worked for me. Staying far away just attracted the crazy aka syrupy hands all over my flapjack. MinisterofPretty(MP) 
I will never look at syrup the same way again. *shudder*

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Sunday, October 6, 2013

Ask Baba Yaga: How Can I Stop Thinking About How It Felt to Dance Drunk With Him at Midnight?

Vasillisa and the Baba Yaga by Biffno
You know that giddy feeling that comes with new love? Baba Yaga has some sage advice for people who can't seem to stop spinning from one to another.

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

I think these people may be just as addicted to reading Baba Yaga's word soups as I am:
  • "after the howl undoes itself" That makes my brain feel so happy; just one of those word sequences. (I'm Right On Top Of That, Rose))
  • "always will there be more Whirlings & more absences suck to those fragrant ribs."
    HEART HEART HEART (PomoFrannyGlass)
  • This is the only advice column that matters. (Potatotoe@twitter)
"Fragrant ribs" is a really bizarre-yet-appropriate way to describe the embrace of someone you yearn for. I guess if you choose love you should prepare to be swallowed. *gulp!*

I feel an urge to print out many of Baba Yaga's "word dancings" to pin up around the house... Reading these is a little like crack, in poetry form.

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Saturday, September 28, 2013

Ask Baba Yaga: I'm In the Midst of a Very Stressful Program in a New Career Field

San Antonio, Texas. Gargoyle at the Emily Morgan Hotel, once a hospital. Photo credit: M. Kopp
Although this week's petitioner is asking about coping in a new career, I think the same applies to any new venture that's both personally important and changes your lifestyle.

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

Striking a chord with many, here are some comment highlights:
  • Brain-uncramming is a subtle type of witchcraft, though. Don't feel too bad if you can't perform it well at first! (Judith Slutler)
  • PERF. (especially the "do not hold so much yr every feeling in the palm of yr hand like a beating frog-heart") (fabel)
  • @fabel This is what my therapist has been trying to tell me, I think. Like, ok, you have feelings, yes, but acknowledging that they exist despite your best efforts at ignoring them does not mean you must feel them all, all the time. I'm Right On Top Of That, Rose)
  • Wow! I never really 'got' the Baba Yaga posts in the past but this one is just perfect. Printing out ... to put up in every room of my house. Truly necessary advice for the overly-introspective. (wordnerd)
  • whoa. (baby crow)
Beating frog-hearts in the palm of my hand. Pretty much a perfect description. Unfortunately, I hate vomiting... I'd kind of like a part two on this topic...

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Wednesday, September 18, 2013

Ask Baba Yaga: Sometimes I Think I'm No Good At All

Hunchback Fairy by Endling
Ah yes - this one is for every other writer out there...

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

So many relating writers on this one but I'll just highlight a couple...
  • fear is a pushcart and i'm gonna ride it all night long Thank you for this. Seriously, I adore that song wholeheartedly and unironically. (stonefruit)
  • So, I know we're traditionally supposed to have a vague fear of Baba Yaga and her chicken-legged hut, but I would like to drink cocktails with her. (I'm Right On Top Of That, Rose)
"Chewing words until the flavor is gone." Yes. I really like the wasp analogy, being that they make paper nests and all... I must remind myself to jolly-roll down the hill so the wounds in my in heart flush with blood-fueling wind... and to live in deathly glory! O.o

PS to "I'm Right on Top Of That, Rose": Agreed!

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Saturday, August 31, 2013

Ask Baba Yaga: I Am My Own Worst Enemy

Baba Jaga by ~iphigen
This week is AWESOME! (Like pretty much every other week has been, but for a fairy tale person, it may be even more so this week...)

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

The discussion among commenters are my top picks this week:
  • Such great advice! Uncanny! (adorable-eggplant)
  • Out-tricksied! (insert heart here) (fabel)
  • I feel I would try so much harder to follow advice that was given cryptically. Straightforward advice, all lies. THAT's the problem. Clearly. (Linette)
  • @Linette yes! another point for oracles over advice columnists. (harebell)
I think Linette is on to something! Gosh I love this one: thorned and starving paths, enchanted balls of yarn taking them to SECRET GRAVEYARDS. Yes! Clearly I need to lead my other self down other paths than the garden one. I think I have been too nice to date. :/ (Thanks Baba!)

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Friday, August 23, 2013

Ask Baba Yaga: All I Want Is So Desperately to Be Good

Baba Yaga Bookplate by Ukranian printmaker Konstantin Kalinovich
"I'm in the middle of a muddle, in the middle of a riddle..." how does that go? Baba Yaga will tell you. And then some. Though, I'm pretty sure, this is not the fairy tale answer the person was looking for...

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)

The discussion among commenters are my top picks this week:
  • How is this always so perfect (Gulf of Finland)
  •    - (@Gulf of Finland) Witchcraft. (I'm Right on Top of that, Rose)
  • I AM AFRAID OF THE OCEAN AND THIS DID NOT HELP. (MEGASUS)
  •    - @Megasus Ocean no getchu! (The ocean won't get you - Bergy Bits) Those dark longings though, sucking at the glass... *shivers* (iceberg)
  •    - - @iceberg Yr eyes do not shut! O.M.G. (SarahP)
The way "though" typed out, with the "h" somewhat transparent, definitely had me swallowing a big lump of trepidation right then. *shudder* Good luck with that Siren love you have there!

What do you think of Baba Yaga's advice?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
AskBabaYaga AT gmail DOT com
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.

Thursday, July 11, 2013

Ask Baba Yaga: Why Do I Keep Getting Drunk on Weeknights?

Baba Yaga by *AppleSin
The Baba speaks! 

This week's question and answer (via poet and oracle Taisia Kitaiskaia* of The Hairpin):
(Originally posted at The Hairpin HERE)
My favorite responses so far:
  • Oh man, I definitely need to keep my feareye on the fire. Is it weird that this answer made a lot of sense to me? (iceberg)
  • "ask me the real question when you see it peering" OMG :O (TARDIStime)
  • Seriously, this one is completely relevant to my life, and each time I reread it, it is more so. But when will I see the real question? Will I see it with my feareye or my regular eye? (And the tags! #this is a good question #tell me more about my feareye) (fondue with cheddar)
  • LW, I think the fact that you don't drink on the weekends suggests that one of your coworkers may have put a hex on you. Try daubing some goat blood on a copy of your company's HR manual and nailing it to the wall of your cubicle. (rfpgh)
Hmm. At least I'm less confused now... (and I want to know more about my feareye too!)

What do you think of Baba Yaga's words?

Want to ask Baba Yaga a question of your own?
You can!
There's now an email address where you can send your questions
directly to Baba Yaga herself.
To encourage Baba Yaga to continue imparting her no-bones-about-it wisdom (ok, there may be some gristle in there... bones too), I suggest we not to leave her box empty... 

Thank you Baba Yaga (& Taisia).


Taisia Kitaiskaia is a poet, writer, and Michener Center for Writers fellow. Born in Russia and raised in America, she's had her poems and translations published in Narrative Magazine, Poetry International, and others.