Showing posts with label live action. Show all posts
Showing posts with label live action. Show all posts

Saturday, April 1, 2017

Live Action Fairy Tale Musical 'The Twelve Dancing Princesses' In the Works (& They Just Added Some Broadway Girl Power to the Team)

Yes, it's true - there is a live action Twelve Dancing Princesses movie in the works!

We've been watching the development of this film via Twitter, Facebook and the official website for quite a few months now but things really seem to be ramping up for Prinroc Ltd's fairy tale film, and it's high time we shared its existence with fairy tale folk everywhere!

Here's the official synopsis from the website:
A great mystery shrouds the castle in the Brothers Grimm’s classic fairytale, The Twelve Dancing Princesses.  Every night the king locks his twelve daughters securely in their chamber, but come morning, their shoes are in tatters and it’s clear they have been up to more than just sleeping in the night! 
At his daughters’ refusal to explain, the king issues a proclamation inviting all the princes from realms far and near to come and unravel the princesses’ secret.  The prize for solving the mystery of the tattered shoes?  The winner may take the princess of his choice in marriage and half the kingdom.  But every prince who comes to test his wits against the clever princesses fails in his quest and is put to death. 
One day, a simple soldier appears on the castle steps and begs permission to take up the challenge and win the hand of a princess.  The king allows it, but this soldier is different from all who have come before him in more than just rank.  He has in his possession a magical cloak, the wise words of a good fairy, and quickly wins the heart of the fairest princess of them all.  Will he succeed in uncovering the twelve sisters closely guarded secret where all others have failed?
Intrigued? Take a look at their trailers - although they're at least a year old, you can see they've put a lot of work into the concept and it's only grown more impressive since then:
"The Twelve Dancing Princesses, will feature 12 young women in major roles," said Coady. "We are looking for diversity among our leads, representing young women of all ethnicities, shapes, and sizes," Coady continues, "This film will be a celebration of strong, supportive women on and off screen." In addition to featuring women in lead roles, producer, Ann Marie Lizzi, and executive producer, Michalina Scorzelli, add to the girl power behind the camera. 
Rachel Resheff
Broadway sweetheart, Rachel Resheff, joins the cast of live action fairy tale musical, THE TWELVE DANCING PRINCESSES! With the recent box office success of Beauty and the Beast, and the trend of girl power fairy tale films breaking box office records, Prinroc Ltd's, THE TWELVE DANCING PRINCESSES is a romantic musical romp with a feminist edge. (BW)
With this impressive team bringing a wealth of filmmaking (and Hollywood) experience to the project between them, we know we're in for something special.  (Take a look at the bios HERE - we guarantee you'll be impressed!)

We applaud the approach, the emphasis on diversity and in empowering women everywhere - both for the audience as represented via the story and film, as well as the team in front of, and behind, the camera.

As news - and the movie - develops, we'll let you know. This is definitely one film to keep tabs on!

'Wicked' the Movie Finally Gets a Release Date (Get Out Your 5 Year Planners Folks, It's a Way Off)


Wicked is about to defy whatever force has kept it bound in development for so long and is getting set to 'fly'. Universal has just confirmed the release date of a movie version of the phenomenally popular Broadway musical. It is, however, a LONG way off, as in years. December 20, 2019 to be exact.

(Note: that date is also booked by Disney for a 'yet-to-be-revealed' live action fairy tale', so development on this, and whatever Disney decides fills their slot will be interesting.)

Though it won't be the animated movie fans have been holding out for, for many years now, the movie does promise to bring all the best aspects of the musical to the big screen.

The Broadway musical was based on Gregory Maguire's book of the same name, which was a revisionist version of The Wizard of Oz, told from the point of view of Elphaba, the Wicked Witch of the West. The tone of the book is, however, completely different from the stage play and apart from the themes, has captured people's hearts with the wonderful music and lyrics.

The new movie version will include four, yes, four, new songs, (so yes, it's a musical - how could it not be?) and seeks to cash in on the popularity of a show that's been a hit for fifteen years running, had over five thousand performances around the world, and was the first Broadway show ever to hit the $Billion mark at the box office a couple of years ago.
The film will be directed by Stephen Daldry (Billy Elliot, The Hours) and produced by Marc Platt. The screenplay is to be written by the musical's book writer, Winnie Holzman and composer-lyricist, Stephen Schwartz. Both the musical and the film are adapted from Gregory Maguire's best-selling novel Wicked: The Life and Times of the Wicked Witch of the West. (Variety)
There's no news on the cast as yet, and although fans will be rooting for Kristin Chenoweth and Idina Menzel to reprise their original roles of Glinda and Elphaba respectively, with the story being a coming of age tale, the Producers will almost certainly be (very particularly) choosing younger stars - who can really sing - to bring the roles of twenty-somethings Elphaba and Glinda to life on film.

The movie has a tall order to fill with such high popularity stakes, but, having actually been in the works since 2015, they should have plenty of time to sort out their approach and hit all the right notes, especially as it includes key players from the musical that have kept it so popular.

Thursday, March 23, 2017

'Beauty and the Beast's Enchanted Objects Become a Cautionary Tale For Today's 'Smart' World

Enchanted objects are one of those fairy tale elements many people love. (We posted on the appeal some time ago HERE.) When Disney's 1991 Beauty and the Beast chose to have visible enchanted servants, instead of the traditional invisible ones, people were thoroughly, well, enchanted. Everywhere people wished their own household objects would come to life and help them with their own life conundrums. It really wasn't until the live action remake's "first looks" pics appeared on the internet, that people processed just how frightening a real enchanted object could be.

For the entire nostalgia crowd, most of whom adored the animated talking objects (and preferred their object form to human form, if they admitted it) seeing the direction the live update was heading in via pics released on the internet, was a wake-up call: one, that some things should not, perhaps, be transformed from animation to 'real', and two, that having (truly) sentient furniture and accessories (and homes) in real life could actually be a pretty creepy notion. It turned out to be one of the biggest challenges of the creative team: to produce believably real enchanted objects that still appealed to audiences, instead of horrifying them.

Even with a lot of effort and (eventually) enthusiastic responses from audiences to the trailers showing the results, one of the most consistent negative comments we've heard from enthusiasts and critics alike (including the exiting audience when we saw the film) is how sinister they felt the enchanted objects were throughout the movie. There was additional dialogue from the enchanted servants in the film, which added to this impression, but in the new movie, it was pretty clear the household were very personally motivated (ie. had their own agenda) to keep Belle in the castle, and prevented her from leaving multiple times, when a truly friendly object would have done the opposite. In fact, toward the end, there was quite a divide between the feelings the Beast had for Belle and the servants. It was only out of respect (and possibly love) for their Master, that the objects accepted the Beast releasing Belle to go see her father. Household objects preventing you from leaving  - something Belle managed to narrowly outwit at one point, thanks to taking advantage of an oversized 'doggie door' - is pretty chilling.

There is a whole line of questions and story issues behind this drift to the dark side but dubious motivations, and turns of cute Disney sidekicks to the sinister aside, there's another aspect to this storyline that's pertinent to our modern world. The idea that angry household objects could take revenge, and/ or protect their turf, from intruders or visitors, is frightening.

And suddenly our Smart Homes and devices come into sharp focus.

Doing a little research as we started writing this article, we came across one in WIRED, titled Beauty and the Beast, Still a Cautionary Tale About the Smart Home, which was clearly thinking many of the same things, and stated the 'smart object' concerns wonderfully, so we thought we'd share some excerpts:
That’s not to say that things are all bad. Honestly, these are some great smart devices. They anticipate the needs of human/Beastly occupants perfectly. Mrs. Potts offers tea; Lumière dims the lights just at the right moments, while somehow escaping the incessant firmware upgrades that plague our real-world smart lights. They offer sound advice: When the Beast asks Cogsworth how he would know if he’s in love with Belle, Cogsworth responds by saying “You’ll feel slightly nauseous.” Would an Amazon Echo give it to you straight like that? Doubtful. 
... perhaps most importantly, the smart devices exhibit actual forethought, tweaking Belle’s environment to make her comfortable despite the Beast’s humbuggery—which ultimately creates the conditions for romance. 
Twenty-six years ago, all this animated meddling was adorable. (When a teapot sounds like Angela Lansbury, it does what it wants.) With the advent of CGI, though, the Beast’s castle seems to have relocated to be closer to the Uncanny Valley. Mrs. Potts looks like something you could pick up at an antique shop; Lumiere’s candles seem really to ignite. And in a time when connected devices can bicker and develop relationships, the repartee among the staff starts to feel less like a workplace sitcom and more like a dystopian sci-fi novel. 
... the most problematic device in the castle by far: the Beast’s magic mirror, a voice-activated screen that allows the user to view anyone, anywhere. (What does it think it is, a microwave?) (FTNH Ed: Or the camera on your smartphone or tablet?) Some might argue that the magic mirror’s invasions of privacy can be used for good, as when Belle discovers that her townspeople have apprehended her elderly father. The information allows her to save her father, or at least end up stuck in a locked—but not autonomous!—carriage with him. Just because surveillance can be used to fight crime, though, doesn’t make it a one-solution-fits-all technology. The first time the Beast uses the magic mirror, after all, it’s to spy on Belle in her room. He’s checking her out, and while the moment isn’t the slightest bit tawdry, it could have been. And when the magic mirror falls into the wrong hands, the device’s true sinister potential becomes clear...
As science barrels toward creating true 'AI' (artificial intelligence) at the same time as smart devices become more and more integrated into our daily lives, work and homes, the sinister scenario of S.A.R.A.H. (Self Actuated Residential Automated Habitat) becomes more and more possible.

The idea of object anthropomorphism is often behind how technology is created, though not usually consciously. While we don't really want our objects to be as smart as us (especially not with personalities that have opinions that differ from ours), making something 'user-friendly' is often about making the user feel comfortable and, well, friendly, toward the device/ program. By masking most of the technological workings and making them invisible - like magic! - and creating an interface (the way we use it) to require actions we use, both with other people (especially children, and others we're in charge of) and animals/pets, we become familiar (in the literal, and bordering on the folkloric, definition) with our machines. As a result it's not uncommon for people to get attached. (Try taking a phone away from someone who usually has it in their hands, or better still, don't...)

People inevitably, to an extent, get attached to machines they use regularly anyway (cars, boats etc). The drive for humans to connect, even to non-humans, is very strong, but there's an even deeper dynamic with smart devices - the devices which hold your information, passwords, preferences, memories, secrets and even hopes and dreams. Not only do people get attached, they become dependent, letting their guard down around their devices, making themselves vulnerable to losing regular skills (like navigating streets) but particularly to being taken advantage of by the invisible puppeteers behind the programs.

No, we're not in the age of AI devices (yet), but there is intelligence and motive, behind every one of the devices and apps we use - even if they're benign and/ or perceived as 'good' - and we would be less vulnerable if we remembered that. The responsibility is still ours. When we are taken advantage of it can't be blamed on the machine. It's 'user error'. Literally.

It may seem we've strayed far from the fairy tale and considerations about the 'love story' of Beauty and the Beast, but actually, it's quite 'on the nose'. Anna Vlasists, writer of the Wired article, puts it succinctly:
... while it’s tempting to blame the IoT (Internet of Teapots) for the bloodthirsty townspeople, or for the Beast’s fate soon thereafter, the true culprit isn’t the smart home... Only when the Beast falls in love with Belle does he breach his own best security practices, giving her the mirror that ultimately proves his downfall. A reminder to all who share their passcodes and devices: Love can make us hasty with our information. And that information—or misinformation—can do IRL harm.
Don't let the real invisible servants take advantage of you every day. Be smart with what you write, click and share. Protect your freedom. Be the user, not the used.

Note: We recently attended a special introduction to coding for kids, and it opened with a short video explanation of the importance of being able to use and/ or understand code, which boiled down to: "program or be programmed. "If you don't know what the software* you're using is for, you're not using it, but being used by it." The 2 minute introduction explains how to not be scared - or be taken advantage of - but how to be aware of how the internet and software on smart devices is used, so we can have a choice about it. You can view it HERE.

Friday, March 17, 2017

'Beauty and the Beast' 2017: Best Thought Provoking Articles About the Movie on the Internet (so far)

UPDATED! MARCH 18th, 2017 8pm
There are a lot of reviews, theories, musings and posts in general discussing Disney's take on Beauty and the Beast - both the animated version as well as the new one. Here are some that fairy tale fans, and fans of storytelling - and adapting tales for various audiences - might find more useful and interesting than the current avalanche of reviews.

This is Part I. You can find Part II HERE.


'Beauty and the Beast': 9 Differences Between the Live-Action and Animated Movies — and Why They Matter - from the Hollywood Reporter, this is one of the most thoughtful pieces we've seen at the differences in the new movie which expand on the animated classic and story. Most people know the Disney classic well so there aren't spoilers here, exactly, so much as an explanation of how the filmmakers expanded the story and why. For those who are wanting to watch the movie looking for those aspects they put an effort into developing (and which you might miss hints of in scenes in which those additions aren't the focus) this article will likely help you pick up on things you normally wouldn't see until a second viewing. For those who would prefer to see it without the hints first, it can serve as a reflective piece after a viewing, to see how successful the filmmakers were in communicating their intentions.



13 'Beauty and the Beast' Adaptations - a handy list and set of links to the various notable screen adaptations, whether they were successful or not. Each has had some impact on how society views the fairy tale, which makes for an interesting comparative tool.
There's another shorter list HERE with a couple of differences. The 'beastliness' of films is rated in this article.
A different list of 13 can be found HERE, and, although it overlaps with the others, it highlights a few different ones, including a specific episode from Once Upon A Time and a couple of other episodic series highlights.



The Beauty and the Beast remake is a long series of wasted opportunities - yes, that is the official title. We didn't paraphrase. The title is harsher than the article, likely to catch people's attention but it does critically ask the important questions of how to represent something in a revision/ reboot/ remake, be it active feminism, or acceptance of differences (race, orientation etc). (Note: it also makes an effort to point out the changes that did work, so this isn't entirely negative and critical.) Though it contains spoilers (so it may be better for reading after viewing the movie) it also makes clear how over-hyped some of the changes are, or how the changes, touted to be bold and needed advances for today, are, perhaps, still on the tame side, giving nods to these things rather than properly representing them. (Please note - neither the article, or we, are not saying things need to be explicit in any way. It's more about how one scene or moment can be undermined, ending up as a detached statement that doesn't actually change the landscape of the story at all.) Worth a read for writers and filmmakers looking to address equality for all in their work.



The boycott against Beauty and the Beast is about much more than the movie - quoting the article to give you an idea of what's being discussed: "But like so many of today’s cultural controversies, this fight over boycotting the movie is part of a bigger picture. It’s not just about Beauty and the Beast or gay rights. It’s about the outrage culture we’ve grown so accustomed to, the spectacle, and the opportunity to define ourselves online by publicly performing our morals." The article also talks about the importance of acknowledging Howard Ashman, the lyricist and co-composer of many/ most of the iconic songs that caused people around the world in droves to love The Little Mermaid, Aladdin and, yes, Beauty and the Beast. Ashman was gay and struggled with being accepted for his orientation, among many other challenges. "It takes a special cultural ignorance to protest the adaptation because it features a gay character, even though the original movie wouldn’t be what it is without Ashman’s talent." [Note: it may be of interest to christian readers that the Catholic News Service, discusses these aspects and still recommends the movie as "a must-see film intended for children" with the "pall" cast by the controversy being called "unfortunate". This article 'Beauty and the Beast': Why Christian Parents Can Calm Down is a traditionally solid evangelical approach, while being realistic about society, explaining why a 'panic button', and boycotting the movie, is unnecessary. The Evangelical Christian organization, Focus on the Family gives a movie review and breakdown here of the various elements of the movie from the positive through to the questions as well as any violence, strong language, and sexual allusions of all orientations.]



Why Is the Prince in Beauty and the Beast Always Less Hot Than the Beast? - To quote Heidi of SurLaLune: "There's been a long going discussion among scholars and others about the disappointment often felt by readers and viewers when the Beast is transformed back into his human form in Beauty and the Beast tales... The effect is much worse in film, of course, but it has been explored many times in fiction, too, by Angela Carter, Robin McKinley, and others." And this discussion has now hit popular culture, something we don't remember seeing much of when the animated film was released, but perhaps the live action/ CG simulated-live action aspect has brought this (along with other questions) to the fore. What isn't discussed here is that Cocteau, in his black and white cinematic masterpiece, intended the transformation to be a let down, and the ending to specifically be unsatisfying and a strong statement. No filmmaker since seems to have navigated (or successfully ignored) this concept gracefully since, and that includes this new movie. [Note: the animated classic intended to tap the Biblical concept of new/re-made man, hence the name 'Adam' used in the studio for the human Prince at the time, but that idea, as most girls who fell in love with the Disney movie will tell you, wasn't successful. He was definitely "less hot".]



A traditional tale with titillating twists: Beauty and the Beast gets reinvented (again) - This article tracks the traditional psychoanalytical interpretations through to the implications 'updating' Belle through to noting the social implications and automatic connections audiences will make to this new Belle, just in having Emma Watson in the role. With the strong impressions of her public persona, which include 'forever-Hermione', eco-conscious fashion icon, feminist bookworm, activist and UN Women Goodwill Ambassador, she is currently the quintessential model for brains + beauty that so many girls (and women) want to be.



There's Actually a Reason to Like Gaston in the New Beauty and the Beast - "Like" is probably the wrong word here, though it attracts readers. What they really mean is 'understand'. And understanding Gaston doesn't mean being OK with any of his behavior, as this next article - which should be read as a companion  piece to this one - outlines:
Why 'Beauty and the Beast's Gaston Is the Worst Kind of Disney Villain - "No one's a misogynist like Gaston." As stated above, it should be read as a companion piece to that one. Having the sort of background this 'new' Gaston has been given doesn't excuse any of his behavior  - as a character and certainly not in real life, as Teen Vogue aims to remind romantics.



'Beauty and the Beast' Honest Trailer Tells "a Tale as Old as Stockholm Syndrome" - This is a humorous video but, at the safe distance that comedy gives us, raises more - a lot more - than this much-talked about issue and is worth consideration. Disney's classic animated version of Beauty and the Beast has a lot of questionable things and while, yes, it paints these in fairly broad strokes, we all know that nuances of an aspect are rarely retained by the public over the long term. The overall impression - especially the unspoken ones - need to be considered, and in some cases, challenged. Even with revisions and updates in the new live action version, Belle's character motives still seem a little too close to home to the #whyIstayed discussion of domestic abuse (which is different from Stockholm syndrome but not necessarily unrelated). This 'honest trailer' that pulls no punches will, at the very least, enlighten you as to the impressions the story can give and illustrates why challenging, or updating the 'nuances' in a new version shouldn't be done half-heartedly. How much the new film succeeds at doing this on certain issues is still debatable. Good for thinkers but expect some protective feels if the Disney movie/s are personal faves.


The Primal and Mythical Allure of Beauty and the Beast by Maria Tatar - One for fairy tale folk and those looking to increase their knowledge of the fairy tale, and its appeal, beyond general knowledge. By esteemed fairy tale scholar Maria Tatar, you know this one is highly recommended by our news team. "Disney’s “Beauty and the Beast,” like the many other versions, gave us a vivid, visual grammar for thinking about abstractions: cruelty and compassion, surfaces and essences, hostility and hospitality, predators and victims. Like all fairy tales, it gives us the primal and the mythical, getting us talking in ways that headlines do their cultural work today. And they also lead us to keep hitting the refresh button, as we try to get the story right, even as we know that Beauty and the Beast will always be at odds with each other in an endless struggle to resolve their differences."



Crosswalk the Musical: 'Beauty and the Beast' (James Corden Brings ‘Beauty And The Beast’ (And Its Stars) To The Street -  Finishing on a fun note, this is both funny and shows how both versions of this film inspire people to creativity and continue telling the tale of Beauty and the Beast in news ways. One of the best things about this 'sketch' is that tale telling is being taken to the streets. The performance, stopped traffic. Literally. Take a look. (If you want to skip the preamble and prep and just get to the street performance, begin at 3:36):

UPDATE! MARCH 18th, 2017 8pm:
Reel Representation: Diversity in ‘Beauty and the Beast’ is less radical than Disney claims  - This article takes a critical, and thought provoking look, at the true amount of diversity included in the 2017 re-make. Yes - there is more diversity and clear feminism in the new movie but is it really as progressive as the promotional campaigns for the movie have been touting? "Holding up the moments as landmarks lessens the significance of true milestones and superficially lets Hollywood off the hook, making it seem like diversity is rapidly increasing when in reality, change is slow in Hollywood."



'Beauty and The Beast': Why Live-Action Remakes Can't Truly Replace Cartoons - To be clear, this is not saying the movie is bad or 'less', just that there are certain aspects in which animation - being the artform that is is - does exceptionally well, that is difficult to reproduce in live action. (In other words, sometimes animation is the best medium.) It's an issue worth considering when choosing how to tell a story, as in what you're trying to do in a specific medium. It is also the reason illustrated books (picture books) and traditional animation works so well at telling fantasy stories. "The very specificity that live-action CGI demands (and delivers) makes it harder for audiences to accept nonhuman characters as peers to the humans — they seem too alien, too dissimilar. By contrast, there's more in common between Belle and Mrs. Potts in the 1991 animated story, because the lack of detail in the line work means the two subconsciously look more alike.
The same is true of almost every animated story: the cartoonishness works in the favor of the movie, because the artists are rarely trying to be realistic — they're more focused on telling the story in the best way possible. That's rarely the case on a live-action remake, for the simple fact that there's an additional layer of "reality" immediately placed upon proceedings..."
Ultimately this shouldn't mean 'don't make CG/live action versions of stories - not at all. What it means is there needs to be more awareness about why things work in one medium and not another, and that those need to be part of the conversation when creating moving images in whatever medium, or blend.
This is Part I. You can find Part II HERE.

Did we miss a thought provoking article on Disney's live action remake Beauty and the Beast?
Add it in the comments and we'll update the post and credit you!

Disney's New 'Beauty and the Beast' Hits Theaters Today (Magical Poster Showcase)

Beauty and the Beast triptych poster - Click to view desktop wallpaper size
It's a highly anticipated day for many folks - not just fairy tale fans - and no matter what critics are saying this movie is going to be HUGE.

The biggest draw is likely for the nostalgia crowd, which is one of the biggest guaranteed demographics. That double-edged sword also makes it apparent that this movie comes with a curse of its own: it will forever live in comparison to the animated classic, unlikely to ever truly be judged on its own merit. That said, nostalgia will win out for Beauty and the Beast fans because, at worst, it's going to be an enjoyable movie, even if its new spin isn't as groundbreaking as the first movie was.

We're going to see it in theaters at some point because, why not? It's clearly been made with love and attention to detail and isn't that what you want in a movie? Especially a family fantasy? In reimagining a well known story, even down to lines, songs and scenes that are all very familiar, each storyteller brings their thumbprint to the telling and we're curious to see the prints - and be able to see the details in the corners of the big screen - on this one.

We'll be posting some more Beauty and the Beast themed posts during the next few days, in tribute to the current social focus on this fairy tale, but for now, enjoy the fact that millions of people around the globe will be happily - excitedly - talking about fairy tales this week (at least), and if you happen to be out and about chatting fairy tales there's a good chance you'll meet some new fairy tale friends.

In case you hadn't seen them, here are the eleven, quite magical, character posters for the movie.
Yeah, we don't quite know what's going on with the Beast poster either, but overall pretty great. Here are the, better quality, static poses below, this time including the Prince. (You can click on them to view a much larger size.) Enjoy!