The Underwater Fairy Tales of Andreas Franke

Red Riding Hood by Andreas Franke

This is a different exhibit: Andreas Franke, who is well known for his underwater fantasy photography, has most recently turned his attention to fairy tales for a unique set of venues for a unique cause.

Here's the press release:

Plunge into the strange, surreal and mysterious world of award-winning visual artist Andreas Franke and experience his photographic Phantasy Fairytale underwater art exhibition at Huvafen Fushi and NIYAMA in the Maldives.

Each photographic piece has been submerged in the Indian Ocean and can be seen from inside the underwater music club Subsix at NIYAMA and inside the underwater LIME spa at Huvafen Fushi. Should you decide to purchase a piece to take home with you a percentage of proceeds will be donated to Per AQUUM’s Coral Regeneration Program. 

Snow White (yes, NOT Sleeping Beauty)

The exhibition magically combines photography, nautical exploration and digital mastery to produce compelling underwater dream worlds where Western fairytale characters are creatively superimposed against the backdrop of the Indian Ocean. Each photographic art piece evokes a feeling of folklore and magic with Snow White, Little Red Riding Hood and Star Money exhibiting at both NIYAMA and Huvafen Fushi, while the Snow Queen features exclusively at NIYAMA and The Last Unicorn features exclusively at Huvafen Fushi. 

The Last Unicorn

How cool is that? Using the sea floor as a gallery? Not only that, underwater algae and other microorganisms are encouraged to organically become part of the painting. It's fascinating!

Star Money

Mr. Franke is completely passionate about diving and underwater sea life, so it's really wonderful to see his art supporting what he's most passionate about - the underwater realm and all that he loves about it. All his creations (not just these fairy tales) are magical and otherworldly and I really love how he takes care to incorporate the"normal life of sea creatures" in his photos as well. The reality of them existing in these other-underworlds take these from interesting to wondrous.

Here's a description on how the paintings were created:

The images are created by Andreas undertaking two separate photo shoots; one using an underwater backdrop followed by a secondary studio shoot with real life models that bring the final visual to life. These secondary shots are then superimposed onto the original images to create the finished Phantasy Fairytale. To secure the art underwater, they’ll be encased in Plexiglass and suspended from the underwater structures of Subsix at NIYAMA and the LIME Spa at Huvafen Fushi. 

Snow Queen 

Andreas says his creative input is just the first part of the process. Once the images are submerged, it is up to the sea and nature to create the final finished product. Together with algae and microorganisms, the salt water adorns the pictures from the world above. It is the individual signature of the ocean that embellishes the photographs, a bizarre and beautiful touch of impermanence.

How did you imagine the scenes for Phantasy Fairytale?Andreas: While I was diving, fairy-tale like scenes appeared in my mind’s eye, like Little Red Riding Hood walking through coral reefs resembling trees. The moment I start the photo shoot, everything becomes clear: the concept, the realisation, even the post-production. It is only the interpretation that I leave to the spectators.

Here's a couple of photos of the installation process:

Here's a much more detailed look at how Mr. Franke goes about the dives, the set-ups and the layers of photography. If you love diving and the sea, you will LOVE this video!:

And here's how the Phantasy Fairytale paintings are currently being viewed: 

 

When I first saw these I, on a whim, looked up the prices for an overnight stay and just about fell off my chair. Needless to say, the main resort mentioned is a popular celebrity retreat BUT I'm very happy to know that while I will never see these works in person, the important work of coral regeneration gets a boost in money and resources every time monied visitors indulge themselves, while the exhibit is on display.

The Phantasy Fairytale exhibition by Andreas Franke first premiered on March 4 and will be on display until the end of May this year. To find out more about visiting the exhibit in person you can find more information HERE.

Sources: HERE, HERE, HERE & HERE

Exhibit: "Beware a Wolf in the Alley" by Red Grooms

I'm squeaking this in right before the exhibit finishes, I know but wanted to at least mention it before the end of the week.

Marlborough Broome Street

Red Grooms: Beware a Wolf in the Alley

February 19 - March 23, 2014.

 This particular exhibit is, essentially, two past works of art presented together in a new way. One is the 3D representation of a notorious alley he knew well 'back in the day', along with the characters populating it, and the second is a film his family made together, retelling a darker version of Red Riding Hood. The two are both juxtaposed and blended together, making the idea of an urban Red Riding Hood very concrete.

 The artist, Red Grooms, is known for his "sculptopictoramas" more than anything  which are essentially 3D sculptures blended with naive-like cartoony(ish) drawings and paintings. His style isn't one I'm drawn toward but I do love the work put into The Alley part of this. I can't find any footage of his family filmed version of a grim Red Riding Hood to show you but it seems to have been created with a similar sensibility (ie high/fine art isn't the objective - it's more experimental and hands on).

The press release is below in two parts, and I'm posting it in its entirety as the behind-the-scenes details are completely fascinating, even if the visuals don't immediately appeal to you.

For my part, I have no doubt seeing it in person would be quite an interesting feeling, and appropriate for the tale in many variant forms. I only wish the 30's-like children's illustrative style at the very end blended better with the Alley work. Even some used tires with flowers on top to sit on to watch the film would have made a good difference. It feels a little disjointed to me, with the palette not quite meshing as well, but then I'm only working with my response to photos and this is clearly supposed to be experienced.

I appreciate more the concepts behind the work and the manipulation of space,as well as the multi-media aspect, rather than the art on its own. But then I guess that's why modern art in particular is so subjective.

I can easily see, though, that this representation of our Little Red would definitely stay with people in the days, months and years to come after walking through the exhibit and that's a success as far as I'm concerned. :)

Sources: HERE & HERE

Snow White (& Her Apple) is on Display at the American Museum of Natural History

The poisonous apple that Snow White ate, causing her to collapse, produced a similar effect to pufferfish poison, according to the exhibit. The poison blocks nerve signals that make muscles move, but victims are otherwise awake.

A new exhibit called The Power of Poison opened in late November in New York, at the American Museum of Natural History, last year and our gal Snow White - and her poisoned fruit - features as a major installment. (Yay!)

The whole exhibit looks fascinating but the section on Poison in Myth and Legend (get a brief overview HERE, though I gather there is much, much more) looks particularly so, with nods to the Mad Hatter, Harry Potter, the witches of Macbeth and much more. Take a look at this brief video by curator Mark Siddall (who seems very in touch with the 'now' and obviously loves educating people in the most entertaining way possible) and tell me you're not intrigued:

Here's a summary of the exhibit from popular family blogger MommyPoppins, who picked it as one of the best family exhibits currently out there this 2013/2014 Winter:

The exhibit begins by putting you in a Columbian rainforest, complete with toxic creatures...

The Power of Poison examines facts, fictions and legends about deadly toxins. While the subject may seem offbeat for families (how many kids know what arsenic or mercury are anyway?), the presentation is totally engaging. Kids can explore the role of poison in famous fairy tales, solve mysteries at digital kiosks, get up close and personal with deadly creatures, and watch a live presentation about a historic poisoning. Both my son and I were completely absorbed by the one-of-a-kind display. For once, picking our poison had a totally awesome outcome. 

The Power of Poison is divided into two distinct sections connected by a live dramatic presentation. The first part explores the back story of toxins: where they come from, what they do, how they were used and who used them. Armed with this knowledge, you're able to solve three different poison-related mysteries in the second section. 

You enter The Power of Poison through a dimly lit Colombian jungle where you're introduced to poisonous plants and animals like live golden poison frogs and Zebra Longwing caterpillars. There's also an interesting short about a lone camper found dead in the woods with no evidence of foul play. I won't give away the ending, let's just say the culprit turns out to be one of nature's toxic creatures. 

One of our favorite parts was the Poison in Myth and Legend gallery, where life-size dioramas reveal the truth behind well known legends and stories. Find out why Lewis Carroll called hatters mad in Alice's Adventures in Wonderland, whether Snow White would have really died from eating a poisoned apple and just what those witches in Macbeth were brewing up in their cauldron. 

We also enjoyed searching through the Hogwarts-style magic book, inspired by Leonardo da Vinci’s notebooks and Dioscorides' De Materia Medica. As you flip through the animated tome about poisonous plants, the text and illustrations seem to appear out of nowhere as if the book were enchanted... 

(Read more on the fascinating exhibit areas HERE.)

Apparently the presentation is quite different from the usual AMNH exhibits, being rather more interactive and hands on. There's even a section where you can solve a mystery by following clues It's very multi-media too. There are full-scale, semi-animated scenes, actual venomous/poisonous creatures, audio and visual presentations and slideshows and a very special interactive projected 'Enchanted Book' (also mentioned above), which looks like something straight out of the Hogwarts library, that you can turn the pages of and see move under your hands when you touch the pages (much like you might expect a magic book to do), to learn more about poisons. There's an online version of it HERE. 

This “enchanted” book resembles an ancient botanical volume. It displays animations of poisonous plants and how they were used in the past. Drawings appear to come to life as the reader touches the pages.

While it's nothing compared to the exhibit piece, it still gives a lot of truly fascinating information on various poisons, how they came to be, the history and myth-tory behind them and more and is well worth your time to browse through and set all the animations and videos happening.)

The exhibit also explores myths and legends associated with poison. It features a life-sized scene of the Mad Hatter from the book "Alice in Wonderland" to explain the origin of the term "mad as a hatter." The saying dates back to the 19th century when mercuric nitrate was used by hat makers to turn fur into felt. Prolonged exposure led to mercury poisoning with symptoms that included trembling, memory loss, and anxiety.

I'm so thrilled that fairy tales are not only included in the exhibit but are showcased the way they have been. While the truth is you could have an entire exhibit just on poisons in fairy tales, getting people thinking about possible real-world origins of tales is a good way to get people to go back and look at their favorite tales, rethink folklore they know, and maybe do a little research beyond as well. Blogger Sonic Eclectic looks to be one of these since their summary of this part of the exhibit is as follows (section in bold is my emphasis):

Once the exhibit gets into the details of the environment then the specifics of countering poisons and folklore arrives.  Details are offered about witches, stories of Hercules using the toxic hydra blood, an excerpt of Snow White, and also information from Harry Potter.  What’s best is the exhibit ties the fiction and folklore to real life.  Tying poison and its affects to literature is something I would not have guessed to read and see.  Paired with the information are well-crafted artistic visuals and interactive information you can touch and hear.  Thankfully we don’t have to smell it if we could because that would not be enjoyable.

This life-size diorama of three witches circling a boiling cauldron recreates a famous scene in Shakespeare's "Macbeth." The witches are drawing on the magical powers of a few highly-poisonous plants.

The AMofNH also has a great Pinterest board full of information (and cool visuals) that you can browse HERE. While fairy tales aren't featured here, it's still intriguing (I need more words for fascinating...).

You can see more displays from the exhibit HERE and there's a whole set of behind-the-scenes photos on creating the exhibit HERE, where you can see much larger images of those below, get more information about the section, what went into putting it together and some of the varied skills employed for the presentation. (I don't see the video and animation artists included but no doubt they were hard at work as well.)

I now want to see a fairy tale exhibit JUST LIKE THIS! (Please.)
The Power of Poison runs until August 10, 2014.

Sprite Symphony (Fairy Installation) by Davy & Kristin McGuire (Do NOT Tap the Glass!)

Not specifically a fairy tale but it might be the sort of thing you'd find in a fairy tale, here's a lovely little film of an inspired installation being hosted and exhibited by the RSC (Royal Shakespeare Company), made with holograms (and fairies!).

Thank you to the ever-creative and tuned in Lisa Stock of InByTheEye for alerting me to the magic.

The team, Davy and Kristin McGuire, were the creative geniuses behind another "projected project" I love, titled The Icebook, (you can see my post on it HERE), and they've done many more since.

Take a look at this lovely, lovely thing!

From the Vimeo description:

Commissioned by and developed for the Royal Shakespeare Company and later adapted for the Enchanted Parks, Sprite Symphony is a magical installation using projections and sound to create a beautiful yet dark display of fairies that have been trapped in jam jars and are trying to escape their glass cages. 

The fairies knock and tap on their jars and thereby create a polyphonic musical composition. 

The sprites are currently exhibited in a Victorian display cabinet in the RSC theatre foyer in Stratford upon Avon, (and) they also featured in the windows of the park keeper‘s shed at the Enchanted Parks in December 2013.

I'm thinking the fairies are drawing people to them with this magical sound and display, in order to persuade you to let them out. Trouble is, I don't entirely trust fairies. No matter how pretty they are, they tend to bite.

And just to underscore my wariness, this RSC exhibition also has a piece titled 'The Haunted Dress'. Worn by the Faerie Queen, it has a life of it's own.. and possibly teeth. (You can see the trailer for it HERE.) *shudder*

The Haunted Dress is an installation using theatre couture, projections and sound to tell the gruesome story of a beautiful but savage fairy queen who seduced a man into madness.

The exhibition, which opened in November last year, will run until March 2, 2014.

Press release from the RSC (and I'm including the artists' info & credit below as well, because these guys are just amazing!):

Sprite Symphony. By Davy and Kristin McGuire  

PACCAR Room, Royal Shakespeare Theatre, Stratford-upon-Avon  

16 November 2013 – 2 March 2014 

Sprite Symphony takes you on a journey around the theatre into a world of magical fairies and sprites. Follow the trail to find enchanting fairies trapped in jam jars and the Queen of the Fairies' haunted dress. Discover a cabinet of curious sprites in the foyer and listen to their enchanting music.  

Created by award winning artists Davy and Kristin McGuire, Sprite Symphony combines animation and projections with costumes and props made by the Royal Shakespeare Company, recomposed to invent a brand new contemporary fairy tale.

Davy and Kristin McGuire: Winners of this year's Oxford Samuel Beckett Theatre Trust Award, Davy & Kristin McGuire are multidisciplinary artists whose work has included The Icebook and an atmospheric stage adaptation of popular fantasy novel, Howl's Moving Castle. Their latest commercial commission for Courvoisier was displayed at Harrods and their new theatre production The Paper Architect premiered in July 2012 at the Barbican. The McGuires critically acclaimed theatre projects have toured to 12 different countries over 3 continents and their art work has been exhibited, published and screened internationally. 

More Images from G1988's "Fairy Tales: A Print Show"

Stitching Starflowers by Shannon Finch

Just a quickie post today, expanding on my previous entry HERE on this show at Gallery Nineteen Eighty-Eight...

What the Doormouse Saw by Misha

The Beast by Matt Kaufenberg

The Ugly Duckling by Marcus Marritt

I tracked down a few more illustrations from the G1988 (West) Fairy Tales print show. Apparently there were under 30 prints so this might just be the rest of them. (Kind of weird to have less than thirty pieces on a subject like fairy tales, no? You think they'd be hard pressed to narrow it to one hundred).

Jack and the Beanstalk by Marcus Marritt

 “The Golden Stair” by Jeremy Berkley

Hansel & Gretel by Marcus Marritt

I finally found - and updated - the missing credit from the last post - the graphic looking Sword in the Stone piece. It's titled The Once And Future King and is by Ryan Brinkerhoff. And Dave Quiggle's The White Stag which I liked so much, was apparently inspired by The Lion, the Witch and the Wardrobe.

The Crane Wife (I only had the artist sneak-peek view before) by Deborah Bencosme (of castlepöp)

Oh - and did anyone notice the wolf in Red's cloak in the print that was also used for the poster? (See below.) I didn't till today... *rubs tired eyeballs*