How to Write a Killer Fairy Tale Retelling

Hi, Fairy Folk! This is Tahlia, editor of Timeless Tales Magazine. One of the most common questions I get from writers is what I look for in a retelling. So I thought I’d provide my top tips for how to nail your short story or poem, whether it’s a fairy tale, myth, or legend. Hopefully this will spark some ideas for our upcoming issue (Arthurian Legend theme, in case you hadn’t heard yet)...

Unsurprisingly, even before I created Timeless Tales, I read a lot of retellings. Not just fairy tales and myths either—Shakespeare, Sherlock Holmes, Jane Austen...you name it, I’ve devoured it. I’ve even had a few of my own published, back when I was writing more short stories than reading.*

So I thought I’d share some of the wisdom I’ve picked up along the way about how to produce a killer twist on a familiar tale.

1. Re-read the source material:

Never assume you already know the tale. Do a little research to dig up lesser-known facets that might inspire you. Better yet, read multiple versions of the story because, especially with the older tales, you'll find different details and even endings.

I admit I failed to do this with the first retelling I ever wrote, Two Knights in One Day. It was a take on Sleeping Beauty, but I only discovered after it was published, that the original contains a rather horrific plotline involving rape. Would reading this have changed my story? Hmmm...hard to be sure, but I probably would have put more of a conscious emphasis on consent in romantic relationships.

Another example is a TT submission I read a while back. It used the names “Anastasia” and “Drusilla” for Cinderella’s stepsisters. As an editor, my eyebrows immediately raised because those are the names the Disney movie gives them. It made the author appear a little amateurish because it felt like that was probably the only version they’d ever encountered! Even if the original doesn’t change your own story, you owe it to yourself to know what your version will be compared against.

#NotAllStepsisters

2. Question the Original. Especially ask "how" and "why":

Exactly how does Rumpelstiltskin spin straw into gold? Why didn’t Puss start helping the Miller’s son until after the Miller died? What makes the wolf's disguise so convincing to Red Riding Hood? Let’s be honest: most fairy tales don't waste time on explanations. Part of the fun is all the nonsensical happenings and illogical behavior, but you can add complexity and depth by tackling these issues head on. Don't’ feel like you need to address every oddity or answer every question, either. Pick one or two and stay focused on those.

Surprisingly, your biggest handicap in writing a retelling might be your love of the original. Being a huge fan of the original can actually blind you to its flaws and prevent you from taking risks.

I made this mistake with a Little Mermaid retelling I wrote. I absolutely adore Andersen’s lyrical prose. His descriptions of pain are just unbelievably exquisite. So my first three drafts spent waaaaaay too much time meandering through descriptive paragraphs in an attempt to emulate his style. It completely got in the way of the plot. Thank goodness the magazine’s rules forced me to cut my word count down. I realized that 3-4 pages could be deleted because they had just rehashed scenes from the original tale. Once they were gone, the pacing was dramatically improved.

On the other side, don’t be afraid to ask yourself what bothers you most about this tale? My Sleeping Beauty retelling I mentioned earlier emerged because I didn't like the idea of a guy kissing a girl without ever knowing her. So I wrote a version where the two could communicate while she's asleep.

3. Ask "what-if":

This is your classic elevator-pitch twist. It’s taking a key

building block in the original and replacing it with something new. This is a great time to play with setting, swap genders, and question innocence or guilt. What if Cinderella happened in Ancient Greece? What if the Little Mermaid was male? What if the witch wasn't evil?

In my experience, the strongest What-If retellings are the ones that fully develop the concept they’re presenting.  Don’t get lazy and treat your Ancient Greek setting like it’s a themed party. Slapping on some descriptions of marble columns and renaming Cinderella to Penelope isn’t going to make your story stand out. You’ve gotta dig deep, maybe do some (gasp!) research even. Ask yourself how your new setting changes the motivations of your characters and the outcome of the plot.  

4. Consider the Minor Characters:

I told my Sleeping Beauty story from the prince's perspective, but you can think even more outside the box than that! Give a voice to someone who is usually glossed over. What are Hansel and Gretel's parents' motivations? Don't stop at people, examine animals and objects too! What does the spindle think about for a hundred years? Don’t be afraid to even invent a character!

5. Do NOT Keep the Plot the Same:

It doesn't matter if you set it on the moon, from the perspective of the glass slipper, and make Cinderella annoying rather than sweet, if you keep the basic plot the same (orphan girl abused by stepmother, girl defies odds to go to party, girl wins prince), it will be predictable and probably boring. Take risks! Surprise your reader!

6. Mesh Two Tales Together:

This is probably my favorite technique to use. Find parallels between two stories and weave them into something new. I've done King Midas/Rumpelstiltskin and Hamlet/The Little Mermaid. Don't ask me why, but I get such satisfaction from bringing two very different worlds into harmony with one another. It turns the story into a puzzle for the writer and I get a big kick out of that element.

You can even mesh pop culture and folklore. Wouldn't Ocean's 11 and 12 Dancing Princesses make a fantastic combo??? You bet they would!

*”Two Knights in One Day”, my Sleeping Beauty retelling and “M’Lady”, my Dracula-inspired Cinderella retelling

This post was updated from a post on Diamonds and Toads from 9/28/2011

UK Contest: Win 'The Curse Of Sleeping Beauty' on DVD (& a TV Series on the Way!)

This 2016 re-imagining of Sleeping Beauty is probably most comfortably categorized as horror, so while there are fantastical things to see in this film and more than your average dose of magic, just keep in mind that it's considered "good viewing for Halloween".

We admit we haven't seen this yet and our impression is that it was darker and scarier than Vampire Diaries or Twilight but perhaps this parallel is why this film has had so much publicity.

Over the next 13 days Horror Talk are holding a contest to give away a copy of the upcoming DVD, being released October 24th:

With a bright young cast (including Gregory Peck’s grandson, Ethan), gorgeously sinister design and more than a touch of gothic terror, The Curse of Sleeping Beauty is for anyone who enjoyed Maleficent, The Vampire Diaries or The Twilight Saga. 

Thomas Kaiser (Peck) inherits an ancestral mansion that has been in his family for generations - only to learn that he has also inherited an ancient curse stemming back to the Crusades. Forced into his new role as “protector” - the guardian appointed to keep the evil demons in the house at bay - Thomas must unravel the mystery of the house, while struggling to awaken the beautiful Briar Rose, held captive in a terrifying netherworld seen previously in his dreams.

YOU CAN ENTER THE CONTEST HERE.

While this movie clearly falls under the category of 'off-beat films', it's received a lot of attention this past year, enough to make people realize this take on Sleeping Beauty can't be as easily dismissed as you might think for a genre film.

It also turns out, there's a TV series coming, though it's not clear how much of it will explore metaphors via fairy tales like the movie. The director does have a soft spot for fairy tales it seem, though, so for those who love shows like Penny Dreadful and American Gothic, this one might be one to watch for.

Here are some excerpts from an interview with the director, Pearry Teo, by Fangoria, telling us more about the movie, his fairy tale explorations and the upcoming TV series:

Filmmaker Pearry Teo, whose credits include DRACULA: THE DARK PRINCE and THE EVIL WITHIN, has created a visually stunning reimagining of the Brothers Grimm fairy tale with THE CURSE OF SLEEPING BEAUTY. 

...Scripted by Teo and Josh Nadler from the comic book by Everette Hartsoe, it’s set in a sinister world where neither the conscious nor the unconscious can be trusted, blending Gothic and cultural legends to depict the ancient struggle between good and evil. 

FANG: THE CURSE OF SLEEPING BEAUTY constantly toys with reality and the subconscious dream realm. In creating this world, did any scenes stem from your own dreams or nightmares?
TEO: It would be very selfish to say that, because it really came from the dreams of everybody who worked with me. From my director of photography Christopher C, Pearson to my production designer Alessandro Marvelli, we all put a little bit of our dreams and nightmares into it. There were definitely elements I’ve experienced myself that I worked with my team to bring to life, like sleep paralysis and things like that, but the dreamscapes in this movie were definitely a collaborative effort. 

FANG: Is there a sequel or further continuation of the story in the works?
TEO: XLrator has been very supportive of this film, and about wanting to see the audience’s reaction before we consider a follow-up. It was a very risky film, because it’s not so much of an in-your-face horror movie; we were trying out new things, blending genres that most people wouldn’t think go together. To do something horrific with a story that was popularized by Disney was a very chancy move for us, but I can definitely tell you there will be a TV series. We already have an idea of what those details will be. 

FANG: Can you tell us anything about that?
TEO: Yes. The idea is that in a TV series, I can explore the fact that sleep is such an intriguing subject—it’s borderline spiritual. It’s where people experience their own subconscious, so we want to explore more of the cerebral realm and how it manifests the darker subconscious. If we were to do a series, without giving anything away, each episode would explore different dream worlds and tap into different dream cultures. Watching SLEEPING BEAUTY, you can see that we tapped into the Arabic realm with the djinn and all that stuff, so what’s going to happen when we start expanding further? Every culture has their own nightmares, so it’ll be very interesting to try and blend them all. We all have different stories to tell about dreams, and I don’t think that has been explored very much. 

FANG: Would you consider reimagining other classic fairy tales and giving them a genre makeover?
TEO: Yes, I actually have a book that is being republished called BEDLAM STORIES, written by Christine Converse from a story I created. It’s set in an asylum in the 1920s, and it’s about two little girls who have wild fantasies and delusions—it’s Alice and Dorothy. Putting those characters in that setting was really fun. SLEEPING BEAUTY is more like PAN’S LABYRINTH and SILENT HILL, but this one is more HELLRAISER. It’s definitely Clive Barker kind of stuff.

You can read the rest of the interview, with more behind-the-scenes information (and possibly some scare-spoilers) HERE.

And in case you haven't yet seen the trailer, here it is:

Good luck to our readers!

Theater: Prison Theater Arts Presents 'Sleeping Giants: A Dream Play' (Victoria, Canada)

Does the idea of going inside a prison to watch a play, even one based on fairy tales, unnerve you? We admit, we area little disconcerted, but we're also intrigued.

Opening yesterday (Friday, October 7th 2016), the minimum security prison William Head Institution is staging with the help and support of WHOs (William Head On Stage) and SNAFU Dance Theater, a new play titled Sleeping Giants. It uses metaphors from the tales of Sleeping Beauty, Rip Van Winkle and A Midsummer Night's Dream to reflect on real life experiences.

Description:

Sleeping Giants began inspired by such stories as A Midsummer Night’s Dream and Rip Van Winkle, and soon grew and evolved into a wholly original piece with music, costumes, lighting, set and props--all designed and built by the inmate team.  We follow the story of five human dreamers and a family of dream spirits who act as guides through the subconscious landscape.  Dreams are scarce, and the dream spirits must find a way to make the humans dream again, or else fade away into oblivion.  

There's an interesting review about the play and it's development HERE. Here's an excerpt:

Sleeping Giants takes its cue from such tales as Rip Van Winkle, A Midsummer Night’s Dream and Sleeping Beauty. It tells five fictional tales based on the real-life experiences of inmates. Greenfield said one of the themes is the notion of “long sleeps.”

“There’s the idea of people going to sleep for a long, long time and waking up and the whole world’s changed around you. It’s kind of a metaphor for prison life,” she said.The chairman of William Head on Stage is one of 15 prisoners performing in Sleeping Giants. He said the play is also a critique of our technology-obsessed society. The inmates have a different take on the topic because this side of modern life is off-limits to them.“We have no direct access to the Internet, we have no iPhones or gadgets to play with while inside,” said the inmate, who cannot be identified due to prison regulations. 

            

 

Costumes created for the show by the inmates:

The Alchemist's cape, Dream Spirit costumes and the Woodland Sprite costume. 

Here's a little introduction from WHOs, introducing the play:

You can find out more information about the play, the facility and the process of visiting this 'unique' stage HERE.

We would suggest, if you're interested, to do your research. You will find many surprisingly great reviews of plays staged at the William Head Institution and the visit process is made very clear. Consider going in a group, for your peace of mind, and, at the suggestion of those working in theater to change lives: keep an open heart.

What: Sleeping GiantsWhere: William Head Institution, Metchosin, near Victoria in CanadaWhen: Oct. 7, 8, 14, 15, 21, 22, 27, 28, 29, Nov. 3, 4, 5. Must be 19 or over to enter.

Kate Forsyth Finishes 1st Draft of "Beauty In Thorns"

If you're a Kate Forsyth fan (Bitter Greens, The Wild Girl, The Beast's Garden) you probably know she's been neck-deep in writing her retelling of Sleeping Beauty, titled Beauty In Thorns, set in the "passions and scandals of the Pre-Raphaelite circle of artists and poets".

The great news is that just this week the book was finished! Well, the first draft was. We here at OUABlog heartily congratulate Kate Forsyth on what has been a very intensive research and writing journey.

Here's more information about Forsyth's retelling, from her website:

In 1890, the Pre-Raphaelite artist Edward Burne-Jones finished a monumental series of paintings inspired by ‘Sleeping Beauty’. Greeted with ecstasy by the public, it sold for a record 15,000 guineas and made the artist a rich and famous man.

Told by the voices of six extraordinary women – the wives and mistresses, sisters and daughters of the famous artists of the Pre-Raphaelite circle – BEAUTY IN THORNS tells the story of love, desire, obsession and tragedy that lies behind the creation of this famous depiction of Sleeping Beauty. 
Told by the voices of six extraordinary women – the wives and mistresses, sisters and daughters of the famous artists of the Pre-Raphaelite circle – BEAUTY IN THORNS tells the story of love, desire, obsession and tragedy that lies behind the creation of this famous depiction of Sleeping Beauty.  

The ‘Sleeping Beauty’ fairy tale haunted the imagination of the Pre-Raphaelite painter Edward Burne-Jones, and he returned to the theme many times over the course of thirty years. 

Are you as intrigued as we are?

You can read more about it HERE.

The novel is expected to be published in August 2017.

The Legend of Briar Rose - The Sleeping Beauty (Mural 4 of 4) - Edward Burne-Jones

NEW Advertising: Sleeping Beauty: "It's What You DO"

We admit it: we love this revisionist take on the fairy tale!

Fairy tales have been used in advertising for as long as... well, likely since there was advertising. GEICO has mined the richness of fairy tales for advertising before with Pinocchio and Jack and the Beanstalk.

Sleeping Beauty is a tale that hasn't been used quite as often by advertisers (unless sleeping can be directly related in the product, such as for mattresses), as the princess is considered passive, but it works perfectly here for this GEICO ad, in their "It's what you do" campaign.

Enjoy!

Description: What if Prince Charming's kiss never woke Sleeping Beauty? What if Sleeping Beauty was never actually "asleep" at all? This latest 'It's What You Do' campaign commercial turns a classic fairy tale on it's head with one of the oldest tricks in the book.

See why we like it?

We've seen a rise in different approaches to Sleeping Beauty's "sleep" recently. We look forward to seeing if this idea of using sleep as a personal asset, instead of being victim to it, spreads.

Animated Musical Comedy "Charming" Gets Pop Divas (x4) to Voice Their Princesses

Apparently the new trend is focusing on Prince Charming.

No, I'm not repeating news - this is NOT about the Disney live-action "Charming". This is a new and different project: an animated musical comedy, also titled "Charming",  coming from 3QU Media.

From Playbill and iAfrica:

Avril Lavigne and Ashley Tisdale and G.E.M. will join Demi Lovato in voicing fairy-tale heroines for the animated musical comedy Charming.
...In the film, Lavigne will voice Snow White, Tisdale will play Cinderella and (Chinese pop-star) G.E.M. Sleeping Beauty. Lovato will play the female lead, Lenore.
...In the film, a cursed Prince Philip Charming must find his true love before his 21st birthday or risk losing all claim to the throne.
The film is produced by John H. Williams who was behind Shrek, and will be written and directed by Ross Venokur.
Charming is set to be released next year.

No word on who Charming will be voiced by yet but 'next year' is ridiculously soon. 

I'm also just confused by this news. Where is all this 'charming' business coming from? Even OUAT will be focusing on Charming and King Arthur as the other story-draw in the Dark Swan season, complete with buddy stories and 'a different kind of 'bromance' being teased by the Producers. Between Charmings and Arthurs there's a definite bizarre trend happening. While I'm a fan of great stories for boys coming back into fantasy, (especially after all the princess culture' we've been drowning in), I'm not sure I like it.

Thoughts? 

Concept art for 3QU Media's "Charming"

Disney's "Descendants": First 6 Mins Preview

I've been seeing Descendants getting a lot of mention right alongsideABCs Once Upon A Time which is a little brow furrowing for me - not in confusion but slight concern, so when the six minute preview was released I took a look to get a better idea of what audiences are in for (because the marketing push seems to be getting bigger and I'm beginning to see merchandise. ! )

Here's the extended preview if you've missed what this is all about:

So onto the preview: I didn't think this would be my cup of tea so I'm not too surprised by what I'm seeing but I'll let you be the judge. (I was starting to come around until the song kicked in.)

Take a look:

Disney's Descendants is scheduled to premiere on Friday July 31st at 8pm (EST) on the Disney Channel.

Sleeping Beauty as 'Sloth' & Cinderella as 'Jealousy' in the Windows of Paris

It's not the first time fairy tale characters have been used to portray the seven deadly sins but it is somewhat unique.

Paris currently has a window dressing competition among the shopkeepers, in which every window has to portray one of the Seven Deadly Sins. (I dearly wish I had images to share but I can't find any relevant ones sorry!) With the floor completely open for interpretation, it is interesting that two fairy tales in particular are featured (and making the most impact). I wonder if it's partly to do with French heritage of fairy tales in popular culture?

From The Guardian:

The most crowded street in Paris this week has been the Faubourg St Honoré, whose shopkeepers are holding a competition in window-dressing of which the theme must be one or more of the Seven Deadly Sins. ...The biggest success is a Sleeping Beauty (accompanied by sleeping king, queen, courtiers, scullions and guards), exemplifying Sloth, that occupies the whole shop-window of a dealer in curios. ... The best window of all is perhaps that of a shoe shop showing Cinderella’s abandoned shoe on the royal staircase, and the long rows of busts that flanked the august descent, pale, as Perrault declared them to be, with Jealousy of the beauty they had just seen pass them.

Note: for a great read about Perrault and Cinderella's slipper check out Tales of Faerie's recent fascinating post HERE, on The Significance of Shoes in Perrault's Time.

The main drawing of an art nouveau Sleeping Beauty as Sloth seen above, is part of a beautiful-looking series by illustrator Chris Hill. (I love his art nouveau character posters!) I've included the rest below for your convenience, and find it interesting that Cinderella is included in his series under the label of 'lust' (which, can be related to jealousy).

Disney Fairy Tale Movie Marathon (aka Princess Movies) on ABC Family This Weekend

HIstorical Cinderella Edit by Camile Eusse
something different - just for fun)

Need to catch up on your Disney (princess) fairy tales? There's a bunch showing on ABC Family this weekend:

Saturday, March 21, 2015:
The Princess and the Frog    - 5pm ET/PT 
The Little Mermaid                - 7pm ET/PT 
Sleeping Beauty                    - 8:45pm ET/PT 
Cinderella                              - 10:30pm ET/PT 

Sunday, March 22, 2015:
Pocahontas                           - 12:15am ET/PT (yes, VERY early/late!)
The Princess & the Frog       - 3pm ET/PT
The Little Mermaid                - 5pm ET/PT
Sleeping Beauty                    - 8:45pm ET/PT
Cinderella                              - 8:30p ET/PT
Pocahontas (again)               - 10:15pm ET/PT

(So we wouldn't expect Anna & Elsa - too soon - but where the heck are Snow White, Jasmine and Rapunzel - three princesses that had their status right from the beginning of the movie?)

Here's the programming pitch:

"Beginning this Saturday, March 21, at 5 p.m. ET/PT, ABC Family will be presenting “Princess Funday.” Princesses of all ages are encouraged to don their tiaras, raise their goblets, and celebrate “girl power” with a princess-packed viewing schedule of animated Disney classics. "

For Saturday that's not a "Funday". That's a sleepover at best. Not sure who in programming plans on having their "princess" up past midnight to watch Pocahontas, (or starting to watch a movie after 10pm on a school-the-next-day night!) but... if you need to catch up on those movies (or want to take the opportunity to DVR them) this is a good opportunity.

And there's a new Disney "Imagicadamy" that's promoting family fun play ideas on the Cinderella theme that have nothing to do with watching - or buying - anything. 

The activities suggested are:

• Find the Shoe - treasure hunt
• Wait for Midnight Noon - clothes change dash
• Scrub the Floor (unless it's already part of their chores!)

You can read the game details HERE.

American Ballet Theater's Sleeping Beauty - Final Performances in Costa Mesa CA Today (Sunday)

A quick sneak-it-in post, since Sunday (today as you are probably reading this) is the last day this is being performed in Costa Mesa, California. But the production sounds all sorts of amazing, with new choreography and classic combined, full of symbolism and a different sort of storytelling to usual story ballets.

By the way - beautiful promotional pic, don't you think? Although it also looks incredibly uncomfortable.. that girl is going to need a massage when she finally gets woken up!

The American Ballet Theatre returns to the Center with the world premiere of its new production of The Sleeping Beauty, with choreography by Marius Petipa and additional choreography by ABT Artist in Residence, Alexei Ratmansky. This classic story ballet tells the enchanting tale of the beautiful princess cursed to sleep for 100 years by an evil sorceress, until awakened by the kiss of a handsome prince. It’s ballet on the grandest scale with the superstar dancers and spectacular sets and costumes that only ABT can deliver. And it all unfolds to Tchaikovsky’s ravishing score, performed live by the Pacific Symphony.

New costume design left to right:
1st row: Rose Adagio, The Wolf, Queen at Christening, English Prince
2nd row: Catalabutte, Mandarin, King at the Christening, Indian Prince
3rd row: Hummingbird Fairy, New Wedding Dress, Ariana, Garland Couples

(You can see the costumes sketches much larger HERE.)

I wanted to point to a hilarious, irreverent post on her special night out to see an older ABT Sleeping Beauty production (at The Lincoln Center) HERE. The writer clearly was completely entranced, but makes some hilarious observations and connections too, such as:

"Any respectable girl knows the story of Sleeping Beauty. She is born, and at her welcoming ceremony, her parents offend Helena Bonham Carter, who curses the princess to an early death via poisonous spindle."

I had to laugh.

And if you get the chance to see the ABT's current production, consider going. It's touted to be a little bit more than a standard production of Sleeping Beauty (which is a very difficult ballet to stage and execute because of the technical difficulties - many companies are just not up to the grueling task!).

For this Sunday/today's last two performances, you can find more information HERE.


For more information on the American Ballet Theater touring (though I don't see any further performances of this new Sleeping Beauty production after tomorrow until June) go have a look HERE.Note: if you end up going and seeing a performance of this Sleeping Beauty later in the year, I've read articles which say the ballet, because it's a brand new production, is being tweaked and revised, according to critic and audience reception as it goes along (this is fairly standard for age companies adding a new signature work to their repertoire) so be assured that it will only get better.

Fairy tale bonus of the day:

Ballet legend, Gelsey Kirkland and her amazing Carabosse costume from the ABT production in 2007. I just had to share. It looks like beetles and magic! You can see more from the creator, Kari Love, who created the costumes for the 2007 production HERE.

"The 7th Dwarf" Released in UK Theaters

There aren't much in the way of (English) reviews for this film but despite hopes for the production, with some ex-Disney Company names such as the talented (and, sadly, late) Harald Siepermann on the team (you may recognize some of his character design work from Tarzan, Enchanted and more), as well as design work from the amazing Man Arenas, I'm not sure I'd view this any way other than Netflix.

Even The Guardian's review, while generally a "thumbs up", is a bit sparse on details. But apparently there's a very successful franchise that this movie is a part of in Germany, so perhaps there's more to this than is immediately apparent.

The 7th Dwarf is the latest in the Snow White-inspired franchise created by German comedianOtto Waalkes. Two previous live-action versions of the series have together grossed around $75 million in Germany alone.

While it's difficult to truly assess trailers (what with the power of editing being able to transform a movie's story or genre), when I finally did view one I saw why it was initially thought to have a lot of potential.

Here's the trailer:

And the synopsis:

When Bobo, the youngest of the seven dwarves, accidentally pricks Princess Rose (a.k.a. Sleeping Beauty) and sends the kingdom into a century-long slumber, Bobo and the other six dwarves must travel into the future in order to revive Rose... and find that even the smallest dwarf can be a king.  

A hilarious mash-up of the best classic fairy tales for young and old alike, featuring a suicidal dragon, a brave little dwarf, non-stop gags, and toe-tapping songs in Stereo 3-D.

Clearly, "the gang's all here" (ie. all your standard fairy tale characters are here) which, admittedly, isn't my favorite fairy tale genre to begin with. Taking the little reviews have said though, I'm not confident it's as little-kid-friendly as it's supposed to be (think German sensibilities/humor!). There are bound to be some interesting ideas in there but are they worth mining for?

Additional sources: HERE, HERE and  HERE