Showing posts with label Burton. Show all posts
Showing posts with label Burton. Show all posts

Wednesday, April 2, 2014

Burton's Poppins Movie Rumor A Viral Publicity Stunt (April Fools!)

Is anyone really surprised, despite that it happened a couple of days early? (You can read about the reason behind the stunt HERE.)

t certainly confirms the trend of people wanting backstory-stories though, not to mention the odd-mother thing. Maleficent is certainly not your average fairy godmother, is she? And Helena Bonham Carter is giving Bibbidi-Bobbidi-Boo a new flavor too. Even if the enormous response/buzz hasn't swayed Disney toward something else Burtonesque, I have no doubt the response will help the company solidify some decisions on their Descendants movie and possibly other projects in the potential pipeline as well.

In the meantime, please return to your regularly scheduled Poppins. ;)

Monday, March 31, 2014

Breaking News/ Rumor Mill: A Tim Burton Poppins?!

Note: Before the purists roll their eyes at my posting on Mary Poppins, please note: Poppins is a magical caretaker/late revealed otherworldly godparent/magical meddler - a type of character which is common in fairy tales, so it's not too much of a stretch to be discussing her type and iterations of her in a fairy tale news blog.  But yes, I agree: Mary Poppins doesn't fit the base definition of fairy tale.
All it took was a single tweet, a fan made poster and vague memories of Disney talking to Burton about something like this and the social media networks set to buzzing like crazed insects this past weekend.

The poster (yes, it's fan made - not from Disney) is at the head of the post. And here's the tweet that sparked the crazy:
And the article* that followed it:
Today, (March 29) Tim Burton announced on his Facebook page that he will be teaming up with Disney to create ‘Poppins’. It will continue the story of Mary Poppins.
The poster looks like we should be expecting a different side of the Mary Poppins universe, a much darker side.
It should be hitting theaters November 2016. We’ll keep you updated!
Whatever the case of true or not, the response has been interestingly polar. Comments are basically "cool", "aw YISS!" and "perfect fit!" then jump to the other end of the spectrum which reads "no, no, NO" and "Burton, step AWAY FROM THE POPPINS!"

Interestingly, I scanned a variety of social media, looking for key words rather than fans for or against,and the scales are definitely tipping toward the "we like this idea" end.

Problem is, I'm fairly certain (in the 80 to 90% range of certain) that this is pure rumor and speculation. At this point anyway. I DO think, however, that there's a good chance this rumor was gently encouraged to spread to see what the response would be, prior to approaching the idea for real. (Call me cynical - it wouldn't be the first time, nor the last.) Considering we've just had Saving Mr. Banks, I'm a little surprised at how much credence this is being given, but then people are quite aware there's nothing like milking a franchise either. Perhaps it was the addition of Winona Ryder's name being added to the possible-Mary's list..? The internet definitely has it's own version of Chinese Whispers.

A reason someone could put any stock in the possibility at all, is because of some not-too-ancient-history sort of information being dug up and quoted like this (from two Italian papers in the last couple of days, for some odd reason - also, translation is auto, not mine):
A Jolly Nightmare by Brianna Garcia

Johnny Depp  and  Helena Bonham Carter  will star Poppins , the new film by Tim Burton made ​​in Disney announced for 2016.  
It 'a few years ago that Disney thinks of a remake of Mary Poppins. In 2011, it was reported on the decision to entrust the direction of the brilliant and unpredictable Tim Burton, and then, though, he's talked more. But what it means to have been abandoned. In fact, things have gone pretty far. And now here come interesting news. The film's release has been announced for the end of 2016, the protagonists are two actors quite dear to Burton Johnny Depp in the role of Chimney Sweeps and Helena Bonham Carter (who is also his wife) in the title role. 
Based on the series of novels written by Pamela Lyndon Travers, the first version of Mary Poppins in 1964 and was directed by Robert Stevenson, the main character was given to Julie Andrews (who won an Oscar), while it had the Chimney Sweep appearance of Dick Van Dyke.Before Burton, Disney and Rob Marshall had thought he had mentioned the name of Nicole Kidman for the main part. Then, however, have changed the cards on the table. 
The screenplay was written by Linda Woolverton ( Alice in Wonderland ), which kept the London setting of '900 and has focused mainly on the mysterious origins of Mary Poppins adding those dark elements so dear to Burton. 
We're really excited  - he said some time ago the president of Disney's Rich Ross -  of this new collaboration with Tim Burton. The competence and vision put into play with Alice in Wonderland made ​​us understand that it is the right person to bring this great story to the movies with the help of latest technology. It will be a spectacular film. And Helena Bonham Carter is just perfect in the multi-faceted role of Mary Poppins . " 
The film will be shot in  native 3D  with a budget of $ 150 million, and will result in a large deployment of special effects not only to rebuild the London of 1910, but also to recreate the magical world where Mary Poppins leads the young protagonists, and that in the original film had been created in 2D animation, with one of the first successful mix of animation and live action.Mary Poppins  will then become the next Tim Burton film after  Dark Shadows , which starts shooting this month. All other projects in which the director was working on, including The Addams Family  and the retelling of  Sleeping Beauty  by Disney produced their own (named  Maleficent ), will then be postponed. 
(Source HERE)

Mary Poppins by Matt Howorth
There seems to be a bit of mixed information here, some old, some adjusted for new information (did they mean Dark Shadows 2?  - which I haven't heard about - Or did they mean the original Burton Dark Shadows and that's the context for some of this?) and some sort of magical speculation for the rest. Where that Disney quote came from (and who said it) remains a mystery. We'll just have to see if Disney have anything at all to say about the hype this past weekend caused.

Depending on how long you've been a reader of this blog you are, or how consistently you catch up on the posts you may (or may not) know that Mary Poppins is one of those movies (and characters) that always creeped me out as a kid. As an adult it didn't get any better. P.L. Travers' books don't give me the same heebejeebies but the Disney film? Nightmarish. When the Scary Mary recut trailer appeared I felt vindicated that someone had finally seen my point of view.

Here's a post I wrote in an old blog (Remember Live Journal? Yeah, that old!), from 2008:
A character that's always bugged me is Mary Poppins. From the first time I saw that Disney film I was disturbed by this apparently perfect, almost emotionless, amazingly powerful woman with an agenda that's never revealed. She seemed alien to me and not at all comforting. if she'd been my nanny I would have had nightmares. As it is I just find her disturbing. Even with all that singing and dancing I was always aware of the ice in her eyes and the strangely perfect precision of all her movements and actions. I felt like Bert was under a spell, and not a good one. Oddly enough her arrival in the sky with the umbrella was like a black cloud appearing and it didn't go away until she blew away too. Despite this, umbrellas - and their potential to fly you away to distant places - are a wonderful image for me, as are dancing on chimneys and sidewalk paintings you can jump into, but my enjoyment of these is greatly disturbed by the shadowy, threatening presence of Miss Poppins. It's the cold perfection that I find completely inhuman and ultimately dangerous. I'll have to read the books to see if I can get a different sense of her but I always felt that she was really a personification of the Snow Queen and that the film was only ever Act I of the story. Act II, in which her sinister plan is revealed, was never completed and I was quite happy that we never saw her again.
So there's my Mary admission.
Although, I will also admit, I would LOVE to see a steampunk version of Mary Poppins and Tim Burton would be high on my consideration of directors for that sort of a take. (Steam-powered umbrella transports and talking umbrellas for the win!)

Regarding this Burton-to-make-Poppins rumor, however, I have to admit it has me wanting to take out my red pen and put question marks and suspicious circles around a whole lot of the 'legit' info. Unless Disney are sending out social media lures to test the waters, I can't see there being anything more substantial to it than that. For now. ;)**

What's your response? Fistpump, headdesk or eyeroll?

*First of all: I couldn't find ANY Facebook announcement from any Burton source saying this. Secondly: this is not a pro poster but a fan made one. Thirdly: there is no hint on IMDB or any other "in production" website that mentions this project in development in any form so a release date - even a tentative one, can't be quoted. It doesn't mean it won't happen but it means the article above is full of crap unsubstantiated comments.
** If something DOES happen, I'm going to guess the umbrella will have more than one line...

Friday, January 13, 2012

Tim Burton's "Pinocchio", Guillermo del Toro's Stop-Motion "Pinocchio" & a "Pinocchio Prequel" All In The Works

How did I miss this Burton announcement this week? The fairy tale movie list just keeps growing and growing... and that's the truth. ;)
Burton, who put his bizarrely charming stamp on "Alice in Wonderland" in 2010, is in talks to direct a Warner Bros.-produced big screen, live action adaptation of "Pinocchio." Circling the role of Geppetto, the puppet-maker and creator of the marionette boy, is none other than Robert Downey Jr. This version of the fairytale originally written by Carlo Collodi would see Geppetto seeking out his lost puppet son; past iterations, including the classic Disney cartoon, have focused more on the twists, turns and lessons learned during Pinocchio's quest to become a real boy and reunite with the puppet-maker. 
Neither director nor actor has signed on the dotted line, and scheduling still has to be worked out, but according to The Hollywood Reporter, they are both keen to sign on. Source: HERE
Once somebody puts ink on a contract somewhere and makes this more than a conversation we should get quite a few more details on this Gepetto-centric adaptation since Burton doesn't take long to jump into his projects when he has all his strings in hand. (The media are going to have a field day with the puns on this one! And someone is going to have to say something about Robert Downey Jr going from Iron Man to wooden boy...)

Speaking of Pinocchio adaptations, whatever happened to the Guillermo del Toro, Henson & Gris Grimley 3D stop-motion animation project? I snapped up the Gris Grimley illustrated book that was the inspiration for this adaptation, back when it appeared years ago. Even though it's "Gris Grimley dark", it also has an interesting humor to the illustrations and suits Collodi's original story (technically "stories") very well. Add in the other creative heavy weights (del Toro and Henson Co) and the potential for a film like this is amazing.
Guillermo del Toro's Stop Motion Pinocchio

Here's the info from earlier last year:
Guillermo del Toro, The Jim Henson Company and Pathe are moving forward with a stop-motion animated 3D Pinocchio. It is a feature adaptation of the Carlo Collodi fairy tale and will reportedly be edgier than the 1940 animated Disney classic. Gris Grimly is set to co-direct with Mark Gustafson, and production will begin later this year. The basis of this project was Grimly's 2002 illustrated book of of Collodi’s tale. Del Toro and Matthew Robbins crafted the story based on a script from Robbins, who has collaborated with del Toro on scripts for Mimic, the Don’t Be Afraid of the Dark remake, and the upcoming At the Mountains of Madness. The director is producing the feature along with Jim Henson Company’s Lisa Henson and Jason Lust, and Allison Abbate. Gary Ungar is exec producer along with Pathe’s Francois Ivernel and Cameron McCracken. This version will be for audiences 10 years and up, and will be scarier than the Disney film. Australian musician and film composer Nick Cave will serve as the music consultant for the project. The puppets and 3D elements will be developed with the UK's MacKinnon and Saunders, that did The Fantastic Mr. Fox, Tim Burton’s Corpse Bride, and the upcoming Frankenweenie.
Guillermo de Toro's Pinocchio - key frame
And, in case you haven't read them before, here are some excerpts from an interview with Guillermo del Toro regarding Pinocchio, Collodi's characters and fairy tale recorders and adaptors (including Disney) from HERE:

“There has to be darkness in any fairy tale or children’s narrative work, something the Brothers GrimmHans Christian Anderson and Walt Disney understood. We tend to call something Disney-fied, but a lot of people forget how powerfully disturbing the best animated Disney movies are, including those kids being turned into donkeys in Pinocchio. What we’re trying to do is present a Pinocchio that is more faithful to the take that Collodi wrote. That is more surreal and slightly darker than what we’ve seen before.”

“the Blue Fairy is really a dead girl’s spirit. Pinocchio has strange moments of lucid dreaming bordering on hallucinations, with black rabbits. The sperm whale that swallows Pinocchio was actually a giant dogfish, which allows for more classical scale and design. The many mishaps Pinocchio goes through include several near-death close calls, a lot more harrowing moments. The key with this is not making any of it feel gratuitous, because the story is integrated with moments of comedy and beauty. He’s one of the great characters, whose purity and innocence allows him to survive in this bleak landscape of robbers and thugs, emerging from the darkness with his soul intact.”

So the current status on this project is unknown apart from being "in production". Apparently it went into production toward the end of 2011 as planned and things have been very quiet from the team (I'm guessing they're very busy!) since.
Guillermo de Toro's Pinocchio - key frame
There's one more Pinocchio project in the works too: a prequel called The Three Misfortunes of Gepetto with Shawn Levyy (Real Steel) attached to direct as of October 2011 (see HERE for a couple more details). It's being touted as “a fresh way into the Pinocchio story.” 
Deadline report the studio bought Michael Vukadinovich's screenplay for The Three Misfortunes of Geppetto, and aim to produce a film in the vein of "Big Fish or The Princess Bride." In the story, Geppetto "endures a life of misfortune, war and adventure all to be with Julia Moon, his true love." (Source: HERE)
Not much else on this project right now either but I'm sure it will get more than a few mentions and perhaps nudge out any further news (if there is any) with the Burton & Robert Downey Jr. announcement this week.

Friday, February 12, 2010

Cheshire Cat Papercraft

Too cute not to share!

As part of the promotional fun for the upcoming "Alice In Wonderland" (Burton and Disney), the fan blog site released a gorgeous little papercraft toy download for the Cheshire Cat (via Super Punch).

You can download your own HERE with some construction tips (although I'm afraid that book does not come with it).
I have a feeling there will be more than one of these smiles appearing at my place soon... ;)

Monday, December 28, 2009

Stories for the Season: Edward Scissorhands

"Edward Scissorhands" is a movie it took me a very long time to see. When it was first in theaters I found the poster disturbingly like the "Freddy" horror posters and, despite what people were saying, didn't want to subject myself to anything remotely in that genre.

Many years later I saw the movie and quickly realized it wasn't a horror at all but a beautiful modern (and romantic) fairy tale of a boy misunderstood simply because of how he looks. It's quite reminiscent of "The Hunchback of Notre Dame" with a light and magical aspect (for the most part) instead of the heavy Victor Hugo touch. The PG rating is more because of the unfortunate boy/creature's appearance than anything else, otherwise the film is touchingly humorous, beautifully fantastic and very romantic. The film is in many people's favorite fantasy film picks and has even been adapted into a very successful ballet.The supposedly true story of how the first snow came to fall on the town, is being told to a child by her grandmother. An old inventor is slowly completing his life's work: a boy he names Edward but Edward's creator dies before he can give him the hands he made for him and the poor boy-creature is left alone in the mansion/castle he was created in. One day a kindly Avon lady comes knocking one day and takes him under her wing. In all his years with his substitute hands that are made of knives and scissors, the gentle-hearted Edward has learned to use them to create beautiful things. This helps people get over their first fearful impression of him to start with but nothing is straight forward - of course. Especially when Edward falls in love with the Avon lady's beautiful daughter...In a quick search for favorite Christmas movies it's not surprising to see "Edward Scissorhands" on the peoples lists. The music alone has some beautiful winter/Christmas-sounding pieces but when you add the story you add the heart.

Thursday, November 12, 2009

The Mad Hatter's Second Reveal + The Difficulties Of Turning Carroll's Classic Into A Film

As a follow-up to my post HERE on Tuesday this week, Mad Hatter has revealed the second Disney/Burton "Alice" poster. I think Alice and the White rabbit both look like they could a nap, otherwise it has a lovely mix of fantasy with a dark undertone (as you would expect from director Tim Burton) plus the Burton trees!

Of course, The Mad Hatter now wants 9, 000 Facebook 'likes' to unveil the third art piece...

If you want to join the madness go HERE. (Only 3, 700 'likes' to go till the next one... Ah, publicity - gotta love the stunts.)

On the subject of putting Alice in Wonderland on film, I came across this article I thought the Alice fans may find interesting. It's fairly lengthy with a lot of great detail for those interested in the challenges of adaptations of Carroll's work, as well as those interested in animation. It's aptly titled "It Would Be So Nice If Something Would Make Sense For A Change" - which is a perfect description of article, film and the film's process.For those who don't know, Walt had a long history with Alice and was keen to do a film on the classic work for many years. He kept hitting roadblocks of one sort or another until when the film was finally being developed/in production, he was so tired of it all he barely gave it any attention. I can't help but wonder what it would have been like had he still been enthusiastic and able to dedicate time and effort to the film.)Here's an excerpt:
Pick up just about any book about the history of the Disney Studios, and you're going to run into the same stories, often told in the same words, about the miserable hell that was the production of Alice in Wonderland, which eventually saw release in July, 1951. The problem seems to all boil down to a small nexus of issues: first, there was the fact that Walt eventually had to face, which is that nobody could possibly make a film of Carroll's novels and expect it to turn out like Snow White, or even Pinocchio. The books were too mired in linguistic play, and given over rather to the creation of absurd situations than the development of plot or specific conflict. To surpass this difficulty issue, it seems like he eventually conceived of the film as a sampler platter, if you will, of animation and design: let it be the cartoon version of Carroll's writing in effect, not in detail, an opportunity for the animators to cut loose and make surreal situations with beautiful artwork...
You can read the whole article HERE.

NOTE: The three illustrations are by the legendary Mary Blair who was working for Disney as a concept artist at the time of developing Alice. Her style, designs and color palette greatly influenced the whole film. You can see more of her art HERE, (scroll down for a huge gallery) and buy a book on her work HERE. A Disney Alice in Wonderland story book using Mary Blair's concept art for the illustrations, was released in September last year (and I posted an entry HERE).

Wednesday, June 24, 2009

Tim Burton's Wonderfully Weird Wonderland Launches Publicity Campaign

Alice in Wonderland is getting a Burton-style make-over. His visually stunning and surreal style should make a good match for the equally surreal story.

From aPARENTly Speaking:
The movie, which combines live action, motion-capture, CGI and 3-D, opens March 5, 2010, and stars the usual Burton crowd: Johnny Depp plays the Mad Hatter, Alan Rickman is the Caterpillar, and Helena Bonham Carter channels the Red Queen.
USA Today got a nice preview and is posting some stunning visuals for you zoom into and move around in with your mouse for a better look. Click here to check them out. There's also a small photo gallery of some of the characters with a little actor profile for each.

It looks like they're just launching their publicity for the movie so expect more Wonderland-weirdness to appear over the next few months.